Review: Southern California based Mo Funk has launched the new Cavi Sounds imprint. Originally released earlier in 2018, Christian St. James Cleveland aka Polyester The Saint's "Wazzup" was one of the standouts from his album last album entitled American Muscle 5.0. He is also known for his work in the projects HellagooD, and L.A.U.S.D. It was produced by label boss XL Middleton, who is bringing it to wax for the first time. Proper modern g-funk sounds in the true Los Angeles tradition, with a special Modern Funk Dub Version on the flip that is not available anywhere else.
Review: Mario Miranda aka Asterix Music hails from Carson, California and this is his debut, a banging little 7" by the name of Stud. Oh yes, super fitting, indeed! Out through Firehouse Sound Labs, the EP opens with the funky-ass boogie bass of "She'll Take U Down", a killer dance floor burner for the party vibes. On the B-side, "First Date" drops some heavy electro swings over sweet, seductive r&b vocals.
Review: Turbotrax was an intermittent curio that belched out of the Bristol underground in a fit of tongue in cheek edits and samples back in the '00s. Someone's clearly rebooted the mainframe and brought this elusive collective out of hiding for another bout of cheeky lifts from more esoteric corners of culture. Library Vultures says it all - this is the work of dedicated diggers pulling forgotten bits n' pieces out of retirement, such as, on the A side here, the storming theme to a Commodore advert, and giving it a buff up more extended retro-pleasure. "Whatever Happened To The Hippies?" on the flip is a more light-hearted affair with a jaunty lilt and a message of positivity for all.
Just An Illusion (Ilija Rudman Night Institute mix) (3:04)
Don't Look Any Further (Ilija Rudman True Colours mix) (4:38)
Review: Off the back of the awesome "Sagittarii" LP on Stevie Kotey's Bear Funk earlier in the year, Croatian deep disco hero Ilija Rudman is back with a couple of sweet re-edits on Brooklyn Highs. He takes on Imagination's classic "Just An Illusion" for a "Night Institute Mix" where he pitches this sexy late night lovers anthem down a few notches for that good ol' low slung effect. On the flip, he delivers a respectful edit of Dennis Edwards and Siedah Garrett's 1984 classic "Don't Look Any Further" for a "True Colours Mix", which again goes for that slo-mo vibe just nicely.
The Truckin' Company - "Got The Feeling" (Massimo Berardi edit) (5:41)
Izk Eyes - "Ton Of Groove" (The Funk District re-edit) (6:30)
Review: Fledgling label Daje Funk is sure to turn heads with their second sizzling offering of edits, with Rome's Massimo Berardi and Mexico's The Funk District both stepping up to the buttons. Truckin' Company's "Got The Feeling" is a loopy and rolling funk gem that keeps the energy up as strings soar to the skies and a squelchy bassline keeps you locked. The Funk District takes care of the flip with a top tweak of Izk Eyes's "Ton Of Groove", which is an appropriate title: big brass sections to shake your booty, a buttery male vocal and busy guitar licks all drive it forward through big breaks and killer drops.
Review: There is something about good 7"s that makes them seem extra special, and this is a prime example from City Baby Records: a double a-side of timeless grooves that are disco tinged exquisites from start to finish. The outfit behind them is Freaky, a soul gang from Minneapolis who apparently hide away deep in Tokyo's underground disco scene. "Running" is a delicate affair with neat bass riffs and happy chords that make for dreamy listening. "Sailin" is slower and more deep cut, with tooting leads and the sort of carefree vocals that will melt anyone's heart.
Review: Way back in 1999, Acid Jazz Records launched an offshoot dedicated to disco edits: Original Sound Track Recordings. The best of the series' many superb reworks were later gathered together on a compilation album on EMI that now changes hands for significant sums online. Happily, they've decided to reissue some of their early releases, beginning with this 7" of Family Tree featuring Sharon Brown's "Family Tree". You'll find the peerless original - a breakbeat-driven chunk of lolloping funk brilliance - on Side A, with the label's 2002 "Super Disco Break Beat" version on the flip. Inspired by hip-hop DJs doubling up the track's brilliant drum breaks, it's a killer percussion workout with a few quick blasts of funk energy and carefully placed special effects (think flanged drums, reversed sections and so on).
Review: E Da Boss (Myron & E/Pendletons) & Ishtar team up as 'Lucid Paradise' for their second release, produced by non other than Russia's finest, 'The Soul Surfers'. 'Tonight' is the accumulation of two Bay Area soul aficianados coming together to create a smooth & crisp, timeless yet modern cut. Written alongside UK's pioneering soul singer Gizelle Smith, 'Tonight' epitomises the talent of contemporary soul acts worldwide.
Review: Newcomer Finnian Langham aka Kayroy is catching ears and hearts on dancefloors from his hometown Melbourne, Australia and beyond. What began as a love of the disco era has grown to encompass everything from obscure deep cuts of 80's synthpop to trippy acid tinged techno. It all comes down to his love of a good tune, and the pursuit of a good boogie on Harlequin Fiasco - following up releases on Whiskey Disco and Sour Edits, the album comes courtesy of French label Hotfoot and is a spaced-out boogie down jam that made us fans from the first beat. We're also loving side B where Swiss duo In Flagranti explores the space between the beats on their trippy dub rendition.
Review: Fresh from '78: Brazilian funk lothario Marcelo's first big single (which was never out on a 45 before)- and a peak track from his debut eponymous album from the same year - gets a timely revisit from the Steven J's reissue/edit imprint Pepite. With its subtle piano striking Q&A, wild bass runs and clam-tight guitar/drum groove, Marcelo calls his way through the jam as if everything is a chorus. With its layered vocals, it's gutsy call to action for any dancefloor. Steven's edit stretches out the instrumental bars and brings out focus on the staccato vocal hook with a rising sense of momentum. Two great sides, one dope 45.
Review: New York City-based trio Escort are back for the first time since their Animal Nature LP from 2015. Their new track "Slide" was co-written with NYC soul artist Denitia and drives you gently with this west coast influenced roller produced by Eugene Cho and Jkriv - and featuring Adeline's wonderful vocal delivery. We absolutely adored this slick and low slung boogie-down number. For something more uplifting (and with dancefloor dynamics) you can try the classic '70s disco explosion of "Ride" (feat Brian Jackson) on the flip, which calls to mind the classic vibe of masters like Salsoul, Moulton Studios et al.
Review: Hot on the heels of a re-work of Bobby Caldwell, edit stylist Caserta is back with another golden nugget. This time he turns his attention to the one and only Luther Vandross and serves up two equally essential but very different tunes that pay homage to his unique voice. The King Street Mix is all hip swinging claps and nodding bass riffs that are organic and heartfelt, whereas the Henry Street Mix nods to the '90s heyday of New York. With warm neon organ stabs that will get any floor pumping, both interpretations have Luther's soulful voice front and centre.
Don't Let Love Walk Out In Us (T Groove mix) (3:47)
Review: Paul Craver's smooth strain of jazzed-out house music has been MIA since 2013, and we're glad to hear some of it back on our charts with such fervor. The man returns to Sundae Soul Recordings with two fine-ass cuts, the first of which is an edit of a certain track called "Back To You" (unnamed for legal reasons), and it's one of those seductive soul ballads that sounds just perfect on the dancefloor. On the flip, T Groove drops a mix of "Don't Let Love Walk Out In Us" and, once again, we have a lovely blend of disco-leaning soul on our hands - perfect for just about any situation involving lovers and the moonlight. Gorgeous.
Review: Given that one of the founders of Al & The Kidd Records, Carl Kidd, was the musical driving force behind turn-of-the-'80s Washington D.C combo Light Years, it's perhaps unsurprising that the re-born disco-era imprint has a wealth of previously unheard material from the band to share. The label's latest "45" showcases two of these cuts. On the A-side you'll find the Clavinet-heavy D.C disco-funk of "It's Up To You (How Far You Go)", a decidedly cosmic wig-out with urgent vocals and instrument solos aplenty. Flip for the spacey synths, rising horn lines and Mass Production style disco-funk hustle of "Do It To The Max".
Review: Hawaiian legend Al Nobriga played a vital role in the island's club and chart scene throughout the '70s and early '80s before chasing his dreams to Nashville (and consequently shattering them). Long before the brutal crush of industry reality, he recorded several albums including They're Playing My Music in 1977 of which these two tracks come from: "My Last Disco Song" lives up to its title with it sturdy dancefloor hook and polished sense of funk while "Break Away" shows Al's softer side as we sail on yacht across positively Balearic shores.
Review: Sao Paulo's SELVAGEM drop a masterful double sider for Universal Cave 004. "Tudo Bem" is sunny, soulful AOR bliss. A tribute to a favorite Brazilian musician and an update for contemporary rotation. "Luanda" is hypnotic, psychedelic tropicalia. Truly digging deep, SELVAGEM give Universal Cave a taste of the Forward Deep & Free sounds of Balnearico from Brazil. Balnearico is the fusion of balearic and "balneario," the Portuguese word that is synonymous with beach.
Review: The mighty Cherrystones originally dropped the crackling party heat of "Blood, Campari & Sand" on his own Bandcamp page, and now he's doing the right thing and committing it to wax via Duca Bianco. It's a vital, funk-rooted jam that revolves around dusty drum licks and piano, as badass as it is considered. "Meta Weta on the flip is equally cool in its execution, this time using some uneasy synth pulses that reverberate between the laconic step of the beat. Drawing on library music, Giallo and deep-digging grooves from the outer reaches, Cherrystones once again demonstrates his knack for off-kilter tackle to get the freakier party set moving in approval.
Review: Duca Bianco's 7" series continues with aplomb following Cherrystones' essential drop, and this time esteemed German DJ and producer Tom Bolas is at the controls for two more heady trips into the far flung corners of funk. On the A side he drops the loose and limber "Kangham Funk," which bends and wobbles around liquid guitar lines, bugging synths and dreamy Oriental vocals. "Senopati Punk" is not a three-chord riot as the title might suggest, but rather a subtly noirish synthwave delight fronted by another striking female lead vocal. Two sides that complement each other even as they say very different things, but both aimed squarely at the eclectic groove-hunting crowd.
Review: Operating out of Saint Petersburg, Kito Jempere has been bringing a broad church of influences to bear on his vintage grooves for labels including Pleasure Unit, Bordello A Parigi, Bahnsteig 23 and many more. Now he's the latest to lend his touch to Duca Bianco's series of 7" edits, following strong entries from Cherrystones and Tom Bolas. A side cut, "FKA Lany," is a slow and bombastic jam with a boogie-tastic lead and oodles of swooning female vocals, while the flip tackles a Thomas Leer classic with lashings of Oriental mysticism. Both tracks should suit eclectic spinners with a taste for 80s production.
Review: Dane//Close is sounding fierce as hell on this 7" edit grip for the ever-excellent Duca Bianco. Having previously moonlighted on Power Station and Prasens Editionen, you know this is a head with an instinct for alternative selections to make you move. On the A side, he tackles the incendiary "I Don't Wanna Go Out" by iconic Australian punks X (not to be confused with the LA band), stretching out the rowdy groove of the original's two-minute burst. On the B side, things take a slinkier turn into oddball boogie sleaze - the source material isn't so easy to detect, but it's definitely a jam to get low tempo lovers moving.
Review: It was Memorial Day Weekend 2016, and the sun shined bright over the Detroit River. Pontchartrain stepped up to the decks at the Red Bull stage at Movement Electronic Music Festival donning his infamous "Detroit vs. Itself" t-shirt. His first song through the Rane rotary mixer was a dubplate made specifically for his set: "Afterlife". It's a brilliantly executed balearic daytime disco rework that warrants the praise of summer anthem that it's earning. On the flip is "Pool", an equally sunny slomo beatdown rework from Blair French. It's a delightful blend of cerebral and soulful, and is finally getting a release after being originally championed by Peter Croce on his Le Mellotron Paris set back in early 2018.
Review: Night Shift Records owner Javi Frias is, like many in the nu-disco scene, something of a label-hopper. Previously, he's served up re-edits for the likes of Midnight Riot, Giant Cuts and Street Edits; here, he brings his scalpel magic to nascent imprint Neon Finger. A-side "Feel Your Soul" is a bouncy and attractive affair, with Frias beefing up and teasing out a classic disco-funk groove before unleashing rousing horn lines, swirling strings and celebratory vocal passages. Flip for "Loving You", a more gentle and groovy, saucer-eyed rework that swings impressively, despite the presence of solid new house percussion beneath the original beats.
Journey To The Light (part 1 - DJ Nori edit) (4:13)
Journey To The Light (part 2 - DJ Nori edit) (3:19)
Review: Subject to edits from such luminaries as Ashley Beedle and Danny Krivit, Brainstorm's most iconic cut "Journey To The Light" gets extended to the point of two parts by Brooklyn editor and selector DJ Nori. Part One is all about the Detroit dynamos' ability to hit sizzling high notes on the chorus and drop into swooning jazzy verses while Part Two is more of a groove-based, stripped back version where the instrumentation and backing vocals are brought right into the light. Stunning.
The Big Throwdown (Muro vocal edit version) (4:36)
The Big Throwdown (Muro instrumental edit version) (4:32)
Review: Japanese digger doyen Muro returns to one of the most important OG rap records of all time; South Bronx's ultra-funky, politically-sharpened block party jam "The Big Throwdown". The edit titles say it all; Muro's vocal edit really flexes Mike Serrette's vocals right down to the iconic gutsy 'huh!' chant and the big backing vocal rhythm while his instrumental version lets that groove run loose as the plucked bass walks cut through with charm and the keys spiral out of control in the best way possible. An stone cold classic.
Good Good Lovin' (Hifi Sean & Yam Who? edit) (3:58)
Review: Recently, legendary American dance producer Arthur Baker discovered two tracks in his storage on 1/4" tape recorded in 1979. He asked Hifi Sean (aka Sean Dickson of The Soup Dragons) to rework them - who brought on board Riot Recordings boss Yam Who? and they quickly got to work resurrecting these soulful disco anthems. On the A side, we have the souled-up disco power of "Reachin'" featuring Minnie Gardner's powerful vocals, then get prepared to get down proper to the group vocals and epic brass section in the uplifting "Good Good Lovin'" (Hifi Sean & Yam Who? edit) all accompanied by Baker's immaculate production style.
Review: During the "rare groove" boom in London during the 1980s, Linda Williams' 1979 album track "Elevate Our Minds" became something of an anthem. Curiously, it was never released as a single at the time, making this surprise 7" edition something of a bonus for those still searching for the track. It remains a fine song, with Williams' brilliant vocals rising above bossa-influenced beats, warm bass, luscious boogie orchestration and gentle Latin style horn lines. The flipside features "City Living", the title track from the very same 1979 LP that "Elevate Our Minds" was taken. It's far funkier and more elastic in feel, with horn arrangements and a chunky groove reminiscent of some Teena Marie tracks from the same period.
Review: Since launching last year, the Act of Sedition label has specialized in releasing "double-pack" gatefold 7" singles - a format rarely seen outside of indie-rock circles (and even then, it's hardly commonplace). Naturally, this third missive is another double-disc affair, stretching four tasty reworks across a pair of dinky discs.
Review: All vinyl, all the time... We know how Osmose rolls. And so do Smokecloud, his most consistent home since he emerged as a producer in the early 2010s. This beautiful two-tracker is no exception as he flexes from his lavish synth boogie take on the Haywood-referencing "Out To Catch" to the slower-burning stomper "Me N U" that gradually smouldering into a raw funk groove fire with Booker T-style results. Powerful, all the time...
Review: Smokecloud Records has long claimed to be the World's only imprint dedicated to Detroit Beatdown style reworks of funk, soul, disco and boogie gems. Whether this is true or not, there's no denying the consistent quality of the imprint's output. This latest release features contributions from two label stalwarts; owner and A&R man Osmose, and New Yorker The Silver Rider. The latter kicks things off with "I Wanna Be", a rolling, soft touch head-nodder that fuses elements of a tactile soul cut with hypnotic, pitched-down house beats and filter sweeps. It's rather good, but nowhere near as inspired as Osmose's "Trust", which turns a classic Motor City soul cut into a smooth, toe-tapping Beatdown shuffler.
Barely Breaking Even (Louie Vega Boogie mix - radio edit) (3:33)
Barely Breaking Even (Louie Vega Boogie instrumental mix - radio edit) (3:31)
Review: Here's something to set the pulse racing: an all-star re-recording of Universal Robot Band's boogie classic "Barely Breaking Even" that brings together Masters At Work man Louie Vega, original vocalist and arranger Leroy Burgess, iconic disco producer Patrick Adams and an impressive backing band of hired musicians including Michael Kelley (better known in electronic music circles as Metro Area collaborator Kelley Polar). While there are plenty of audible nods towards the early '80s original - extensive use of cowbells, that oh-so familiar synth sound - the re-recording is altogether warmer, fuller and a more contemporary sounding affair rich in sweeping orchestration and tactile synth bass. Both the edited vocal and instrumental versions are superb.
Review: An absolutely belting slice of disco soul from Queen Yahna on a long-awaited legitimate reissue on Patrick Adams P&P imprint. Powerful vocals, big backing harmonies, a slippery tight groove and a message of positivity running through both the vocal and the instrumental... There's a reason OG copies of these have flown like hotcakes in the past. High grade 76 business.
Review: Those who remember the first wave of funk breaks mash-ups and floor-filling hip-hop cut-ups in the late 1990s should be aware of J-Large; the mysterious DJ/producer has been remixing and reworking tracks (most notably by the Herbaliser) on and off ever since. His latest 7" escapade is suitably sizable, with A-side "Get Your Own" fusing Christina Aguilera's best-known vocal with loops and grooves lifted from a certain horn-toting jazz disco-funk classic. On the flip you'll find "J Zimbra", a bustling and floor-friendly tool-up of heavyweight Afro-funk slammer from 1979. As you'd expect, both are guaranteed to get the party started... and then some.
Review: Cannon & Mirrorball may not be the disco edit scene's answer to moustache-sporting 1970s/80s comedy heroes Cannon and Ball, but they certainly serve up tracks that will put a big goofy smile on your face. Their latest Disco Bits adventure begins via "Black Rhythm Rap", a chunky, hip-hop friendly rework of an obscure, late 1970s disco-rap bomb rich in funky guitar licks, cut-glass strings and party-starting MC flows. On the flip they get even cheekier, placing Loleatta Holloway's incredible "Love Sensation" vocal over a stomping, Blaxploitation-era disco-funk backing track and all manner of familiar soul and funk samples. Purists will no doubt sneer, but they really shouldn't: this is tastefully produced disco heat of the highest order.
Review: A quick glance at the epic list of credits accompanying this Su Su Bobien single confirms its impressive musical credentials. Produced by DJ Spen, Thommy Davis and Michelle Chiavainni, it's a cover of Loleatta Holloway disco classic "Love Sensation" featuring specially recorded strings, horns, drums, bass and guitar. It's pretty faithful to the Salsoul original all told, even down to Tony Montana's string arrangement, though it does feel a little looser, warmer and groovier than Holloway's full throttle take. The brilliance of Bobien's vocal is confirmed by the flipside acapella, which boasts just the right amount of delay and reverb to get the hairs on the back of your neck standing to attention.
Review: Here is the long awaited new single from Italian soul supergroup Change - some of you may recognise their classic "The Glow of Love" which featured the unmistakable vocals of then frontman Luther Vandross in 1980. After six successful albums throughout the 80's before disbanding and making a brief return in 2010, the group's new single "Hit Or Miss" will appear on their first album in 38 years: Love 4 Love which is produced by Change alumni Davide Romani Mauro Malavasi, it's got the same kind of life-affirming soul power you've come to love from the outfit, and they've still got the knack for a great tune - listen for yourself!
Review: Astonishingly, original copies of Energize's 1979 private press single "Piece of Class" have changed hands for over 500 quid online. Helpfully, Rain & Shine have decided to save us all a few bob by slinging out this licensed reissue. The title track is something of a bustling disco-funk gem - a genuinely wonderful fusion of hazy vocals, dueling horn solos, spacey synthesizer flourishes and driving bass guitar. B-side "Star of the Disco" is an even more up-tempo affair, with mazy saxophone solos, rasping horn stabs and starry jazz-funk keys riding a walking bassline and high-octane disco drums.
Review: New Zealand based not for profit label Rain & Shine are proud to present the first official reissue of Skye's highly sought after "Ain't No Need" since it's 1976 release. Remastered and reissued, it has long been a favourite of some of the most well respected DJs across the scene: from Floating Points and Sadar Bahar, to Mr Scruff and Theo Parrish. Say no more!
Review: Ubiquity's super-collectable Luv N Haight series continues with immaculate aplomb. Here we find Kon applying his crafty edit knife to Twilight's 1986 soul boogie smoocher "You're In Love". The remix carries the full honey-coated vocals while the dub switches the focus to the groove with subtle flourishes of the vocal. A spotless contempory rework.... And, as the seventh volume, it's fittingly the first in the series to be served on 7". Nice touch.
Review: Wah Dubplate cannot and will not be stopped. The incorrigible little bootleg unit marches on with its usual mishmash of funky, disco-friendly edits from the most improbable of producers out there and this latest outing is another minor success in what is a whole catalogue of hidden gems. Italy's Aldo Vanucci and Del Gazeebo turn up sounding wild and soulful; the farmer's opening edit of "Bobby's Grapevine" does the Mo-Town tricks, while the latter's re-visioning of "Billy's Missus" gives the original 'hey, Mrs.Robison!' a nice little dance makeover. Sweet as a nut.
Dance Your Blues Away (The Mighty Zaf edit) (4:32)
Review: Originally released in 1979 as a B-side to The Neville Brother's "Sweet Honey Dipper", "Dance Your Blues Away" saw Ivan go solo for the first time on this sultry modern soul jam. Laced with a plucky bass and just the right smattering of sleaze, it set the foundations for Ivan's extensive solo career. It also provides the perfect groove tools for The Mighty Zaf to work his editor craft and beef up the vibe with subtlety. Keep on dancing!
The Tolbert Family Singers - "Ride The Gospel Train" (feat Brother O C Tolbert) (3:36)
O C Tolbert - "Give It To Glory" (5:46)
Review: With Cordial Recordings, LoveVinyl's Roual Galloway is doing a terrific job in making rare, sought-after tracks available to a wider audience. In truth, you'll struggle to find a more rare and expensive gospel killer than The Tolbert Family Singers' "Ride The Gospel Train", a drum machine driven chunk of gospel-boogie with crunchy funk guitars that's been changing hands for hundreds of pounds online. Andrew Weatherall is a fan and it's easy to see why. Flipside "Give it Glory", a solo cut by Tolbert Family patriarch Brother OC Tolbert, is a sweeter and breezier slab of gospel-soul that has never before been released on vinyl. Two killer cuts for the price of one: nice one, Roual!
Review: A 45 suiting the funky northern soul sound, re-reissued here on a great sounding Record Shack release. Both highly sought after versions of "What I Did In The Street" featured here: from the raw and original Gulfstream label version, backed with the smoother, disco release that came later. Originally released in 1978 as a B side to Betty Padgett's "Tonight Is The Night", King was a Florida based vocalist and this terrific song was her sole release.
Review: American artist Joe Coleman's soulful boogie-down number "Get It Off The Ground" was released back in 1982 and is still popular amongst those that know. Austrian imprint Record Shack present a hot edit by New York City legend DJ Spinna on this edition, which retains the infectious energy of the original but gives the track some much needed dynamics for modern dancefloors. Although we give credit to the edit, the lo-slung funk of the original will always be king and rest assured that is indeed featured here on the flip.
Review: Multi-track re-edits, where producers utilize the instrumental and vocal parts found on studio master tapes, are all the rage right now. While the Rephlex crew and Joey Negro are the most famous exponents of the art, Galaxy Sound Co regular Kadena has previously proved to be rather adept at it, too. Here the little-known producer channels the spirit of original disco remixer Walter Gibbons, first to provide a lolloping, groove-based revision of Instant Funk's intergalactic Salsoul classic "I Got My Mind Made Up" (side A), and then to deliver a similarly minded take on First Choice's "Let No Man Put Asunder". Like its A-side companion, it's warmer, looser and predominantly instrumental, with judicious use of key vocal passages.
Here's To You (part 1 - Kadena Multi track version) (4:25)
Here's To You (part 2 - Kadena Multi track version) (4:40)
Review: Galaxy Sound return to the classics with this prime slice of 1980 disco funk from NYC troupe Skyy. The lead track on their second Salsoul album Skyyport, everything about "Here's To You" glistens and struts; the slinky keys, the lolloping, walloping walking basslines and the sweet-shuffled double-clapping drum arrangement. Both parts re-purposed, remastered and rebuilt by Kadena, all the original elements are brought to life without losing any of their original funk elements.
Review: BlackCash & Theo dust off two pairs of gloves... First their crate digging gloves to unearth Thrust, the one-off album Ohio duo McNeal & Niles recorded in 1979, then they dust off their editing gloves for two immaculate extensions. If you enjoy anything on Claremont (especially Paqua) then you'll be all over these cosmic instrumentals - notably the soft harmonies on "Summer Time" and the endless, star-gazing guitar twangs of "Punk Funk. You may recognise a few samples here, too... Madlib and Motor City Drum Ensemble are two of many who've enjoyed the fine hooks of Mc Neal & Niles.
Review: ** REPRESS ALERT ** Here's an official remastered reissue of "Rough Out Here" by East Coast sweet soul vocal group The Modulations for Record Store Day 2019. The sound is large with a sweet Philly mix of moods on this 7" which features arrangements by the legendary Vince Montana. Philly instruments: sitar, keyboards, drums, strings and horns courtesy of Don Renaldo and MFSB come to the fore, resulting in A side "Rough Out Here", a hard hitting funky soul stepper and B side "I Can't Fight Your Love" which oozes the Philly sound.
Review: ** REPRESS ALERT ** Although arguably best-known for her portrayal of communications officer, Lieutenant Nyota Uhura on the original sci-fi television program Star Trek, Nichelle Nichols is likewise a formidable vocalist who also garnered a solo spot during a brief stint with Duke Ellington & His Orchestra. This 7" houses two infectious, vintage soul numbers - "Know What I Mean" and "Why Don't You Do It Right?" - and they sound as sweet as they did over 50 years ago. A valuable collectible for Soul, Northern fans as well as any true Trekkie.