Review: Dane//Close is sounding fierce as hell on this 7" edit grip for the ever-excellent Duca Bianco. Having previously moonlighted on Power Station and Prasens Editionen, you know this is a head with an instinct for alternative selections to make you move. On the A side, he tackles the incendiary "I Don't Wanna Go Out" by iconic Australian punks X (not to be confused with the LA band), stretching out the rowdy groove of the original's two-minute burst. On the B side, things take a slinkier turn into oddball boogie sleaze - the source material isn't so easy to detect, but it's definitely a jam to get low tempo lovers moving.
Review: One of 2016's finest funk stories was, without question, when AOTN suddenly dropped this incredible unreleased album by criminally slept-on Jacksonville troupe Fruit. A stunning piece of work, even by Fryer's standards it was a coup-de-grace. Now two of the album's finest, funkiest, sweatiest jams are available on limited 45. Instant floor burners, just like the rest of the album, before the tracks are over you'll feel you and your floor have known them forever.
Review: For their latest dive into the depths of funk history, Athens of the North travels back to 1978 and the debut of John Hawes and Velma Bunch's obscure Hard Drivers project. The record initially appeared on Hawes' own short-lived imprint, and his since become a sought after 7" amongst serious collectors. "Since I Was A Little Girl" is a disco-era funk gem, with guest singer Vivian Lee providing a brilliantly confident vocal to compliment Hawes and Bunch's driving, horn-heavy backing track. On the flip you'll find original B-side "Straight Talk", a touching torch song full of harmony backing vocals, impassioned builds, and lyrics capable of melting even the stoniest of hearts.
Review: Operating out of Saint Petersburg, Kito Jempere has been bringing a broad church of influences to bear on his vintage grooves for labels including Pleasure Unit, Bordello A Parigi, Bahnsteig 23 and many more. Now he's the latest to lend his touch to Duca Bianco's series of 7" edits, following strong entries from Cherrystones and Tom Bolas. A side cut, "FKA Lany," is a slow and bombastic jam with a boogie-tastic lead and oodles of swooning female vocals, while the flip tackles a Thomas Leer classic with lashings of Oriental mysticism. Both tracks should suit eclectic spinners with a taste for 80s production.
Review: A lot of us have to thank Expansions for switching us on to Matlock in the first place, thanks to them unearthing him for their Soulchasers collection way back in the early 90s. Here they return to two of Glenn's finest, silkiest soul diamonds. Written for the romantics, produced for the dancefloor right at the very end of the classic 70s sound, "You Got The Best Of Me" has an upbeat Barry White feel to its delivery and sentiment while "I Can't Forget About You" has a lighter touch and flightier flow. The former previous super-rare on 45, the latter never press to 45 before... Both supreme and timeless.
Review: Mukatsuku's long running "Afro Funk & Disco Gems" series has always been a reliable source of obscure, high-quality dancefloor material from the African continent. This tenth edition is another must-have - on the A-side you'll find the synth-laden, boogie-era sunshine of "Everybody Dance", one of the undisputed highlights of Peter Yamson's in-demand (and notably hard to find) "Son Of Africa" LP. With wonderful vocals, glistening guitars, lolloping drum machine beats and some stellar synth work, the track ticks all the right boxes. Over on the flip there's a chance to own Cameroon legend Tala Andre Marie's 1981 classic "Get Up Tchamassi", whose snaking sax lines, elastic slap bass and dreamy chords are nothing less than sensational.As played by The Allergies,Joe Claussell,Smoov,Kalita, Faze Action,DJ Moar etc
Review: Fizzy boogie from Minneapolis circa 1982; Nobody cut through with a raw, energetic sound and countered with soothing, evocative soul that shimmers with their gospel roots. "I Saw You" sits somewhere between Prince and Rick James but polished with super freaky female front vocals, it's wholly unique and backs up the first pressing's pricetag of $500. "Heaven's Love" is the perfect counter with its emphatic harmonies and stately instrumentation. A serious timepiece from AOTN.
Review: Following the excellent excavation of the Miami band's unreleased album Best Kept Secret, AOTN's Fryer treats us to his two favourite cuts on a 500-only never-to-be-repressed 45. Seeped in powerful vocal harmonies, "Let Go" is rare groove gold with smooth sax and a dynamic that keeps on surprising while "Will You Be There" is an end of night soul shakedown with a tenderness that's tangible in every element. Don't sleep on this... Or the album. One of AOTN's most exciting releases this year.
Ronaldo Reseda - "E Novamente Mas Que Nada" (5:19)
Robson Jorge & Lincoln Olivetti - "Ginga" (2:57)
Review: The 65th volume in Mr Bongo's admirable Brazil 45s series shines a light on Rio De Janeiro's turn-of-the-'80s boogie scene. On the A-side you'll find "E Novamente Mas Que Nada" by Ronaldo Resado, a five-minute chunk of samba-laced boogie sunshine that was originally featured on the artist's eponymous 1979 debut album. While wonderful, it's slightly overshadowed by flipside cut "Ginga", one of the highlights from Robson Jorge and Lincoln Olivetti's sought-after 1982 full-length (which, incidentally, was recently reissued by Mr Bongo and is well worth checking). Joining the dots between synth-heavy electrofunk, horn-toting disco-funk and languid jazz-funk, the instrumental track is arguably one of the best Brazilian boogie records ever made. Don't sleep.
Review: Late last year Los Angeles-based synth obsessive Nicholas Benedek made his PPU bow with a untitled album filled with untitled tracks, executed with the sort of lo-fi panache that fit the label to a tee. Here Benedek returns to PPU as RX, a rather surprising self-styled 'smog prog' project with LIES artist and LA Club Resources boss Delroy Edwards. Taking shape in a signature PPU 7 inch, both "Strung Out" and "Prescriptions" sound like a fine balance between the hazy boogie of Benedek and the tape degraded grit that's been a hallmark of Edwards work since his emergence on L.I.E.S.
Review: Currently laying down soul as 77 Karat Gold, Nobuyuki Suzuki finds time to beam back to Eglo as Sauce81 with a stunning boogie jam that's got summer well and truly locked in its targets. Cruising the Central Line in an inimitable loose, swinging way, there's magic to be found between the synth melody and juicy slapbass. Complete with a floor-focussed dub, this will have everyone dancing, guaranteed.
Review: Sao Paulo's SELVAGEM drop a masterful double sider for Universal Cave 004. "Tudo Bem" is sunny, soulful AOR bliss. A tribute to a favorite Brazilian musician and an update for contemporary rotation. "Luanda" is hypnotic, psychedelic tropicalia. Truly digging deep, SELVAGEM give Universal Cave a taste of the Forward Deep & Free sounds of Balnearico from Brazil. Balnearico is the fusion of balearic and "balneario," the Portuguese word that is synonymous with beach.
Review: Another essential history lesson here from the Peoples Potential Unlimited camp. "Super Breaker" is an early production by Miami bass legend James McCauley, better known as Maggotron,DJX or Basstech. It was originally released by the super obscure Bound Sound label in 1984, but was quickly forgotten. As one of McCauley's earliest works, it arguably marks the point where electro began to morph into Miami bass. There are vocal and instrumental versions on this must have 7", both featuring a mix of long synth chords, oh-so thick synth bass and a healthy dose of vintage drum machine breaks.
Review: Originally out in 1985, Peoples Potential Unlimited reissue this soul boogie jam from Uku Kuut (who was born In the Soviet Union, raised in Sweden and now lives in Estonia) featuring Marju Kuut on vocals. On the flip is a mellow instrumental in homage to Uku's home for the past 20 years, now available for the first time on cute 7" vinyl. Top release!