Review: Alden Tyrell dusts off his Italo guise for another synthetic sojourn into all things dramatic and cinematic. "Dance Of The Happy Shadows" sets the scene; a Vangelis-themed disco set 50 years in the future. "I Rarely Talk To Strangers" is a more introspective journey with a Moroderish arpeggio peppered with staccato cosmic chords. Both parts of "J Is For Jupiter" drive us towards the tunnel-end light. Overwhelmingly positive chords hit hard on the first part before a spiralling Terjeian hook drives the very final stretch.
Review: Yam Who?'s Midnight Riot is back with another volume of funky, party starting edits, so come and get your fix. Aashton's "Pride" samples the diva vocals of you know who on this smooth and soulful number. Peza's "Black Gold" is pure classic disco, reminiscent of Salsoul, possibly? Fabiolous Barker's "The Paradise" has that retro and Balearic vibe that fans of labels like Love On The Rocks and Efficient Space will certainly dig. "The Jam" by Rayko is a re-edit of you guessed it: Technotronic's "Pump Up The Jam".
Act Of Sedition - "LDCE" (MikeandTess edit) (4:30)
Don Ray - "Got To Have Nothing" (Might Mouse dub) (4:28)
The Blackbyrds - "Rock Creek Park" (Lego edit) (4:38)
Michael Jackson - "PYT" (Bully Boy Refix) (4:40)
Review: Another double dose of seven-inch action from the Art of Sedition crew, who once again offer up a quartet of floor-focused re-edits stretched across two dinky slabs of wax. Mighty Mouse's punchy instrumental dub of Don Ray's "Got To Have Nothing" also hits the spot. On the second disc, Lego Edit flexes his muscles with a locked in, house style take of the bass-heavy classic "Rock Creek Park", before Bully Boy does his best Reflex impression on what sounds like a ground-up stems revision of MJ classic "PYT".
Review: Originally taking form as Universal Robot Band's dreamy instrumental disco cut "Thyme" in 1977, within a year of its release Patrick Adams invited Marta Acuna to add suitably yearning, hazy vocal. Adding to the silky groove's allure without taking any of its original soul, Marta elevated an already pristine track into a real moment that embodies the deeper, most soulful aspects of late 70s disco. A highly authentic P&P reissue.
When I'm Alone (JKriv & Peter Matson remix) (6:14)
Review: Adeline is undoubtedly best known for being the front-woman of Brooklyn-based disco band Escort, an outfit whose members also included Razor-N-Tape co-founder JKriv. It makes sense, then, that her latest solo single is appearing on their "Reserve" offshoot. Co-produced by Midnight Magic man Morgan Willey, "When I'm Alone" is a revivalist leftfield disco cut rich in "Beam Me Up" style walking bass, ear-catching guitar riffs and lolloping drums - all topped off by a fantastic vocal from Adeline. Jacques Renault delivers a slightly heavier, house-influenced remix with subtle Italo-disco style arpeggio lines, while Dirty Channels offers a more bustling but still pleasingly organic sounding disco-house take. Finally JKriv joins forces with Peter Matson on a remix that sounds like vintage Escort with added dub delays.
Review: Exploring the sounds emanating from South Asia, Masaala is a new label with a fresh outlook. The first release features Manchester-based producers Raheel Khan and Adesi turning in some powerful edits that will appeal to anyone seeking invigorating sounds from further afield. Khan's twist on "Mast Qalandar" sounds like a striking version of Nusrat Fateh Ali Khan's "Mustt Mustt". Adesi offers up the lions share of the edits though, channeling South Asian sounds through grooves ranging from the fierce disco stomp of "Sansani" to the low slung funk groove of "Nah Nah Nah". "Kammata" has a more dense rhythmic complexity at its heart, and "Kuchi Kuchi" collides traditional sounds with contemporary broken beat to brilliant effect.
Review: Kevin Gorman aka Adesse Versions brings his cut and paste ethos to Brooklyn edit series Razor-N-Tape with a varied pair of heaters. On this wicked two tracker, the label takes it back to their early format of one track per side: and these two cuts can certainly carry it! On this side we've got "Bumpin' NYC" a lo-slung disco classic with that proper New York City vibe, if ya catch our drift? On that side, we have a lovely little number in the form of "Sistem" that flips an afrobeat sample into a dark and groovy club track with even a little bit of acid for good measure.
Review: Mancunian Kevin Gorman used to make some great minimal techno on his Mikrowave imprint but has since moved on to create some of his best music under the Adesse Versions moniker. With a slew of fine edits and remixes under his belt, he presents us with a killer cover and tribute that's set to be one of the summer's biggest anthems. A tribute to the seminal New Order classic "Blue Monday", Gorman retains the very same Moog bass and ARP strings from the original, over a groovy breakbeat and a vocal reminiscent of Bernard Sumner himself. It was an ambitious feat, but Gorman manages to pull of an impressive rendition here, which also comes accompanied with a handy instrumental version on the flip.
Review: Unpredictable Dublin label maintain their capacity to surprise here, digging into the vaults of Ethiopian funk mob to reissue their 1984 accidental houser "Kalatashew Waga". Originating from the sole Admas album, Sons of Ethiopia, "Kalatashew Waga" has grown into something of a cult player amongst the more considered selectors over the years and gets pressed up for 12" by Major Problems replete with a fresh remastering job from the master Thomas P. Heckmann. Fans of the gliding style of lo-fi boogie PPU specialise in will love this track. Complementing the original, Major Problems have scored a brand new remix from long term Admas fan Andras Fox that brushes the track with some soft-hued new age bliss.
Trouble In My Way (Afshin & Kiss My Black Jazz edit) (7:42)
The Riot (Afshin & Kiss My Black Jazz edit) (6:00)
Review: Something a little different from G.A.M.M here, as Parisian DJ Afshin joins forces with the mysterious Kiss My Black Jazz to offer up two incendiary edits. The real surprise killer is A-side "Trouble In My Way", which subtly turns a blues-era recording of a traditional slave sing-along into a handclap-heavy chunk of infectious gospel-house brilliance. It takes a little time to build up, but when the heavier beats drop midway through you'll have dancers eating out of the palm of your hand. Flipside "The Riot" sees them make merry with a Hammond-heavy chunk of 1960s jazz-funk, extending and reworking the cut to make it suitably sweaty, heavy and life affirming.
Review: Earlier in the month, Parisian producer Afshin joined forces with Kiss My Black Jazz and served up a brilliant, two-track missive of jazz-funk and blues-house reworks on G.A.M.M. Here they reunite for round two. This time round, they begin by reworking a shuffling, chant-along Afro-Brazilian gem of unknown origin, extending the carnival-ready percussive intro before unleashing the shuffling, sun-kissed samba rhythm and some of the sweetest vocals this side of a sing-along in a chocolate factory. Over on side B they give a similar tune to a killer chunk of reggae-funk fusion rich in warm dub bass, bongo-laden beats, bluesy guitar solos, fuzzy horns and James Brown style guttural vocals.
Review: West coast vibe fiend Air Zaire foretells the coming balmy season with four crisp, sunny side edits. Each reaching deep into the Latin melting pot, highlights include the sandy toed, horn laced Balearic bliss of "Canguelo Perro", the unabashed soulful disco uplift of "South Of Sunset", the lolloping funk and warehouse rattling fusion of "Shojo Showdown" and the dreamy pipe fronted "Midnight Sun". Shades till summer and beyond.
Review: In the super saturated and competitive scene of disco edits, it takes a lot to differentiate yourself from the pack. Enter New York City's Razor N Tape. What do they bring to the table that is different, you may ask? They offer up what they call 'respectful edits'. Got it? There are the ones you can trust and play with confidence. On this volume they present Al Tone, who are known for their eponymous rework series. The duo comprised of Chicagoans Al Bumz and Tone B serve up some lovely Afro boogie on "Feelin' Irie" and some pitched up soulpower in the form of "Simone Manuel". On the flip, there's a familiar hook on the vocal driven deep disco resplice of "Groovin'" then they take us home with the Theo-esque looped sax and falsetto gallup of "Wishes".
Review: The Bahnsteig 23 crew are flying towards the end of the year with a salvo of essential wares from their established crew and new faces alike. Sweden's Albion Venables has been doing the business on labels such as Ambassador's Reception and Macadam Mambo for the past seven years, and his first turn on Bahnsteig doesn't disappoint. In a flurry of eclecticism, the mood veers from the bubbling kosmische tones of "En Trance" through to the schlocky funk of "Schwarzen Mer", mixing live band dynamics with quirky electronics and keeping the groove delightfully authentic. The diversity maintains on the flip as "City People" taps up a moody New York flavour and "Die Marinette Der Zeit" strikes a more classic funk note.
Review: Swedish producer Albion Venables has been building up a formidable bank of oddball disco, boogie, wave and other groove-oriented delights on labels like Ambassador's Reception, Macadam Mambo and People Must Jam. After first appearing on the ever-excellent Bahnsteig 23 in 2016, he's back on the label with some more head-spinning obscurities from the outside tracks of synth music. "Poupee Mecanique" is a jovial French bopper, while "Balearo" cuts a more organic, reclining figure with its chugging bass plucks, laconic guitar and dreamy keys. "In Coherence" channels some funky AOR sass, and "OVNI" heads into heavy prog funk territory, rounding out a veritable wild card of a record.
Review: After coming to light with his crucial edits on Les Edits Du Golem, Alexis Le-Tan has gone on to become one of the shining lights on Bahnsteig 23's roster of deviant discoid dissenters, and he's burning up as he comes careering onto the label's 45th release. "Agre" is a steroid-injected blast of 80s firepower, all stomping drums and a dazzling assortment of dancefloor-engineered synth parts. "Pune" is a slower, groovier jam but it's no less striking in its make-up. "Hubli" takes a more unusual path away from the party, into a hard to define zone somewhere between soundtrack, home listening jam and un-nerving warm up-not warm up. "Kulem" finishes the EP off on a more steady tone, but still the rich, glossy production details come spilling out of this bombastic jam just like the other tracks on this loud and proud record.
Review: There's a fair amount of mystery surrounding this release, which the accompanying press release claims was designed for "cruising through the Tuscany countryside, riding shotgun in a vintage Alfa [Romeo]". So what's on offer? A-side "U (I Got It)" is a bouncy, stop-start disco-house affair that sits somewhere between vintage "French Touch" house, original Italo-house and the pumping antics of DJ Sneak. "Cocchetti" offers a slightly more disco-centric riff on the same all-action formula, with the mystery producer making great use of some seriously soaring 1970s orchestration, while "Cornae" sounds like a cross between Tiger & Woods and the elastic, synthesizer-heavy nu-disco favoured by DJ Rocca and Sare Havlicek.
Les Mondes Engloutis (Psychemagik main mix) (7:17)
Les Mondes Engloutis (Psychemagik 5am mix) (9:07)
Review: Martin Brodin's MB Disco imprint continues to deliver the good stuff, this time featuring two utterly essential Psychemagik mixes of Alico vs Cagri's "Les Mondes Engloutis". These mixes actually first surfaced on a digital-only release back in 2013, but now they've been buffed up for a full vinyl pressing, and rightly so. A side "Main Mix" is a full bodied, emotional banger with a lead drop to get crowds waving arms and singing along wholeheartedly. Our pick is the "5am Mix" on the flip though, where the synths take on a more shimmering nocturnal tone without losing that bright and bold character that will land this 12" in all manner of record bags this summer.
Review: Portuguese Munich Machine and edit king Alkalino delivers Wall Of Fame's first solo release with four tasteful reworks. On the A side, the Audaz main man serves up the '70s disco/rock fusion of "What To Do" and the uplifting soul heaven of "Can't Take It No More". On the flip is the funky disco fusion of "Lover Is Back" (channelling the heyday of The Big Apple way back when!) meanwhile "Things Will Come Your Way" offers up some sexy latin/bossa vibes. After a lengthy catalogue of releases available exclusively on Juno Download, we're happy to finally see of this guys efforts on wax!
Review: Munich's Portuguese maestro Lino Rodrigues aka Alkalino returns with the third volume of his edit series on Audaz where he's made the transition to the vinyl format finally! On the A side he takes the razor to a certain classic by The Escorts on the uplifting and summery feel good jam "Make Me Over". On the flip there's "La Mia Musica" an early '80s electronic pop ditty that sounds like a Spanish version of "Popcorn" by way of Bobby Orlando. Two respectful edits by one of the current heroes of the scene, who after DJing for 30 years is finally getting worldwide recognition.
Review: There's no complex concept behind the latest four-track EP from the reliable Whiskey Disco camp, just a quartet of killer re-edits crying out for peak-time plays. Highlights wise, we're particularly enjoying the hard-spun Afro-disco grooves and well-placed dub delays of Alex Zuiev's "Afro Magic", though Alkalino's quirky opener - a thrillingly dubbed-out take on a tongue-in-cheek, left-of-centre disco treat - is also superb. Elsewhere, Love Drop sticks heavy new house beats underneath a stone cold classic (listen to the clips and you'll be able to identify the source material in seconds), while Terrence Pearce crafts a space-disco epic out of undulating Afro-disco grooves, bleeping synth melodies and some seriously cosmic effects.
Review: Best strike Italo gold once again with this Maurizio 'Sangy' Sangineto production. The original of Valery Allington's Stop has more of a pop funk feel, giving the vocalist and her backing crew stacks of space to hit the right spot but the real magic here is Maurizio's production on the special electronic version and instrumental. Aeons ahead of its time, the relentless pump and near-majestic synth work sound closer to '92 than '82. Tunnelling, hypnotic, percussive and funky, this was - and still is - the sound of the future.
Stop (Dino Soccio 'Pleasure Of Love' New mix) (8:14)
Stop (Special Electronic version) (6:27)
Stop (vocal Soul version) (4:34)
Review: Valery Allington's 1982 debut single, "Stop", has long been considered an Italo-disco classic. Here it gets the reissue and remix treatment, with LA resident Dino Soccio's 2018 revision - first heard on a hush-hush edits EP - taking pride of place on side A. His version is pleasingly muscular and driving, underpinning the original's throbbing arpeggio style bass, sprightly electrofunk riffs and headline-grabbing vocals with heavy new drums. Also great is the vintage "Vocal Electronic Version" - a sleazier, bongo and kick-drum-driven affair rich in alien synth lines, two basslines (one squelchy, the other hypnotic and driving) and swirling chords. Also impressive is the sparser and slower "Soul Version", which includes a sneaky musical cap-doff to another Italo-disco classic.
Review: The Andromeda Orchestra project was last seen on Faze Action last year, when "Get Up & Dance" got the remix treatment by Nick The Record. This time around the project gets a serious disco treatment from Ray Mang, who stretches "Don't Stop" out across the A side for a nine minute pleasure ride that's heavy on the funk. "Kano Line Dance" kicks off the B side in another loose and nasty party jam, before the original Philly string busting brilliance of "Don't Stop" completes the set in fabulous fashion.
Review: The Apersonal crew offer up a selection of varied, on-point edits that reflect the wider scope of what the label is all about. Trujillo is up first, taking Robbie Ellington's "Don't Cry" to emotive new heights, before Cisco Cisco have some fun with the "Shaft" theme tune. The Portuguese duo fly in some cosmic flourishes to shape out the dancefloor prowess of this timeless crowd pleaser. KMA tackles "Storm" by Rare Silk, stretching out the illustrious instrumental flow of this dreamy Balearic roller to become a thing of beauty. With respectful approaches to the source material and enough personality in their styles to make it a worthwhile exercise, the Apersonal crew excel themselves on this release.
Review: Aside from reissuing a whole heap of glorious boogie material from the 1980'sm People's Potential Unlimited also have their own distribution roster, and Cosmic Chronic is right up there waving the flag for the US stable. To kick-start 2016, we have a four-tracker from newcomer Arcade Odyssey, and as you'd expect, they're every but as funky and lo-fi as those instrumentals from back in the day. "Spring Yard Zone" kicks off with massive electro baseline, tropical melodies, and a hazy vibe, while "Beautiful Forest" breaks the beat down and goes Eastern with its synths. Flip the plate and you'll be confronted by the huge, stabbing bassline and fast beats of the utterly gnarly "Neon Night Riders" - easily the gem of the lot - and wound down thanks to the gentler, more tame waters of "Port Town". Sick.
Review: Considered the anti-hero of disco music, Argoman literally means 'lazy man', however it's also a combination of three Italian producer's names who started the project about one year ago. Any guesses who they might be? We will leave that to you! The track "Chimicalissimo" is new wave Italo disco at its finest, featuring peak-time dancefloor energy completely produced with analogue synths and drum machines. Gerd Jason and Fabrizio Mammarella team up again as Black Spuma and their remix turns the track into a slow burning disco monster. The dub version gives more space to a melancholic piano melody that culminates through analogue arpeggios to an unstoppable build.
Review: Stockholm based Ari Bald is up next for Better Listen after inaugurating Honey Butter Records last year with that great release. He keeps on with that deep disco spirit with these four funky and lo-slung jams. On the A side, we have two ergonomic edits in the form of "That Lonely Night" and "Enchantress" respectively which are looped to perfection with some somewhat familiar hooks that gradually build up to that drop! That's where the thumping kick comes charging in and it's sure geared for maximum dancefloor dynamics. On the flip, get ready for the funk explosion that is "Moonshiner" or what could be your First Choice (mind the pun!) in the form of the smooth and sexy late night groove of "Are You Mesmerized?"
Nada Nada (Simple Symmetry 'What Happens After Death' remix)
Review: This time in Calypso, Aristidez takes us on journey trough the streets of Lima Peru. The Chaos and the spirituaity of this old country are noticable on all of this tracks. Rumbling percussions and vocals, harmony and rythm, darkness and light all come togeter through the use of samples to show the quality of this young up and coming producer. "Nada Nada" it's the mantra that will help you go through the morning in a grey and cloudy city. "Reyerta" represents the violence of many Latin American cities having a hard time. Evoca its the mix between the first two where peace and violence find them selves in a catarchic release of energy. Symple Symmetry brings the tempo up for their Nada Nada remix asking everyone "what happens after death".
Review: After the strength of the Runaway 12", Armstrong is back with another pair of smokin' hot edits to get your disco sizzling in all the right ways. "Hangover" stretches out over 13 heavenly minutes of groove that sounds like the kind of source material Moodymann would be more than happy sampling. "Melting Pot" is a more Motown-esque vibe with jangly guitar chops and sweet organs bringing the emotional punch. Clearly dug by someone who knows their onions, and edited for maximum extended pleasure, this is how edits should be done.
Steve Arrington - "Dancin' In The Key Of Life" (Frankie Knuckles edit) (9:07)
The Trammps - "Disco Party" (Frankie Knuckles edit) (7:42)
Review: Disco Queen just keep on pumping out the good stuff with two more divine edits from house music's spiritual and dearly missed father Frankie Knuckles. Two sides for two different peaks of the nights; Steve Arrington's "Dancin' In The Key Of Life" is that classic 11pm feel good warm up that's layered with clever momentum while The Trammps' "Disco Party" lives up to its name with incredible energy and soul and a dynamic drop into the original midway. Rest in peace Frankie.
Review: San Francisco's Dark Entries label does a good line in reissuing obscure, long forgotten, left-of-centre gems (their excellent collection of Patrick Cowley's little known soundtrack work for gay porn films, School Daze, was arguably one of the compilations of 2013). Here, they've unearthed another overlooked gem - Art Fine's previously rare-as-hen's-teeth dark Italo-disco gem "Dark Silence" (L200-plus for an original 1985 copy, should you be feeling flush). It's pretty much a straight copy of the New Wave-inclined original, with the sparser, looser "Long Version" (in which producer Fabrice Belli gives the synth melodies a little more room to express themselves) joining the dense "Art Fine Version".
Review: In the past, the collective of musicians behind the Arthur's Landing project have served up fine covers of tracks composed by their former studio buddy Arthur Russell. This time round, they appear to be delivering a combination of covers and new tracks loosely based on the great man's work. So while "Love Comes Back" is fairly faithful to Russell's original - albeit extended for extra loved-up pleasure - "Love Dancing (You Got Me Version)" adds many new elements to the bassline and selected vocal passages from "Is It All Over My Face". With legendary producer Bob Blank at the controls and a group of musicians who played with Russell providing the grooves, The Spring Collection is the next best thing to discovering unreleased music from the late, great leftfield disco legend. In other words, this is ace.
Stay Free (Dimitri From Paris The Missing remix DJ Friendly edition) (7:47)
Stay Free (Dimitri From Paris The Missing instrumental) (7:36)
Stay Free (Dimitri From Paris dubstrumental) (6:11)
Stay Free (Dimitri From Paris The Symphonic mix) (6:44)
Review: Via the Le Edits series, Dimitri From Paris continues to dish up essential edits and remixes of classic disco cuts. Here he gets to work on Ashford and Simpson's 1979 cut "Stay Free", delivering four different revisions. He begins with the self-explanatory "The Missing Remix DJ Friendly Edition", which features mix-friendly drums in key locations, before dishing up a similar sounding, vocal-free Instrumental version. Over on Side B, the superb "Symphonic Mix" sees the Parisian focus on the duo's awesome vocals and luscious orchestration while the "Dubstramental" is a brilliantly stripped-back, bass-heavy affair that peppers the killer groove with delay-laden strings and horns.
Review: Lemmy Ashton made quite a splash with his first outing on his own TNC label last year, and now he's back to follow up with another salvo of premium heaters geared towards disco-friendly dancers. There's a chunky, looped up quality to "Silver Suitcase" with its insistent bass lick and slamming drums, but there's equal space for soul thanks to the string-loaded sample hook. By way of contrast "Lunaire" fires up the acid flare and heads straight into a babbling brook of 303-related goodness. "Amsterdam" rounds the EP off on a stomp, whipping up the kind of bombastic disco drama that would get Studio 54 moving were it in action today.
Review: Swiss producer Mehmet Aslan has been enjoying his most prolific year to date, returning from a two-year absence with a gaggle of well-regarded records. His latest outing is less obviously dancefloor-focused than much of his work, but no less enjoyable for it. A-side "Efjun" is an off-kilter, slo-mo treat, with the Berlin-based producer peppering a skewed rhythm track with dreamy vocals, nagging electric piano hooks and intoxicated electronics. Arguably even better is wonky flipside "Ghost Station", a hypnotic affair where pulsing, kosmiche style motifs and lo-fi synthesizer riffs cluster around lo-fi machine drums and a mind-altering bassline. It's brilliantly out-there and ghostly, all told, and is one of the producer's most arresting tracks to date.
Review: Mario Miranda aka Asterix Music hails from Carson, California and this is his debut, a banging little 7" by the name of Stud. Oh yes, super fitting, indeed! Out through Firehouse Sound Labs, the EP opens with the funky-ass boogie bass of "She'll Take U Down", a killer dance floor burner for the party vibes. On the B-side, "First Date" drops some heavy electro swings over sweet, seductive r&b vocals.
Review: UK funkateers out on the cosmic frontier in the early 80s Atmosfear let this synth-stroking, bass-slapping star-gazing escapade loose in 1982 and OG presses have been known to fetch a fair a penny among collectors in the past. A proud piece of UK jazz boogie, it's not heard to hear why it's been in such demand. Timeless, spacious and laced with intoxicating vocals and a superbly trippy dub version on the B that was way ahead of its time. Grab it while you can.
Dance Your Life Away (Andrew Weatherall remix) (7:51)
Review: The pairing of Evangeline Ling and David Wrench might seem an unlikely pairing. Yet a chance encounter at a mutual friend's party just one week after Wrench moved to London had led to an experimental studio session that's been going on ever since. Speaking about the track, Audiobooks claim to have wrote and recorded this "Dance Your Life Away" in a couple of days, with Ling so excited that she travelled across the city in her pyjamas so as not to waste any time. The pair's groovy disco-pop is complimented wonderfully by the inimitable Andrew Weatherall's groovy remix on the flip - working his magic as always.
Review: Kylie Auldist is a heavyweight Aussie soul singer whose powerful lungs have graced many a hit over the years. Now, with the help of Lance Ferguson and Graeme Pogson, she's recorded a solo album, Family Tree, and this here EP features a selection of tracks from it. Gone is the raw funk vibes of old with Auldist opting for a bright and synthetic mid-'80s pop-soul sound instead. It largely works too with the Donna Allen-esque "Sensational", the chrome and carpet grooves of "Family Tree" and the late-'70s US funk style of "Rewards" as standouts.
Review: Get your motors running! Hamburg DJ and occasional editor Automart drives off the forecourt with one of his first originals. With its stately tempo and soft harmonics creating a smooth discoid ride, "Discover Me" sets to cruise control in a subtly addictive unhurried speed. Loaded with both vocal and instrumental versions from Tom Noble, there's plenty of mileage in the tank on this one.
Two Thou - "Group Technology" (with Alberto Collodel)
Autre - "Cosmic Roots"
Two Thou - "SOL"
Autre - "Futura"
Review: The Fields & Forest label has so far aligned itself with the stellar Russian label Udacha, featuring Dices, A5 and Cuisine Dub, but things are taking a turn into new territory with the inclusion of Autre and Two Thou with two tracks a piece on this new slab of wax. Two Thou's "Group Technology" is a snappily shaped, 80s influenced groover with some interesting timbres falling into a dynamic groove, while "SOL" shows another side to the artist with a snaking slice of jazz funk infused experimental techno. Autre's "Cosmic Roots" is a more esoteric, new age gilded slice of ambient house while "Futura" ramps up the saucy synths for a silk-tongued charmer of a warm-up jam.
Review: Vinyl Only reach their seventh release with a fresh grip of lesser known producers bringing high grade grooves to the table. Bubbadog opens the 12" up in a woozy fashion with the warbling piano chords of "Goin' Round", capturing a time-slip mood that carries through to the dusty jazz soaked beat down of Minus The Majors' "Strole On Through". On the B-side, Alex Zuiev gets into an exotic, chiming, 80s-inflected mood on "Down By The River", creating a slow-burning dancefloor heater out of classic ingredients. Ugly Frankie finishes the EP off with the stripped down funk of "Your Ears Look Great".
Vendetta (feat Arthur Verocai - Al Kent main mix) (9:27)
Vendetta (Al Kent dub mix) (7:59)
Review: Far Out Monster Disco Orchestra are in safe hands right here as serial editor and connoisseur Al Kent takes the parts of one of their 2014 album highlights "Vendetta" and revisions them into a hypnotic dancefloor trip. Where the original is loose and prone to steamy Latin string histrionics, Al's edits restrain the emotion a little and let it leaks out much more gradually over an enticing weave of percussion. Whether it's the vocal or dub version, both are guaranteed to take your floor to new places.
Review: Italy's Funclab are bursting onto the scene with this terrific introduction to their kinda groove with House Al Dente - their first self-produced release. A collection of producers, DJs, promoters, and electronic music enthusiasts alike, they hail out of Milan and their main three sound designers have produced a track each. First up is Ayce Bio with the funked-up and sexy house of "Jazz Affair", Borbo with the lo-slung and jazzy disco on "Your Ex" and finally Turenne with the dusted-down and smooth deep vibe of "1000" Punti".
Review: Having made its bow on digital download last autumn, JKriv and Adeline's brilliant "Vertigo" finally makes it to wax. The original Club Mix sounds like a long lost cut from Brooklyn disco revivalists Escort, a band that both JKriv and Adeline were members of. It's absolutely brilliant all told - think strong choruses, Nile Rodgers guitars, jangly pianos and walking bass - as is JKriv's throbbing, delay-laden Dub. In between you'll find a dusty disco-house revision from Yuksek and a storming interpretation from Z Records chief Joey Negro, who wraps Adeline's vocal and JKriv's bassline in colourful new boogie synths and some classic disco-funk horns. There's no doubt about it, this will be one of the biggest disco records of 2019.
Review: Random Mind State coming on strong with another concentrated dose of pure party. Kandinski gives Madonna a 1up, charging up the classic "Vogue" 909s with raw energy, George Feely follows up the corking "Apache 909" with a supreme disco uplift on "Forget About U" while Turk Turkelton flicks up the filters for a loopy slice of shoe shuffled jacks. Elsewhere Hauke drives us deeper into a hypnotic state of mine with the twinkling, filtered "Instinct Groove" before Ayer Fijen chimes us the perfect lullaby with "Sweet Dreams". Great EPs are made of these.
Lenny Fontana, Tension - "A Place Called Heaven" (Joey Negro dub Groove) (6:58)
Jay Denes, Ada Dyer - "You Make Me Whole" (Joey Negro Rhodes dub) (5:17)
Julian Sanza - "To Love" (5:16)
Frankie Knuckles, Satoshi Tomiie, Andrea Mendez - "Bring Me Love" (Eventual dub) (6:56)
Review: Some serious no-nonsense house grooves for all true-school DJs to cop, dug out from the annals of club music history. Things kick off good and proper with Joey Negro's insanely powerful "Dub Groove" mix of Lenny Fontana's "A Place Called Heaven". Negro's on the buttons once again with the classic, pumping "Rhodes Dub" of "You Make Me Whole" by Jay Denes and Ada Dyer. On the flip, Julian Sanza drops the squelchy boogie inflected "To Love" before the record ends on a serious bang with the dream team of Frankie Knuckles, Satoshi Tomiie and Andrea Mendez's "Bring Me Love (Eventual Dub)". This is as actual house as actual house can get - the real deal, crystalised in four evergreen gems pressed on one handy record.
Review: In a rare exception from their usual hyper-obscure archive finds, Best Record have opted this time to give a proper reissue to a diggers favourite which enjoyed a second turn in the spotlight via a Dimitri From Paris compilation on BBE. Radiance and Andrea Stone's "You're My Number 1" is everything a boogie jam should be, from the liquid funk of the bassline to the snap of the drums - we defy anyone to stay off the floor when this pearl drops. It's no surprise to know it was mixed by the legendary M&M Productions team, featuring disco mix champion John Morales. The original is ace, but the extended dub mix on the flip is the one that will have the heads freaking out.