Back catalogue: Disco/Reediciones

Review: Until he quit the music industry in the mid-1990s, Shep Pettibone was the most in-demand remixer on the planet - a position he'd held since the late 1970s. This four-disc compilation does a great job of showcasing some of his greatest remixes, all of which are presented in full-length form. There's naturally plenty of versions of big pop singles of the '80s - see the epic 'Mastermix' of Pet Shop Boys' 'West End Girls', as well as rubs of Duran Duran, New Order, Whitney Houston and Belinda Carlisle - as well as a sprint through his celebrated disco and boogie reworks (see disc four). In addition, you'll find versions of some lesser-celebrated gems from the freestyle-era, including heavyweight revisions of Sinammon, Alisha, Lisa Lisa & Cult Jam and The Flirts.

Review: When tasked with compiling his first After Dark compilation for eight years, musical font-of-all-knowledge Bill Brewster decided to go "slow and low", picking an impressively eclectic collection of low-tempo outings old and new. The results are undeniably impressive, with Brewster serving up an entertaining and eye-opening mixture of twinkling, jazz-flecked electronica (T.O.E), synth-laden proto-Balearic dreaminess (Island Band), Weatherall-esque dark disco psychedelia (Brewster's Hotel Motel project remixing Jeb Loy Nichols), squelchy nu-disco deepness (Ray Mang dubbing out Khruangbin), acid-flecked revivalist proto-house (Rhythm Plate), little-known, 80s soul era synth-pop (Debbie & The Code), future Balearic anthems (Nail re-editing Gilbert O'Sullivan), saucer-eyed, piano-sporting space house (Gus Patterson) and ultra-deep electro (Carl Finlow). As usual, Brewster has largely avoided familiar favourites, instead showcasing obscurities that deserve wider attention.