Review: Cannon & Mirrorball may not be the disco edit scene's answer to moustache-sporting 1970s/80s comedy heroes Cannon and Ball, but they certainly serve up tracks that will put a big goofy smile on your face. Their latest Disco Bits adventure begins via "Black Rhythm Rap", a chunky, hip-hop friendly rework of an obscure, late 1970s disco-rap bomb rich in funky guitar licks, cut-glass strings and party-starting MC flows. On the flip they get even cheekier, placing Loleatta Holloway's incredible "Love Sensation" vocal over a stomping, Blaxploitation-era disco-funk backing track and all manner of familiar soul and funk samples. Purists will no doubt sneer, but they really shouldn't: this is tastefully produced disco heat of the highest order.
Review: Here is the long awaited new single from Italian soul supergroup Change - some of you may recognise their classic "The Glow of Love" which featured the unmistakable vocals of then frontman Luther Vandross in 1980. After six successful albums throughout the 80's before disbanding and making a brief return in 2010, the group's new single "Hit Or Miss" will appear on their first album in 38 years: Love 4 Love which is produced by Change alumni Davide Romani Mauro Malavasi, it's got the same kind of life-affirming soul power you've come to love from the outfit, and they've still got the knack for a great tune - listen for yourself!
Review: The mighty Cherrystones originally dropped the crackling party heat of "Blood, Campari & Sand" on his own Bandcamp page, and now he's doing the right thing and committing it to wax via Duca Bianco. It's a vital, funk-rooted jam that revolves around dusty drum licks and piano, as badass as it is considered. "Meta Weta on the flip is equally cool in its execution, this time using some uneasy synth pulses that reverberate between the laconic step of the beat. Drawing on library music, Giallo and deep-digging grooves from the outer reaches, Cherrystones once again demonstrates his knack for off-kilter tackle to get the freakier party set moving in approval.
Welcome To SRM'S Stereo (Test & Sound EFX edition)
Verbal Narration & Sounds (Excerpts) (Flexidisc)
Review: Every time that we get a drop of some new Joaquin Joe Claussel material our ears are automatically attracted in that very same direction. In fact, we've been known to get into trouble for playing his material extensively on our Juno HQ system, because we just hate to see it leave. However, this new material is probably not what you're expecting; rather than a new house EP, Mr Claussel has prepared a nerd's guide to sound testing, described by himself as: "DJ tool for testing, measurement, and calibration of mediocre reproducing stereo sound systems". The elements inside the box are flex-discos, not vinyl, and they are a series of sound, spoken word lyrics, and general FX tricks to either test your system out on, or simply sample and twist-up however you please. It's a collectors piece, and something refreshingly different to support the development of good music in clubs. We love you Joe...
Don't Let Love Walk Out In Us (T Groove mix) (3:47)
Review: Paul Craver's smooth strain of jazzed-out house music has been MIA since 2013, and we're glad to hear some of it back on our charts with such fervor. The man returns to Sundae Soul Recordings with two fine-ass cuts, the first of which is an edit of a certain track called "Back To You" (unnamed for legal reasons), and it's one of those seductive soul ballads that sounds just perfect on the dancefloor. On the flip, T Groove drops a mix of "Don't Let Love Walk Out In Us" and, once again, we have a lovely blend of disco-leaning soul on our hands - perfect for just about any situation involving lovers and the moonlight. Gorgeous.
Review: Dane//Close is sounding fierce as hell on this 7" edit grip for the ever-excellent Duca Bianco. Having previously moonlighted on Power Station and Prasens Editionen, you know this is a head with an instinct for alternative selections to make you move. On the A side, he tackles the incendiary "I Don't Wanna Go Out" by iconic Australian punks X (not to be confused with the LA band), stretching out the rowdy groove of the original's two-minute burst. On the B side, things take a slinkier turn into oddball boogie sleaze - the source material isn't so easy to detect, but it's definitely a jam to get low tempo lovers moving.
Review: The Super Disco Edits camp have pulled off something of a coup here, securing the rights to a previously unissued 1987 cut from studio duo New Jersey Connection, whose sole 1981 single, "Love Don't Come Easy", has long been a favourite of boogie DJs. "Red Light Green Light", featuring the breezy vocals of Cynthia Wilson, sounds like a long lost boogie classic: all sugary-sweet backing vocals, rubbery bass guitar, twinkling '80s soul synthesizer melodies and punchy drum machine percussion. The A-side vocal version is accompanied by a tasty instrumental mix, in which the focus switches to the NJ twosome's superb production. File under: "must have".