Lonnie Liston Smith - "Space Princess" (JN Space Goddess mix) (10:44)
Lonnie Liston Smith - "Space Princess" (JN Break mix) (3:52)
Gwen McCrae - "Keep The Fire Burning" (JN Special dub #3) (6:49)
Wardell Piper - "The Power Of Love" (JN Power Of The Boogie mix) (7:11)
Review: Thanks to soaring demand on the second-hand market, Joey Negro has decided to re-press this killer collection of disco remixes that originally appeared on a limited-edition Record Store Day release. All four were created, but not released, during the making of his superb Remixed With Love albums. The A-side boasts two versions of Lonnie Liston Smith classic "Space Princess"; an epic, peak-time disco revision and a brilliant beats version (the "Break Mix"") that consists of little more than punchy percussion, trippy effects and bags of energy. Turn to the flip for Negro's impeccably delay-laden, New York style dub of Gwen McCrae's "Keep The Fire Burning" and a spine-tingling, sing-along rearrangement of Wardell Piper's lesser-celebrated disco-boogie classic "The Power of Love".
Review: A bona fide Afro funk legend, Tony Grey cut his teeth in Nigeria as a James Brown impersonator before establishing pacts with his backing band The Black 7 who later morphed into the Ozimba Messengers. Their album The Message was released in 1981 and gave us both of these outrageously funky jams. "Time Factor" is undiluted disco complete with cool pops and whistles that Dave Lee has been championing for 30 years. "You Are The One" shows more of its Nigerian heartbeat amidst the tight horns and Tony's emphatic vocal delivery. Complete with a poster, this is a really special reissue.
Les Dance (Jean Claude Gavri 2017 dub edit) (6:35)
Review: Over the last few years, Israeli producer Jean-Claude Gavri has reworked all manner of vintage dancefloor treats, often delivering brilliantly percussive or subtly tooled-up reinterpretations. This time round, he's working his magic on David Bowie's 1983 classic "Let's Dance". Interestingly, it sounds like Gavri had access to the master tapes during the remixing process, because the A-side remix is a wonderfully dubbed-out, synth-laden interpretation that sounds like a cross between the work of The Reflex and the Idjut Boys. The flipside Dub Edit is pretty tasty, too, and naturally concentrates more on both the rolling percussion and killer synth bassline.
Review: Russian DJ/producer Phil Gerus has been around for a few years, but it's only in the last couple that his reputation has begun to build. This outing on Tensnake's True Romance label follows on from a fine 12" for Lumberjacks Boogie imprint, and a digital-only electrofunk exploration on Futureboogie. The real stunner is A-side "Wearing Her Black Boots Again", a thrusting, Italo-disco exploration full of dirty synth arpeggios, delay-laden percussion hits and rubbery, punk-funk bass. On the flip you'll find the sax-laden, AOR disco shuffle of "Make Time" - blessed as it is with some great blue-eyed soul vocal samples - and the sweaty, drum-machine heavy P-funk rearrangement "Detective From Kamakura".
Gledd & The Funk District - "Late At Midnight" (5:49)
Review: London's Tropical Disco are back with their eleventh edition of superb edits. All re-spliced and remixed with precision and above all - respectf! First up is label boss Tim Burnett aka Moodena who reuses a rather familiar hook on the funked-up brass section of "The Chase", followed by the lo-slung and sultry late night business of "Addicted To You" by Alex Satrorial on the A side. On the flip, we have got Parisian Chevals (Masterworks/Hotwax) going deep on the sensual boogie-down groove of "Saturn In Tropical" followed by an oldie but a goodie in the form of Gledd & The Funk District's "Late At Night".
Review: Chicago veterans Glenn Underground and Boo Williams are old studio buddies, having first collaborated on vinyl way back in 1995. For their latest hook-up, they've come up with a new joint alias: Guboo. As you'd expect from such experienced and high quality house producers, the three tracks on offer are top notch. They begin with a superb chunk of swinging disco-house, where spacey synth solos, rich chords and select spoken word snippets dance around a killer disco groove. After delivering a chunkier, vocal-free dub of the (track 2), they offer a deeper, more stripped-back interpretation on the flip, allowing greater space for the groove, disco strings and spacey synths to do their thing.
Con El Cielo En Tus Ojos (Fajra Fantasmo remikso) (4:53)
Atlantis (Jacques Renault edit) (8:14)
Corre Caminos (Marcel Vogel Happy edit) (6:21)
Review: Sonar Kollektiv has done an excellent job in re-introducing the world to the cosmic disco, jazz-funk and dusty grooves of Venezuelan producer Daniel Grau. As well as last year's timely career retrospective, The Magic Sound of Daniel Grau, they've also been releasing a steady stream of contemporary reinterpretations. There's plenty of killer material on this edit-heavy fourth 12" of reworks, with Mark E's chugging, loopy version of "Combination" arguably standing out. Jacques Renault and Marcel Vogel deliver deliciously celebratory scalpel versions of "Atlantis" and "Corre Caminos", while the little-known Fajra Fantasmo turns "Con El Cielo En Tus Ojos" into a stripped-back, organic house delight.
Review: Nicola Conte and Gianluca Petrella follow up last year's beautiful "African Spirits / New World Shuffle" with two more lavish instrumentals. "Sun Song" lives up to its name with wave after wave of heated musicianship from the belting harmonies to the light-touch keys. "Nigeria" taps deep into the source too as it drives us through the heart of Lagos with full horns and sweeping keys. Spiritual, sun-splashed and vital.
Review: Last spotted on wax together 16 years ago on New Standards, Italian kindred spirits and diggers Conte and Petrella collide once again. A culmination of many records savoured and ideas shared between the two friends, this 12" is long overdue and fizzes with fusion. "African Spirit" is focused on a rolling tribal MAW style house rhythm with Gianluca adding his signature trombone with staccato finesse while "New World Shuffle" is a much dreamier, smoky affair that sounds perfect any time between sunset and sunrise. Spiritual.
Review: Italian Latin jazz stalwart Nicola Conte first joined forces with trombonist Gianluca Petrella way back in 2001 on the nu-jazz era "New Standards" single. The pair started working on new material in 2014 and the "Free Your Mind EP" is their third joint release since. They're in a surprisingly up-beat, club-ready mood on EP opener "Free Your Mind", where Ebo Taylor style guitars, Africa 70 organs, tasty vocal samples and Afrobeat style horn lines are underpinned by a relaxed deep house groove. Vocalist Bridgette Amofah stars on the EP's other two cuts: the percussive tribal jazz of highlight "Imani River" and epic B-side "Infinity", a superb chunk of Afro-tinged deep house that sounds like it was inspired by Kai Alce and Ron Trent records.
Review: Danny Krivit's fine re-edit of Gary's Gang classic "Let's Lovedance Tonight" first surfaced on Nervous Records back in 2007, and has been something of an in-demand item with disco DJs ever since. This, then, is a more than welcome reissue. The genius of Krivit's scalpel job is that it merely emphasizes the sections of the original that dancefloors want to hear; specifically, the acoustic guitar and organ-heavy groove, killer drum breaks and winding saxophone lines. It's simple but devilishly effective. For those seeking the full vocal experience, the original 1979 12" version is included on the flip.
Review: 6 E.P.II" is the second Vinyl E.P. taken from Headman/ Robi Insinna "6" Album which was released via Relish on the 15th September. E.P.II includes on side A1 Number 9, A2 Swing Now Out Dubfeaturing TarafromIt Rough fame. First track on the B side is called Somethingwith vocals by David Shawwho just released his first collaboration with Jennifer Cardinion Correspondant. The last track on the B side Take Me To The Top Dubfeatures Bozzwellaka Hiemfrom Firm fame. The Dub versions are exclusive for the Vinyl release. Robi's cover design is again in the same line as the whole Album project, including the Artbook, Video and Screenprints.
Review: Fresh off a 12" appearance on Dirt Crew alongside Harry Wolfman, Manchester-based DJ and producer Loz Goddard is back on a solo flex with the Drunken Monk EP for the Reserve sublabel from NYC edit crew Razor N Tape. Four tracks deep, this 12" has that slinky, glossy feel to it that sounds just right on Razor N Tape, with the Love Unlimited Orchestra does disco house shuffle of "Lovin'" the pick of the A-side cuts. Flip over and "Moovish" sees young Loz veer off into heavily filtered house territory, throwing in what sounds like some nifty RAMP sampling while he's at it. The appropriately-titled "Something Special" rounds out the 12" in fine style with a bit of a French Touch.
Review: Given their deep-rooted knowledge of the re-edit scene, it was probably only a matter of time before the Razor 'N' Tape crew turned their attention to Colombian scalpel fiends Felipe Gordon & Vagabundo Club Social. This outing on Aaron Dae and JKriv's imprint could well be the South Americans' finest work to date. We're particularly enjoying A-side "Shakala", a gently tooled-up and dubbed-out revision of a dusty, tropical disco-funk treat rich in Fela Kuti style Afrobeat grooves, rising horns and flanged guitar riffs. That said, we've also got a lot of love for the fiery horns, bustling rhythms and warm bass of "Los Bareteros" (a revision of a well known, boogaloo-era Afro-Latin jazz dancefloor classic), as well as the similarly minded - but altogether heavier - "El Cateter".
Review: On wax by dope demand! This Razor-N-Tape 2013 release has been a cult classic for many years but never seen the light of the 12"... until now, thanks to the constant pestering of the Discogs community. All three tracks from the original release are here but it's "Where You Belong" that most are after due to its beautiful spacious beats, sweeping strings and awesome Dionne Warwick vocal texture. The whole release is charmed, though; "Here's To You Mr. Robinson" gets a little smokey on our souls while "Makes Me Feel" should get us all very blissed out. Do not sleep on this one, it won't hang around.
Review: Random Mind State coming on strong with another concentrated dose of pure party. Kandinski gives Madonna a 1up, charging up the classic "Vogue" 909s with raw energy, George Feely follows up the corking "Apache 909" with a supreme disco uplift on "Forget About U" while Turk Turkelton flicks up the filters for a loopy slice of shoe shuffled jacks. Elsewhere Hauke drives us deeper into a hypnotic state of mine with the twinkling, filtered "Instinct Groove" before Ayer Fijen chimes us the perfect lullaby with "Sweet Dreams". Great EPs are made of these.
Review: Sleazy McQueen's Lovedancing is back with Colombia's Felipe Gordon who has appeared previously on top labels such as Quintessentials, Toy Tonics and S3A. Seriously lo-slung disco deviance awaits you on The Glory EP: from the looped-up and dusted down title track and the smooth, Rhodes-led deepness of "Nebiancater". On the flip, get into the groove in slo-mo style on the irresistible "Mara" until he saves the best for last on "The Juno Experience" - mind you, we could be biased. No, seriously: this neon-lit, boogie-down jam for the late night sounds like a familiar classic (as we're sure you'll agree) and is bound to get bums wiggling on the dancefloor guaranteed.
Review: Waterford's favourite sons Get Down Edits return with their third round of crafty resplices here. First up, Southern Ireland's Darren 'Daz' Dalton and Martin Roche serve up some decent hooks with what sounds like a certain diggers delight on "Festival (Just Beginning)", while a handy dub version that works those sweltering polyrhythms on "Festival Drums" on the flip. The same infectious riff that Erick Morillo used a while back (on a certain handbag house classic) is also used to wonderful effect on "Two Man Sound" - this one is a respectful edit for serious disco DJs.
Review: British DJ and producer G Markus has appeared previously on some top imprints such as Soul Clap Records, Exploited, Roots for Bloom and Monologues in recent times - so he sure has the credentials. He strikes out on his own here for the fifth edition in his G Edits series. The A side features the classic Stateside vocal house vibe of "Lifted", while on the flip there's something more funky and lo-slung that you have come to expect from the man - on the deep down and disco dirty groove of "Panties".
Review: The fourth volume in G Markus' ongoing G Edits series delivers some serious disco heat from start to finish. While many will enjoy the more relaxed, groovy and gently housed-up B-side, "Partee" - all walking bass, sun-kissed chord progressions, eyes-closed synth stabs, jangling guitars and soft focus blue-eyed soul vocals - it's A-side "Eternal" that undeniably hits home hardest. Heavier and sweatier with subtle deep house flourishes (think drawn-out chords and filter tricks), the edit is based on a Latin-fired disco workout that boasts spiraling orchestration, eyes-closed rock guitar solos and a big budget horn section.
Review: Mehmet Aslan and Miajica represent some of the finest operators in Basel, and their Fleeting Wax label is on hand to represent what's good in the Swiss scene and beyond. On this latest release they turn to Eva Geist, who has previously been spotted on Macadam Mambo and Elestial Sound with her beautiful mix of synths and vocals, striking a chord between noirish synth pop and heads down club music. "Blumareciano" is a wonderfully seductive, slightly spooky stew of a track which San Proper then injects with his usual freaky energy to make for a more uptempo party version. Then Geist's "Begum" stretches over the B-side in a bubbling blend of delayed voices, tribal percussion and general outernational surrealism.
Review: It would be fair to say that Morgan Geist's Megaprojects series is an attempt to go "back to basics". Not only are the tracks created using - in his words - "cheap drum machines and vintage synths", but also pay tribute to some of his earliest inspirations. In practice, that means doffing a cap to fluid and ear-pleasing early deep house on the glistening "Manic Cinq", pitched-down Italo-disco and bass-heavy early British techno ("Fuzzy Detail") and tactile, breakbeat-driven late '80s house (the rather wonderful "Buy Freedom"). Arguably best of all, though, is closer "OCGC", whose psychedelic acid lines, tactile synth bass and cheery synth melodies make the track sound like a cross between vintage Metro Area and Orbital's "Halcyon".
Review: On this latest must-have missive, the Editorial crew has assembled an all-star cast of re-editors and house-loving disco rework merchants. Thrillingly, it contains a now rare outing from slo-mo specialist Duff Disco, whose atmospheric, beatdown style chugger "Always on My Mind" is undoubtedly one of the best things he's released in years. Props, too, to Irish disco-house specialists Get Down Edits, who weigh in with the warm and summery grooves of "Hey (What's Happening)". Elsewhere, Buzz Compass subtly beefs up and filters out a sleazy disco favourite on the constantly rising "U Deserve It", while Ed Wizard and Disco Double Dee get the party started in their inimitable style via a touch of disco/hip-hop fusion ("Moonlite").
Review: Even if Russian producer Gradient Logic is found here turning out the business on Serbian label Disco Fruit, the sound on the Far Away EP comes on like a snappy fusion of Garage-ready New York proto house and laid back West Coast boogie of the highest order. It's the third vinyl release for Tonbe's label, and once more marks the serious clout behind the Eastern European operation and its closest artists. Just try grooving to the slick bass pops on "Feel Me" without being transported to an early 80s dancefloor. There's a more organic funk to lock into on "I Want You Slide", but as ever it's hard to tell where the sampling ends and the musicianship begins on this utterly natural sounding EP.