Review: A 45 suiting the funky northern soul sound, re-reissued here on a great sounding Record Shack release. Both highly sought after versions of "What I Did In The Street" featured here: from the raw and original Gulfstream label version, backed with the smoother, disco release that came later. Originally released in 1978 as a B side to Betty Padgett's "Tonight Is The Night", King was a Florida based vocalist and this terrific song was her sole release.
There's Never Been (No One Like You) (short version) (4:26)
There's Never Been (No One Like You) (edit) (4:26)
Review: A stone cold cult classic from the West End vaults, Kenton Nix was one of New York's most prolific producers during the late 70s and throughout the 80s working his magic with the likes of Afrika Bambaataa, Teena Gardner and Gwen McCrae (among many others). On this rare 1980 solo 45" he teamed up with a young Bobby Youngblood to create an emphatic soul disco powerhouse that clear set the foundations for the wealth of big vocal proto house tracks that followed in its wake. Complete with both versions, this is a rare reissue and isn't likely to hang around for long...
Review: Multi-track re-edits, where producers utilize the instrumental and vocal parts found on studio master tapes, are all the rage right now. While the Rephlex crew and Joey Negro are the most famous exponents of the art, Galaxy Sound Co regular Kadena has previously proved to be rather adept at it, too. Here the little-known producer channels the spirit of original disco remixer Walter Gibbons, first to provide a lolloping, groove-based revision of Instant Funk's intergalactic Salsoul classic "I Got My Mind Made Up" (side A), and then to deliver a similarly minded take on First Choice's "Let No Man Put Asunder". Like its A-side companion, it's warmer, looser and predominantly instrumental, with judicious use of key vocal passages.
Review: Newcomer Finnian Langham aka Kayroy is catching ears and hearts on dancefloors from his hometown Melbourne, Australia and beyond. What began as a love of the disco era has grown to encompass everything from obscure deep cuts of 80's synthpop to trippy acid tinged techno. It all comes down to his love of a good tune, and the pursuit of a good boogie on Harlequin Fiasco - following up releases on Whiskey Disco and Sour Edits, the album comes courtesy of French label Hotfoot and is a spaced-out boogie down jam that made us fans from the first beat. We're also loving side B where Swiss duo In Flagranti explores the space between the beats on their trippy dub rendition.
Review: Elaine Kibaro is a French singer who grew up in Tunisia before enjoying a reasonably productive career in the late 70s and through the 80s. Emotional Rescue caught on to her fine contributions to the disco world via the Pour L'Amour collection, and now they offer up a pair of alternative cuts that add to the overall legacy of her career peak. "Fajrann" is a re-vocalled version of Kibaro's biggest hit "Aurore" sung in Arabic, speaking to her Tunisian roots, while "Ne Doute Pas" appears in its instrumental form for those who want the punchy Linn Drum beats and dazzling synth lines in all their glory.