Review: The third multi-artist EP from Hot Digits' occasional vinyl series, Wax Digits, is packed to the rafters with dancefloor-focused re-edits and reworks. Labor Of Love leads the way with "Move That Thang", a fine chunk of warm and bass heavy deep house/disco fusion, before Osmose steals the show with the loopy mid-tempo disco-funk bump of "Let Harry Rock". Over on Side B, The Silver Rider impresses via the swirling disco-house hypnotism of 'Groove On Down", before experienced re-editor P-Sol pairs locked-in grooves with sun-kissed disco instrumentation and heady vocal snippets on "Sturdy Disco".
The Silver Rider - "I Need U" (Osmose retouch) (5:56)
JP Source - "Justa Second" (6:41)
Hristo - "Love Me" (5:07)
Review: More Beatdown business from vinyl-only warriors Smokecloud. Osmose steps forward with the first half; "Help Me DISCOver" is a sample-savvy filtered enlightener while his edit of the Silver Rider goes for a much heavier, floor-pounding sense of insistency. Flip for twists from JP Source and Hristo. The former gets busy on a densely textured and tightly plucked guitar line while the latter takes us right down into sleazy town with an Isaac Hayes level of gravelly vocals and a sweaty guitar and organ pumped groove.
Review: Four years deep into its disco, beatdown and edit adventures, Smokecloud's status is nigh-on impeccable. Here we find them uniting four of their most creative craftsmen for four straight-up dancefloor pacifiers. Highlights include the sludgy slo-mo Edwin Starr on acid flavoured "Caught Up" and the Diana Ross homage that is the sun-skanked reggae party jam "CC Tribute" by VinylAddicted & SMQ. Instant smiles.
Review: Smokecloud Records has long claimed to be the World's only imprint dedicated to Detroit Beatdown style reworks of funk, soul, disco and boogie gems. Whether this is true or not, there's no denying the consistent quality of the imprint's output. This latest release features contributions from two label stalwarts; owner and A&R man Osmose, and New Yorker The Silver Rider. The latter kicks things off with "I Wanna Be", a rolling, soft touch head-nodder that fuses elements of a tactile soul cut with hypnotic, pitched-down house beats and filter sweeps. It's rather good, but nowhere near as inspired as Osmose's "Trust", which turns a classic Motor City soul cut into a smooth, toe-tapping Beatdown shuffler.