Review: Yam Who?'s Midnight Riot is back with another volume of funky, party starting edits, so come and get your fix. Aashton's "Pride" samples the diva vocals of you know who on this smooth and soulful number. Peza's "Black Gold" is pure classic disco, reminiscent of Salsoul, possibly? Fabiolous Barker's "The Paradise" has that retro and Balearic vibe that fans of labels like Love On The Rocks and Efficient Space will certainly dig. "The Jam" by Rayko is a re-edit of you guessed it: Technotronic's "Pump Up The Jam".
Review: Exploring the sounds emanating from South Asia, Masaala is a new label with a fresh outlook. The first release features Manchester-based producers Raheel Khan and Adesi turning in some powerful edits that will appeal to anyone seeking invigorating sounds from further afield. Khan's twist on "Mast Qalandar" sounds like a striking version of Nusrat Fateh Ali Khan's "Mustt Mustt". Adesi offers up the lions share of the edits though, channeling South Asian sounds through grooves ranging from the fierce disco stomp of "Sansani" to the low slung funk groove of "Nah Nah Nah". "Kammata" has a more dense rhythmic complexity at its heart, and "Kuchi Kuchi" collides traditional sounds with contemporary broken beat to brilliant effect.
Review: Peculiarly, Fasaan offshoot Chalice has lain dormant since the label's first release appeared in stores back in 2014. Happily its Swedish parent label has decided to pull out all the stops for this comeback 12", gathering together six tracks from artists based across Europe and beyond. At six tracks deep there's not enough space to go into detail about every track, but suffice to say they're all loose, warm, quirky and generally lo-fi in feel. Highlights include the dreamy analogue synth-funk of Ruf Dug's "Cassette Boogie", the poignant, emotion-rich synth-wave warmth of Fahcrur Riaz Hazbullah's "Muriam", the clicking beats and intergalactic synth flourishes of "Heina" by Ruutu Pois and the frankly foreboding loose-house creepiness of "II Y A" by Dublin's Compassion Crew.
Review: 6 E.P.II" is the second Vinyl E.P. taken from Headman/ Robi Insinna "6" Album which was released via Relish on the 15th September. E.P.II includes on side A1 Number 9, A2 Swing Now Out Dubfeaturing TarafromIt Rough fame. First track on the B side is called Somethingwith vocals by David Shawwho just released his first collaboration with Jennifer Cardinion Correspondant. The last track on the B side Take Me To The Top Dubfeatures Bozzwellaka Hiemfrom Firm fame. The Dub versions are exclusive for the Vinyl release. Robi's cover design is again in the same line as the whole Album project, including the Artbook, Video and Screenprints.
Review: The UK's Kat is back with yet more tasteful edits of forgotten gems. From disco to house, folk to funk and balearic nuggets: these guys know the score. This time around it's over to New York City's Jason Kriveloff aka Jkriv, who works that magic razor once again on these wonderful re-edits. On the A side we've got Red Sharon (see what he did there?) with "Handle It" (JKriv RNT dub) which takes a right diggers delight into sultry, late night territory and sure to burn up any dancefloor. On the flip is Marashal (oh come on already!) with "Socket Rockin". No guesses what's going on here but just for the record: it is one funky and soul filled celebration and most of all, a respectful edit.
Roger Damawuzan - "Loxo Nye" (Pushin Wood remix) (5:39)
Napo De Mi Amor - "Cacatchoule "Berceuse Bassari"" (3:04)
Sewavi Jacintho - "Miade Dua" (5:35)
Review: Hot Casa's latest must-have release is a veritable smorgasbord of Togolese treats. It focuses specifically on obscure soul music made in Togo in the 1970s, with two hard-to-find original cuts being joined by two contemporary re-edits of similarly obscure classics. The EP opens with Bosq's smooth, dancefloor-focused tweal of Yta Jourias's breezy, horn-heavy tropical soul workout "Adome Nyueto", before Pushin Wood takes over and adds a little contemporary electronic bounce - and some particularly colourful synths - to Roger Damawuzan's "Loxo Nye". Over on side B, Napo De Mi Amor's "Cacatchoule Berceuse Bassari" is a fuzzy soul shuffler rich in bright, Juju style guitar solos, hazy vocals and Hammond organ stabs, while Sewavi Jacintho's "Miade Dua" is a sweatier and heavier concoction powered by loose-limbed drumming and sun-kissed instrumentation.
Review: From Kon's forthcoming compilation on BBE entitled Kon & The Gang, this 12? sampler features two cuts taken from the LP and an exclusive remix from Boston producer and mix engineer Caserta, namely "Timeless" (Caserta mix)" a tasty serving of super deep and low slung disco goodness. A more functional edit for DJ use follows on "Timeless" (remix - Caserta mix)". On the flip Truccy (better known as Compost's Rainer Truby and Corrado Bucci) present "Closer", a gorgeous slo-mo house jam with a rolling groove fetauring all the good stuff: swirling Rhodes keys, groovy congas and hypnotic vox.
Mahogany - "Ride On The Rhythm" (Michael Gray remix) (7:05)
Raw Silk - "Just In Time" (Michael Gray remix) (6:25)
Review: Full Intention man Michael Gray is the latest contemporary house producer to get his hands on the parts to classic cuts from the bulging West End Records catalogue. He has opted to rework two slightly deeper early '80s jams, starting with Mahogany's 1982 boogie cut "Ride On The Rhythm". His version is warm, sparkling and bass-heavy, offering the right balance between modern production techniques and the kind of effects utilized by the track's original producers. It's really good, keeping the spirit of the original track while dragging it into the 21st century. The same could be said of his boogie-house take on Raw Silk's "Just In Time", which boasts a similar balance of tidy new drums, spruced-up synths and swirling effects.
The Temptations - "Standing On The Top" (feat Rick James - dub beat mix) (6:38)
Rick James - "Big Time" (Big Time vocal dub) (5:28)
Commodores - "Brick House" (Brick That dub house mix) (4:04)
Review: John Morales - one half of the beyond-legendary production team M+M - finally delivers the new Club Motown series that began in 2014. The last 12" focused on divas but here we're celebrating two of the funkiest names in funk soul; Rick James and The Temptations. From the epic 11 minute reprise of "Standing On The Top" to the equally extensive shake up of "Brick House" via the brand new arrangement of "Big Time", it's another collection that only Morales could concoct. The stomping percussion-heavy into on the vocal dub of "Big Time" is impossible to sniff at too...
Painel De Controle - "Relax" (extended Waxist version) (5:54)
Rabo De Saia - "Ripa Na Xulipa" (Charles Maurice extended version) (5:28)
Famks - "Labirinto" (Nick The Record extended version) (6:17)
Review: France's Favorite label dabbles in all things funky and disco-flavoured, and this time they've decided to go with a Brazilian edge on their latest 12". Painel De Controle begins with a Waxist mix of "Relax", a chilled-out boogie monster with sultry vocals, while "Ripa Na Xulipa" by Rabo De Saia is more uplifting and heavy on the disco strings. Finally, Nick The Record rewires "Labirinto" by Famks into a subtly electro-fied boogie nugget. Nice!
Review: Best Records previously mined Pino Presti's illustrious back catalogue for the To Africa / Soul Makossa, You Know The Way and Funky Bump 12"s, and they're back with the Italian arranger's finest disco delicacies straight outta 1977. "You Know Why" is a swooning, romantic groover featuring the sultry vocals of Roxy Robinson. "Nice & Easy / Hungry For Love" is a bold, dramatic cut with striking brass stabs and a slinky bassline that wraps itself around Robinson's classic vocal. "Come On" is a deeper, Philly string laden affair of the heart, rounding out this most passionate of disco 12"s.
Review: In a rare exception from their usual hyper-obscure archive finds, Best Record have opted this time to give a proper reissue to a diggers favourite which enjoyed a second turn in the spotlight via a Dimitri From Paris compilation on BBE. Radiance and Andrea Stone's "You're My Number 1" is everything a boogie jam should be, from the liquid funk of the bassline to the snap of the drums - we defy anyone to stay off the floor when this pearl drops. It's no surprise to know it was mixed by the legendary M&M Productions team, featuring disco mix champion John Morales. The original is ace, but the extended dub mix on the flip is the one that will have the heads freaking out.
Review: Amongst synthesizer fetishists and electro-funk enthusiasts, Rah Band's "Messages From The Stars" has long been a cherished record. It's also a rather unusual one; a British-made electro era record that combines the kind of cutting-edge electronic instrumentation and production techniques more frequently found on contemporaneous New York records (copious amounts of delay, extensive TR-808 and Linn drum use, and so on) with the eccentricity of post-punk era UK synth-pop. This reissue presents re-mastered versions of Hewson's three original versions, of which the trippy and extended "Long Wave Mix" and more percussive, delay-laden "Astro Mix" (effectively the club-focused dub) are the standouts. If you don't already own a copy, get this quick.
Review: Chicago groove professor and deep digging selector Rahaan makes a welcome return with two juicy disco funk edits. "Down Comes The Rain" struts with a Princely vibe and a piano-slapping flare that'll have your floor dancing for well over 17 days. Flip for an equally sweet take on a cult 82 boogie joint where Rahaan proves you actually can have your cake and indeed eat it. Crumbs!
Review: Edit king Rahaan makes a connection with the ever-prolific Lumberjacks In Hell, and he's sounding feisty on growling lead track "Move Out Of The Way". Dirty, distorted drums and simmering acid gurgles make for a perfect seedy dancefloor lube, setting the scene for the more forthright jack beat styles of "Super Transfer". Keeping the fuzzed out Chicago styles at the forefront, "Blue Line" swoops in at the end like some long lost Trax off-cut with all the grit and guts you would expect from the earliest days of pure, electronic house music.
Review: Labels Hot Mule and Secousse have teamed up to deliver something special: a killer EP of "lost gems from the golden era of Zouk and Gwo-Ka" in Guadeloupe (that's 1985 to '92, fact fans). The four tracks showcased here were performed and produced by an artist whose fame in Guadeloupe sadly never spread any further, Max Rambhojan. The A-side boasts two versions of the rather brilliant and suitably cheery "Tou't Jou Pa Min'm": the jaunty, sun-kissed, whistle-sporting 1986 original mix, and Rambhojan's heavily electronic, synthesizer-heavy, calypso-tinged 1992 re-make of his biggest local hit. Over on side B you'll find the bubby dub bass, sparse synths and flute solos of the decidedly tropical "Cecilia" and a suitably breezy, sunset-ready gem entitled "On Jou Matin".
Review: Emotional Rescue once more on the hard to find party curio tip, this time tapping up the work of one Ken Ramm whose 1984 burner "Spark The Universe" was previously fetching handsome prices online, and with good reason. The funk is loose and limber on the track, not least when it comes to the bassline and psyched-out worldly percussion. The dub mix pushes out into trippier territory, and then Emotional bossman Chuggy takes the reins on the flip for his own Disco mix of the original. Whichever version you plump for, you're onto a winner.
Review: Having previously popped up on ESP Institute, Juan Ramos teams up with Trent to form Greenvision, making their first appearance on the home of freshly squeezed discoid deviance, Cocktail D'Amore. "Surdinia" takes over the A side with a bombastic array of peak time devices in its utility belt, from bubbling acid tweaks to gluttonous monosynth leads and a chunky set of drums. "Meccanica" is no slouch either, laying down thick slabs of synthesized grease in pursuit of a different kind of party track. This is unusual, distinctive club music for those who want the crowd to stop and pay attention.
Raw Silk - "Do It To The Music" (Dr Packer Multi track mix) (7:00)
Barbara Mason - "Another Man" (Dr Packer rework) (5:46)
Shirley Lites - "Heat You Up Melt You Down" (Dr Packer rework) (6:55)
Review: The latest contemporary mix-master to get his hands on the West End catalogue is Dr Packer, an Aussie re-editor-turned-producer whose recent outings on Glitterbox have made him an in-demand artist. He kicks things off by delivering a "multi-track" mix of Raw Silk boogie classic "Do It To The Music" that offers a superb mix of beefed-up synth-bass, echoing vocal snippets, stripped-down breakdowns and New York proto-house style production trickery. Over on side B he tightens up and funks up Barbara Mason's similarly synth-heavy electrofunk classic "Another Man" - a song about a woman losing her man to, you guessed it, another fella - before subtly tooling up and extending Shirley Lites' peerless "Heat You Up (Melt You Down)".
Review: Following the excellent excavation of the Miami band's unreleased album Best Kept Secret, AOTN's Fryer treats us to his two favourite cuts on a 500-only never-to-be-repressed 45. Seeped in powerful vocal harmonies, "Let Go" is rare groove gold with smooth sax and a dynamic that keeps on surprising while "Will You Be There" is an end of night soul shakedown with a tenderness that's tangible in every element. Don't sleep on this... Or the album. One of AOTN's most exciting releases this year.
Review: Ms Cardini presents four more fabulous excursions in indie dance music, courtesy of her always reliable house of Correspondant. Following up the first volume which had some highly valued contributions courtesy of Khidja and Jonathan Kusuma, the second edition features hot Tel Aviv duo Red Axes with the dark disco odyssey of "Earth Core" and Fort Romeau's surprising appearance on the A side. The flip showcases the fresh sound of Colli Alban firstly. His track "Walking In The Night" is a real highlight, where he serves up some darkwave slo-mo trance. Finally label staple Javi Redondo impresses as always on the dreamy and hypnotising groove of "Heroin" channelling the majestic vibe of fellow Cologne label Kompakt.
Shake Your Body Down (To The Ground) (full vocal club mix) (5:48)
Shake Your Body Down (To The Ground) (Dubbed Out voxapella mix) (5:33)
Review: We're not quite sure who's behind the Redux Inc series - naturally, they're keeping their heads down - but we can confirm that this debut 12" is rather tasty. As the title makes clear, both cuts are dancefloor-minded reworks of one of the most celebrated, disco-era Jacksons tunes. The A-side "Full Vocal Club Mix" is effectively a tasty dancefloor extension/re-edit with a few subtle new touches and a lightly tightened beat that should make mixing a whole lot easier. The flipside "Dubbed Out Voxapella Mix" is slightly more revolutionary, with the Redux Inc. crew bringing the beat in and out while the acapella and key musical ingredients (the song's familiar piano refrain and horn lines, specifically) take centre stage.
Can't Fake The Feeling (12" instrumental mix) (5:25)
Review: Long-serving soulful house and jazz-funk band Reel Peeple has decided to inaugurate a new series of disco and boogie covers. On the A-side of this first EP they serve up vocal and instrumental covers of Evelyn 'Champagne' King electrofunk classic "I'm In Love". Although these are largely reverentially faithful to the King's version (even down to the synthesizer settings), they also feel a little more loose and groovy - thanks in no small part to the band's drummer. On the flipside they opt for a more traditional disco sound on their versions of Geraldine Hunt's "Can't Fake This Feeling". Aside from the additional of some synth strings and warm Rhodes chords, they too are pleasingly faithful to their source material.
Review: The Reflex's reworks of million-selling disco, soul and pop hits may be sneered at by snooty, self-styled "collector" DJs, but the rest of us can't get enough of them. There's a reason for that, of course: they're invariably brilliant. Here he serves up two more gems guaranteed to start the party. On the A-side you'll find his legendary revision of the sparser LP mix of Wham's "Everything She Wants". The London-based Frenchman extends and dubs out the track's delicious machine drums and synths before introducing the late, great George Michael's fantastic vocals. The results are, of course, impressive. Over on the flip, he gets busy with Eddie Kendricks' classic "A Date With The Rain", making merry with the original's killer percussion, horns and reverb-drenched vocals.
Review: When it comes to breathing new life into well-known classics, there are few better than Frenchman-in-London The Reflex. Further proof of this assertion can be found on RWY, the third 12" on the producer's own Revision Records imprint. The title track sees him once again take his scalpel to a track by Michael Jackson, subtly building layering up and extending "Rock With You" (a feat made possible by his ability to get hold of multi-track parts to the material he re-edits). On the flip, he successfully tampers with Lionel Richie's end-of-night classic "All Night Long". Brilliantly, he removes much of the percussion during key vocal passages, which in turn gives subsequent choruses extra dancefloor oomph. Bravo, Sir.
Review: While his source material tends towards the well known, there's no denying the quality of The Reflex's "revisions". Their genius likes in his ability to source and utilize stems and master tapes, allowing him to remix and re-edit killer disco jams in the same manner as original masters such as Tom Moulton. It means that he can craft new instrumental breakdowns, stretch out portions that were originally overlooked, and generally breathe new life into otherwise all-too-familiar anthems. The two revisions featured here are typically impressing, with the impassioned, driving, heavily rearranged Philadelphia Soul flipside ("BD LCK") just nudging out anthem like A-side "Ansun" (a brilliantly teased-out version of one of the most familiar disco records of all time).
Review: Multitrack wizard The Reflex returns for his second release on Revision Records with two more killer edits. He tackles Marvin Gaye's classic "Gotta Give It Up" giving it the perfect modern revision for modern dancefloors, pretty damn brilliant if we do say so ourselves. On the B side he lends his Midas touch to Serge Gainsbourg's infamous "Sea, Sex & Sun" allegedly three years in the making, this dirty disco funk nugget includes vocals from both the English and French versions. Exclusive to vinyl and previously unreleased, get your hands on this one before you miss your chance as pressings are limited.
Review: Best Records get right to the heart of true Italo disco with this body-poppin' killer from 1983. REM were made up of Paolo Alfani and Nicola Serena, both based in Florence and well ahead of the curve with their experimental electronic disco sound. Making fantastic use of the Mattel Speak & Spell for their vocal hooks, this enterprising duo cooked up a veritable club bomb with their fusion of sleek drum machine rhythms, throbbing acid basslines and romantic synth tones that would come to be widely used in Detroit techno some years later. There's a full original take of the track on the A side, while the flip features a tweaked "remix" version to give you even more of that robo-vocoder action.
Cage & Aviary - "Lean On Me" (Felix Dickinson Foolish dub)
Posthuman - "Make More Man"
Review: Just as the new football season settles into it's groove, the fourth edition of the highly collectable Rothmans arrives sporting some high profile signings! Leading the way on The Claudio Gentile Release is a Foolish Felix dub of Cage & Aviary's "Lean On Me" whose deranged acid gurglings provide a nice contrast to the thrusting Escape From East London stylings of Posthuman's "Make More Men". On the flip Ali Renault returns for Rothmans duty with the Weatherall worthy "The Black Heart" whilst Iron Blu is loaned from Flight Recorder for the synthy swamp of orchestral drama that is "Oiche Shamhna"
Review: It was probably inevitable that Let's Play House co-founder Jacques Renault would eventually make an appearance on another Brooklyn institution, Razor 'N' Tape. Renault is, of course, a serial re-editor with a string of fine EPs to his name. There's predictably plenty to set the pulse racing across the four tracks, from the jazz guitar-laden disco-funk hedonism of opener "Cold Blooded", to the loose and punchy, horn-heavy warmth of hazy Afro-disco closer "That Sound" (which, thrillingly, includes a tweaked, teased, dubbed and extended percussion break). In between, you'll find the high-tempo disco-pump of "Dream Machine" and the piano-laden funk workout "Get Down".
Review: If you're looking for a great selection of house and disco club cuts, you can't beat Z Records "Attack The Dancefloor" Series. The latest volume begins with the revivalist disco brilliance of label founder Dave Lee AKA Joey Negro's remix of Delia Renee's "You're Gonna Want Me Back", before moving on to the slightly more house-centric modern disco vibes of Dr Packer's superb revision of vintage Dave Lee production (as Foreal People) "Shake". Over on side B, Grant Nelson offers up a filter-sporting disco-house revision of Z Factor classic "Gotta Keep Pushin", before Lee dons the Joey Negro alias one more time to wrap ear-catching church organ solos around a gospel-influenced house groove on an excellent remix of Four80East and CeCe Peniston's "Are You Ready?".
Ronaldo Reseda - "E Novamente Mas Que Nada" (5:19)
Robson Jorge & Lincoln Olivetti - "Ginga" (2:57)
Review: The 65th volume in Mr Bongo's admirable Brazil 45s series shines a light on Rio De Janeiro's turn-of-the-'80s boogie scene. On the A-side you'll find "E Novamente Mas Que Nada" by Ronaldo Resado, a five-minute chunk of samba-laced boogie sunshine that was originally featured on the artist's eponymous 1979 debut album. While wonderful, it's slightly overshadowed by flipside cut "Ginga", one of the highlights from Robson Jorge and Lincoln Olivetti's sought-after 1982 full-length (which, incidentally, was recently reissued by Mr Bongo and is well worth checking). Joining the dots between synth-heavy electrofunk, horn-toting disco-funk and languid jazz-funk, the instrumental track is arguably one of the best Brazilian boogie records ever made. Don't sleep.
Review: For his first outing on Razor 'N Tape, Parisian soul slinger Reverend P brings his signature touch on these four tasty edits. The A side is hot with the well worn but ever funky "Feel The Heat" then finishes sweet with "Strong Enuff," a rework of an often overlooked soul burner. On the flip, there is have the crooning and swooning late-nite vibes of "The Way You Get Me" followed by "Soul Fire," a clever bit of edit cheekiness that's sure to turn some heads and get you moving your behind!
Review: The Fantastic Voyage label kicks off with a summery joint from RFX, otherwise known as Pharmacy Records mainstay Romain FX, straight out of Hong Kong. There's an undeniable African lilt to these tracks, shot through with a classic 90s house twist - just check the infectious bump of "Indaba Kabani". "Gambian Neptune" has a snappier feel, channeling the vibe of 80s extended dubs with its strident drum section and bombastic atmosphere. "Nigerian Charon" has an interesting mixture of vibes going on, part Art of Noise mash up and part peak time synth sizzler, while "Sudanese Xena" heads into the heat of night, conjuring up a seductive, swirling mood to get truly lost in.
I've Been Waiting For You (DJ Duckcomb Discomix) (7:33)
Review: Emotional Rescue heads to the Caribbean and the effervescent boogie funk of Glen Ricks. The Jamaican groover originally released the much sought-after "I've Been Waiting For You" in 1983, and it's been hard to track down ever since. Whether in its full vocal form or the beautifully dubbed out instrumental version, this is a seriously sunny slice of good time party music that stands up to any boogie classic you care to mention. LA's DJ Duckcomb steps up for a Discomix of the original that draws on the vocal and instrumental takes to sustain that balmy vibe for even longer - the selector's dream!
Review: At long last! The 15-strong collection of nu-disco, boogie, cosmic and deep originals and edits landed digitally last November. Finally the vinyl's arrived with four of the many highlights all pressed to vinyl and sounding all the richer for it. Highlights among these highlights include the dubby rumbles of Saine's "You Can Count On Me", the velvet funk chugs of "Singapore Sling", the undeniable Cathy Denisisms of Robjamweb's "You Know How" and the soft focus mid tempo synth sleaze of "Chief Inspector".
Review: Originally released in 2014 with a whole plethora of remixes, Robotnick's "It's Over There" finally sees the light of wax with two of the best versions from the series; Manuel Perez brings the psychedelic sweeps closer to the fore while laying down a whole new slew of keys and dreamy chords while Balza adds a mystic melodic techno hum that rises with church-like stateliness that's sombre yet uplifting, deep and heavy. Grab it while you can.
Review: We were mighty impressed by Milanese party posse Rollover's first "anything goes" edits release, which promptly came and went from stores in a matter of days earlier in the year. Happily, this follow-up is similarly impressive. Opening edit, "Boom Boom Bo", a gentle mid-tempo house tweak of a smooth, horn-sporting jazz-funk number, sets the tone, before Tagliabue impresses via the Afro-Cosmic chug and subtle Balearic tones of "Dubitalo 1976". Etna is next up, rearranging and remixing a bongo-laden tropical bubbler from the early 1980s, before headline guests SHMLSS slap on some eyeliner and turn a New Romantic gem into a sweaty chunk of rubbery dub disco goodness.
Review: Renowned Hamburg digger Romanski excavates three sparkling eastern gems and gives them a precision polish for his brand new edit series on his own Wonder Music series. "Zund Ab Ghee" is a sassy, slinky slice of Bollywood disco while "Lambaya Kofte" takes us even deeper into the dance as an obese acid line weaves its way in and out of the tightly plucked out line. "Pling" continues the string theme but over gentle Nordic cosmic chug that allows the perfect space for the glistening piano momentum to shine. Wonder-full (not sorry)
Review: Having built up a rock solid reputation via a handful of fine rework EPs on his own Orange Tree Edits imprint, Jimmy Rouge has been snapped up by Aaron Dae and JKriv's Razor-N-Tape imprint. He's in fine form on this label debut: A-side "So Long" is a quirky but undeniably peak-time-ready affair, with hazy, dewy-eyed vocal snippets and bold, Moog style synthesizer motifs rising above dusty, full-throttle drums and a warm, metronomic bassline. He moves further towards shirts-off disco territory on flipside "Movin'", a thickset and energy-packed affair whose mind-altering, delay-laden vocal snippets will appeal to all those who enjoy the output of the Idjut Boys and DJ Harvey.
Review: Aroop Roy is a producer, singer and multi-instrumentalist from the UK. Be prepared for one well funky and soul infused journey on "Talkin Bout Life" which is perfect to bring in the summer of 2017. Funky elements, a serious horns section and strong vocals hold up this brilliant track. It's a more straight ahead deep house affair on the rather evocative "We Together" and actually its the kind of track you could imagine Derrick May or Dixon playing out; there are definitely elements of 'hi-tech soul' in it. The Brisa remix of Talkin Bout Life" on the flip is a worthy addition also.
Review: Few producers know their way around a modern disco instrumental like Rudman. On-point for well over a decade and still true to the original soul and machine warmth, the "Pagoda" EP reminds us of his skills: Put the needle down and prepare to glide from the stylish, stripped back synth-boogie of "Front Era" face-first into the deeper, bass-led mid-tempo house hypnosis of "Outburn Memories" before floating away into the ether with the dubby, key stroking session "Protocol Machinery" where the walking bassline does all the talking.
Review: Spotted on his "Pagoda" 12", Zagreb nu disco OG refixes our focus and adds a new lease of life to its velvet keys, warm, measured funk aesthetic and occasional cowbell tickles. Each remix adds a new chapter; Pete Herbert brings a different twist and bigger sweeps to the synths, A Vision Of Panorama Balearic the Dickens out of things with loose legged gliding synths and slo-mo sunset finish while Greene Linez closes the show on a sweet and slinky two-step flex. Something for every occasion. Tip!
Just An Illusion (Ilija Rudman Night Institute mix) (3:04)
Don't Look Any Further (Ilija Rudman True Colours mix) (4:38)
Review: Off the back of the awesome "Sagittarii" LP on Stevie Kotey's Bear Funk earlier in the year, Croatian deep disco hero Ilija Rudman is back with a couple of sweet re-edits on Brooklyn Highs. He takes on Imagination's classic "Just An Illusion" for a "Night Institute Mix" where he pitches this sexy late night lovers anthem down a few notches for that good ol' low slung effect. On the flip, he delivers a respectful edit of Dennis Edwards and Siedah Garrett's 1984 classic "Don't Look Any Further" for a "True Colours Mix", which again goes for that slo-mo vibe just nicely.
Review: Late last year Los Angeles-based synth obsessive Nicholas Benedek made his PPU bow with a untitled album filled with untitled tracks, executed with the sort of lo-fi panache that fit the label to a tee. Here Benedek returns to PPU as RX, a rather surprising self-styled 'smog prog' project with LIES artist and LA Club Resources boss Delroy Edwards. Taking shape in a signature PPU 7 inch, both "Strung Out" and "Prescriptions" sound like a fine balance between the hazy boogie of Benedek and the tape degraded grit that's been a hallmark of Edwards work since his emergence on L.I.E.S.
Review: The 1 Life crew had a strong start with the likes of Kerri Chandler, DJ Spen & Karizma and Joey Negro contributing to a disco-fied house sound. Volume two on the label is no slouch either, ranging from Vincent Inc & LA's smoky "Cafe Tropical" before launching into Rico De Almenda's sassy, joyous take on "Watermelon Man". Venus Attack Project get into a deeper, percussive mood on the incendiary "Grass Culture" before Vincent Floyd completes the set with the heartfelt acid bubble of "Trail Of Tears". From organic sounds to box jams, these tracks speak directly to the foundations on which house music was built.
Review: The second installment of Multi-Culti's Moon Faze Sun Gaze series is a typically psychedelic affair, with an impressive cast of producers delivering a quintet of trippy workouts. Von Party & Dreems join forces to present "Wet Raga", a spaced-out combination of delay-laden drums, space disco electronics, and Eastern mysticism. The ever-reliable Red Axes fuses heavy post-punk bass, with punchy percussion and minimal wave melodies on the excellent "Boosha Gdola", while Dreems go solo on the weirdo acid-electro bubbler "Sine O'The Tymes". Nick Murray and Kris Baha underpin psychedelic disco electronics with the heavyweight throb of house on "Say Something", before Cocolo draws proceedings to a close with the pitched-down shuffle of analogue wobbler "F33lings".
Ed Wizard & Disco Double Dee - "Peoples Groove" (7:53)
Matt Hughes - "Sunshine" (6:11)
The Owl - "Pimp Talk" (6:38)
Rahaan - "Fine Feelings" (7:30)
Review: Editorial Records return with more disco infused flavours from around the world. These four nice and slow re-edits are sure fire weapons for any disco DJs crate. Ed Wizard and Disco Double Dee take on Brass Construction much like Venus did on Sunshine People 15 years ago for another nice re edit. Matt Hughes' "Sunshine" is an equally good effort; wait for the drop! "Pimp Talk" by The Owl retains the sleazy grooves of the original and Rahaan's take on fine boogie workout 'Feeling Fine' does the business, as always.