Back catalogue: Disco/Reediciones

Review: Fans of UK street soul from the mid-80s you need this one in your life as Heels & Souls Recordings returns with its eighth reissue and unveils some treasures by Elaine Vassell and 3rd Zone. In 1993, amidst the rise of house music, UK soul thrived, accompanied by its DIY street soul sibling as perfectly exemplified here by 'Never Give Up' which boasts a raw, breakbeat-driven groove, blending soulful house, hip-hop, and r&b, while 3rd Zone's 'You Stole My Heart' from 1991, later featured on their 1993 EP No Real Reason, offers a tender yet tough underground vibe. Both tracks showcase the era's spirit, proving that creativity trumps big budgets. Each side includes an alternate version for added depth and diversity.

Review: When tasked with compiling his first After Dark compilation for eight years, musical font-of-all-knowledge Bill Brewster decided to go "slow and low", picking an impressively eclectic collection of low-tempo outings old and new. The results are undeniably impressive, with Brewster serving up an entertaining and eye-opening mixture of twinkling, jazz-flecked electronica (T.O.E), synth-laden proto-Balearic dreaminess (Island Band), Weatherall-esque dark disco psychedelia (Brewster's Hotel Motel project remixing Jeb Loy Nichols), squelchy nu-disco deepness (Ray Mang dubbing out Khruangbin), acid-flecked revivalist proto-house (Rhythm Plate), little-known, 80s soul era synth-pop (Debbie & The Code), future Balearic anthems (Nail re-editing Gilbert O'Sullivan), saucer-eyed, piano-sporting space house (Gus Patterson) and ultra-deep electro (Carl Finlow). As usual, Brewster has largely avoided familiar favourites, instead showcasing obscurities that deserve wider attention.

Review: Having previously shone a light on lovers rock via two volumes of his For The Love of You compilations, dusty-fingered selector Sam Don has turned his attention to 'underground UK soul'. In practice, that largely means - though not uniformly - street soul of the late 80s and 90s. It's a simple idea, executed brilliantly, with Don working tirelessly to get the blessing of all the artists involved. Sweet, synth-heavy and lusciously loved up, the 12 tracks on show are undeniably excellent, with the many highlights including the piano-sporting, breakbeat-driven dancefloor pleasure of Kofi's 'Step By Step', the sax-sporting shuffle of Jenny B's 'Sexy Eyes (Club Mix)', the bubbly 80s soul cheeriness of Cavalier's 'Don't Touch' and the bustling post-boogie brilliance of 'Passion' by Taffy.

Review: For their latest deep dive into Italo-disco history, ZYX Records have enlisted the help of Guiseppe "Joey" Mauro - an Italian producer, songwriter and keyboardist whose career stretches right back to 1984. His "Italo-disco legends" selection is heavy on his own work - no bad thing given his credentials - and contains a wealth of material that has never appeared on CD before. Highlights are plentiful, with our picks including Mauro and Ventura's sparkling and uplifting 'You & I', Italowarriors' throbbing and colourful crew cut, 'The Warrior (120 Italo Version)', the bubbly cheeriness of 'Crazy (Classic Mix Version)' by Malcolm & The Bad Girls, and the effortless Italo funkiness of Raf Coney's 'Horsepower'.

Review: Mr Bongo is synonymous with superb compilations and this one from compiler Miche is another one that gets an A-grade rating. It arrived on some formats late last year and found the man known on the London underground as the music programmer for the acclaimed Spiritland venues digging deep into soul. He is a master of such activities, clearly, and his findings are stunning with 15 great tunes spanning deep and sentimental sounds. Some of the tracks will be great for intimate dance floors, and some pack more of a raw and funky punch. All of them are the sort of tune that you wish you were cool enough to have dug out for yourself.

Review: There is a wealth of talent on show on the third EP from the Fusion Sequence label which has put together this six-track deep house sizzler. The Variable Club' 'Biorhythms' is perfectly warm and dynamic for cosy backroom moments and Alpine DJ then brings an old school piano feel to 'Pepe Nony' before A Vision Of Panorama zones you out on lush chords and reverential keys on 'Kissing The Sun.' The flipside offers the more dark and heads-down 'Many Stories' while the blissed-out and feel-good grooves return with Common Mode's 'Bassface.' Body Corp shuts down with the slower, seductive sounds of 'Take It Or Leave It' which rounds out a top-class EP.

Review: Octave Lab issue a new and formidable compilation, diving deep into the back catalogue of the Private Stock label of the 70s - a short-lived, but ultimately unmatched imprint forming part of disco's seventies heyday. Though thay may not be as well-known as some of their contemporaries, we find that it's not breadth of appeal, but gimlet collectability that makes for an interesting and historic discography. From 'I'll See You In My Dreams' by The Pearls, to 'Gotta Find A Way' by Wild Honey and 'Good Bread Alley' by Soul Mate, each cut here is fashioned and hemmed to perfection, channelling a golden mean that verges on the jazzier and city-poppier edges of things. Life's certainly not a party for everyone, but it definitely was for the Private Stock crew.

Review: To mark the 20th instalment in their popular and ongoing series of collaborative albums, Jazz Is Dead, Adrian Younge and Ali Shaheed Muhammad have decided to serve up fresh remixes of cuts from the series' bulging back catalogue. Given the series love of fusing jazz's past and present, it's a concept that makes perfect sense. The resultant rubs are uniformly inspired, too, with our picks of a very strong bunch including Shabaka Hutchings' fantastic revision of Henry Franklin hook-up 'African Sun', Mophono's psychedelic, dancefloor-ready tweak of Tony Allen collaboration 'Don't Believe The Dancers' (which comes complete with heavy drums and hazy, Fela-esque horns), Theon Cross's drum & bass style re-imagining of 'Phoenix' (featuring the Midnight Hour), and Bei Ru's duty, head-nodding hip-hop interpretation of Katalyst collab 'Reflections'.

Review: The Now series is legendary for any one of us over a certain age. Back during our early childhood years, they were the first and last word of what was hot when it came to popular music of the day. Every few months, a new numbered collection would drop and give you access to all the hits you knew as well as some you didn't. In later years they branched out into specialist genres from funk to soul to dance. This bumper four CD collection brings together the very best 12"s of 1981 and despite the small remit, there is plenty to go at, as the easy-to-love tracklist shows.

Review: The latest volume in Soul Jazz's Boombox series, which focuses on the formative years of hip-hop culture, delivers a notably deep dig into some of the innovative and inspired disco-rap, electro and proto-hip-hop records released by independent labels, mostly based in New York City, between 1979 and 1983. It's a genuinely eye-opening affair that boasts a mixture of little-known debut singles from now legendary acts (Grandmaster Flash and the Furious Five, Funky Four Plus One More), inspired obscurities (see 'Get Live '83', a rare recording by a Chicagoan high school band), bona-fide dancefloor gems (Mike T, Sangria, the electrofunk-rap of Silver Star), and deliciously deep cuts. Throw in Soul Jazz's usual exhaustive, expansive liner notes, and you have another essential collection from the quality compilation specialists.

Review: As with its five predecessors, the sixth volume in the Mr Bongo Record Club series of compilations is another must-check affair. Keeping the same "lesser-known music we like and want to share" approach, the 21-track collection drifts between drowsy, jazz-powered ambient pop (Japao), righteous gospel disco (New York Community Choir's sublime 'I'll Keep a Light in My Window'), floor-friendly Latin jazz-funk fusion (The Drive), suspenseful big band mambo (Manny Corchado & His Orchestra), soaring 1970s dancefloor soul (Vee Gees), samba-funk (Copa 7), dubby and dreamy pop (Dina Ogon), acoustic guitar-smothered dream pop psychedelia (Matta), and much more besides.