New releases last four weeks: Disco/Reediciones

Review: Manchester mavericks A Certain Ratio have been on a rare run of form of late, with 2023's 1982 counting as one of their most vibrant and endlessly entertaining albums for decades. Of course, all their albums are of a consistent quality, but It All Comes Down To This genuinely crackles with energy. From the word go, the veteran band's inherent funkiness is present, but this time it comes cloaked in fuzzy funk-rock guitar riffs, acid-fried effects, and vocals that are amongst the most forthright they've committed to wax (or, in this case, CD). In many ways, it is - as the band and producer/Sopeedy Wunderground boss Dan Carey intended - a 'back to basics' sound that focuses on the key aspects of ACR's sound. When those 'basics' are so strong, it's no surprise that the results are this impressive.

Review: Dave Lee's "AC Soul Symphony" alias has been releasing delectable and sultry disco since 2005 but reached his magnus opus in 2023 with the release of the "Metamorphosis" LP. Here we find two tracks handpicked from the album and delivered, for the first time, in a 7" format. The single starts much as the album does with the track "Windy City Theme", beautifully scored, recorded, and produced legato strings envelope the track, punctuated with horns and vocals reminiscent of a Love Unlimited Orchestra production. This version of the track has been rearranged, speeding up the pacing of the track and reaching the juicy parts in a really satisfying way. On the flip side we have the title track from the album "Metamorphosis", which is the first time the vocal version has been made available on Vinyl. A bass laden intro gives ways to glistening pianos and those signature strings (have we mentioned how good the strings are?). A more laid back and seductive track than the A side, but no less appealing. Again, due to the limitations of the 7" format, "Metamorphosis" has been expertly rearranged with loving care and attention.

Review: Mystery surrounds the story behind this edit-style two-tracker - and, indeed, the identity of Baggy Leggins and Duke Hobo themselves - but there's much to admire about it. Check first A-side 'Keep Marching', where a lightly beefed up and housed-up semi-acoustic groove offers a platform for sweet, bilingual female lead vocals, jaunty guitars and simmering strings. It's a genuine dancefloor revision, but one that will suit Balearic DJs and confirmed party starters as much as dusty-fingered crate diggers and selector sorts. 'Shuffleupagus', meanwhile, sees the mystery artist cut up and tool up a vaguely familiar Latin workout with predictably energetic and party-starting results.

Review: This 2024 edition marks the return of Joe Bataan, via the same track that made his name in 2004. Vampi Soul first welcomed the Latin Soul king to the label two decades back, facilitating the release of his 2005 album Call My Name. The pre-release singles for the album were 'Chick-A-Boom' and 'Cycles Of You', packed onto a single 7"; these quickly became DJs' favourites and have thus since remained long out of print. As it was twenty years ago, 'Chick-A-Boom' is a simultaneously upbeat but ghostly track, with Bataan's vocals quadrupling up in a wall of sound while providing the vibe equivalent of a Jackie Chan flick. 'Call My Name', meanwhile, goes heavy on the clavichord and synth whistle, as Bataan revels in a funereal theme, dancing, thundersticking into the great beyond.

Review: Super Spicy's Super Spicy Recipe series is back with a sixth mouthwatering offering and once again it's a super hot outing of party-ready house and disco sounds. First up is the irresistibly colourful disco charm of Birdee with the freewheeling 'Underground' and its groove-infused piano. Label boss Monsieur Van Pratt then adds his own spin to a rare groove classic with a lung-busting soul vocal and Pato Watson is in edit mode as he tweaks 'Ella Fue' to perfection. Italian don Paul Older brings some funky jazz fusion sounds to his steamy 'Turkish Lights, C. Da Afro keeps it a party with his 'Nothing But The Funk' and Mexican Juan Soto slips into a more deep and loved-up funk-house vibe on 'All Is Full Of Love'.

Review: Michael Gray brings his famously soulful sound to this new release on Sultra and it very much taps into a timeless vibe and old school disco feel. The grooves are nice and loose, the percussion is organic and fresh and the vocals, which re-sing a real classic, solar to the heavens next to mid tempo beats. After the A-side extended mix featuring Kimberly Brown & The Sultra Gospel Singers comes 'Never Let You Down' (feat Anthony Poteat & LaMay - extended mix). This one is a little deeper, quicker and funky, but is no less impassioned with its live vocals and lush synth work all bringing the good time vibes.

Review: Some 29 years after it first hit record stores, Nick Holder's sought-after Fruit Loops EP returns in remastered and reissued form. The long-serving Canadian was already four years into his career - and many 12" singles deep - when he delivered the four-tracker, which offers a funky and seductive take on deep house rich in disco and boogie samples. Check first the Chic-sampling disco house roll of 'Dance, Dance, Dance', before moving into the more complex (but not less attractive) 'Keep On Running'. 'The Message Is Love' does a brilliant job in turning choice loops and samples from MFSB's 'Love Is A Message' into heady house gold, while 'Clap Your Hands' makes merry with the stomping brilliance of Hamilton Bohannon's most famous tune ('Let's Start The Dance').

Review: Son of Todd Osborn (Soundmurderer/Ghostly) Kaito Ian makes a hugely impressing first outing on the Galaxy Sound Co label with a series of lo-fi hip-hop beat-strumentals that cannot fail to get your head nodding. He is a dedicated music lover and skater with a deep knowledge of his craft and that shows here with some refined sounds starting with the soul drenched 'Revert', then on to the warped angelic vocal samples of 'Sequoia' and the percussive jumbled and scratching of 'Trek'. 'Wait Up' is another excellently blissed out joint and 'Sloan' is a sunny, laid back, lazy vibe to close down a superb EP.

Review: Believe In You by Knoe1 featuring George JJ Flores is a soulful electro funk track that exudes the essence of the early 80s. The vocal version opens with disco claps and a smooth, sultry vocal, complemented by groovy keyboard work. The instrumental version showcases the track's infectious rhythm and tight arrangements, offering a dynamic and engaging listening experience. Overall, Believe In You captures the essence of boogie and electro funk, showcasing the talents of Knoe1 and George JJ Flores.

Review: It would be fair to say that post-disco outfit Unlimited Touch's 1980 single "I Hear Music In the Streets" is one of the greatest boogie/electrofunk records of all time. Louie Vega clearly agrees, because late last year he decided to gather together the remaining members of Unlimited Touch and record a fresh 2020 version. The A-side "Touch Mix" is the bomb. It features a more organic-sounding disco-boogie groove than the 1980 original, with delicious guitars, bass and electric piano/organ underpinning seriously good group vocals from the sometime Prelude-signed outfit. Over on the flip, Vega serves up an electric piano solo-laden dub mix, as well as a "Classic Boogie" take that naturally sounds very similar to the band's much-loved original version.

Review: For their latest deep dive into Italo-disco history, ZYX Records have enlisted the help of Guiseppe "Joey" Mauro - an Italian producer, songwriter and keyboardist whose career stretches right back to 1984. His "Italo-disco legends" selection is heavy on his own work - no bad thing given his credentials - and contains a wealth of material that has never appeared on CD before. Highlights are plentiful, with our picks including Mauro and Ventura's sparkling and uplifting 'You & I', Italowarriors' throbbing and colourful crew cut, 'The Warrior (120 Italo Version)', the bubbly cheeriness of 'Crazy (Classic Mix Version)' by Malcolm & The Bad Girls, and the effortless Italo funkiness of Raf Coney's 'Horsepower'.

Review: Electronica production duo Arnau Obiols and Kayyak, who've laid down a name for themselves for their distinct blend of cultural influences and captivating soundscapes, here present two new tracks that seamlessly fuse Afro-inspired rhythms with groovy organic beats. Barely letting us clock for a second that these are in any way electronically programmed or sequenced, this fresh Compost Records 12" hears its two new cuts, 'Faith' and 'San Diago', abound in the ambered, sandy interim of a clear-skied evening, in which cocktails flow and smiles widen. Remixes by Prins Thomas and Medle & Dele Sosimi do just as well to complement the mood.

Review: Alex Puddu is a versatile multi-instrumentalist, composer, and producer renowned for his collaborations with luminaries like Edda Dell'Orso and Joe Bataan, and here he presents a debut double single that is sung in Italian. With tracks 'Pullover Grigio' and 'Texas Blonde,' he introduces a fusion of Italian funk-pop from the late 70s and early 80s and melds the with the pop and indie melodies of contemporary Italy. Also drawing on influences from soul to disco, Puddu's unique production style shines through with its most tender chords, seductive vocals and sunny sounds.

Review: Savana Funk and Gaudi's collaborative effort, Raha, encapsulates the vibrant essence of Afro/Cosmic Disco in a limited edition 7" vinyl release. Drawing inspiration from the late 70s Afro-disco movement, the single offers a hypnotic journey through eclectic Krautrock-infused grooves and space-funk textures. On the Side-1, 'Raha' pulses with an infectious Afro-cosmic groove, driven by analog synthesisers and psychedelic guitar riffs. The track, featuring vocals by Italian-Moroccan drummer Youssef, embodies the essence of peace of mind, as reflected in its Arabic title. On the Side-2, 'Orewa' invites listeners to dance amidst a psychedelic-coloured sunset, with funky guitar riffs leading the way into a timeless journey of groove and rhythm. Savana Funk's pedigree as one of Italy's foremost Afro-funk bands shines through, while Gaudi's extensive experience as a music producer adds depth and richness to the production. A vibrant tribute to the Afro-disco movement.

Review: Sexxy Dexx's 'Revelry' transports listeners back to the heyday of 80s funk and soul with its infectious energy and undeniable groove. Drawing inspiration from the likes of Prince, the track exudes a playful sensuality that is perfect for the dance floor. With its catchy hooks and pulsating rhythms, 'Revelry' captivates from the first note to the last, ensuring that feet will be tapping and hips will be swaying all night long. On the flip side, Delores Galore's 'What's It Bout To Be' brings a modern twist to the electro-funk genre, blending infectious beats with soulful melodies and seductive vocals. The result is a dance track that is as irresistible as it is memorable. Together, these two singles offer a tantalizing glimpse into the vibrant world of funk-infused pop, proving that the spirit of the 80s is alive and thriving in today's music scene.

Review: In 1975, Silver Convention burst onto the global stage with their hit song Save Me, introducing the world to The Munich Sound. The album included the Grammy-winning smash hit 'Fly Robin Fly,' which topped both the disco and pop charts for weeks and became the band's signature song. Now, Omnivore Recordings and Good Time Records present an expanded reissue of this classic debut, featuring five bonus tracks and insightful liner notes detailing the album's genesis and global impact. With its original international cover art and a 12-page color booklet filled with photos and ephemera, this reissue is a must-have for fans of Eurodisco and music history enthusiasts alike.

Review: 18 months after a fantastic launch instalment courtesy of the mighty Danny Krivit, Mr Bongo's Edits series returns. This time round, it's Manchester legend and 'E Soul Cultura' specialist Luke Una at the controls. On the A-side he handles 'Love Games', an obscure slice of mid-80s South African disco by Thandi Zulu and The Young Five, cannily focusing on the warm, gently funky groove and the track's spacey synth solos. Over on the flip, the Electric Chair co-founder takes on Lionel Pillay's percussion, synth-and-organ classic 'Plum', stretching out the most dancefloor friendly sections before unleashing waves of solos and the original's saucer-eyed, sun-splashed instrumentation.