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Effects pedals

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Danelectro Billionaire Filthy Rich Tremolo Pedal
Cat: 676317 Rel: 09 Mar 18
 
Tremolo pedal with speed/depth controls
Notes: Danelectro invented the thickest, deepest amplifier tremolo in the late 1940's. Billionaire brings back this original Danelectro technology for the richest tremolo tones ever. One listen and this will be a prized part of your arsenal.
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MRP:$102.78 SAVE 52%
 1 in stock $49.25
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Danelectro Billionaire Pride Of Texas Overdrive Pedal
Cat: 676311 Rel: 09 Mar 18
 
Overdrive effect pedal for electric guitar
Notes: The 'Pride of Texas' recreates that 'holy grail' bluesy tone of one of the greatest and most influential guitar players to walk the earth, fattening up your signal without losing clarity or voice. Ideal for both single coils or humbuckers, the 'Pride of Texas' provides plenty of boost for crunchy rhythm or screaming lead solos.
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MRP:$115.63 SAVE 51%
 1 in stock $56.74
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Danelectro The Breakdown Boost Overdrive Pedal (B-STOCK)
Cat: 792809 Rel: 13 May 19
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Rewind to 1968. Famous guitar god uses this pedal to record his first album. Entire planet goes nuts. Inexplicably, the pedal then disappears. Until now. Danelectro resurrects this awesome, incredibly organic sounding pedal. 6 position "Break Up" control takes your guitar signal and slams the front of your amp with increasing punch. Positions 1 through 3 are ear-friendly and have "leave on all the time" potential. Positions 4 through 6 grab you and knock you back against the nearest piece of concrete. But in the most pleasant way. Caution: Do not listen to this... unless you want it to be your life companion.
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 1 in stock $111.80
DiMavery DP1 Distortion Pedal
Cat: 700851 Rel: 31 Aug 18
 
Mini distortion effects pedal
Notes: - Distortion from hard rock to metal
- Compact size for more space on the pedal board
- Rugged metal housing
- Robust footswitch
- True bypass
- Controls: Level, Tone, Gain
- Connections via 6.3 mm audio jacks
- AC adaptor not included
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 1 in stock $32.39
DiMavery TP1 Tube Pusher Overdrive Pedal
Cat: 700858 Rel: 31 Aug 18
 
Mini overdrive effects pedal
Notes: - Top boost mode
- Compact size for more space on the pedal board
- Rugged metal housing
- Robust footswitch
- True bypass
- Controls: Level, Tone, Gain, Mode
- Connections via 6.3 mm audio jacks
- AC adaptor not included
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 1 in stock $42.39
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DOD Rubberneck Analogue Delay Pedal
DOD
Cat: 638955 Rel: 20 Oct 17
 
Analog delay effects pedal with tap tempo & built-in effects loop
Notes: The new DOD Rubberneck Analog Delay has double the features with the cool new double-wide chassis. The Rubberneck boasts over a second of warm and musical 100% analog repeats you crave, along with tap-tempo, subdivisions, and tails. Double concentric knobs give you independent control of the Modulation Rate and Depth as well as Gain and Tone of the delay.

Double footswitches allow for unique extended features like user customizable momentary control of oscillation and momentary control of the dizzying pitch sweep of "Rubbernecking." These extended features are controlled by individual clear mini knobs that double as multi-colour LED status indicators. Feedback loop send/return, remote footswitch control, true bypass, and rugged metal construction, make the Rubberneck Analog Delay the must have delay of the year.

The Rubberneck also has jacks to allow FS3X 3-button remote foot switching, and a send and return so you can add external effects to the delay path.

The DOD Rubberneck uses a 9VDC power supply to easily integrate into your existing pedalboard.
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 1 in stock $205.39
Earth Quaker Devices Acapulco Gold V2 Power Amp Distortion Pedal
Cat: 781143 Rel: 14 Jul 20
 
Distortion pedal
Notes: The Acapulco Gold is a dirt-simple distortion Device modeled after the sound of a cranked vintage Model T amplifier, bringing the openness, clarity, and crunch that only a dimed tube amp can provide, at a fraction of the size, and without expensive maintenance costs!

Since tone is in the hands, the controls of the Acapulco Gold are as simple as possible. The footswitch turns the pedal on and off, and the giant knob controls the output volume. That's it. The rest is at your fingertips. Want less gain? Turn down your guitar's volume knob. Need a darker rhythm tone? Roll back your guitar's tone control. Easy, right?

Big Knob: The big knob sets the output level, sometimes known as Volume. PLEASE BE CAREFUL, the Acapulco Gold is extremely loud!

With your guitar's volume all the way up, the Acapulco Gold roars like a wide-open Model T on the verge of explosion. At just-barely-backed-off, the Gold becomes a raunchy overdrive. At minimum guitar volume settings, the Acapulco Gold delivers a hazy, Nashville-sounding spank to your tone.

How about this? If your guitar has separate volume and tone controls for each pickup and a three-way selector switch, this little one-knob banger becomes a three-channel tone monster at the flick of your wrist!

This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

This device can be powered by a 9v battery or a standard 9-volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise.

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs

Current Draw: 18 mA

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MRP:$173.45 SAVE 26%
 1 in stock $128.47
Earth Quaker Devices Afterneath V3 Enhanced Otherworldly Reverberator Pedal
Notes: Giant ambience from this cleverly designed reverb pedal. Straightforward, intuitive approach with a clever 'drag' control to spread out and separate the individual digital delay lines.

Supplier notes:
The Afterneath sounds a lot like it looks - a wizard bursting forth from ethereal cave and ready for the ambient battle.

Once inside the cave, a reflection of light from an unknown source catches your eye, and you notice a bizarre sheen on the walls of the cave. You timidly inch closer to the walls of the cave. Placing your hand gently on the cavern wall, you feel the rock move. The cave is alive! Alarmed, you emit a loud gasp, which reverberates throughout the subterranean landscape. Upon further listening, it appears as though the reverberations of your voice are in fact a swarm of short digital delays which may be used to create wild and cavernous reverbs, or scattered, short, rhythmic delays with bizarre characteristics.

Take a moment to consider your Intelligence and Wisdom scores, as well as your spell inventory before proceeding further. You have seven spells at your disposal.

Will you cast "Length," which controls the decay length of the reverb?
What about "Diffuse," which adjusts the spread of the reverb? With your wand (or just the knob) turned counterclockwise, the reverb is sharper with more attack, resulting in a stuttering sputter of individual early reflections. Clockwise casts a washy, more ambient-sounding hex.

Overwhelmed by fear, you hastily cast "Dampen!" As you shout the incantation, you notice that a counterclockwise variation of this spell results in brighter tones, while as you rotate your wand clockwise; you hear darker tones with a mellower top-end. It's almost as if your magic changes the hardness of the cavern walls, and thus the tonal characteristics of the reverb!

Elsewhere in your book of magic is "Drag," which separates the individual digital delay lines, literally dragging them through the very fabric of time and space towards an unknown event horizon from which they may never return. Clockwise "Drag" positions will gather the delay lines close together for a more reverb-like effect. Turn the "Drag" counterclockwise, and the delay lines will begin to pull apart for a scattered ping-pong delay effect.

The Drag can be put under voltage or expression control using the "EXP" jack located on the side and operates in 9 different modes which are selected by the small "Mode" control. These modes are: Unquantized, Unquantized with slew, Unquantized volt/octave,
Chromatic scale, Major scale, Minor scale, Pentatonic scale, Octaves & fifths and Octaves. These modes drastically change the way the Drag control functions, especially while using an expression control or CV.

The "Reflect" alters the depth of the cave, and with it the regeneration of the reverb. This acts as a feedback control and will self-oscillate if cast by a high-level user. Turn clockwise for more wash and echoes, counterclockwise for less.

Finally, the "Mix" alters the alchemical balance between the input signal and the effect. The Afterneath does not go fully wet but does lower the level of the input signal as you raise this control to create the appearance of a fully wet reverb.

Modes
The Modes control changes the way the Drag control functions. The LED will change colors indicating which mode you are in.

1. Unquantized: Smooth, unquantized response over the operating range

2. Unquantized with Slew: Smooth, unquantized response over the entire operating range, but with a musical slew that is reminiscent of turning the varispeed knob on a vintage British tape delay. The "Drag" will lag behind the knob or cv changes, but then quickly catch up.

3. Unquantized Volt/Octave: Smooth and unquantized, yet scaled to align with the 1v/octave curve to allow melodic modulation of audio in the buffer, or control the frequency of self-oscillation like a voltage controlled oscillator.?

4. Chromatic Scale: Quantized 1v/octave to the chromatic scale?

5. Minor Scale: Quantized 1v/octave to the minor scale?

6. Major Scale (Lydian): Quantized 1v/octave to the major scale (Lydian)?

7. Pentatonic Scale: Quantized 1v/octave to the pentatonic scale?

8. Octaves & Fifths: Quantized 1v/octave to omit all but octaves and fifths?

9. Octaves: Quantized 1v/octave to omit all but octaves

Specifications:

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs

Current Draw: 100 mA

Input Impedance: 1 MO

Output Impedance: 500 O
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MRP:$263.38 SAVE 21%
 1 in stock $207.70
Earth Quaker Devices Arpanoid V2 Polyphonic Pitch Arpeggiator Pedal
Cat: 781496 Rel: 14 Jul 20
 
Arpeggiator pedal
Notes: Welcome to the first dedicated compact polyphonic pitch arpeggiator effect pedal for electrical guitar! What does the Arpanoid do? The Arpanoid takes whatever you play and transforms it into an adjustable ascending or descending scale. It features 8 intuitive and expandable modes and will work on complex chords as well as single notes in any key. The Arpanoid has an all analog dry signal, all digital wet signal and true bypass switching. Like all EarthQuaker Devices pedals, this dude is handmade one at a time in sunny Akron Ohio.

1. Rate: Adjusts the speed of the sequence.

2. Up/Up-Down/Down Toggle: Switch to control the direction of the sequence. All the way left is up, the sequence will continually repeat going up. In the middle is up/down, the sequence will continually repeat going up then back down. All the way right is down, the signal will continually repeat going down.

3. Step: Selects how many notes there are in the sequence.

4. Wet: Level control for the effect signal. Unity is around noon.

5. Mode: 8 position selector switch to choose the octave and key:

Major: -1 octave to root.

Major: root to +1 octave.

Major: -1 octave through +1

Major: Random pattern

Minor: -1 octave to root.

Minor: root to +1 octave.

Minor: -1 octave through +1

Minor: Random pattern

6. Dry: Level control for the dry signal. Unity is around noon.

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 65 mA
Input Impedance: 1 MO
Output Impedance: <1 kO
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies are generally recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!
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MRP:$294.22 SAVE 21%
 1 in stock $233.40
Earth Quaker Devices Arrows V2 Pre Amp Booster Pedal
Cat: 781561 Rel: 14 Jul 20
 
Pre-amp booster pedal
Notes: The Arrows is an all-discrete tone sculpting preamp booster. It was designed with the intention of adding an additional channel of gain to all your dirt pedals as well as brightening up neck pickups. It boosts midrange, tightens up the low end and makes the top end shine while adding some push to drive your dirt into blooming sustain with excellent harmonics. Its simple interface is no nonsense; a single control that will either boost or cut your signal. Use the Arrows to remove the muck from bass heavy fuzz pedals, push light overdrives into higher gains than you thought possible or even on its own to make your signal really pop with more pizazz. All analog, true bypass and handmade one at a time in the weird pit of Akron, Ohio.

Level: Adjusts Arrows output level. Clockwise is loud, counterclockwise is quiet.

This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

This device can be powered by a 9v battery or a standard 9-volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies are generally receommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs

Current Draw: 8 mA
Input Impedance: 10 MO
Output Impedance: <10 kO
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MRP:$140.04 SAVE 24%
 1 in stock $107.06
Earth Quaker Devices Bit Commander V2 Analog Octave Synth Pedal
Cat: 781605 Rel: 14 Jul 20
 
Octave synth pedal
Notes: The Bit Commander is a monophonic analog guitar synthesizer with four octaves of vintage square wave synth tones. Its no-nonsense interface makes it easy to add or subtract octaves to create a wide variety of sounds without having to dial in envelopes or oscillators. Ripping sub-octave thump, pulsing octave down, a lightly squared base tone and a swelling transformer based octave up all join together to make a single guitar sound like an army of olde tyme synths.

Controls:
1. Level: Master volume

2. Filter: Tone control more highs clockwise, more warmth counterclockwise

3. Base: Squared input signal level

4. Sub: Two octaves down level

5. Down 1: One octave down level

6. Up 1: One octave up level

This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 25 mA
Input Impedance: 50 kO
Output Impedance: <500 O
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MRP:$250.54 SAVE 22%
 1 in stock $194.85
Earth Quaker Devices Cloven Hoof V2 Fuzz Grinder Pedal
Cat: 781610 Rel: 28 Jul 20
 
Fuzz grinder pedal
Notes: The Cloven Hoof is the Hoof's evil twin. It looks a lot like the Hoof, only more, um . . . Cloven.

The tightness and clarity you loved about the Hoof has been kept, along with the wide range of fuzz sounds, and the rest was thrown away. NOS Germanium transistors? Nope! In their place, a set of four specially selected Silicon transistors were installed for cleaner cleans, higher gain, improved temperature stability, and a grittier, grindier, nastier fuzz tone with over 4x the gain of the original Hoof. The key resistors were replaced with with NOS Carbon Comp components to sprinkle a little bit of vintage flavor into the Cloven Hoof's searing fuzz fury. It's like they always say, "In with the old, out with the new".

The Tone and Shift controls remain intact, only now they're re-voiced for a smoother sweep, and more precise control over the Cloven Hoof's beefy low-end. Speaking of low-end, have you heard this thing on bass? Wow. Try the Cloven Hoof on a bass guitar. Seriously- you can still cut or boost the mids, and there's still a metric ton of output on tap, just do us a favor, and for the love of all that's Cloven, play this pedal with a bass guitar.

Controls:
1. Shift: This adjusts the mid content. Clockwise for scooped mids,
counterclockwise for boosted.

2. Tone: Bass to the left. Treble to the right

3. Level: Use this control to make the Cloven Hoof louder or quieter.

4. Fuzz: Clockwise for heavy, counterclockwise for light.

Tech Specs:

This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

This device can be powered by a 9v battery or a standard 9-volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 14 mA
Input Impedance: 150 kO
Output Impedance: <10 kO
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MRP:$224.84 SAVE 22%
 1 in stock $174.51
Earth Quaker Devices Data Corrupter Modulated Monophonic Harmonizing PLL Pedal
Cat: 781617 Rel: 28 Jul 20
 
Harmonizing pedal
Notes: The Data Corrupter is a monophonic analog harmonizing PLL with modulation. It takes your input signal and brutally amplifies it into a crushing square wave fuzz tone that is then multiplied, divided and modulated to create a wild, yet repeatable, three-voice guitar synthesizer.

The Master Oscillator is the central nervous system at the heart of the Data Corrupter's cyberpunk hive mind. It feeds your input to the signal harvester in its original octave (Unison), one octave down (-1) or two octaves down (-2) for maximum compatibility with your preferred instrument and frequency register. Once you've chosen your input octave, then the Data Corrupter will perform its calculations and spit out an analog synthesized frequency, which can be pitch-bent for portamento or vibrato sounds by the Frequency Modulator! From there, you can blend in one of eight Subharmonic intervals up to three octaves below the input and mix in a square wave fuzz tone for maximum data corruption.

The Master Oscillator (1) is the central nervous system at the heart of the Data Corrupter's cyberpunk hive mind. The three-position switch on the Master Oscillator control panel labeled Root (2) feeds your input to the signal harvester in its original octave (Unison), one octave down (-1) or two octaves down (-2). Use the Master Oscillator's Root Switch to fine tune the Data Corrupter's tracking response for maximum compatibility with your preferred instrument and frequency register. Once you've chosen your input octave, the Data Corrupter will perform its calculations and spit out a synthesized frequency, the octave and/or interval of which may be selected via the Master Oscillator's eight-position rotary switch.

The Voice Mixer's Oscillator Control (3) adjusts the Master Oscillator blend.

The Frequency Modulator (4) applies pitch-bend modulation to the Master Oscillator. In Glide mode, you'll hear a smooth portamento as each note slides into the next. In Vibrato mode the pitch modulates up and down for a retro sci-fi laser effect.

The Subharmonic (5) assimilates the input signal into one of eight lower octave programs between one and three octaves below the original. For a more stable lower octave, set the Subharmonic's Root Switch to the Unison position, which divides the Square Wave input signal, and removes the Frequency Modulator from the Subharmonic signal path.

To unleash the cracked machine lurking within the mainframe, set the Subharmonic Root Switch to Oscillator and try not to look away as the sonic malware you just installed mangles your input signal into the sum and difference of both the Master Oscillator and Subharmonic with the Frequency Modulator applied to the upper and lower octaves.

If you think you're brave enough, set the Subharmonic Root Switch to Oscillator and try experimenting with different Master Oscillator and Subharmonic programs to wind up the doomsday clock and inch ever closer to the Singularity. Adjust the Voice Mixer's Subharmonic Control to set the lower octave volume.

Finally, (or is it?) the Square (6) control located top-left on the Voice Mixer blends in a fuzzed-out square-wave take of your input in its original octave.

The heart of this pedal is based around a CMOS Phase Locked Loop (PLL) IC. In a nutshell, the PLL takes your input signal and compares its phase and frequency against an oscillator, generates an output proportional to their difference then feeds it back to the oscillator. This then causes the oscillator to lock onto the input signal and generate a synthesized frequency. Pretty cool, right? This synthesized frequency is referred to as the Master Oscillator on the Data Corrupter.

This device takes its inspiration from the Electrax Synthax and the "Basic Frequency Synthesizer" by Ray Marston. Neither of these were really intended to be guitar effect pedals and a lot of work went into creating the Data Corrupter to provide excellent tracking and long sustain. We think you'll find it more expressive and accurate than pretty much any other PLL based effect pedal around.

This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Dimensions: 5.65 x 4.75 x 2.25 in. (144 x 121 x 57 mm) with knobs
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MRP:$294.22 SAVE 21%
 1 in stock $231.25
Earth Quaker Devices Disaster Transport SR Advanced Modulated Delay & Reverb Machine Pedal
Cat: 781635 Rel: 28 Jul 20
 
Reverb & modulation delay pedal
Notes: The Disaster Transport SR is a dual delay with reverb and modulation. It was designed from the ground up to create an intense wash of lo-fi swirling tape styled echo. While it may look intimidating at first glance, it's actually pretty easy to navigate. The top row of controls are for delay A and the bottom row of controls are for delay B. Delay A is a 600ms delay with modulation and delay B is a 300ms delay with reverb. Both delays can be run separately, in parallel, in series or in series/parallel. To take it one step further, there are also expression controls for the repeats on delay A as well as bleeding delay A into delay B. The switching was designed so each delay can be used individually or in tandem with both true bypass or trails.

In addition to being used as a straight delay, straight reverb, rhythmic delay, modulated delay and old school tape-style echo, the Disaster Transport SR can also be used to create a wide variety of wild sounds ranging from warped records, clanging flange, smooth chorus, echoed out squalls and various other-worldly effects that will blow your mind, man. If you are a fan of old school tape delay and crazy lo-fi sounds, you will get hours of enjoyment every time you plug into the Disaster Transport SR.

The controls for delay A and B are separated by row. The top row is for delay A and the bottom row is for delay B.

Time: Controls the delay time from about 30ms up to 600ms.

Repeats: Controls how many regenerations of the signal there are. This ranges from one single repeat through an endless wash into self oscillation. This can also be controlled via an expression pedal. The Moog EP-2 is recommended.

Mix: Level control for the wet signal. Unity is around center, anything above is boosted. Boosting this works great when using a distorted signal. Please keep in mind this is a gain control, a bit of hiss is normal when it's above unity.

Depth: Controls the intensity of the modulation, from no modulation to all out seasick pitch bends.

Rate: Controls the rate of the modulation. The LED for delay A flashes in time with the modulation to visually show where the rate is set.

Bleed: This feeds delay A into delay B, post reverb (see block diagram for visual explanation). Use this control for series or series/parallel operation to create rhythmic repeats, extra long delay time or an all out echo wash. This can also be controlled via an expression pedal. The Moog EP-2 is recommended. When using the bleed, experiment with the repeat controls on each delay line. Try using them in different settings, both together and individually, for different timing and textures.

Delay B Controls
Reverb: Controls the amount of reverb added to the input of delay B.

Mix: Level control for the wet signal. Unity is around center, anything above is boosted. Boosting this works great when using a distorted signal. Please keep in mind this is a gain control, a bit of hiss is normal when it's above unity.

Repeats: Controls how many regenerations of the signal there are. This ranges from one single repeat through an endless wash into self oscillation.

Time: Controls the delay time from about 30ms up to 300ms.

The switches for both delays switch the inputs only. The outputs are always connected. This allows you to have trails by always leaving the bypass switch engaged or to use the bypass switch as the master on/off for true bypass. Additionally, you can feed delay A in to delay B with the bleed control without having delay B switched on for a cleaner rhythmic delay.

Tech Specs:

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 5.65 x 2.25 in. (121 x 144 x 57 mm) with knobs
Current Draw: 107 mA
Input Impedance: 500 kO
Output Impedance: <1 kO
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MRP:$409.85 SAVE 25%
 1 in stock $307.27
Earth Quaker Devices Dispatch Master V3 Digital Delay & Reverb Pedal
Cat: 781637 Rel: 28 Jul 20
 
Delay & reverb pdeal
Notes: The Dispatch Master is a hi-fi digital Delay & Reverb Device that combines independent delay and reverb effects into one space-saving enclosure, so you can keep deep ambient echoes (or just a quick slapback) on speed-dial.

The best-selling EarthQuaker Devices pedal just got better with new Flexi-Switchr Technology. Want to dip into ambient delay and reverb sounds for just one note? Press and hold the footswitch for as long as you use the effect, release it when you're finished, and resume your regularly scheduled dry sound. To use the Dispatch Master as a normal effects pedal, press the switch once to activate and again to bypass.

To Use Both Effects at the Same Time, Simply Adjust all Controls to Taste:

The Mix (1) control is a wet/dry blend that adjusts the overall level of the affected signal.

Time (2) sets the delay time from 0ms to 1500ms (1.5 seconds).

Reverb (3) controls the amount of reverb. Counterclockwise is less reverb, clockwise is more reverb.

Repeats (4) controls the regeneration of the delay signal. When the Repeats control is set to maximum, you'll get infinite repeats without runaway self-oscillation, which makes it great for creating drones, dialing in the ultimate post-rock guitar sound without feedback, or just having fun.

To Use the Dispatch Master as a Delay Only:

Turn the Reverb control all the way down.

Adjust the Time, Repeats, and Mix controls to taste:

To Use the Dispatch Master as a Reverb Only:

Turn the Time and Repeats controls all the way down

Adjust the Reverb and Mix controls to taste

THIS IS IMPORTANT! In Reverb-only mode, the Repeats control has a secondary function. It can be used to adjust the decay, depth, and tonal quality of the reverb! Turn it up for more dynamics and a thicker tone.

This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. Do not run at higher voltages!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 78 mA
Input Impedance: 1 MO
Output Impedance: <1 kO
Read more
MRP:$263.38 SAVE 21%
 1 in stock $207.70
Earth Quaker Devices Dunes V2 Mini Mega Ultimate Overdrive Pedal
Cat: 781639 Rel: 28 Jul 20
 
Overdrive pedal
Notes: Dunes is a condensed take on our highly popular Palisades "808-style" overdrive. All the glitz and glamour of the original Palisades has been stripped away, leaving only the bare essentials required for a rippin' mid-boosting transparent overdrive. It has all the great tone of the grown-up Palisades but with a simplified interface and a smaller footprint!

The Dunes features the same Gain, Tone and Level controls as the Palisades, along with Earth Quaker's favoured voice and bandwidth settings, as well as the Normal/Bright toggle. The selectable clipping Voices are: MOSFET for a tight crunchy sound (Palisades' Setting 3); Silicon Asymmetrical clipping for tighter light gain OD closest to the classic 808 sound (Palisades' Setting 4), and None, which goes from clean boost to gritty, pure op-amp distortion with a massive volume boost (Palisades' Setting 1). The two Bandwidth settings are Stock for the classic tone (Palisades' Setting 3) and Full Range for more low end (Palisades' Setting 5).

Controls:
1. Tone: Brighter clockwise, warmer counterclockwise

2. Voice: MF- MOSFET diode clipping, N- No diode clipping, Si- Silicon diode clipping

3. Gain: Adjusts the drive, dirtier clockwise, cleaner counterclockwise

4. Normal/Bright: Normal is a warm full tone, Bright is livelier tone with more chime

5. Volume: Sets the output level

6. Bandwidth: Left is brighter with more emphasis on the mids, right is full range for more low end

Tech Specs:

This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies, are a;ways recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 16 mA
Input Impedance: 500 kO
Output Impedance: <1 kO
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MRP:$250.54 SAVE 21%
 1 in stock $198.06
Earth Quaker Devices Erupter	Ultimate Fuzz Tone Pedal
Cat: 781640 Rel: 23 Jul 20
 
Fuzz tone pedal
Notes: When's the last time you turned up your favorite fuzz pedal to anything but eleven? If there's one true thing about rock n' roll, it's that it sounds best cranked all the way up. But where do we go from here? We go one louder. Enter the Erupter.

The Erupter is the result of over two years' worth of tone-chasing, tweaking, and experimentation in search of the ultimate classic fuzz tone with a big low end, a biting top end without being too harsh, and just enough output to politely send a tube amp over the top to deliver a well-rounded and defined fuzz tone with just enough pummeling intensity, so you can rock n' roll all night and still get to bed at a reasonable hour.

It's the perfect fuzz... just sayin'.

Controls:
Bias: This control has a center detent for the perfect fuzz setting. When in the center position, the tone will be big and round with a slight volume boost and great sustain. As you turn this counterclockwise it becomes more gated with lower output. As you turn this clockwise it becomes louder and more refined.

Tech Specs:

This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

This device can be powered by a 9v battery or a standard 9-volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 9 mA
Input Impedance: 500 kO
Output Impedance: <1 kO
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MRP:$204.28 SAVE 28%
 1 in stock $147.74
Earth Quaker Devices Ghost Echo V3 Vintage Voiced Reverb Pedal
Cat: 781647 Rel: 14 Jul 20
 
Reverb pedal
Notes: You hear that EVP? It's the all new, extra spook-tacular, Ghost Echo calling out from beyond the void! The Ghost Echo is Earth Quaker's spooky take on the haunted amp-top spring reverberation units of yesteryear. This creepy analog/digital spring reverb emulation machine boasts a terrifying 30ms - 150ms of pre-delay, controllable via the Attack knob, for everything from a quick rockabilly slapback to viscous pools of ectoplasmic reverberations. When playing staccato, you'll hear the tortured trails of the reverb, resulting in more of a slapback or echo sound. Legato playing will reveal a massive ambient "depth" that fattens up the sound - and look out, it's right behind you!

Phew, that was close. The Dwell control sets the length and thickness of the decay, which is to say that it controls how long the disembodied spirits of notes no longer with us float through the ether. At the maximum setting it will descend into an infinite loop of self-oscillation. The Depth sets the intensity of the reverb, which you probably know as the wet/dry mix.

Controls:
1. Attack: Adjusts the length of the pre-delay, from 30ms at minimum to about 150ms at maximum. When the Dwell is set to self-oscillate, this will change the pitch of the oscillations.

2. Dwell: Adjusts the length of the decay. This will start to self oscillate around 3 O'clock, the pitch of the oscillations can be changed by turning the Attack control.

3. Depth: Mixes in the wet signal with the dry, unity is around noon and everything after is boosted.

Tech Specs:
This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 86 mA
Input Impedance: 10 MO
Output Impedance: 1 kO
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MRP:$224.84 SAVE 12%
 1 in stock $198.06
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Earth Quaker Devices Grand Orbiter V3 Phase Machine Pedal
Cat: 781668 Rel: 28 Jul 20
 
Phase machine pedal
Notes: Grand Orbiter is a 4 stage OTA-based phaser with a diverse feature set that can go from stationary and resonant to slow and mellow and on through fast and swirly. It has three way toggle switch to select between the ranges of modulation. The master Rate control fine tunes the speed of the LFO in each of these modes and the flashing red LED acts as a visual indicator, even when the effect is in bypass mode. The Depth control blends the shifted signal in with the dry signal and controls the intensity of the effect. The Sweep control governs the peak frequency of the phased signal's tone, turned full clockwise the sweep is lively and intense, whereas turning counter clockwise yields a darker, more laid back peak. The Resonance provides a wide range of control over regeneration and at higher settings adds a more pronounced and resonant tone. You can also use the Grand Orbiter as a true pitch vibrato with the "Phase/Vibrato" switch. When in "Vibrato" mode, the dry signal is removed and the Depth controls acts as a volume control. This pedal is 100% analog, true bypass and built by entirely by hand in beachy Akron, Ohio.

1. Sweep: Controls the frequency peak of the sweep. Higher peak clockwise, lower peak counter clockwise.

2. Rate 1,2,3: Changes the range of the speed control. Rate 1 is slow mode, Rate 2 is LFO kill to use the Orbiter as a fixed resonant filter, Rate 3 is fast mode.

3. Rate: Controls the speed of the LFO. Faster clockwise, slower counterclockwise.

4. Depth: Controls the amount of phase effect mixed with dry signal. Clockwise for more intense phasing, counterclockwise for less. In "Vibrato" mode, this acts as a volume control.

5. Phase/Vibrato: Cuts the dry signal to create a vibe/vibrato effect depending on the setting of the other controls. Vibrato is created by turning the resonance down low.

6. Resonance: Controls the regeneration of the phased signal. More resonant clockwise, more subtle counterclockwise.

Tech Specs:

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 15 mA
Input Impedance: 1 MO
Output Impedance: <1 kO
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MRP:$255.68 SAVE 30%
 1 in stock $180.19
Earth Quaker Devices Hoof Reaper V2 Double Fuzz With Octave Up Pedal
Cat: 781683 Rel: 14 Jul 20
 
Dual fuzz pedal
Notes: The Hoof Reaper features Earth popular Hoofr and Tone Reaper fuzz pedals in one handy enclosure with the added bonus of an old school analog octave up. It was originally released as a special limited run item back in 2010 and demand was so high that Earth Quaker decided to reintroduce it back into their line. Capable of creating everything from subtle octave-up overtones through crushing octave squalls that simulate exploding stacks of amps. Each effect can be used individually as well as in series but the order of effects is preset for optimum performance.

Controls:
Hoof
1. Level: Controls the output volume

2. Fuzz: Controls sustain and gain

3. Tone: Treble to the right. Bass to the left

4. Shift: Controls the mid frequencies. More pronounced to the left. Scooped to the right.

Tone Reaper
5. Level: Controls the output volume

6. Fuzz: Controls the sustain and nature

7. Tone: Treble to the left. Bass to the right

Dimensions: 4.75 x 5.65 x 2.25 in. (121 x 144 x 57 mm) with knobs
Current Draw: 18 mA

Hoof
Input Impedance: 130 kO
Output Impedance: <10 kO

Tone Reaper
Input Impedance: 47 kO
Output Impedance: <1 kO

Octave
Input Impedance: 160 kO
Output Impedance: <10 kO
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MRP:$409.85 SAVE 22%
 1 in stock $320.13
Earth Quaker Devices Hoof V2 Hybrid Fuzz Pedal
Cat: 781679 Rel: 23 Jul 20
 
Fuzz pedal
Notes: Earth Quaker Devices' flagship fuzz pedal can be found on thousands of pedalboards around the world and has rocked countless stages from stinky suburban basements to Madison Square Garden. Twice.

The Hoof is loosely based on the classic green Russian fuzz circuit and features a hybrid Germanium/Silicon design, pairing maximum tone with maximum temperature stability not found in finicky and expensive vintage units. Earth Quaker Devices have hand-matched their NOS Germanium transistors to exacting specifications for pedal-to-pedal consistency, taking the guesswork out of your fuzz purchase, and guaranteeing that your Hoof delivers the same smooth, natural, and harmonically-rich sustain as all your friends' Hoofs. All your friends have Hoof fuzzes, right?

Controls:
Shift: This adjusts the mid content, clockwise for scooped mids, counterclockwise for boosted.

Tone: Bass to the left, Treble to the right.

Level: Use this control to make the Hoof louder or quieter.

Fuzz: Clockwise for heavy, counterclockwise for light.

Tech Specs:
Switching
This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

Power
This device can be powered by a 9v battery or a standard 9-volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 15 mA
Input Impedance: 130 kO
Output Impedance: <10 kO
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MRP:$224.84 SAVE 17%
 1 in stock $186.28
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Earth Quaker Devices Hummingbird V4 Repeat Percussions Tremolo Pedal
Cat: 781684 Rel: 14 Jul 20
 
Tremolo pedal
Notes: The Hummingbird is a choppy, sawtooth tremolo modeled on the vintage "repeat percussion" unit and similar to those found in old Valco and Vox amplifiers. It is capable of producing everything from classic "50's style" shimmering tremolo to a synthy, delay-like chop that turns your signal into a burst of short pings and on through to near ring modulation speeds. Simply choosing between modes 1 (slow), 2 (mid-tempo) or 3 (fast) and adjusting the rate and depth controls will unlock a whole new world of amplitude modulation at your feet. The Rate is also expression pedal accessible to allow instant changes on the fly. Using an expression pedal opens up the possibility of true random amplitude modulation! In addition to the modulation, the Hummingbird has plenty of clean gain on-tap allowing you to either boost or cut the signal using the level control. If the Depth is turned to zero, the Hummingbird will become a JFET clean boost!

Controls:
1. Depth: This adjusts how much the oscillator affects the signal. All the way clockwise produces a full chop, all the way counterclockwise produces no chop and the Hummingbird can be used as a simple JFET booster.

2. Mode: Three way toggle switch which selects the range of the oscillator. Mode 1 is slow, Mode 2 is mid tempo and Mode 3 is fast.

3. Rate: This adjusts the speed of the oscillator. Faster clockwise, slower counterclockwise.

4. Level: Adjusts the output volume

5. Expression Jack: Use an expression pedal to adjust the rate with your foot! When an expression pedal is in use the Rate control is defeated. We recommend the Moog EP-2 expression pedal.

Tech Specs:
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power
This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 10 mA
Input Impedance: 50 kO
Output Impedance: <10 kO
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MRP:$217.13 SAVE 19%
 1 in stock $175.58
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Earth Quaker Devices Levitation V2 Reverberation Machine Pedal
Cat: 781688 Rel: 23 Jul 20
 
Reverberationmachine pedal
Notes: Have you ever wanted your tone to soar like a majestic eagle in a vast canyon? Perhaps you are a simpler mortal and just want your tone to echo like the cries of a sparrow in a small room... Now you can do both like a champ plus a whole lot more! Welcome to the Levitation reverberation machine! This Levitation device is a vintage-voiced reverb that aims to fit somewhere between dirty sixties chambers, classic spring and the big, ringing plate reverbs of days gone by. Four knobs and one switch control quite a bit more than you'd expect. Want a slap back small room sound? Set all of your controls to the minimum and use the mix to dial in the sound of room devoid of any thing but a guitar and amp. Want to revel in infinite spatial oscillations? Flip the toggle to Long, turn up the Atmosphere and Decay then tune out. Dial in a bright chiming slap back by turning the Tone all the way counterclockwise and reducing the Decay. Dime everything for a rattling, full-bandwidth assault. You are only limited by your imagination!

Controls:
1. Mix: This controls how much wet signal is blended in with the dry. More reverb clockwise, less counterclockwise.

2. Length (Toggle): Broad stroke control for decay time. Shorter to left, longer to the right.

3. Decay: Controls the length of the reverb decay. Longer clockwise, shorter counterclockwise.

4. Tone: This is an input bandwidth control for the reverberated signal. All the way clockwise reduces all low end content to make a brighter reverb, turning counterclockwise allows more low end to pass through resulting in a fuller reverberated tone.

5. Atmosphere: This is a harmonic regeneration control, it feeds the upper frequencies of the reverb trails back through to create a more harmonic (ringing) reverb. More atmosphere clockwise, less counterclockwise.

Tech Specs:
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power
This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 72 mA
Input Impedance: 1 MO
Output Impedance: <10 kO
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MRP:$255.68 SAVE 27%
 1 in stock $186.28
Earth Quaker Devices Night Wire V2 Harmonic Tremolo Pedal
Cat: 781691 Rel: 28 Jul 20
 
Tremolo pedal
Notes: Really clever and creative approach to tremolo effects here: the signal is split into high and low frequencies, then the signals are modulated with low-frequency oscillators for funky, organic movement.

Supplier notes:
The Night Wire is a feature-rich harmonic tremolo. What is harmonic tremolo? In short, the signal is split into high pass and low pass filters, then modulated with an LFO that is split 180 degrees. The Night Wire takes the traditional harmonic tremolo a few steps further by allowing the center point of both filters to be adjusted for different tones. The filter frequency has three modes: Manual, LFO and Attack. In Manual mode, the center point can be set to a fixed position with the frequency control. In LFO mode, the filters are continuously swept and the frequency control adjusts the speed. In Attack mode, the filters are dynamically swept according to pick attack and the frequency control acts as a range control, much like a standard envelope filter. The tremolo section has two modes, Manual and Attack. In Manual mode, the speed of the tremolo is governed by where the rate control is set. In Attack mode the speed is controlled by pick attack and the rate controls the sensitivity; the harder you pick, the faster the rate and vice-versa. The tremolo can be subtle and shimmery or full-on throbbing depending on where the depth control is set. With the depth set to zero, the Night Wire will act like a fixed filter, phase shifter or envelope-controlled filter depending on which mode the filter frequency is in. It also features a cut/boost volume control to get your levels just right.

Controls:
1. Depth: Adjusts the depth of the tremolo. More clockwise, less counterclockwise. When fully counterclockwise, the amplitude modulation will be removed and the Night Wire will function as a fixed filter, envelope controlled filter or phaser depending on where the Frequency toggle is set.

2. Rate Toggle: This toggle lets you select between two ways to control the speed of the tremolo. Attack lets you adjust the speed by pick attack. In this mode, the Rate knob controls the sensitivity of the dynamic tremolo. The higher the rate and harder you pick, the faster the speed will rise and vice versa. In Manual mode, the Rate control adjusts the speed like a common tremolo.

3. Rate: In Manual mode, this controls the speed of the tremolo. Faster speed clockwise and slower speed counterclockwise. In Attack mode, this controls the sensitivity of the dynamic tremolo. The higher the Rate and harder you pick, the faster the speed will rise and vice versa.

4. Level: Sets the output level, unity is around noon.

5. Frequency Toggle: This toggle lets you select one of 3 different ways to control the center frequency of the filter section. In LFO mode, the frequency is continuously swept by an LFO. In this mode, the Frequency knobs adjusts the speed of the LFO. In Manual mode, the frequency is determined by where the Frequency knob is set. In Attack mode, the center frequency is dynamically controlled by pick attack and the Frequency knob adjusts the sensitivity.

6. Frequency: Controls the center frequency of the filters in Manual mode: higher clockwise, lower counterclockwise. In LFO mode this controls the rate of the sweep: faster clockwise and slower counterclockwise. In Attack mode this controls the sensitivity of the envelope: lower Frequency gives slower rise and lower peak, higher Frequency gives faster rise and higher peak. Simple, right?

Tech Specs:
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power
This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 65 mA
Input Impedance: 1 MO
Output Impedance: <1 kO
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MRP:$255.68 SAVE 19%
 1 in stock $206.63
Earth Quaker Devices Organizer V2 Polyphonic Organ Emulator Pedal
Cat: 781694 Rel: 14 Jul 20
 
Organ emulator pedal
Notes: The Organizer is a polyphonic organ emulator designed to mimic the organ tones of yesteryear crossed with the highly unique "Guitorgan". It has a warm and very analog feel with a hint of Leslie warble that is unlike other modern octave shifters. It is simple to dial in and tracks chords as well as single notes perfectly all over the neck on both guitar and bass. Not only can the Organizer be used on strings, it has been widely used on everything from vocals and synths to horns and drums. If it makes sound, the Organizer can handle it! The Organizer uses a mix of analog and DSP circuitry with true bypass switching and an all analog dry signal path.

Controls:
1. Up: Level control for the octave up.

2. Down: Level control for the octave down.

3. Choir: This control takes a mix of the octave Up and octave Down setting and regenerates it. The end result is an additional 2 octaves up, 2 octaves down and direct signal with a slight delay that adds a "church organ" like feel. This control only works if the octave Up and octave Down are in use.

4. Lag: Delay control for the wet signal. Full counterclockwise is minimal delay. Delay time increases as it rotates clockwise.

5. Tone: Rolls off the high end as you dial it counterclockwise.

6. Direct: Level control for the analog dry signal.

Tech Specs:
Switching
This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

Power
This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 81 mA
Input Impedance: 1 MO
Output Impedance: 500 O
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MRP:$250.54 SAVE 26%
 1 in stock $186.28
Earth Quaker Devices Palisades V2 Mega Ultimate Overdrive Pedal
Cat: 781697 Rel: 14 Jul 20
 
Overdrive pedal
Notes: After loads of requests, for an overdrive based on the legendary TS808, Earth Quaker Devices finally buckled. Tests were ran with every popular clone on the market as well as several vintage originals, compared, contrasted and took loads of notes. It was exhausting but informative. In the end, Earth Quaker Devices used their ears and came up with the most versatile relative of the 808 available today.

With 6 different clipping voices, 5 bandwidth settings and 2 gain channels, you will be hard-pressed to not find a setting that will wipe every mid-boosting overdrive off your board. The Palisades is a versatile dude that will give you years of loving companionship.

Controls:
1. Boost: Sets the level of the output boost.

2. Gain A: Sets the gain for the Channel A (lower gain)

3. Volume: Sets the output level.

4. Gain B: Sets the gain for Channel B (higher gain)

5. Tone: Brighter clockwise, warmer counterclockwise.

Rotary Switches

6. Voice: This sets the nature of the Palisades distortion by changing the clipping diodes.

No diodes: The most open and least distorted.

LED clipping: Light clipping with a lot of volume.

Mosfet clipping: Light gain OD with great harmonics.

Asymmetrical Silicon clipping: Tighter light gain OD closest to stock 808.

Symmetrical silicon clipping: Tighter distorted tone.

Schottky Diode clipping: Looser fuzzy tone.

7. Bandwidth: This sets the overall tone and gain structure of the Palisades. 1 is the thinnest setting with the least amount of gain and 5 is the fattest setting with the heaviest gain. Everything else is in between. This control has a major effect on all the settings of the Palisades, especially the Gain and Voice controls.

Toggle Switches

8. Normal/Bright: Normal is a warm full tone. Bright is livelier tone with more chime.

9. Buffer: Turns the input buffer on or off. ON is a tighter and brighter tone while OFF is a warmer tone with more sag. The buffer is part of the drive circuit & is only available when the Palisades is activated.

Foot Switches

10. Boost: Activates the output level boost, Features Flexi-Switching.

11. Gain B: Activates Gain Channel B, Features Flexi-Switching.

12. Activate: True bypass switch

Tech Specs:
This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. Do not run at higher voltages!

Dimensions: 4.75 x 5.65 x 2.25 in. (121 x 144 x 57 mm) with knobs
Current Draw: 25 mA
Input Impedance: 500 kO
Output Impedance: <10 kO
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MRP:$319.92 SAVE 30%
 1 in stock $224.53
Earth Quaker Devices Park Fuzz Sounds Vintage Germanium Fuzz Pedal
Cat: 781700 Rel: 14 Jul 20
 
Fuzz pedal
Notes: Park Amplifiers and Earth Quaker Devices have teamed up to bring you a faithful recreation of the original Park Fuzz Sound! While it retains the original sounds, there are several modern upgrades to improve performance, reduce extraneous background noise and add versatility:

Metal film resistors and caps for quieter performance.

NOS matched germanium transistors for consistent, reliable tones

Wider fuzz range, more than twice the original

Smaller footprint, true bypass switching with LED indication and power supply compatible

Controls:
1. Volume: This is the level control, louder to the right, quieter to the left.

2. Treble/Bass: This is the tone control, thicker tones to the right, brighter to the left.

3. Fuzz: This is the gain control, more fuzz to the right, less to the left.

Tech Specs:
This device can be powered by a standard 9 volt DC power supply intended for musical instruments with a negative center 2.1mm barrel or a 9v battery. Even though this pedal is a germanium fuzz, it will play nice on a daisy chain due to it's internal voltage regulation.

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 3 mA
Input Impedance: 100 kO
Output Impedance: <1 kO
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MRP:$255.68 SAVE 19%
 1 in stock $206.08
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Earth Quaker Devices Plumes	 Small Signal Shredder Overdrive Pedal
Cat: 781709 Rel: 28 Jul 20
 
Overdrive pedal
Notes: Plumesr is a unique, all-analog approach to a classic tube-like overdrive circuit offering 3 different clipping voices, loads of headroom and almost three-dimensional clarity that will push your amp over the edge. The reimagined tone control is finely tuned to sculpt low end, clear top end, and focus midrange with blooming sustain.

Controls:
1. Level: This controls the output volume.

2. Gain: This controls the amount of drive.

3. Tone: More bass to the left, more middles in the middle and more treble to the right.

4. Clipping Modes (3-Way Toggle):

1. Symmetrical LED clipping - More Crunch and Compression.

2. No clipping - Wide open OpAmp drive for clean boost.

3. Asymmetrical silicon diode clipping - More transparency with a loose feel.

Tech Specs:
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power
This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 25 mA
Input Impedance: 10 MO
Output Impedance: 100 O
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 1 in stock $104.92
Earth Quaker Devices Pyramids Stereo Flanging Device Pedal
Cat: 781712 Rel: 28 Jul 20
 
Flanger pedal
Notes: Pyramids is a Stereo Flanging Device with five presets, eight flanger modes, tap tempo, tap subdivision, a multifunction Modify control, positive and negative Feedback, and a variable Mix control, which is something you don't see on a flanger every day.

Built upon the same proprietary DSP architecture as the Avalanche Run™, Pyramids delivers convincing jet-engine roar, authentic through-zero tape-style warble, infinite barber pole sweeps, flexible I/O routing, and the ability to re-trigger the LFO cycle via footswitch opens up a fourth dimension of rhythmic possibilities that's sure to tickle your third ear.

Controls:
1. Manual: Controls the delay time of the modulated signal. Manual can also be controlled via expression pedal.

2. Rate: Controls the speed of the LFO as well as the rise time in Trigger Up mode and fall time in Trigger Down mode. The Rate control has three ranges of operation: Slow, Normal and Fast. These modes are selected by the Rate & Tap toggle switch.

3. Width: Controls the frequency range of the LFO sweep. You might also think of it as a depth control for the LFO.

4. Mix: This is the volume control for the modulated signal. The modulated signal gets louder when you turn it clockwise and quieter when you turn it counterclockwise.

5. Activate Footswitch: The activate switch features our Flexi-Switch technology! This relay-based true-bypass switch allows for momentary or latching operation.

6. Feedback: Regeneration control for the modulated signal.

7. Rate & Tap Toggle Switch: Normal (center position) is 1:1. The tempo you tap in is the tempo Pyramids will spit out. When set to Slow (left position), the tempo you tap is divided for a slower sweep. When set to Fast (right position), the tempo you tap is multiplied and delivers a faster sweep.

8. Modify: The behavior of this control depends upon which mode you're using:

Classic: Tone control for the modulated signal. Clockwise cuts the low end and allows the high frequencies to pass through. Counterclockwise cuts the high end and allows bass frequencies to pass through.

Through-Zero: Delay time for the unmodulated dry signal. This controls where in the LFO cycle the through-zero point occurs, which is where you'll hear the most drastic cancellation.

Barber Pole Up: Tone control for the modulated signal. Clockwise from center is a high pass filter. Counterclockwise from center is a low pass filter.

Barber Pole Down: Tone control for the modulated signal. Clockwise from center is a high pass filter. Counterclockwise from center is a low pass filter.

Trigger Up: Sensitivity control for the sweep. This controls how quickly the re-triggering reacts to your pick attack.

Trigger Down: Sensitivity control for the sweep. This controls how quickly the re-triggering reacts to your pick attack.

Step: Adjusts the glide between steps. Low Modify settings produce sharp, stair-stepped transitions between steps. Higher Modify settings introduce a smoother glissando effect.

Random: Adjusts the glide between steps. Low Modify settings produce sharp, stair-stepped transitions between steps. Higher Modify settings introduce a smoother glissando effect.

9. Tap / Trigger Footswitch: In Classic, Through-Zero, Barber Pole Up, Barber Pole Down, Step, and Random modes, this footswitch is a tap tempo control. In Trigger Up and Trigger Down modes, this footswitch triggers the effect whenever it is pressed.

10. Presets Rotary Switch: Selects between Live mode and one of five presets. Pyramids comes with our favorites programmed in, but you're allowed to re-write them if you want. We don't mind.

11. Mode Rotary Switch: Selects between Pyramids' eight flanger modes

Tech Specs:
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

For best results, please use the included 9v center-negative 1-amp DC power supply.

To use with multiple output transformer-balanced isolated pedal-specific power supplies, Pyramids' may be powered from two outlets combined using a current-doubling cable. DO NOT USE A VOLTAGE-DOUBLING CABLE BECAUSE THAT WILL SEND 18V TO PYRAMIDS AND FRY IT LIKE AN OVEREASY EGG AT A GREAZY SPOON DINER.

Dimensions: 4.65 x 4.15 x 2.25 in. (118 x 105 x 57 mm) with knobs
Current Draw: 460 mA
Input Impedance: 1 MO
Output Impedance: 100 O
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 1 in stock $300.78
Earth Quaker Devices Sea Machine V3 Super Chorus Pedal
Cat: 781720 Rel: 14 Jul 20
 
Chorus pedal
Notes: The Sea Machine is a chorus pedal with as many modulation possibilities as there are fish in the ocean. That's a lot of fish. And a lot of modulation. From subtle, shimmery chorus sounds, to wobbly, seasick, warbly pitch-bent detuning that rocks the boat, the Sea Machine is the audio bait that'll help you reel in the big one.

The Sea Machine ain't no one-trick seahorse. With a mix of standard and unique controls, everything from subtle warble, classic Leslie, seasick pitch bends, strangled alien sounds, stunted arpeggiations and many more far out sounds are available. Or you could just use it as a chorus. That works, too. Oh, and if you're a bass player who fancies themselves a fan of the classic 80s post-punk bass sound, the Sea Machine is pretty much just like (tone) heaven.

Controls:
1. Animate: How far the pitch shifted signal swings, lower levels equals a tighter and more focused shift a la traditional chorus. As you increase the control a more wild and animated pitch shift begins to emerge.

2. Dimension: Adds a slight slap-back at low levels, reverb-like ambiance at mid levels and an echo-resonance that will lead to self-oscillation at max.

3. Intensity: Adjusts how much modulated signal is blended in with the dry signal. Unity for this control is right around noon, everything above that is boosting the modulated signal.

4. Depth: Adjusts how strongly the LFO modulates the delay time.

5. Shape: Goes from triangle wave to square wave as you turn clockwise.

6. Rate: This sets the speed of the LFO. The miniature LED will blink to the tempo, even in bypass mode.

Tech Specs:
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power
This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 40 mA
Input Impedance: 10 kO
Output Impedance: <1 kO
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quote 781720
Earth Quaker Devices Space Spiral V2 Modulated Delay Device Pedal
Cat: 781722 Rel: 28 Jul 20
 
Delay pedal
Notes: The Space Spiral is a dark and dreamy modulated delay designed to take you across the highways of fantasy. While the delay may be designed around a "dawn of digital" echo processor, the sound is out of this world, man. If you are a fan of the dreary echoes produced by old oil can delays or the ethereal sound of a well-loved tape delay, the Space Spiral is totally going to tickle your tone bone.

The Space Spiral's delay time ranges from a tight 30ms to a fast and loose 600ms. Can you imagine having 600ms of delay time at your fingertips? Out of this world! With all of this adjustable delay time you create anything from a classic slapback to a rhythmic wash of cosmic proportions. You want to take it even further? Maybe to an astral plane? Crank up the repeats and let the infinite oscillation of the Space Spiral take you to the other side.

Space Spiral- It'll get you through the night.

Controls:
1. Time: Delay time goes from 30ms to 600ms; Clockwise for long and counterclockwise for short.

2. Repeats: Controls the regeneration of the delay signal. Repeats increase clockwise and gradually begin to build into self-oscillation around 3 o'clock. This oscillation will infinitely continue until the Repeats control is brought back down below the 3 o'clock threshold. These oscillations will last even when the pedal is in bypass mode.

3. Mix: Blends the delay signal in with the dry; Clockwise for more and counterclockwise for less.

4. Depth: Controls the desired amount of modulation; Clockwise for more and counterclockwise for less.

5. Shape: Morphs the wave shape from a soothing triangle shape to a choppy square shape as you turn clockwise.

6. Rate: Controls the speed of the modulation; Clockwise for fast and counterclockwise for short.

Tech Specs:
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power
This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 38 mA
Input Impedance: 1 MO
Output Impedance: <1 kO
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MRP:$255.68 SAVE 21%
 1 in stock $201.28
Earth Quaker Devices Spatial Delivery V2  Envelope Filter With Sample & Hold Pedal
Cat: 781724 Rel: 28 Jul 20
 
Envelope filter pedal with sample & hold module
Notes: The Spatial Delivery is an oddball, a voltage controlled envelope filter that allows you to step outside the universe of funk while reinforcing your secret love affair with auto-wah. It has 3 modes: Up Sweep, Down Sweep and Sample and Hold.

With Range, Resonance and Filter controls you can get super emphasized filter sweeps in the Up and Down modes. The Range, in combination with pick attack, controls the sensitivity and reaction time of the envelope and thus the width of the frequency sweep. The higher the Range and harder the attack equals a faster reaction time and higher frequency sweep and vice versa. Reign in the controls a bit, add your favorite overdrive/fuzz after the Spatial Delivery and you've got a real nice resonant, cut-through-the-mix lead tone. Crank the controls back up and you're a neo-bedroom rock god. In the Sample and Hold mode the filter is controlled by random voltage and the Range controls the speed. Add a sub octave into the mix (before or after) and you've just created a deep fried space droid computer freak-out. The filter can be cross faded between high pass (counterclockwise), band pass (center) and low pass (clockwise) for a wide variety of voices. The Resonance control goes from zero to the brink of oscillation and adds more body and ring to the filter voice.

Controls:
1. Range: Adjusts the sensitivity of the envelope in Up and Down mode. In Sample and Hold mode, this controls the speed.

2. Mode Toggle: This toggles between Upward Sweep, Downward Sweep or Sample and Hold.

3. Resonance: This is the filter feedback control, it adds more body and ring to the filter voice.

4. Filter: This crossfades between high pass and low pass filters and allows you to get everything in between. High pass is fully counterclockwise, low pass is full clockwise and center is band pass. This is much more useful than a simple switch because it allows you to blend the filters for different sounds!

Suggested Placement
We recommend placing the Spatial Delivery first in your signal chain. However, due to its envelope control, experimenting with pairing and signal chain placement can take the potential of the Spatial Delivery even further.

Tech Specs:
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power
This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 68 mA
Input Impedance: 500 kO
Output Impedance: <1 kO
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quote 781724
Earth Quaker Devices Swiss Things Pedalboard Reconciler Pedal
Cat: 781741 Rel: 14 Jul 20
 
Pedalbord reconciiler pedal
Notes: Swiss Things combines two true-bypass Flexi-Switchr enabled effects loops, a Flexi-Switchr AB-Y box with transformer isolation between outputs, a buffered tuner output, 20dB of clean boost with adjustable gain, an expression pedal output for volume control and a quiet, high headroom output buffer into a compact pedalboard-friendly signal routing junction box that lives at the top-right corner of your pedalboard and really ties your rig together without any signal loss.

This is what you can do with it:

Use as many pedals as you'd like without tone-suck

Quickly and easily bypass or engage all of your effects with one click

Use Flexi-Switchr Technology with every pedal in your setup

Eliminate volume pedal tone-suck by using any expression pedal to control volume

Use multiple amps without phase issues, ground loops, or extra noise

Tidy up your rig, shorten cable runs, and reduce tone loss by keeping all inputs and outputs in one location

Controls:

Here's what the footswitches do:
1. Loop 1: Press this to engage Loop 1. It features Flexi-Switchr Technology and is unbuffered for use with all distortion, overdrive, and fuzz pedals, or anything else that doesn't like being buffered.

2. Loop 2: Press this to engage Loop 2. It also features Flexi-Switchr Technology and is buffered for use with time-based effects (delay, reverb, modulation, etc.).

Note: when nothing is plugged into Loop 2, it functions as a mute.

3. Boost: press this to activate the boost. It is Flexi-Switchr Technology enabled and provides up to 20dB of clean boost post-effects loops and is intended for use as an output booster.

4. A/B: selects between Output A and Output B.

Note: Output B is transformer-isolated and includes a Phase switch for use with pedals and/or amplifiers which invert phase.

5. Both: activates Output A and Output B at the same time and features Flexi-Switchr Technology

Here's what the input, output, send, return, and expression jacks are for:
6. Input: plug your instrument in here.

Note: If you have any "always-on" pedals (compressors, preamps, EQs, etc.) place them before Swiss Things' input.

7. Loop 1 Send: Plug this into the input of the first pedal in the octave/overdrive/distortion/fuzz section of your board.

8. Loop 1 Return: Plug the output of the last pedal of the octave/overdrive/distortion/fuzz section into this jack.

9. Loop 2 Send: Plug this into the input of the first pedal in the modulation section of your board.

10. Loop 2 Return: Plug the output of the last pedal of your modulation section into this jack.

11. Tuner Output: Connect this to the input of your tuner.

Note: Tuner must be always turned on. If you bypass your tuner, you may experience ground loops or hum.

12. Volume EXP: Connect any expression pedal to this output to control volume.

Note: Most volume pedals create "tone-suck" by loading the signal down and have limited travel. This solves that problem with a buffered output and allows you to use any expression pedal with the same results. The expression jack is placed after the "dirt" effects loop (Loop 1) which allows you to change volume levels without affecting gain.

13. Output A: connect this to the input of your amplifier.

14. Output B: connect this to the input of a separate amplifier to use multiple amps and/or to play in stereo.

Note: To use Swiss Things with stereo effects, they should be placed after Outputs A & B and both outputs must be selected using the Both switch.

Note: Output B is transformer-isolated and includes a Phase switch for use with pedals and/or amplifiers which invert phase.

Note: To use stereo effects after Swiss Things, do not have the Phase switch engaged otherwise the L & R inputs of your stereo effects will be out of phase.

Tech Specs:
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power
This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedals will make extra noise if there is ripple or unclean power. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 5.65 x 2.25 in. (121 x 144 x 57 mm) with knobs
Current Draw: 40 mA
Input Impedance: 1 MO
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quote 781741
Earth Quaker Devices Tentacle V2 Analog Octave Up Pedal
Cat: 781743 Rel: 14 Jul 20
 
Octave up pedal
Notes: The Tentacle is a classic analog octave up effect. It is the very same octave from our beloved Hoof Reaper pedal. We got so many requests to make this a stand-alone unit that we just had to make it a reality. You can now add an excellent, swelling octave up to anything your heart desires! Pair it with your favorite fuzz, strap on a headband and unleash your inner Jammy Hendrix. Put it in front of another octave up and blow your amps mind. Throw it in the effects loop of a delay and marvel at what happens (then tell us, we'd like to know too). What's better? It has no controls! Nothing to worry about at all here, just hit the switch and go for it. The Tentacle is an analog octave up, the effect will become much more pronounced when using your neck pickup and playing above the 12th fret.

Tech Specs:
Flexi-Switch Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power
This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedals will make extra noise if there is ripple or unclean power. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.00 in. (121 x 64 x 51 mm) with footswitch
Current Draw: 10 mA
Input Impedance: 100 kO
Output Impedance: <1 kO
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quote 781743
Earth Quaker Devices The Depths V2 Analog Optical Vibe Machine Pedal
Cat: 781628 Rel: 28 Jul 20
 
Optical vibe machine pedal
Notes: The Depths is Earth Quaker Devices' take on the classic optical vibe circuit. Now you can swab the decks with the same lush, pulsating, three-dimensional swirling sound you know and love, with some modern accouterments for all you land-lubbers out there.

The Depths is optimized for use with all kinds of instruments, pickups, and to play well with dirt, so nobody's left waiting on shore. If it's got a 1/4" output, plug it in and get deep!

Controls:
1. Intensity: This controls how subtle or intense the overall effect is. Counterclockwise from noon are the more subtle, classic sounds. Clockwise from noon are the more drastic and intense sounds.

2. Voice: Dials in the overall sound. Turn it clockwise for a fuller sound with more lows, bring it back for a thinner, more midrange focused tone.

3. Rate: Controls the speed of the effect. Counterclockwise for slow, clockwise for fast.

4. Level: Controls the volume of the effect. Unity is around 1 o'clock, everything above that is boost.

5. Throb: This controls the low end pulse. It may not be immediately evident on the bridge pickup, but switch to the neck or add some dirt and it comes alive. All the way up for more throb, dial it back for less. Works best when the Voice is set to a warmer tone.

Tech Specs:
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power
This device takes a standard 9-18 volt DC power supply with a 2.1mm negative center barrel. Pedals will make extra noise if there is ripple or unclean power. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 21 mA
Input Impedance: 1 MO
Output Impedance: <1 kO
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quote 781628
Earth Quaker Devices The Warden V2 Optical Compressor Pedal
Cat: 781755 Rel: 28 Jul 20
 
Comrpessor pedal
Notes: Hey boss, thanks for taking a visit from The Warden! The Warden is an optical compressor with a feature set usually reserved for studio grade units. Built with high grade components and internally powered by 18v, The Warden has loads of gain and sustain on tap. With complete control over attack, release, sustain and ratio, The Warden will allow everything from a heavy squash with fast attack and release to "barely there" subtle compression. Optical compression has a reputation for having more character than a VCA or FET-based compression and The Warden is no exception.

Controls:
1. Tone: This pedal was designed to slightly color your tone, and the coloration can be dialed-in to your taste. Counterclockwise is treble cut, clockwise is treble boost. The tone is nearly flat around 11 o'clock.

2. Attack: This controls how quickly the compressor reacts and starts leveling the signal. All the way counterclockwise is a fast, nearly immediate reaction. Turning the attack clockwise slows the reaction time.

3. Release: This controls how long it takes the signal to raise back up to the level determined by the Sustain and Ratio settings. All the way counterclockwise is a fast release and the release time slows as you turn it clockwise.

4. Level: This controls the overall output and is affected by the Sustain and Ratio settings. There is no specific unity setting; adjust to taste when you find your perfect compression setting.

5. Ratio: This determines how much the gain reduction affects the signal. All the way up is full compression and the compression is reduced as you turn this counterclockwise which allows more of the boosted, less-compressed signal to come through. There are no defined ratios here.

6. Sustain: This is the heart of The Warden. It controls how hot the signal is, which changes the dynamics of the compression. The Warden is a feedback-style compressor; the hotter the signal, the more active the compression. Very little Sustain= very little compression, less active Attack and Release and a cooler signal. Max Sustain= heavy compression, longer sustain, hotter signal and more lively Attack and Release.

Tech Specs:
Switching
This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

Power
This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 31 mA
Input Impedance: 1 MO
Output Impedance: <1 kO
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quote 781755
Earth Quaker Devices Tone Job V2 EQ & Boost Pedal
Cat: 781748 Rel: 14 Jul 20
 
EQ & boost pedal
Notes: This compact Boost & EQ device is based around the tone-shaping options available in old audiophile-grade stereo preamps, making it a great addition to your pedalboard, no matter what instrument you play.

So what does that mean, exactly? It means that you'll hear full frequency response from your Tone Job everywhere you plug it in - guitar, bass, drum machine, synthesizers, steel drums, harpsichord, kazoo, car stereo, or wherever!

The Tone Job has active EQ controls for Bass, Mid and Treble, with up to 20 dB of cut or boost, which is handy for pairing up with other pedals in your chain to breathe new life into old dirt. Unlike boring old graphic EQs, the Tone Job's EQ controls are interactive, so you can experiment with different settings to alter the response and overall feel of the device, getting your tone out of the lunchroom and back on the clock.

Place the Tone Job at the beginning of your chain to alter the overall character of your guitar, or use it at the end to boost output at the end of a long cable run and fine-tune your tone. The Level control on the Tone Job can boost your signal up to 5x the original input level, so you'll always be heard, and makes for a fantastic solo and/or clean boost!

Controls:
1. Level: Post EQ volume control. Can boost the signal up to 5x the input. Unity is around 10 o'clock.

2. Treble: The center position is flat and marked with a center detent in the potentiometer. All settings above this point boost the treble and all settings below cut treble.

3. Bass: The center position is flat and marked with a center detent in the potentiometer. All settings above this point boost the bass and all settings below cut bass.

4. Middle: The center position is flat and marked with a center detent in the potentiometer. All settings above this point boost the middle and all settings below cut middle.

Tech Specs:
Switching
This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

Power
This device takes a standard 9-18 volt DC power supply with a 2.1mm negative center barrel. Pedals will make extra noise if there is ripple or unclean power. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 21 mA
Input Impedance: 1 MO
Output Impedance: <1 kO
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MRP:$211.99 SAVE 12%
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quote 781748
Earth Quaker Devices Westwood Translucent Drive Manipulator Pedal
Cat: 781758 Rel: 14 Jul 20
 
Overdrive manipulator pedal
Notes: Westwood is a touch sensitive translucent overdrive manipulator as clean and pure as the breeze which blows through a grove of Douglas Fir trees, and as hot as a damn fine cup of coffee.

This mild-mannered light to medium-gain overdrive with active EQ controls will still knock the socks right off your trusty low-wattage combo amp, pushing it into anything from cutting, edge-of-breakup rhythm tones, all the way to articulate, singing lead tones stacked high with pleasing even-order harmonics and sweet, sweet sustain. And if you pair it up with your favorite head and cab, you should probably call the neighbors first, because the Westwood's Level control has enough output on tap to alert the proper authorities. Even the FBI.

Each and every Westwood is a real Blue Rose case, hand built by a team of special agents in the Black Lodge of Akron, Ohio, USA, where the owls are not what they seem, there's always music in the air, and the birds sing a pretty song.

Controls:
1. Level: Adjusts Westwood's output level. Clockwise is loud, counterclockwise is quiet.

2. Drive: Adjusts the amount of overdrive. Clockwise is dirty, counterclockwise is clean.

3. Bass: Selects amount of low frequencies around 80Hz. Clockwise to boost, counterclockwise to cut.

4. Treble: Selects amount of high frequencies around 2kHz. Clockwise to boost, counterclockwise to cut.

Tech Specs:
Switching
This device is true bypass and uses electronic relay based switching. Audio will not pass without power.

Power
This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw 18 mA
Input Impedance 1 MO
Output Impedance <1 kO
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MRP:$229.98 SAVE 24%
 1 in stock $175.58
EBS Black Haze Distortion & Overdrive Pedal
EBS
Cat: 639060 Rel: 09 Feb 17
 
Analog overdrive/distortion pedal for guitar & bass
Notes: The Black Haze is an overdrive pedal in the new 'blue label' pedals series, developed for guitar and suitable for bass.

The Black Haze is developed by EBS with input from several Swedish top session guitarists. It is a beautiful drive with some darkness to it to make it interesting and irresistible. The Black Haze features dual drive engines and low-range compensation.

Full control. The pedal feature controls for Drive, Tone and Volume and a switch for Thin, Normal or Deep character.

Brand new design. A new compact housing design include recessed jacks to reduce space between pedals on a pedal board and a comfortable angle that makes switching smoother.

Can I use it with bass? The Black Haze offers a rich and creamy drive sound for your bass with solid bottom-end. Use the Drive, Tone and Volume controls to tweak your sound, and pick your favourite character between Thin, Normal and Deep, where Deep makes it interesting and dark while Thin and Normal makes it stand out more. It adds a new flavour of distortion to EBS existing product portfolio of bass effects.
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 1 in stock $71.73
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EBS Microbass 2 Preamp Pedal
EBS
Cat: 623416 Rel: 23 Aug 16
 
Professional analog signal processing tool with DI box, 2 channel preamp, speaker simulation and effects loop
Notes: The EBS Microbass 2 preamp is the bass players 'Swiss Army Knife'.
A DI box, two-channel preamp, with speaker simulation, effects loop, phones output and loads of other great features. This is the ultimate bass tool. Period!

Two Channels and A Useful Loop. The MicroBass II can be used as an active direct box, a one or two channel preamp, instrument switcher or blender.

The two channels provide sound shaping from high end solid-state types to distorted timbres, using the awarded tube emulation circuitry found in the EBS range of professional bass heads.

An incorporated effects loop gives the user added flexibility for connecting to other effect pedals, or for mixing in an external audio source such as a CD player for rehearsal purposes.

Unmatched Flexibility - The balanced output with speaker simulator option provides unmatched flexibility in live and studio situations. Footswitches control mute and channel operation/switching. Other features include headphone output, low battery indicator, link and master outputs, bass, 'sweepable' midrange, treble, bright and edge filters, drive and effects mix controls.

The EBS MicroBassII delivers that big, burning EBS sound wherever you go.
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 1 in stock $175.58
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EBS MicroBass 3 Preamp Pedal
EBS MicroBass 3 Preamp Pedal (preamp pedal/DI box)
EBS
Cat: 718777 Rel: 24 Jun 19
 
Professional analogue bass preamp/DI box
Notes: The EBS Microbass 3. We've all been there. Being forced by circumstances to rely on someone else's gear and left with that uneasy feeling it could turn into a disaster. With the new EBS Microbass 3, you can let go of that feeling and be confident you'll have your sound no matter the situation.

The EBS MicroBass 3 is a 2-channel preamp, built exclusively with premium components. It is engineered by EBS in Sweden with technologies from the famous HD360 and Fafner II amplifier designs. The preamp operates at a signal level equal to a professional mixing console (+/- 15V) which gives you plenty of headroom. The high signal level makes it suitable to use as a preamp in combination with any type of power amp.

Run the Clean and Drive channels in series or parallel. Use the dual balanced XLR-outputs to tap the signal post and pre EQ at the same time. If you run the Effects loop in stereo mode, the balanced outputs become a Left and Right output instead. With 10 Mohms input impedance, it handles any type of bass - passive, active or with piezo pickups.

The built-in tuner makes it easy to tune between songs without the need of an external device. The MicroBass 3 also carries an onboard compressor, similar to the one found on several EBS amplifiers, and several more features.

The analog EBS MicroBass 3 ensures your sound - every time.
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 1 in stock $301.92
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EBS MultiComp Blue Label True Dual Band Compressor Pedal
EBS
Cat: 754903 Rel: 28 Nov 19
 
Analogue, high performance, multi-band compressor pedal
Notes: The EBS MultiComp is the most popular EBS effects unit ever. Thousands of bass players, guitarists, and other musicians all over the world use it on their pedalboards.

The compressor hits the sweet spot between allowing for dynamic playing and creating a smooth consistency across the fretboard. It can also be used simply to push the gain and beef up the overall sound when desired.

You can't go wrong with the MultiComp:

A compressor can be tricky to dial in. Maybe that is why the super intuitive EBS MultiComp has seen such a long-standing success. It is a compressor that you can't go wrong with, that doesn't require a degree in sound engineering and still does exactly what you want. What more to ask for?

A sensible upgrade:

There is a major addition to the new EBS MultiComp Blue Label. A control on the front panel to adjust the threshold level, or Sensitivity. The more you turn up the control, the higher the sensitivity.

The benefit of this is that you can adjust the sensitivity to match the output level of your instrument or your playing style. A centre click indicates the factory setting value on previous editions of the pedal, to offer a reference to your old MultiComp.

More headroom to handle the extremes:

To handle high-end basses equipped with 18V preamps with very hot output, the new MultiComp Blue Label can operate continuously on up to 18V DC power. This gives the pedal enough headroom to handle even these extreme instruments.

The new version has a reduced footprint by 12% and is lighter to save space and weight on your pedalboard. The recessed jacks keep the space needed between pedals to a minimum.
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 1 in stock $158.45
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EBS MultiComp Blue Label True Dual Band Compressor Pedal (B-STOCK)
EBS
Cat: 768224 Rel: 28 Nov 19
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The EBS MultiComp is the most popular EBS effects unit ever. Thousands of bass players, guitarists, and other musicians all over the world use it on their pedalboards.

The compressor hits the sweet spot between allowing for dynamic playing and creating a smooth consistency across the fretboard. It can also be used simply to push the gain and beef up the overall sound when desired.

You can't go wrong with the MultiComp:

A compressor can be tricky to dial in. Maybe that is why the super intuitive EBS MultiComp has seen such a long-standing success. It is a compressor that you can't go wrong with, that doesn't require a degree in sound engineering and still does exactly what you want. What more to ask for?

A sensible upgrade:

There is a major addition to the new EBS MultiComp Blue Label. A control on the front panel to adjust the threshold level, or Sensitivity. The more you turn up the control, the higher the sensitivity.

The benefit of this is that you can adjust the sensitivity to match the output level of your instrument or your playing style. A centre click indicates the factory setting value on previous editions of the pedal, to offer a reference to your old MultiComp.

More headroom to handle the extremes:

To handle high-end basses equipped with 18V preamps with very hot output, the new MultiComp Blue Label can operate continuously on up to 18V DC power. This gives the pedal enough headroom to handle even these extreme instruments.

The new version has a reduced footprint by 12% and is lighter to save space and weight on your pedalboard. The recessed jacks keep the space needed between pedals to a minimum.
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 1 in stock $152.90
EBS OctaBass Blue Label Triple Mode Analogue Octave Divider Pedal
EBS
Cat: 751988 Rel: 24 Oct 19
 
OctaBass pedal - Blue Label edition
Notes: The new EBS Octabass Blue Label pushes the boundaries for what has seen as possible with an analogue octave effect. The quality and character of the octave tone, as well as the precision and speed of the tracking, is outstanding.

The EBS OctaBass was the first effect unit ever made by EBS. It is famous for fast and accurate tracking and a fat, natural sound. When you play your instrument, it "tracks" the note you play and produce a sound one octave below to mix in with the note you play. The 'Blue Label' model has a couple of new features that enhance the tracking range and improves the control of the sound.

Improve the tracking where it matters the most:

A new Range-switch makes possible to move the optimized focus area of the tracking to either higher up or lower down the fretboard. All to match your playing style and needs. This feature makes the tracking speed and range outstanding for an analogue octave pedal. Note: Don't confuse this switch with the Range-switch on previous OctaBass pedals where it changed the character of the tone.

Enhanced tone control:

By adding a seamless tone control you can go from a present, focused octave sound that cuts through the mix all the way to a sub-bass backdrop of lows that discreetly supports the note you play. The tone control enhances the palette of sounds and also makes it easier to achieve a synthesized bass sound.

Power the Blue Label OctaBass with 9-18V DC power. The footprint is reduced by 12% compared to the previous Studio and Black Label editions.
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 1 in stock $176.65
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Electro Harmonix 1440 Fourteen-Fourty Stereo Looper Pedal
Cat: 785073 Rel: 30 Jul 20
 
Looper pedal
Notes: The EHX 1440 Stereo Looper is a compact powerhouse that provides 1440 seconds of high-quality, uncompressed, stereo recording time plus the ability to store 20 different loops. It can even tempo sync to an external MIDI device and is packed with features you'll want. Unlimited overdubbing means you can lay down as many parts as you like while variable tempo playback plus Reverse and Octave speed effects really enhance creative control.

A 1 Shot function is also included, adjustable fadeout times and optional external footswitch control for selecting loops and Undo/Redo. The affordable 1440 Stereo Looper puts a ton of looping power on your pedalboard.
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MRP:$263.38 SAVE 25%
 2 in stock $197.00
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Electro Harmonix 5MM Power Amp Guitar Amplifier Pedal
Cat: 753164 Rel: 31 Oct 19
 
guitar amplifier pedal
Notes: The EHX 5MM Guitar Power Amplifier is a pocket-sized power amp that’s a great alternative to a traditional guitar amplifier. It’s super portable and perfect in playing situations where a high-powered amp is not required… like when you’re mic’d on stage, in the studio or as a backup. It produces 2.5 watts so one of the cool things about it is that it doesn’t take much to start getting some nice drive and saturation. Plus, it can be connected directly to any 8 O – 16 O speaker cabinet.

The 5MM is complete simplicity. It features a Volume control and a Bright switch which, when engaged, adds presence to the signal. Since it is a power amp, a preamp, overdrive pedal and, or an EQ in front of it will really let you dial in your tone, but it can be used by itself. The 5MM Power Amplifier also comes equipped with its own power supply.
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MRP:$75.80 SAVE 17%
 2 in stock $63.17
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Electro Harmonix Attack Decay Tape Reverse Simulator Pedal
Cat: 719369 Rel: 06 Jun 19
 
Volume envelope manipulation with adjustable Decay & Attack times
Notes: The circa-1980 Electro-Harmonix Attack Decay is a sought after prize among vintage pedal aficionados. Originally called a Tape Reverse Simulator, it’s known for producing volume and reverse swells, backward tape sounds, artificially short staccato notes and bowed instrument effects. The new Attack Decay reinterprets the classic and keeps its cool factor, but adds some modern features for convenience and enhanced functionality.

It can produce a single volume envelope like the original, or, with Poly engaged, put separate volume envelopes on each note you play. The built-in Harmonix fuzz is now a fully controllable distortion with gain, tone and volume controls. The effects loop allows the musician or sound designer to place the volume envelope onto whatever signal is present at the Return jack. Expression pedal/CV input and three user presets give the user total control over their Attack Decay!
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MRP:$155.46 SAVE 28%
 2 in stock $112.42
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Electro Harmonix Bass Big Muff Pi Distortion Sustainer Pedal (B-STOCK)
Cat: 785282
 
B-STOCK: Box damaged, product unused & in perfect condition
Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


The Prodigy reborn with underworld instincts comes to life wielding the drive of the original classic Big Muff Pi and the earthy support of a bass tailored design with no loss of low end.

This is the pedal that bass players who loved the Big Muff sound have been waiting for.
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 1 in stock $70.14
Electro Harmonix Bass Clone Chorus Pedal
Cat: 626323 Rel: 07 Oct 16
 
Compact chorus pedal with variable parameters for a range of modulation effects
Notes: The Bass Clone chorus pedal's core circuitry is nearly identical to the legendary Small Clone chorus, but with added features especially for bass. Chorus is a combination of modulated and dry signals. The Bass Clone's Crossover switch cuts low end from the modulated signal so the pedal delivers a more accurately articulated bottom end with excellent note definition. The Treble control affects the whole signal while the Bass control only affects the dry half. Together with the Crossover switch they provide precise sound shaping that lets you achieve a tight, focused bass guitar sound with a well-defined low end and shimmering chorus on top.

Chorus is a combination of modulated and dry signals. The Bass Clone's Crossover switch cuts low end from the modulated signal so the pedal delivers a more accurately articulated bottom end with excellent note definition. The Bass Clone's Treble control affects the whole signal while the Bass control only affects the dry half. Together with the Crossover switch, they provide precise sound shaping that lets the player achieve a tight, focused bass guitar sound with a well-defined low end and shimmering chorus on top.

The Bass Clone features a compact footprint plus true bypass switching for maximum signal path integrity when in bypass mode. It runs on a 9V battery or an optional EHX 9.6DC/200mA AC adapter.
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MRP:$86.08 SAVE 22%
 1 in stock $67.17
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Electro Harmonix Bass Mono Synth Effects Pedal
Cat: 718362 Rel: 18 Feb 19
 
Bass synthesizer effects pedal with 11 monophonic synth sounds
Notes: The EHX Bass Mono Synth transforms your bass into eleven great sounding synthesizers... from vintage synth emulations to thick, stacked voices to deep pulsing sounds and more.

Its intuitive layout makes it easy to use and easy to dial in good sounds quickly. DRY controls the volume of your dry bass signal at the Synth Output. SYNTH controls the volume of the Synthesizer sound at the Synth Output. Used together they let you create just the right mix. The SENS control, short for sensitivity, adjusts how your playing dynamics trigger the synthesizer and allows you to fine tune the way the pedal responds to your bass rig and playing style.

With the CTRL knob you can adjust a key parameter for each of the eleven synth types. It varies depending on the preset and provides more tweakability for customizing your sound. There’s also an EXP input which lets you control an entirely different parameter in real-time with an expression pedal!

Using the built-in Preset footswitch, a user customizable preset for each of the eleven synth sounds can be created, saved and recalled. The factory presets are also easy to restore should you wish to.

From lush, warm sounds to sharp, percussive stabs, the Bass Mono Synth puts a collection of cool bass synths at your fingertips.
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MRP:$150.32 SAVE 37%
 3 in stock $95.29
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