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Effects pedals

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Dreadbox Komorebi Flanger & Chorus Pedal
Cat: 809385 Rel: 30 Apr 21
 
Chorus/flanger effects pedal
Notes: Huge chorus-flanger. Take your music to infinity. The fully analogue Dreadbox Komorebi Chorus-Flanger Pedal gives you a huge array of sound design possibilities. This powerful pedal can add some serious impact to your sound.

It doesn't matter if you're playing bass, guitar, synths, or even if you want to hook it up to your modular Eurorack system. The Komorebi is ready to go. Sprinkling its beautiful effects over anything it touches.

From a slight pinch of flange to add some movement to your bass lines, or a lengthy chorus effect to treat your pads and chords to a final touch of space-age wideness. It's a guitar pedal but not as you know. Komorebi works with everything.

Current draw: 100mA
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MRP:$231.23 SAVE 17%
coming soon $192.68
Earth Quaker Devices Erupter	Ultimate Fuzz Tone Pedal
Cat: 781640 Rel: 23 Jul 20
 
Fuzz tone pedal
Notes: When's the last time you turned up your favorite fuzz pedal to anything but eleven? If there's one true thing about rock n' roll, it's that it sounds best cranked all the way up. But where do we go from here? We go one louder. Enter the Erupter.

The Erupter is the result of over two years' worth of tone-chasing, tweaking, and experimentation in search of the ultimate classic fuzz tone with a big low end, a biting top end without being too harsh, and just enough output to politely send a tube amp over the top to deliver a well-rounded and defined fuzz tone with just enough pummeling intensity, so you can rock n' roll all night and still get to bed at a reasonable hour.

It's the perfect fuzz... just sayin'.

Controls:
Bias: This control has a center detent for the perfect fuzz setting. When in the center position, the tone will be big and round with a slight volume boost and great sustain. As you turn this counterclockwise it becomes more gated with lower output. As you turn this clockwise it becomes louder and more refined.

Tech Specs:

This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

This device can be powered by a 9v battery or a standard 9-volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 9 mA
Input Impedance: 500 kO
Output Impedance: <1 kO
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MRP:$217.54 SAVE 27%
 1 in stock $159.61
Earth Quaker Devices Ghost Echo V3 Vintage Voiced Reverb Pedal
Cat: 781647 Rel: 14 Jul 20
 
Reverb pedal
Notes: You hear that EVP? It's the all new, extra spook-tacular, Ghost Echo calling out from beyond the void! The Ghost Echo is Earth Quaker's spooky take on the haunted amp-top spring reverberation units of yesteryear. This creepy analog/digital spring reverb emulation machine boasts a terrifying 30ms - 150ms of pre-delay, controllable via the Attack knob, for everything from a quick rockabilly slapback to viscous pools of ectoplasmic reverberations. When playing staccato, you'll hear the tortured trails of the reverb, resulting in more of a slapback or echo sound. Legato playing will reveal a massive ambient "depth" that fattens up the sound - and look out, it's right behind you!

Phew, that was close. The Dwell control sets the length and thickness of the decay, which is to say that it controls how long the disembodied spirits of notes no longer with us float through the ether. At the maximum setting it will descend into an infinite loop of self-oscillation. The Depth sets the intensity of the reverb, which you probably know as the wet/dry mix.

Controls:
1. Attack: Adjusts the length of the pre-delay, from 30ms at minimum to about 150ms at maximum. When the Dwell is set to self-oscillate, this will change the pitch of the oscillations.

2. Dwell: Adjusts the length of the decay. This will start to self oscillate around 3 O'clock, the pitch of the oscillations can be changed by turning the Attack control.

3. Depth: Mixes in the wet signal with the dry, unity is around noon and everything after is boosted.

Tech Specs:
This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 86 mA
Input Impedance: 10 MO
Output Impedance: 1 kO
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MRP:$244.91 SAVE 21%
 2 in stock $192.68
Earth Quaker Devices Hummingbird V4 Repeat Percussions Tremolo Pedal
Cat: 781684 Rel: 14 Jul 20
 
Tremolo pedal
Notes: The Hummingbird is a choppy, sawtooth tremolo modeled on the vintage "repeat percussion" unit and similar to those found in old Valco and Vox amplifiers. It is capable of producing everything from classic "50's style" shimmering tremolo to a synthy, delay-like chop that turns your signal into a burst of short pings and on through to near ring modulation speeds. Simply choosing between modes 1 (slow), 2 (mid-tempo) or 3 (fast) and adjusting the rate and depth controls will unlock a whole new world of amplitude modulation at your feet. The Rate is also expression pedal accessible to allow instant changes on the fly. Using an expression pedal opens up the possibility of true random amplitude modulation! In addition to the modulation, the Hummingbird has plenty of clean gain on-tap allowing you to either boost or cut the signal using the level control. If the Depth is turned to zero, the Hummingbird will become a JFET clean boost!

Controls:
1. Depth: This adjusts how much the oscillator affects the signal. All the way clockwise produces a full chop, all the way counterclockwise produces no chop and the Hummingbird can be used as a simple JFET booster.

2. Mode: Three way toggle switch which selects the range of the oscillator. Mode 1 is slow, Mode 2 is mid tempo and Mode 3 is fast.

3. Rate: This adjusts the speed of the oscillator. Faster clockwise, slower counterclockwise.

4. Level: Adjusts the output volume

5. Expression Jack: Use an expression pedal to adjust the rate with your foot! When an expression pedal is in use the Rate control is defeated. We recommend the Moog EP-2 expression pedal.

Tech Specs:
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power
This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 10 mA
Input Impedance: 50 kO
Output Impedance: <10 kO
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MRP:$231.23 SAVE 23%
 3 in stock $179.00
Earth Quaker Devices Organizer V2 Polyphonic Organ Emulator Pedal
Cat: 781694 Rel: 14 Jul 20
 
Organ emulator pedal
Notes: The Organizer is a polyphonic organ emulator designed to mimic the organ tones of yesteryear crossed with the highly unique "Guitorgan". It has a warm and very analog feel with a hint of Leslie warble that is unlike other modern octave shifters. It is simple to dial in and tracks chords as well as single notes perfectly all over the neck on both guitar and bass. Not only can the Organizer be used on strings, it has been widely used on everything from vocals and synths to horns and drums. If it makes sound, the Organizer can handle it! The Organizer uses a mix of analog and DSP circuitry with true bypass switching and an all analog dry signal path.

Controls:
1. Up: Level control for the octave up.

2. Down: Level control for the octave down.

3. Choir: This control takes a mix of the octave Up and octave Down setting and regenerates it. The end result is an additional 2 octaves up, 2 octaves down and direct signal with a slight delay that adds a "church organ" like feel. This control only works if the octave Up and octave Down are in use.

4. Lag: Delay control for the wet signal. Full counterclockwise is minimal delay. Delay time increases as it rotates clockwise.

5. Tone: Rolls off the high end as you dial it counterclockwise.

6. Direct: Level control for the analog dry signal.

Tech Specs:
Switching
This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

Power
This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 81 mA
Input Impedance: 1 MO
Output Impedance: 500 O
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MRP:$266.80 SAVE 26%
 1 in stock $198.38
Earth Quaker Devices Sea Machine V3 Super Chorus Pedal
Cat: 781720 Rel: 14 Jul 20
 
Chorus pedal
Notes: The Sea Machine is a chorus pedal with as many modulation possibilities as there are fish in the ocean. That's a lot of fish. And a lot of modulation. From subtle, shimmery chorus sounds, to wobbly, seasick, warbly pitch-bent detuning that rocks the boat, the Sea Machine is the audio bait that'll help you reel in the big one.

The Sea Machine ain't no one-trick seahorse. With a mix of standard and unique controls, everything from subtle warble, classic Leslie, seasick pitch bends, strangled alien sounds, stunted arpeggiations and many more far out sounds are available. Or you could just use it as a chorus. That works, too. Oh, and if you're a bass player who fancies themselves a fan of the classic 80s post-punk bass sound, the Sea Machine is pretty much just like (tone) heaven.

Controls:
1. Animate: How far the pitch shifted signal swings, lower levels equals a tighter and more focused shift a la traditional chorus. As you increase the control a more wild and animated pitch shift begins to emerge.

2. Dimension: Adds a slight slap-back at low levels, reverb-like ambiance at mid levels and an echo-resonance that will lead to self-oscillation at max.

3. Intensity: Adjusts how much modulated signal is blended in with the dry signal. Unity for this control is right around noon, everything above that is boosting the modulated signal.

4. Depth: Adjusts how strongly the LFO modulates the delay time.

5. Shape: Goes from triangle wave to square wave as you turn clockwise.

6. Rate: This sets the speed of the LFO. The miniature LED will blink to the tempo, even in bypass mode.

Tech Specs:
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power
This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 40 mA
Input Impedance: 10 kO
Output Impedance: <1 kO
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MRP:$272.27 SAVE 27%
 2 in stock $199.52
Earth Quaker Devices Tone Job V2 EQ & Boost Pedal
Cat: 781748 Rel: 14 Jul 20
 
EQ & boost pedal
Notes: This compact Boost & EQ device is based around the tone-shaping options available in old audiophile-grade stereo preamps, making it a great addition to your pedalboard, no matter what instrument you play.

So what does that mean, exactly? It means that you'll hear full frequency response from your Tone Job everywhere you plug it in - guitar, bass, drum machine, synthesizers, steel drums, harpsichord, kazoo, car stereo, or wherever!

The Tone Job has active EQ controls for Bass, Mid and Treble, with up to 20 dB of cut or boost, which is handy for pairing up with other pedals in your chain to breathe new life into old dirt. Unlike boring old graphic EQs, the Tone Job's EQ controls are interactive, so you can experiment with different settings to alter the response and overall feel of the device, getting your tone out of the lunchroom and back on the clock.

Place the Tone Job at the beginning of your chain to alter the overall character of your guitar, or use it at the end to boost output at the end of a long cable run and fine-tune your tone. The Level control on the Tone Job can boost your signal up to 5x the original input level, so you'll always be heard, and makes for a fantastic solo and/or clean boost!

Controls:
1. Level: Post EQ volume control. Can boost the signal up to 5x the input. Unity is around 10 o'clock.

2. Treble: The center position is flat and marked with a center detent in the potentiometer. All settings above this point boost the treble and all settings below cut treble.

3. Bass: The center position is flat and marked with a center detent in the potentiometer. All settings above this point boost the bass and all settings below cut bass.

4. Middle: The center position is flat and marked with a center detent in the potentiometer. All settings above this point boost the middle and all settings below cut middle.

Tech Specs:
Switching
This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

Power
This device takes a standard 9-18 volt DC power supply with a 2.1mm negative center barrel. Pedals will make extra noise if there is ripple or unclean power. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 21 mA
Input Impedance: 1 MO
Output Impedance: <1 kO
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MRP:$225.75 SAVE 21%
 2 in stock $179.00
Earth Quaker Devices Westwood Translucent Drive Manipulator Pedal
Cat: 781758 Rel: 14 Jul 20
 
Overdrive manipulator pedal
Notes: Westwood is a touch sensitive translucent overdrive manipulator as clean and pure as the breeze which blows through a grove of Douglas Fir trees, and as hot as a damn fine cup of coffee.

This mild-mannered light to medium-gain overdrive with active EQ controls will still knock the socks right off your trusty low-wattage combo amp, pushing it into anything from cutting, edge-of-breakup rhythm tones, all the way to articulate, singing lead tones stacked high with pleasing even-order harmonics and sweet, sweet sustain. And if you pair it up with your favorite head and cab, you should probably call the neighbors first, because the Westwood's Level control has enough output on tap to alert the proper authorities. Even the FBI.

Each and every Westwood is a real Blue Rose case, hand built by a team of special agents in the Black Lodge of Akron, Ohio, USA, where the owls are not what they seem, there's always music in the air, and the birds sing a pretty song.

Controls:
1. Level: Adjusts Westwood's output level. Clockwise is loud, counterclockwise is quiet.

2. Drive: Adjusts the amount of overdrive. Clockwise is dirty, counterclockwise is clean.

3. Bass: Selects amount of low frequencies around 80Hz. Clockwise to boost, counterclockwise to cut.

4. Treble: Selects amount of high frequencies around 2kHz. Clockwise to boost, counterclockwise to cut.

Tech Specs:
Switching
This device is true bypass and uses electronic relay based switching. Audio will not pass without power.

Power
This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw 18 mA
Input Impedance 1 MO
Output Impedance <1 kO
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MRP:$244.91 SAVE 20%
 1 in stock $196.10
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quote 781758
EarthQuaker Grand Orbiter V3 Phase Machine Pedal
Cat: 781668 Rel: 28 Jul 20
 
Phase machine pedal
Notes: Grand Orbiter is a 4 stage OTA-based phaser with a diverse feature set that can go from stationary and resonant to slow and mellow and on through fast and swirly. It has three way toggle switch to select between the ranges of modulation. The master Rate control fine tunes the speed of the LFO in each of these modes and the flashing red LED acts as a visual indicator, even when the effect is in bypass mode. The Depth control blends the shifted signal in with the dry signal and controls the intensity of the effect. The Sweep control governs the peak frequency of the phased signal's tone, turned full clockwise the sweep is lively and intense, whereas turning counter clockwise yields a darker, more laid back peak. The Resonance provides a wide range of control over regeneration and at higher settings adds a more pronounced and resonant tone. You can also use the Grand Orbiter as a true pitch vibrato with the "Phase/Vibrato" switch. When in "Vibrato" mode, the dry signal is removed and the Depth controls acts as a volume control. This pedal is 100% analog, true bypass and built by entirely by hand in beachy Akron, Ohio.

1. Sweep: Controls the frequency peak of the sweep. Higher peak clockwise, lower peak counter clockwise.

2. Rate 1,2,3: Changes the range of the speed control. Rate 1 is slow mode, Rate 2 is LFO kill to use the Orbiter as a fixed resonant filter, Rate 3 is fast mode.

3. Rate: Controls the speed of the LFO. Faster clockwise, slower counterclockwise.

4. Depth: Controls the amount of phase effect mixed with dry signal. Clockwise for more intense phasing, counterclockwise for less. In "Vibrato" mode, this acts as a volume control.

5. Phase/Vibrato: Cuts the dry signal to create a vibe/vibrato effect depending on the setting of the other controls. Vibrato is created by turning the resonance down low.

6. Resonance: Controls the regeneration of the phased signal. More resonant clockwise, more subtle counterclockwise.

Tech Specs:

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 15 mA
Input Impedance: 1 MO
Output Impedance: <1 kO
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MRP:$280.48 SAVE 29%
 8 in stock $198.03
EarthQuaker Levitation V2 Reverberation Machine Pedal
Cat: 781688 Rel: 23 Jul 20
 
Reverberationmachine pedal
Notes: Have you ever wanted your tone to soar like a majestic eagle in a vast canyon? Perhaps you are a simpler mortal and just want your tone to echo like the cries of a sparrow in a small room... Now you can do both like a champ plus a whole lot more! Welcome to the Levitation reverberation machine! This Levitation device is a vintage-voiced reverb that aims to fit somewhere between dirty sixties chambers, classic spring and the big, ringing plate reverbs of days gone by. Four knobs and one switch control quite a bit more than you'd expect. Want a slap back small room sound? Set all of your controls to the minimum and use the mix to dial in the sound of room devoid of any thing but a guitar and amp. Want to revel in infinite spatial oscillations? Flip the toggle to Long, turn up the Atmosphere and Decay then tune out. Dial in a bright chiming slap back by turning the Tone all the way counterclockwise and reducing the Decay. Dime everything for a rattling, full-bandwidth assault. You are only limited by your imagination!

Controls:
1. Mix: This controls how much wet signal is blended in with the dry. More reverb clockwise, less counterclockwise.

2. Length (Toggle): Broad stroke control for decay time. Shorter to left, longer to the right.

3. Decay: Controls the length of the reverb decay. Longer clockwise, shorter counterclockwise.

4. Tone: This is an input bandwidth control for the reverberated signal. All the way clockwise reduces all low end content to make a brighter reverb, turning counterclockwise allows more low end to pass through resulting in a fuller reverberated tone.

5. Atmosphere: This is a harmonic regeneration control, it feeds the upper frequencies of the reverb trails back through to create a more harmonic (ringing) reverb. More atmosphere clockwise, less counterclockwise.

Tech Specs:
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power
This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 72 mA
Input Impedance: 1 MO
Output Impedance: <10 kO
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MRP:$272.27 SAVE 27%
 2 in stock $198.38
Electro Harmonix B9 Organ Machine Pedal
Cat: 560196 Rel: 03 Feb 15
 
Organ machine pedal with 9 presets ready to use
Notes: With 9 presets that were finely tuned to emulate the most legendary organs from the '60s and beyond, the B9 Organ Machine will transform your guitar or keyboard. Control the instrument's signature percussive click and sweet modulation.

Blend your dry signal to create lush layers. Enough tonewheel and combo organ inspiration to light your fire and cook up some green onions!

*UK 230V power adapter included*
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MRP:$287.32 SAVE 35%
 2 in stock $188.13
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quote 560196
Electro Harmonix Bass9 Bass Machine Pedal
Cat: 743356 Rel: 10 Oct 19
 
Bass simulator effects pedal for guitar with 9 voices, dry & effect mix knobs, sensitivity & control knobs
Notes: The polyphonic BASS9 Bass Machine transforms a guitar into nine different basses and requires no special pickups, MIDI or instrument modifications. It relies on the same technology powering all EHX 9 Series pedals, like the award winning MEL9 Tape Replay Machine, but features a new algorithm maximized for transposing one to two octaves down with superior dynamics and tracking.

A rotary switch allows the user to select the sound of their choice, as follows:

- PRECISION: Pays homage to the iconic Fender P Bass
- LONGHORN: Emulates the Danelectro 6-string bass, ideal for baritone type tones
- FRETLESS: Features both electric and standup fretless basses.
- SYNTH: A tribute to the classic Taurusr Synthesizer
- VIRTUAL: Lets the user adjust the bass's body density and neck length for a variety of bass sounds
- BOWED: Classic bowed bass
- SPLIT BASS: Makes it possible for the guitarist to play bass on the lower strings (all notes below F#3) and chords or melody with the higher strings.
- 3:03: A polyphonic salute to the sought-after Roland TB-303 vintage bass synth
- FLIP-FLOP: Inspired by EHX's Octave Multiplexer, it provides a '70s style logic driven sub-octave generator that tracks without glitches.

The pedal is equipped with independent Effect and Dry volume controls so guitarists can precisely tune their mix at the Effects output jack, plus an always-active Dry output jack that outputs the input signal at unity gain.

Controls 1 and 2 have been designed to adjust specific parameters for each of the nine programs. For example, in PRECISION, CTRL 1 controls the sub-octaves while CTRL 2 imitates the original instrument's tone control.

The BASS9 comes equipped with a standard EHX 9.6DC200mA power supply.
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MRP:$280.48 SAVE 31%
 1 in stock $192.68
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quote 743356
Electro Harmonix C9 Organ Machine Pedal
Cat: 565166 Rel: 16 Mar 15
 
Organ machine guitar effects pedal with 9 presets designed to emulate classic organ tones
Notes: The new C9 Organ Machine springboards off the revolutionary B9 to mine another rich vein of classic gold and provide players with nine more definitive organ and keyboard sounds.

The C9 will transform your instrument into a convincing full body, electric organ or vintage electronic keyboard. For each preset chosen, it also provides precise control over important elements of that sound's sonic fingerprint like percussive click, modulation, attack/sustain, drawbar setting or high frequency content.

Blend your dry signal to create beautiful layers. Lovers of classic organ and keyboard rejoice!

*UK 230V power adapter included*
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MRP:$280.48 SAVE 33%
 2 in stock $188.13
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quote 565166
Electro Harmonix Mainframe Bit Crusher Effects Pedal
Cat: 793996 Rel: 12 Oct 20
 
Bit crusher pedal
Notes: Clever take on bit crushing, sample rate reduction and all-round lo-fi goodness. Crunchy retro digital sounds with a neat option to tune the sample rate to the key of your song.

Supplier's Notes:
Buzz. Beep and bloop. Electro Harmonix are high on the lo-fi sounds of "old-school" games, toys and terminals and the Mainframe Bit Crusher takes us back in time to when Pac Man and Donkey Kong ruled the arcades, to when the Commodore 64 was high tech.

It provides sample rate reduction ranging from 48kHz to 110Hz. A little background- the sample rate is the number of times per second that a sample or snapshot of an analog signal is taken. For example, CDs (remember them?) had a sample rate of 44.1kHz which means that the original analog signal is sampled 44,100 times per second.

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MRP:$229.86 SAVE 21%
 2 in stock $181.29
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quote 793996
Electro Harmonix Micro POG Polyphonic Octave Generator Pedal
Cat: 560437 Rel: 03 Feb 15
 
Polyphonic octave generator effects pedal with udjustable original pitch volume
Notes: The Legenday and classic original POG won top awards from every major magazine on every continent for its flawless polyphonic tracking and musical flexibility.

The Micro POG delivers the same perfect tracking and smooth polyphony in a simplified design. Now in a small pedalboard-friendly diecast chassis, the Micro POG delivers and will blow you away the first time you use it.

*UK 230V power adapter included*
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MRP:$268.17 SAVE 31%
 3 in stock $184.71
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quote 560437
Electro Harmonix Micro POG Polyphonic Octave Generator Pedal (B-STOCK)
Cat: 809943 Rel: 03 Feb 15
 
B-STOCK: Box damaged, product in perfect working order
Notes: ***B-STOCK: Box damaged, product in perfect working order***


The Legenday and classic original POG won top awards from every major magazine on every continent for its flawless polyphonic tracking and musical flexibility.

The Micro POG delivers the same perfect tracking and smooth polyphony in a simplified design. Now in a small pedalboard-friendly diecast chassis, the Micro POG delivers and will blow you away the first time you use it.

*UK 230V power adapter included*
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 1 in stock $170.45
Electro Harmonix Super Pulsar Stereo Tap Tremolo Pedal
Cat: 565165 Rel: 16 Mar 15
 
Analog tap tremolo guitar effects pedal with stereo in/out, mono in/stereo out, stereo in/mono out, mono in/mono out & true bypass
Notes: A truly super tremolo with powerful controls and signal routing.

Sculpt the tremolo's shape with adjustable sine, triangle and pulse waveforms while tap tempo and tap divide ensure synchronicity.

Create your own rhythmic patterns and store them.

Save and recall up to eight customized preset programs.

Conjure moving tremolos on-the-fly with EXP control over Rate, Depth, Shape, Phase or Volume. Deluxe I/O lets you choose stereo in/out, mono in/stereo out, stereo in/mono out or mono in/mono out operation.

Analog circuitry yields warm, lush tone that will envelop you in shape shifting waves.

*UK 230V power adapter included*

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MRP:$302.37 SAVE 36%
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quote 565165
Electro Harmonix Superego Synth Engine Pedal (B-STOCK)
Cat: 807185 Rel: 04 Feb 15
 
B-STOCK: Product has light surface marks/scratches, but otherwise in perfect working condition
Notes: ***B-STOCK: Product has light surface marks/scratches, but otherwise in perfect working condition***


The polyphonic SUPEREGO Synth Engine reinvents sample and hold, performs fluid glissandos and creates oscillator like, synthesizer effects. It can stack sounds or create infinite sustain, it even lets you tweak attack and decay, or use its effects loop to invent novel synth patches. Indulge your guilty pleasures!

*UK 230V power adapter included*
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 1 in stock $162.53
Empress Effects Buffer FX Pedal
Cat: 782948 Rel: 24 Sep 20
 
Buffer pedal
Notes: The Empress buffer was designed to be the complete I/O interface for the pedal board, while maintaining the highest fidelity to your guitar's signal.

Signal loss due to long, un-buffered cable runs is an issue that has plagued guitar players for decades. The primary goal of the buffer is to eliminate this signal loss, ensuring that your tone is unchanged by your cables.

Additionally, all the connectivity of your pedal board is consolidated to make set up quick and easy.
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Empress Effects Buffer Plus Pedal
Cat: 782953 Rel: 25 Sep 20
 
I/O interface
Notes: The Empress buffer+ was designed to be the complete I/O interface for the pedal board, while maintaining the highest fidelity to your guitar's signal.

Signal loss due to long, un-buffered cable runs is an issue that has plagued guitar players for decades. The primary goal of the buffer+ is to eliminate this signal loss, ensuring that your tone is unchanged by your cables.

Additionally, all the connectivity of your pedal board is consolidated to make set up quick and easy. The buffer+ also has a very handy set of features that make life just a little better. Noise filters, input pads, switchable clean boost and input loading are all powerful tools available on the buffer+.

Input Impedance: 10k - 1Meg
Output Impedance: 510 Ohms
Frequency Response (-3dB): 5Hz - 40kHz
Power Input Voltage: 9V DC (Negative tip)
Power Input Connector: 2.1mm barrel connector (Negative tip)
Power Consumption: 86mA
Total Harmonic Distortion: 0.02%
Signal to Noise Ratio: 105.3dB
Headroom: +9.4dBu
Enclosure Material: Die Cast Aluminum
Input connectors: 1/4" Jack
Output connectors: 1/4" Jack
Height (enclosure): 1.25"
Height with controls: 2"
Length: 4.5"
Width: 2.5"
Weight: 0.5 lbs
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MRP:$218.91 SAVE 28%
 1 in stock $156.99
Empress Effects Distortion Pedal
Cat: 782987 Rel: 10 Sep 20
 
Distortion pedal
Notes: From mild to crunch to lead, the empress distortion does it all. This true bypass pedal offers three flavors of distortion while retaining a super tight low end and naturally compressing like a high gain amp.

The mild setting offers gentle break-up that cleans up with your volume knob. The crunch setting is tight, with good bite. The lead setting offers high gain with lots of sustain.

Gain control, two bands of EQ and output control allow you to tweak the sound to taste.

Input Impedance: 300k
Output Impedance: 5k
Frequency Response (-3dB): 20Hz - 12kHz
Power Input Voltage: 9V DC (Negative tip)
Power Input Connector: 2.1mm barrel connector (Negative tip)
Power Consumption: ~ 35mA
Enclosure Material: Die Cast Aluminum
Input connector: 1/4" Jack
Output connector: 1/4" Jack
Height (Enclosure only): 1.5"
Height (including controls): 2"
Length: 4.5"
Width: 2.5"
Weight: 0.5 lbs
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MRP:$218.91 SAVE 26%
 1 in stock $161.90
Empress Effects Fuzz Pedal
Cat: 783034 Rel: 10 Sep 20
 
Fuzz pedal
Notes: This classic sounding fuzz offers smooth, rich sustain with great note definition. A tighter low end makes it ideal for full chords as well as sustaining single notes.

The Empress fuzz is true bypass and has gain control, two bands of EQ and output control to fully tailor your sound.

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Fulltone 69 MkII 60's Classic Fuzz With 2 Matched Germanium Transistors Pedal
Cat: 782502 Rel: 11 Sep 20
 
Fuzz pedal
Notes: This is how you wished your Fuzzface sounded... Fat and Harmonic. And it cleans up like a vintage Fender amp when you turn down your guitar's volume control. The Rolling Stones and the Black Crowes have discovered this trick.

If you love the first 2 Hendrix releases then you'll love this pedal, with 2 Germanium transistors hand-picked and tested for optimum performance. A Contour Knob lets you dial in Midrange, Harmonics and Sustain, also an Input Bias knob that takes out the "woofiness" and gives great Overdrive/Distortion sounds when its level is reduced. An Internal Trimmer allows for adjustment of Clipping Symmetry, Harmonics, and Tracking.

Specifications subject to change at any given moment due to availability... and whimsy.

True-Bypass w/LED is standard equipment to preserve tone when the pedal is off!
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 1 in stock $189.26
Fulltone 70 70's Classic Fuzz With Matched BC108C Silicon Transistors Pedal
Cat: 782503 Rel: 11 Sep 20
 
Fuzz pedal
Notes: Ever played an original FuzzFace from around 1970? (HINT: Not AT ALL the same sound as ones with the same namesake being mass-produced currently.) Fuzztone's has two intentionally mismatched (for harmonic content) silicon transistors that snarl and spit... not for the meek! If you put the "Fuzz" on 10 you will rip, and you might get all sorts of oscillation and weirdness... but that's Rock. Don't try using it with a wah wah... you can't, and neither could Jimi, without it screaming and howling. You want polite and quiet? Go elsewhere. You want art in a box? Come on in.

Housed in a 16 gauge steel box and powder coated deep blue, this pedal is a bit unruly but with some warmth... ideal for older 4 input Marshall amps, it has much more FUZZ than the '69 Pedal and includes a Mid control for extra clarity and cut.
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 1 in stock $160.75
Fulltone Full-Drive 2 V2 Overdrive With Boost Pedal
Cat: 782837 Rel: 11 Sep 20
 
Overdrive pedal
Notes: Since the 1990s, Fulltone's FullDrive series of pedals have been among the most popular overdrive stompboxes around. Undergoing many refinements and tweaks over years to meet the demands of its fans, the FullDrive 2 V2 is the smallest and most pedalboard-friendly version yet!

Featuring a super-compact enclosure without losing any of the key controls or functionality that users adore, this potent-sounding unit can really add some grit to your amp.

2 Footswitches:
Left ON/OFF footswitch: True-Bypass switching with exclusive Fulltone "Anti-Pop" circuit.
Right "Channel select" footswitch: switches between Overdrive 1 or Overdrive 2, each with individually adjustable Volume and Drive knobs.
100% Built in the USA.
16 gauge cold rolled steel chassis with easy battery access via 2 thumbscrews.
9-18VDC operation, extremely green circuit only pulling 10mA of current.

2 toggle switches to access the many clipping options
LEFT 3-position switch:
Comp-Cut- removes clipping diodes, not a clean boost because it can distort the opamp.
Flat Mids- a late 1990's Fulltone invention that feeds signal back on to the clipping diodes removing the Mid-hump.
Vintage- traditional 90's Full-Drive slightly asymmetrical clipping.
RIGHT 3-position switch
Wide- combines Mosfets & Schottky Diodes for more clarity, less compression, a more D*mble-like sound.
Standard- traditional 90's FD2 slightly asymmetrical.
Half-Clipped- another Fulltone exclusive, only clips the top waveform for extreme clarity, feel, and touch like you've never experienced!

Explanation of DRIVE 2 channel.
Think of it as the "More" Channel....
Engaging the DRIVE 2 footswitch brings in the DRIVE 2 knob, allowing you to add distortion (in addition) to what's selected on the DRIVE 1 knob.
At the same time, the pedal jumps from the (pedal's main, large) VOLUME knob level setting to a higher level selected on the DRIVE 2 VOLUME (mini-knob.)
Practical uses:

1) Use as a volume Booster (same Distortion setting, only louder): Set DRIVE 2 knob to "0" and set DRIVE 2 VOLUME mini-knob to taste

2) Use as a higher Gain lead tone with Volume Boost: set DRIVE 2 knob anywhere above "0" and DRIVE 2 VOLUME mini-knob to taste. Ideally you set DRIVE 1 for your lower-distortion sounds and DRIVE 2 for the higher distortion sound...effectively giving you 2 pedals.
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Fulltone Full-Drive 3	Overdrive With Boost Pedal
Cat: 782842 Rel: 23 Sep 20
 
Overdrive pedal
Notes: Unlike its cousin the FD2, the FD3 uses both a JFET input and a JFET op-amp, giving it the most tube-like sound you can get out of a tubeless pedal. Along with great sound, these JFET's give the FD3 an ultra-high Input impedance which allows the pedal to mate with any type/gain of pickup and react well to changes in your guitar's volume control.

3-way CLIPPING toggle switch:
Set to 90's and you'll get symmetrical clipping with ample midrange.
Set the switch to WIDE ASYM (wide asymmetrical) and more sweet highs and lows come through, along with chimey, Class-A style even harmonic overtones.
set to COMP-CUT mode, pure opamp-overdrive, with no diode clipping assistance. Aggressive, cutting, and capable of a huge volume boost to slam the input of your amp.

Discrete Channels:
Unlike the FD2, the FD3 has completely independent OVERDRIVE and BOOST channels, and the ORDER toggle switch allows placing the BOOST channel before or after the OVERDRIVE channel. The BOOST channel is also an extremely transparent, high-headroom 100% JFET-powered circuit.

Buffered Bypass:
Serial# 2548 and higher FD3 pedals are now Buffered-Bypass instead of True-Bypass, so the FD3 will always drive long cables, be isolated from other effects, and always retain the highs and feel of your amplifier whether the pedal is turned ON or OFF. Do not confuse the hi-quality JFET op-amp buffer in the FD3 with the simple single transistor buffers on other pedals. The FD3's buffer sounds rich and fat, not thin.

DYNAMICS knob:
A Fulltone-exclusive Germanium diode Limiter circuit circuit that alters the feel of the notes being played as well as subdues transient spikes which can overload your amp's input. This feature can make even a stiff amp feel responsive and juicy, and sweeten the treble frequencies.

The Icing on the cake? The housing is about 20% smaller than the traditional FD2.

SPECIFICATIONS:
Input impedance: 1.1 mega-ohms. Output Impedance: 180 ohms.
Dimensions: 5.17"W x 4.26"D x 2.36" H. Weight: 1lb 7oz.
Power Consumption: maximum 13 ma with both channels on
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MRP:$239.44 SAVE 29%
 1 in stock $169.03
Fulltone Mas Malo Distortion/Fuzz Pedal With 3 NOS BC184C Discrete Transistors
Cat: 782844 Rel: 16 Sep 20
 
Distortion/fuzz pedal
Notes: Featuring 3 x hand-picked New old Stock BC184C discrete transistors, this spicy number is capable of vicious, massive sounding Distortion/Fuzz that will feedback infinitely even at bedroom levels! But here's the clincher, dial back the "H" (heat) knob and "D" (distortion) knobs and you can nail many Jimmy Page studio tones as well as your favorite Floyd sounds. Quite possibly the most versatile distortion/fuzz ever made.

In a tiny package (this pedal fits in the palm of your hand) with top-mounted jacks, High Impedance input (sorry Fuzzface) , ultra Low Impedance output, (sorry fuzzface) with an ability to interface with any guitar, effect or amp. Top it off with a beautiful Midrange (sorry fuzzface) and that makes it truly "More Bad"!
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MRP:$203.86 SAVE 23%
 1 in stock $157.33
Fulltone OCD Candy Apple Red Limited Red Edition of the Obsessive Compulsive Drive Pedal
Cat: 782854 Rel: 24 Aug 20
 
Obsessive compuldive drive pedal
Notes: Limited-edition red version of Fulltone's brilliant OCD pedal, a no-nonsense overdrive which uses Mosfets as clipping devices for more touch sensitivity. Brilliant alternative to a typical Tube Screamer-type overdrive.

Supplier's Notes:

Limited Red Edition of the Obsessive Compulsive Drive Pedal.
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MRP:$231.23 SAVE 18%
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Fulltone Octafuzz OF 2 Octave Up Fuzz Pedal
Cat: 782858 Rel: 16 Sep 20
 
Fuzz pedal
Notes: Octafuzz OF-2

Octafuzz... the only exact circuit copy of the legendary Tycobrahe Octavia. Cool Octave-Up sounds a la Hendrix "Band of Gypsies" and SRV's many live shows! Housed in a 14ga. steel enclosure with a beautiful ranar-blue gloss powdercoat finish and antique-white logo, this pedal is the reincarnation of the Tycobrahe.

"Edgy, tweaked, and haunted by strange overtones, it's distortion occupies a galaxy far, far away from modern crunchola fuzz."
-- Guitar Player Mag

Almost synth-like with its ring-modulation and "steel-drum" vibe... you will turn heads.



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MRP:$217.54 SAVE 22%
 3 in stock $168.74
Fulltone Secret Freq Dynamic Asymmetrical Clipping Overdrive/Distortion Pedal
Cat: 782869 Rel: 13 Oct 20
 
Overdrive/distortion pedal
Notes: Not just 'another' distortion pedal. Classic natural, dynamic overdrive and heavier rock distortion, but with a unique narrow-band midrange boost for sweet sustain and bite.

Supplier's Notes:
What's this, another touch-sensitive, dynamic, natural sounding overdrive/distortion to confuse the marketplace?

Nope, this is the Fulltone Secret Frequency. Secret Freq. for short. Although it does the gig-friendly clean boost and OD thing as good as any, it goes well past that when asked to, right into Rock territory while retaining a natural sound.

Dynamic asymmetrical clipping gives the Secret Freq. a sweet, musical clean boost, juicy overdrive, and rich, touch responsive high gain sounds. Not like the PlimSoul, nothing like the OCD, and not like any other pedal, but worth the price of admission were you to use it simply as is for your bread and butter OD/Distortion pedal.

But the 'Freq has WAY more tricks in its bag than your average transparent OD/Distortion... it just may knock a handful of OD/Distortions right off your 'board and straight on to Ebay thanks to another innocent looking knob labeled Freq.

What's this "Freq." knob?

Turn it Clockwise and my proprietary circuit adds as much as 20db of active narrow band juicy MIDRANGE right where it does the most good, it's like installing a wah-wah right where the distortion is being generated. But unlike turning on your wah-wah along with a distortion pedal, with the 'Freq. the bass and treble frequencies don't disappear... Very unique, and not to be confused with a simple active or passive midrange control tacked on to the end of the circuit, as is the case with all other pedals you've tried with a Mid control. Adding the 'Freq's midrange imparts WAY more sustain and lets you easily place the guitar in the mix where you want it, irrespective of volume... soundman's not going to bury you anymore.

What's it sound like?

Along with a slew of basic great OD/Distortion pedal sounds, it allows you to replicate a very, very wide range of your favorite guitar & amp sounds. Remember that when the 'Freq. knob is fully-counter-clockwise the Midrange enhancement effect is OUT of the picture and the pedal is a truly versatile and natural sounding pretty transparent OD/Distortion! At low to mid overdrive settings, turning the 'Freq knob up a little gets hammer-of-the-Gods penetrating PUNCH!

At more extreme (clockwise) Freq settings?

Brings a smile to your face an evokes the coolest Jimmy Page, Brian May, Michael Schenker, Robin Trower, Tom Scholz tones that you just couldn't previously get without a bunch of studio EQ, just the right setting on a great wah-wah, or a slew of British amps.
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Fulltone Soulbender	 60's Classic Fuzz Pedal with 3 Matched Germanium Transistors
Cat: 782873 Rel: 11 Sep 20
 
Fuzz pedal
Notes: The Soul-Bender is based on the legendary Colorsound and Vox Series III ToneBenders made by Sola-Sound/England in the late '60's that was used by Beck and Page on much of their circa 1968-70 recordings.

Equipped with 3 gain-matched germanium transistor for a FAT, searing lead tone, I also made the Tone control response and range more usable and much less shrill sounding... Full clockwise is SMOOTH sounding.

The Soul-Bender cleans up when you back-off on the guitar's volume control. This pedal has tons of tonal character and even harmonics and of course, true bypass w/ LED is included with every one.
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MRP:$253.12 SAVE 29%
 1 in stock $179.30
Fulltone Supa-Trem Jr Amp-Style Opto Tremolo Pedal With Boost
Cat: 782881 Rel: 11 Sep 20
 
Tremolo pedal
Notes: The logical progression to the beloved Supa-Trem1 is here!

It's a much, much smaller than the ST-1 at only 3.9" wide x 4" deep, and more intelligent version of the epic Supa-Trem1. Sporting True-Bypass,Tap-Tempo, external Tap jack, Half/Double hold feature, up to 15dB boost, true Square, Sine, and the natural heartbeat-like Warble wave-forms! It also can do speeds so slow that a full cycle takes around 10 seconds, and fast speeds beyond 220bpm. The heart of the ST-1 is still there, the warm Analog Devices JFET preamp. And this pedal is so small it will fit in your pocket, and with its top-mounted jacks, will fit in any little spot on your board. Don't forget, just like the ST-1, the Jr also works as an incredible clean boost with the Mix control turned down!

3 switchable waveforms:
Square, (modified) Sine, and (heartbeat-like) Warble wave-forms. Digital Brain (for the oscillator only) with 100% analog signal path. Unlike the ST-1, the Jr can do speeds so slow that a full cycle takes around 10 seconds, and fast speeds beyond 220bpm. The heart of the ST-1 is still there, the warm Analog Devices JFET preamp. And this pedal is so small it will fit in your pocket, and with its top-mounted jacks, will fit in any little spot on your board. Just like the ST-1, the Jr also works as an incredible clean boost with the Mix control turned down!
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MRP:$253.12 SAVE 24%
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Hungry Robot The Lumen State Variable Overdrive Pedal
Cat: 780918 Rel: 03 Sep 20
 
Overdrive pedal
Notes: The Lumen is a State Variable FET-Based Overdrive. It marks a return to the overdrive world for Hungry Robot Pedals.

Under the hood, it contains an active State Variable Filter, a type of filter that is common place in the synth world. State Variable Filters offer more clarity and presence than standard passive tonestacks. A typical passive tonestack works by removing tonal content, a State Variable Filter works by actively amplifying frequencies that are already present in your signal. The filter is actually made up of 3 individual filters (low pass, band pass, high pass) that split the incoming signal into 3 frequency ranges and amplifies those ranges without tone loss.

While designing The Lumen, Hungry Robot challenged themselves to create an overdrive that used no diode clipping. The most common approach for an overdrive is to send an amplified signal into a clipping section where diodes chop up the waveform and distortion is create. I opted for a more natural approach of cascading FET gain stages. The distortion is created by soaking the transistors with gain. To me, this method provides a more organic, tube-like saturation than a clipping section.

And to top it all off, The Lumen also has a clean blend, allowing you to mix back in some of your clean tone. At 12 o'clock, the clean signal is near unity gain. Past 12 o'clock, it amplifies your clean signal.

Knobs:

"Drive"- Sets the gain level on the first FET stage. It is normal for the knob to crackle when turned.

"Clean" - Sets the level of the clean blend. Past 12 o'clock is boost.

"Level" - Sets the volume of the drive signal.

"H.P" - Sets the level of the high pass filter.

"B.P" - Sets the level of the band pass filter.

"L.P" - Sets the level of the low pass filter.

Switching: True-Bypass

Dimensions: 4.7" x 3.7" x 1.96"

Powering: 9V DC - Negative Center - 2.1mm Barrel
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MRP:$225.75 SAVE 17%
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quote 780918
Hungry Robot The Lumen State Variable Overdrive Pedal (B-STOCK)
Cat: 804823 Rel: 03 Sep 20
 
B-STOCK: Slight surface marks
Notes: ***B-STOCK: Slight surface marks ***


The Lumen is a State Variable FET-Based Overdrive. It marks a return to the overdrive world for Hungry Robot Pedals.

Under the hood, it contains an active State Variable Filter, a type of filter that is common place in the synth world. State Variable Filters offer more clarity and presence than standard passive tonestacks. A typical passive tonestack works by removing tonal content, a State Variable Filter works by actively amplifying frequencies that are already present in your signal. The filter is actually made up of 3 individual filters (low pass, band pass, high pass) that split the incoming signal into 3 frequency ranges and amplifies those ranges without tone loss.

While designing The Lumen, Hungry Robot challenged themselves to create an overdrive that used no diode clipping. The most common approach for an overdrive is to send an amplified signal into a clipping section where diodes chop up the waveform and distortion is create. I opted for a more natural approach of cascading FET gain stages. The distortion is created by soaking the transistors with gain. To me, this method provides a more organic, tube-like saturation than a clipping section.

And to top it all off, The Lumen also has a clean blend, allowing you to mix back in some of your clean tone. At 12 o'clock, the clean signal is near unity gain. Past 12 o'clock, it amplifies your clean signal.

Knobs:

"Drive"- Sets the gain level on the first FET stage. It is normal for the knob to crackle when turned.

"Clean" - Sets the level of the clean blend. Past 12 o'clock is boost.

"Level" - Sets the volume of the drive signal.

"H.P" - Sets the level of the high pass filter.

"B.P" - Sets the level of the band pass filter.

"L.P" - Sets the level of the low pass filter.

Switching: True-Bypass

Dimensions: 4.7" x 3.7" x 1.96"

Powering: 9V DC - Negative Center - 2.1mm Barrel
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 1 in stock $181.93
J Rockett 45 Caliber 1962 JTM 45 Overdrive Effects Pedal
Cat: 783138 Rel: 30 Sep 20
 
Overdrive pedal
Notes: Based on the tone of the first ever Marshall amp, the legendary JTM45. Classic creamy leads and crunchy overdriven rhythm tones. Simple control with gain, bass and treble control.

Supplier's Notes:
The new .45 Caliber is a pedal that J Rockett asked to create for some time now. It is a recreation of the original 1962 JTM 45 sound, overdriven. The sonic influence came directly from the old Malcolm Young, brilliantly crunchy rhythm tones and the old Pete Townsend Live at Leeds, face-melting goodness! To achieve that sound seems like an easy task but this design proved to be quite a challenge. After a year or so, it's been nailed both in sound and feel.

The .45 Caliber also takes advantage of the new Speed Switch system.

Dimensions: 4.00" x 2.30"

9 volt Negative tip adaptor and a 5.5mm x 2.1mm jack.

9 volt Battery

True Bypass
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MRP:$272.27 SAVE 27%
 1 in stock $199.52
J Rockett Animal 1968 Plexi Overdrive Effects Pedal
Cat: 783147 Rel: 30 Sep 20
 
Overdrive pedal
Notes: The ANIMAL OD is back by popular demand. The Animal is an accurate recreation of an overdriven 1968 "Plexi". The ANIMAL OD has the grunt and midrange bark of the old classic rock n roll amps but cleans up extremely well by backing off of your guitar's volume control. The controls are very simple and no matter where they are set they give you a great overdrive sound.

Dimensions: 4.75" x 3"

9 volt Negative tip adaptor and a 5.5mm x 2.1mm jack.

Analog - 10mA current draw

9 volt Battery

True Bypass Switching

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 1 in stock $179.07
J Rockett GTO Guthrie Trapp Signature Overdrive Effects Pedal
Cat: 783210 Rel: 30 Sep 20
 
Overdrive pedal
Notes: The new GTO is the latest design coop with Guthrie Trapp. The original was sort of the Nashville favorite, recreating the old Nobels ODR-1. A great sound in itself but Guthrie wanted more.

The new GTO has a much tighter bottom, less gain and more cut in the mix. It can go from super mild to a really nice, dynamic OD feel. This pedal has compression but in a great way. You can use it as a clean boost and EQ or you can bring in the dirt.

Level: Interactively controls the overall output. The more gain, the louder it will become so you have to use the two in conjunction

Gain: Controls the gain level but also creates compression and feel. It blends with the clean signal so you can really find interesting sounds

Accent: Controls the cut through the mix, the top end and the bite

Warmth : Controls the bottom end but is also very interactive with the Accent control. You can really fatten up the mids but use the accent to keep it from getting woofy.


Dimensions: 4.00" x 2.30"

9 volt Negative tip adaptor and a 5.5mm x 2.1mm jack.

9 volt Battery

True Bypass
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 1 in stock $190.41
J Rockett Lenny Dumble Steel String Singer Boost & Tone Effects Pedal
Notes: Lenny was a happy accident. J Rockett inteded to design a recreation of the legendary Dumble Steel String Singer but thought...who needs a loud, clean amp sound in a pedal? The guy that made the Steel String Singer come alive was none other than SRV. With that said, Lenny was born! J Rockett have created a Steel String Singer being pushed to create color, texture and feel versus just loud and clean. Simply put, this is a very musical boost that colors your tone considerably, in an inspiring way...kind of like a Neve console. There is a definite mid character, but boy does it cut through a mix!

Boost - Tons of push, which creates an inter-play with the front end of any amp

Tone - Dials in your highs, simply put

The two controls are interactive and really need each other when slamming an amp. Lenny also takes advantage of the new "Speed Switch" system

Dimensions: 4.00" x 2.30"

9 volt Negative tip adaptor and a 5.5mm x 2.1mm jack.

9 volt Battery

True Bypass
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MRP:$258.59 SAVE 25%
 1 in stock $192.68
Keeley Bubble Tron	Dynamic Flanger/Phaser Pedal
Cat: 782324 Rel: 04 Aug 20
 
Flanger/phaser pedal
Notes: The Keeley Bubble Tron Dynamic Flanger.Phaser pedal explores some of the famous, but very hard to find sounds of the past. Keeley Engineering has created another batch of Neo-Vintage effects that never were. This time Keeley has made the Flanger and Phaser in dynamic with your pick attack and strength. Then add the Random Stepped Filter with the new "M-Style Synth" bandpass shaping feature, and you have a lead guitarist's dream tool. Shut up and play your effect pedal! Yeah, you play this thing like an extension of your mind and fingers.

The Keeley Bubble Tron Dynamic Flanger Phaser and Random Synth Filter has three modes of operation.

The Flanger section of the pedal draws on inspiration from the MicMix DynaFlanger. This incredible piece of gear was used by FZ to create many of the sounds in the late 70s to mid 80s where a dynamic flanger was used to get envelope based flanging in his solos. A dynamic flanger is one that starts and stops based on your pick attack or envelope. The word envelope is used because if you were to measure the "weight" of your guitar signal and put it in a storage container (the "envelope" is an imaginary capacitor) it can then be used to control another part of the circuit. The Bubble Tron uses your playing to start and stop the flanger. Most flangers just cycle around and around and you can hear that swooshing in the background. Not in this case, it only cycles as you play. Many flangers offer only positive or negative feedback. This one allows you to try either with the FDBK Control. The negative feedback sounds more vocal like and hollow to my ears while the positive feedback is more conventional and has a thicker, smoother sound. The Sensitivity Control allows you to set how delicately you want to play and have the flanger go fully crazy on you. You can set for crazy silverback gorilla flange or easy flangin' on Sunday morning. The Depth Control is just that, how deep you want the flanging to be.

The DynaMoPhase section of the Bubble Tron is actually two phasers. One has an LFO that you set the speed of with the Rate Control (while it's depth is dynamically controlled) and the other is a true Dynamic Phaser. It starts and stops based on your pick attack. Again, you can set the Depth and and Sensitivity of this phaser to give you a very watery sound that is all based on your guitar's signal. You can turn off the standard phaser and just run it DynaPhase by turning the Rate Control off.

The White Zone is for Loading and Unloading Only.

The only effect that isn't dynamic is the Filter Section of the Bubble Tron Dynamic Flanger Phaser. With the Filter you can control the different ramps or random nature of the pedal with the Shape Control. The very exciting part of this pedal is the Sensitivity Control which is actual like a vintage synth style bandpass filter control. It shapes the bandpass filter on the filter and gives you some incredible keyboard like sounds.

One very nice side effect of dynamic based effects is that they don't produce the constant, swooshing sound of LFO based effects.

If you're a lead guitar player that likes to explore and has never had the kind of expression or dynamics from your sound effects that you have in your mind, this is for you. If you are a sound-experimentalist, this is for you! The sounds are nearly endless in that your input shapes what the effect will do.
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 4 in stock $193.59
Keeley Caverns Delay & Reverb V2 Delay Pedal
Cat: 782331 Rel: 04 Aug 20
 
Delay/reverb pedal
Notes: All the reverb and analogue-style delay you could wish for in a single pedal thanks to this killer all-rounder. Separate foot switches for reverb and delay on/off, with optional true bypass or 'trails' setting.

Supplier notes:
The Caverns Delay Reverb V2 dual-effect pedal combines delay and reverb for the perfect end to any pedal board. It features Keeley's analog-style tape delay with modulation options. The 650ms of warm delay combine with Spring, Shimmer or Modulated Reverb. Caverns now comes with a True-Bypass or Trails option. Because of its small and compact design, the New Caverns is a perfect fit for any fly-rig or small board where you have tight space requirements. The New V2 features Keeley's most popular time-based effects, blended perfectly via a design fine-tuned for over 2 years. Simply put, it will be an amazing addition to any board.

The Reverb side of the pedal features 3 cavernous sounds:

Spring Mode - Blackface Amp style spring reverb with F Style Tremolo
Modulation Mode - Choral modulation to the reverb for a huge, cavernous space
Shimmer Mode - Reverb with emphasis on octave-up voices in the reverb trails

The Delay side of the pedal incorporates Keeley's popular Magnetic Echo circuit, which is designed to emulate analog tape delay lines. Three way switchable modulation gives you options for adding Wow and Flutter to the repeats. Perfectly voiced echoes sit well in the mix, either clean or with distortion.

The New Caverns Delay Reverb V2 builds on the old Caverns pedal by giving players a more open and logical control layout with more space between the foot switches.

Top-Mounted Jacks allow for a compact pedalboard layout.

True-Bypass or Trails option gives you the freedom to create huge caverns of sounds and lets them ring out even after you turn the pedal off. Our buffers are engineered to retain your tone and to feed your amplifier a full-strength signal.

The New Caverns Delay Reverb V2 is entirely built in the US. Keeley's veteran crew builds the most reliable and road-worthy gear.

Use 2 TRS Breakout cables for effects patching or to use the Caverns with a pro switching system.
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 3 in stock $182.93
Keeley DDR Custom Drive Pedal With Delay Or Reverb
Cat: 782386 Rel: 04 Aug 20
 
Delay/reverb pedal
Notes: The DDR combines the most common guitar effects- DRIVE and WET- into one pedal. Choose between two classic overdrive tones and then pour on some delay or reverb. One pedal, any gig.

The DRIVE section gives you two styles of overdrive to choose from: Crunch or Lead. The Crunch Style gives you a gritty British tube-amp combo sound. The Lead Style gives you a warm and dark, mid-pushed overdrive. The WET side of the pedal gives you Delays and Reverbs. A Vintage/Modern Switch allows you to toggle between Spring & Plate reverb or Analog & Digital delay. Use the built-in effects loop to insert effects between Drive and Wet, or run it by itself as the only pedal you'll need!

DRIVE Channel:
A pair of modified super-drives to choose from. Volume, Tone, and Drive for days!

STYLE Switch:
Tube-amp Crunch or Lead-channel Sustain

WET Channel:
three knob delay or reverb with Blend, Decay, and Time

Delay/Reverb Switch:
Center toggle, WET Mode Select

Top-mounted jacks for effect pedal insert or split

TRS Insert Switch:
side mounted selector

True-Bypass or Trails Switch:
side mounted selector

9VDC, 100 mA, no battery option
Designed and Made in the USA
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 1 in stock $182.93
Keeley Dynatrem Multiple Waveform Tremolo Pedal
Cat: 782397 Rel: 18 Aug 20
 
Tremolo pedal
Notes: The DynaTrem Dynamic Tremolo by Keeley Engineering is an all new type of tremolo that is dynamic and responsive to your playing. Your playing controls the Rate and Depth. The harder you play, the more it responds. Play softly and it relaxes. Set the sensitivity with Rate or Depth controls and you have an unparalleled ability to be expressive with your guitar and tremolo.

Tone Trio - Three Modes
Dynamic Rate - Your playing strength controls the Rate. The harder you play, the faster it modulates! Relax and play softly and the tremolo almost stops.

Dynamic Depth - Play gently and it just barely throbs. Play aggressively and it and pulse hard and deep.

Harmonic Tremolo + Reverb Mode. Yes that phaser/vibey, soulful and sweet sound! Slippery and smooth, you won't want to gig without it. Add Reverb by adjusting the SHAPE control

Wave Table
With a spin of the SHAPE control you get 4 wave-forms: Ramp Up, Sine Wave, Ramp Down, and Square Wave.

4th Mode! All DynaTrems after serial number 300 have a hidden feature mode: Stadard Tremolo Turn the Shape knob all of the way down and it become a standard triangle wave tremolo in the Delta Rate or Delta Depth modes. Call us for a free upgrade if yours does not have this feature.

Or, when in Harmonic Tremolo Mode the Shape control is Reverb!

Other Features:
Integrated noise reduction - developed with the code to reduce noise swells common with tremolo circuit, you get the quietest effect possible.

Output Volume Control - Can be set for a boost for stand out effect.

True-Bypass - No tone loss when off

Battery Free - Any standard 9 volt, negative tip power supply will work, like a Voodoo Lab Pedal Power II. 60mA or greater.

Keeley Engineered - Decades of audio experience and design.

The DynaTrem Dynamic Tremolo features killer graphics! Looks like an old tube amp or old tube radio. Tone to match too!
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 1 in stock $198.03
Keeley Dyno My Roto Tri-Chorus, Rotary & Flanger Pedal
Cat: 782399 Rel: 18 Aug 20
 
Tri-chorus.rotary/flanger pedal
Notes: You want tri-chorus in a pedal? Try the new Keeley Dyno My Roto!

Finally you can get those 80's vintage rack chorus sounds that define killer chorus sounds. This was not an easy development. The Dyno My Roto is a tough and difficult thing to accomplish in such a small package and we couldn't leave good enough alone. Keeley have added a Flanger and a Leslie Cabinet simulator.

The magic to the chorus sound in the Dyno My Roto is the three LFOs that give you lush modulations that truly sing out like a chorus of guitars. Most chorus pedals, in fact nearly all, are simply two voice, one straight and one modulated. This offers twice the amount of joy by modulating another voice. That significantly reducing the ability to just hear one voice being affected and smears a couple voices in an effect that is truly enjoyable to listen to.

Keeley have come up with a new Rotary Cabinet package that give you a Proximity Control. The Proximity Control controls how far away you are from the spinning speaker cabinet. This adds a depth and distance to the cabinet and is a touch like a reverb control. It gives you that spatial expanse that can give you presence or depth in the chorus-like rotations. Lastly, while we were spinning things, we crafted a RotoFlange sound that has a simple negative feedback control. Easy to use and gets you the most classic flanger sounds possible.

So whether you are going for a Alex Lifeson of Rush tone, a Andy Summers of the Police tone, or an SRV Crossfire rotary tone, we have you covered in one box with the Dyno My Roto.
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 1 in stock $192.37
Keeley El Rey Dorado Overdrive Pedal
Cat: 782412 Rel: 04 Aug 20
 
Overdrive pedal
Notes: The El Rey Dorado is your go-to box for that Plexi tone. Yes, there is a wide range of 1960s Plexi Amp Tone in terms of power, which tubes are installed, which speakers and/or cabinet is used, but the El Rey Dorado hits the core tone bullseye! One of the many reference points for the tone was the JTM 45/100r full stack. (It's a dead-on reissue Marshallr did with crazy cool custom-made vintage-recreation speakers and dual transformers to transfer the load of the 4 EL-84s!)

The El Rey covers a lot of classic British amp tones by featuring two gain modes with the Power Toggle. With the Power Toggle switch you have control over the compression and harmonics. Low Power mode is louder, has more girth, and has fewer harmonics for a more old-school tone. The High Power mode has more compression, more harmonics, and a tighter, more defined tone. Old-school crunch in Low Power mode, super lead tones in the High Power mode.

Simple as grabbing an open E Chord!
Volume, Gain, Tone, Power Toggle: Yes

Keeley Engineered: Yes

Ripe Tide Gain: Yes

9 volt battery: 9V compatible (battery not included)
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MRP:$217.54 SAVE 22%
 5 in stock $168.74
Keeley El Rey Dorado Overdrive Pedal (B-STOCK)
Cat: 805787 Rel: 04 Aug 20
 
B-STOCK: Box damaged, product unused & in perfect condition
Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


The El Rey Dorado is your go-to box for that Plexi tone. Yes, there is a wide range of 1960s Plexi Amp Tone in terms of power, which tubes are installed, which speakers and/or cabinet is used, but the El Rey Dorado hits the core tone bullseye! One of the many reference points for the tone was the JTM 45/100r full stack. (It's a dead-on reissue Marshallr did with crazy cool custom-made vintage-recreation speakers and dual transformers to transfer the load of the 4 EL-84s!)

The El Rey covers a lot of classic British amp tones by featuring two gain modes with the Power Toggle. With the Power Toggle switch you have control over the compression and harmonics. Low Power mode is louder, has more girth, and has fewer harmonics for a more old-school tone. The High Power mode has more compression, more harmonics, and a tighter, more defined tone. Old-school crunch in Low Power mode, super lead tones in the High Power mode.

Simple as grabbing an open E Chord!
Volume, Gain, Tone, Power Toggle: Yes

Keeley Engineered: Yes

Ripe Tide Gain: Yes

9 volt battery: 9V compatible (battery not included)
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 1 in stock $160.30
Keeley Fuzz Bender	 Fuzz Pedal With Active EQ And Gate Controls
Cat: 782420 Rel: 04 Aug 20
 
Fuzz pedal
Notes: The Keeley Fuzz Bender is a 5 knob-3 transistor modern fuzz using a combination of high-gain silicon and silky smooth germanium. What makes fuzz better? Active EQ. Using two gyrators as an active EQ gives you the ability to create massive fuzz tones not possible with typical square-wave boxes. Pummel your amp with over 20dB of boost/cut at 100Hz and 10K Hz. The Fuzz Bender is built around vintage Japanese germanium to create its monumental fuzz tones. With the all new Bias Control, you control the attack and decay of your notes. Anything from Fat Square Waves to Angular Fuzz to glitchy-Velcro attacks are possible with the Bias Control. The Fuzz Bender's five knobs confirm size matters when creating a new and epic world of fuzz.
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MRP:$203.86 SAVE 26%
 4 in stock $150.15
Keeley Hooke Reverb Spring/Octave Reverb Pedal With Tremolo
Cat: 782425 Rel: 04 Aug 20
 
Reverb/tremolo pedal
Notes: The new Hooke Spring Reverb from Keeley brings vintage tube-amp spring reverb and tremolo into one package. Bring your Blackface reverb and tremolo on the road with you without lugging around your prized possession! Choose from Classic Spring, Blackface Trem-n-Verb, or an organ-like Fugue-Verb.

The Hooke Spring Reverb begins with a Spring Reverb mode. The main features of this mode include the Tone and Spring controls. The Tone control allows you to work within the range of bright and spanky to dark and thick. The Spring control is the amount "looseness" or "Sproing!" in the reverb pan. Loose springs seem to generate a lot of reflections, and you can hear the reverb "bounce." With the Hooke, you can simulate a specific reverb pan of a vintage amp, two-springs, three-springs, short, medium, long decay ... it's all in there. What's more, combinations of these two controls allow you to fine-tune the tone and the character of the springs and tubes in order to dial in your favorite vintage reverb response. The depth and warmth of the Hooke reverb is simply remarkable. It's one of our finest creations.

Trem-n-verb is designed to give you the ultimate Fullerton, CA black panel Vibrato channel reverb. Everyone knows that it's not really (pitch) vibrato, it's tremolo. Keeley have EQ'd and filtered the sound to not only be tube-like, also crafted a tonal modification that makes for a deep, throbbing tremolo. By adjusting the bias of the output tubes for the volume tremolo, you also dip the volume of the reverb. A special recipe has been created in which the reverb washes over the tremolo texture just a little thickened in order to craft a tone that is truly magical.

The Hooke Reverb needed something crazy, something that just didn't exist. Ah, yes, all wet. All wet is where magic can happen. No original signal, all wet spring reverb with octave up and down. Church Organ, Organ Reverb, Fugue It! Get Hooked and Go Fugue!

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 1 in stock $178.47
Keeley Magnetic Echo Delay Vintage "Tape Echo" Style Delay Pedal
Cat: 782430 Rel: 18 Aug 20
 
Delay pedal
Notes: The Mag-Echo pedal simulates tube tape echo sounds by using the delay circuit and a little bit of modulation. Tape echos have long been regarded as a warm and very guitar friendly form of delay. The Mag-Echo achieves similar results by using a touch of Lo-Fi delay, a slightly filtered echo response to keep things warm, and some modulation. Modulation, or "Wow and Flutter" in the tape world is a slight pitch shift or wavering that occurs as the tape is pulled across the heads. The modulation used is similar to what is uses in Keeley's Seafoam Chorus, a slight wavering of pitch on the trails of the repeats. With a simple set of controls for the delay Time, Regen, and Level and with the "Wow and Flutter" controls - Depth and Rate you can create some very vintage or rather unique tones.

Delay Time - This Time control roughly sets the length between your repeats between 40ms and 600ms. This range is well suited for classic, vintage delay sounds that are great for slap-back or medium length delay times.

Regen - This control sets the number of repeats. You can set this for a single slap back echo or turn it up for a runaway, self-oscillating or self-regenerating echoes. (Now go back and twist the Time control for some crazy sounds!)

Delay Level - The Level control is your mix, how loud you want to hear the echoes.

WOW AND FLUTTER CONTROLS

Depth - Turn this control to achieve deeper and deeper chorusing and pitch shifting on your echoes. As you raise the control the Depth and Rate LED will start to glow giving you a visual indication as to the amount of modulation you are applying to the repeats.

Rate - This is your Flutter control. It's another way to control how poorly your tape echo is performing! Not that any tape deck was every in this bad of condition, but it sure sounds good to have a little pitch modulation on your echo! Using these controls gives you a nice way to create unique and very musical delays.

Whether you're into Rockabilly slap-back echoes, experimental sounds, or just want a great classic rock sounding echo, the Magnetic Echo will sound great in your rig.

Keeley Electronics started to develop and produce this delay way back in 2005. But as things happened, we worked on other projects, always keeping an eye on the growing delay and echo market. We sure you will be very happy with the tone of this echo/delay/modulation effect.

It's pretty clear from this unbiased shoot-out that the Magnetic Echo wins. The delays sound more like the original and not as filtered and cut off. The modulation is more sophisticated. Price point is the same!
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 1 in stock $168.74
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quote 782430
Keeley Memphis Sun Lo-Fi Reverb, Echo & Double-Tracker Pedal
Cat: 782474 Rel: 04 Aug 20
 
Reverb/echo/double tracker pedal
Notes: The new Memphis Sun - Lo-Fi Reverb, Echo and Double-Tracker is Keeley's second studio themed pedal. Like the Keeley 30ms ADT, this pedal gives you a wealth of tones for capturing that classic Rock-and-Roll sound as well as sounds you've not heard before. It's NeoVintage. It's an Echo and Reverb pedal.
Toggle through the different effects presets:

SLAPBACK 600 - Echo for long delays
SUN MODE - Auto Track-Doubling and slapback with short delays
ROOM - Studio simulation reverb

Both of the ECHO 600 and SUN MODE effects have a Room Reverb.

It's a one-knob, rock and roll type of room reverb.

SLAPBACK 600

Rock and Roll is the Devil's music, right? So of course, the delay time is up to 666ms to simulate some unearthly echo machine that never really existed. Filtering in the Slackback mode is done in stages. First, the response is heavily filtered at 1 kHz then compress the thing. Remember the concept: pack a bunch of sound in a small room and it compresses. Next, it's filtered again at 1 kHz ! Sounds like Rock and Roll, right? Aaron Tackett is the Rock and Roll Doctor of DSP at Keeley. Not only is he devilishly good looking, he has a way of making waves look good - adding curves, so to speak. He has added 2nd and 3rd order harmonics to this mix to simulate tape response and equipment distortions. Waves folded back on themselves. You're gonna love his curves.

Time 30-666ms m/ m/
Regen As Jack White says: "Three." Up to three repeats. Or sometimes six....
Reverb Old Rock-and-Roll Room Reverb.

Sun Mode

Let's Do it Twice Mama, It's Alright! Automatic Double Tracking (ADT) was not available in the 1950s, but it's sneaked in here because it makes a wonderful sound. And, if you lengthen the time, it goes right into slapback territory which is at the heart of Country and Rock and Roll guitar sounds. Like our Keeley 30ms, this pedal will do ADT. The Memphis Sun creates a vintage-voiced double-track in mono. Your guitar-playin' "Gemini-Twin" has a very warmed-up tone. Adjusting the Time Control lets you easily create anything from Double Tracking to Slapback with up to 180ms of delay time.

Time Delay Time is 0-180ms. For Automatic Double-Tracking set this control at the second mark or lower, 0-30ms. For slapback echo 30-180ms sounds great. The knob markers notate 0,30,60, 90, 120, 150, and 180ms
Regen Modulation for the ADT. Set to OFF for NO Rate or Depth. Increasing this control increases both the Rate and Depth of "Tape" modulation.
Reverb It's Still Rock-and-Roll Room Reverb to Me

Room

The Room Reverb simulates a small 33' by 18' asbestos-tiled room so filled with music the sounds actually get compressed- with the frequency response of the mics used back then taken into account. The RCA 77 is loosely simulated by a group of filters including a HPF = 300 Hz and LPF = 8 kHz. Many artifacts are incorporated in our room reverb. And second and third order harmonics are added to make sure it sounds just right.

Time is the Pre-Delay amount: 0-150ms of pre-delay. This allows for a slapback sound as the first reflections come into focus.
Regen is the Tone control: this is an active filter +/- 10 dB and is centered around 1.1 kHz.
Reverb is the Depth control for the reverberations.

That's What I Say Rockin' Robbin!
NeoVintage - Low Fidelity. That's right. That's what I say. This doesn't sounds like some merry band of pixie nymphs playing digital fiddles in your ear.
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 3 in stock $173.49
Keeley Neutrino V2 Optocoupler Envelope Filter/Auto Wah Pedal
Cat: 782443 Rel: 04 Aug 20
 
Envelope filter/wah pedal
Notes: The Keeley Neutrino V2 is an amazingly toneful and compact form of the classic opto-coupler envelope filter. The Neutrino takes your guitar playing and creates an automatic wah sound based on your pick attack! Envelope filters or auto-wahs as they are often called, sound and react best when they are opto-coupler based. The opto-couplers used in the Neutrino are particularly smooth, giving you an amazing vowel-like tone. The Keeley Neutrino gives you 3 filter ranges, 2 directions, 2 ranges for the frequency center and a Peak control. Keeley has engineered a power supply voltage-doubler so you maintain the highest headroom for your tone. An incredibly tough build means it will last for many decades to come. Whether you're in a jam band or playing funk, the Keeley Neutrino V2 delivers incredible vocal-like tone.
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MRP:$244.91 SAVE 25%
 1 in stock $182.93
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