Effects pedals

Notes: The Eventide H9 Max features 45 algorithms and 99 factory presets from Space, TimeFactor, PitchFactor and Modfactor. More Presets are available via the H9 Control app and offer a huge range of effects; you may never need another stomp box again.

The H9 Max Stomp Box is fully controllable via its simple front panel one-knob user interface, but can also be controlled via a free iOS app, H9 Control, which can be downloaded to your iPhone or iPad for live editing, creating and managing presets and changing system settings wirelessly via Bluetooth. H9 Control is also available for your Mac and PC via USB.

The Eventide H9 features stereo audio I/O, MIDI I/O, Expression Pedal, and Auxiliary Switch inputs.

The H9 comes loaded with a set of Eventide's most popular algorithms taken from their award winning stomp boxes:

From ModFactor:
- Liquid Chorus
- Organic Chorus
- Shimmer Chorus
- Classic Chorus
- Phase XO Chorus
- Bias Tremolo
- Opto Tremolo

From PitchFactor:
- H910
- H949
- Crystals
- Tuner

From TimeFactor:
- Tape Echo
- Vintage Delay

From Space:
- Shimmer
- Hall

Notes: A typically unique take on multi-effects from Soma, designed to induce meditative states. Hybrid analogue-digital delay/reverb/granular processing gives a range of creative approaches.

Supplier's Notes:
COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".

Specifications

Minimum input voltage: 0.35 V peak-to-peak
Maximum output voltage at line outputs: 11.3 V peak-to-peak
The maximum output voltage at the headphones output: 10.4 V peak-to-peak
Frequency response: 10-22000 Hz
Sound memory: 44.7 sec
Supply voltage: 12 V *
Power connector polarity: centre plus
Current consumption: 0.25 A
Dimensions: 342 x 153 x 68 mm
Weight: 2.2 kg

* Use only the power supply supplied with the device! In case of failure, it can be replaced with a high-quality modern switched-mode power supply with an output voltage of DC 12 volts, the center is plus and an output current of at least 0.5 amperes (more is fine). The power supply must have a wide AC input voltage range of 100-240 volts. Such power supplies have excellent output voltage stabilization required for the device. It is forbidden to use COSMOS with nonstabilized voltage from transformer power supplies. It can lead to damage to the device, which is not covered by the warranty repair!

Notes: Well on its way to becoming a cult favourite already, Empress's Zoia brings modular synthesis to a compact pedal format. Create effects, synths, controllers or modules to integrate with other instruments.

Supplier's Notes:

The ZOIA is basically a modular synthesizer in pedal form. Instead of being a delay effect or tremolo, the ZOIA provides the modules necessary to build a delay or tremolo from the ground up. But since you're the one building it, you can make it do whatever you want. With the ZOIA you can build your own custom effects, synthesizers, midi controllers, and virtual pedal boards. And to make life a little easier, these modules have been created for all your standard guitar effects. So for instance, if you want a phaser, you can just plop down a phaser. You don't have to break out the textbooks to learn that they're built out of all-pass filters. (Of course, if you're a nerd like us, you can use the ZOIA to build them out of all-pass filters).

Input Impedance: >= 1M ohms
Output Impedance: 100 ohms
Frequency Response (-3dB): 10Hz - 23.4kHz
Total Harmonic Distortion: 0.22%
Dynamic Range: 105.5 dBA
Input Headroom (no pad): +0.5 dBu
Input Headroom (6dB pad): +5.7 dBu
Input Headroom (12dB pad): +10.8 dBu
Output Headroom: +16.2dBu
Power Input Connector: 2.1mm Barrel Connector
Power Input Voltage: 9V DC (center negative)
Required Current: 300mA
Height (enclosure only): 1.75"
Height (including controls): 2.625"
Length: 5.7"
Width: 3.75"
Weight: 1.5lbs

Notes: The best delay and reverb programs from the Nemesis Delay and Ventris Dual Reverb are combined to create a potent, versatile new pedal. Create soundscapes and ambiences from vintage effects to modern experimentalism.

Supplier's Notes:
Design complex soundscapes in seconds with the Collider Delay+Reverb. Source hand-picked 12 standout delay and reverb effects from the award winning Nemesis Delay and Ventris Dual Reverb, and put them together in one compact housing with massive power and dead simple control. The Collider's intuitive control surface makes it easy to mix-and-match any two-engine combination of delay and reverb. Dual footswitches provide individual Engage/Bypass control over each effect, making it a perfect choice for live performance.

The Collider offers an exceptional collection of rich, spacious tones, including realistic reproductions of vintage Analog, Tape, and Oil Can Delays, classic models of Spring and Plate Reverb, natural replications of large and small acoustic spaces, and an intriguing and highly musical selection of "unnatural" tones including a tripped-out Reverse Delay and an other-worldly Shimmer Reverb.

Collider takes supremely high-end delay and reverb effects and offers them in a sleek and powerful design with massive processing muscle and clean functionality. The Collider features two completely independent 56-bit signal processors, essentially housing a high-powered reverb AND a high-powered delay pedal in a single box. This means that it is possible to create magnificent tones with any two-effect combination of delay/reverb, delay/delay, or reverb/reverb.

This extremely versatile pedal offers a long list of useful features, including analog dry through, stereo inputs and outputs, the option of true or buffered bypass, 8 user presets (or 128 with MIDI), full MIDI functionality, delay tap tempo, reverb hold (a.k.a. "freeze"), external expression capabilities, external preset switching capabilities and extra editing and signal routing options via the Neuro Desktop and Mobile App Editors.

The sound engineering team of Bob Chidlaw and Jesse Remignanti were relentless in their pursuit of perfection with each and every one of the Collider's delay and reverb effects. Whether it's beautifully capturing every minute detail of vintage units or bringing exceptional depth and richness to the contemporary effects, the Collider delivers excellence.

Includes 9v DC power supply (300mA / Negative Tip)
Includes 1/8" to 1/4" cable for Neuro Mobile App connection.
Power Consumption - 300mA
USB port i Connects to Mac or Windows PC for MIDI control of firmware updates.
Brushed anodized aluminum housing.
Dimensions: L: 4.5 in./11.4cm x W: 4.5 in./11.4cm x H: 2 in./5.1cm (including knobs)
Weight: 1 lb./0.45 kg.

Notes: The BeatBuddy is a drum machine in a stompbox, or a drummer pedal for short. Use this drum pedal for guitar and many other instruments. Further, we've meticulously recorded professional drummers and paired their samples with an algorithm that results in the best sounding drum machine you've ever heard.

In addition to being the most realistic drum machine on the market, it's also the easiest guitar drum pedal to use. That is to say, there's no fussing around with sequencers, and controlling the beat during a live performance is as easy as stomping on the pedal to add fills, transitions, and outros.

Notes: All the modulation effects you could dream of in a compact pedal. Chorus, Phaser, Tremolo, Vibe, Rotary and Filter programs give you plenty of sonic options with nice tweakability and superb sound quality.

Supplier's Notes:
The M1 is a powerful multi-function modulation machine with six customized, studio-quality programs: Chorus, Phaser, Tremolo, Vibe, Rotary, and Filter. Each program has a wealth of options to tune, tweak, customize and then save to one of nine onboard presets. A sound explorers delight, the M1 features a dedicated lo-fi knob allowing you to mix various lo-fi parameters to every program. Add subtle movement and texture to float under your playing or make a massive statement with a thick swirling chorus to choppy panning tremolo. Write your sonic story in any style and genre with the M1 High-Fidelity Modulation Machine.

Programs

Chorus - Find subtle chorus to be vibrant and lush tri-chorus that will instantly teleport you to the 80s. Type I is a traditional chorus great for tight smooth chorus tones. Type II adds a second chorus with an offset rate and depth. Thanks to the constructive interface, it has a more dramatic character caused by essentially running two chorus pedals in series. Type III finds its roots in the classic tri-chorus effect running three chorus units in parallel for a lush multi-dimensional chorus.
X knob controls Lag to set the maximum allowed amount of pitch detuning.

Phaser -Classic 70s phaser sounds we all know and love, with added features that you wouldn't expect. Similar to the Lillian, Type I is a 2-Stage Phaser that produces a single notch to the classic mild phaser. Type II is a 4-Stage model producing 2 notches for a stronger effect. Type III is a phaser modeled after the unique tuning and LFO shape found in a Uni-Vibe.

X knob introduces Feedback for a more dramatic phaser effect.

Tremolo - This program emulates a tremolo with three algorithms containing all the bells, whistles, and even a cherry on top. Type I is excellent for traditional sounds similar to optical and bias tremolos that raise and lower the entire frequency range - similar to the Monument in standard mode. Type II is a warm and cozy harmonic tremolo - similar to the Monument in harmonic mode. This unique sound is formed by raising and lowering your high and low frequencies opposite each other. Type III offers several predefined patterns for rhythmic sequenced pulsing tremolo. X knob manipulates the phase of the left and right volume modulation for a wide stereo panning effect. Shape and Symmetry in Type III (pattern Trem) select the pattern group and patterns within each group.

Vibrato - Make good parts great with detuned, warbly, and vintage sounds that harken back to the 60s. Type I focuses on traditional vibrato sounds like those found in Julia and Julianna's "V" mode. Old record players inspire type II with classic RPM's on the rate knob and some noise character you'd find in your dad's old dusty Speedwagon LPs. The rate knob can select 33rpm, 45rpm, and 78rpm speeds in this mode. Type III is our take on the wow and flutter pitch characters found in old tape players. Warm and charming with a hint of nostalgia. X knob manipulates the phase of the pitch modulation when connected with stereo outs in Type I and Type II and controls the amount of "flutter" modulation applied in Type III.

Rotary - Because you can't fit a Leslie speaker on your pedalboard, type I aims for that traditional watery sound of a well-oiled Leslie speaker. Type II only spins the horn but still plays the sound out of the drum. Type III only spins the drum but still plays sound from the horn. X knob controls the drive of the horn.

Filter - Add tone-shaping movement to your signal with different modulated filters. Type I is a lowpass filter good for modulated darker tones. Type II is a highpass filter used to creatively modulate your low frequencies. Type III is a bandpass filter forming a sliding "window" of frequencies. Drive the filter frequency with the main LFO or do things like set the depth to zero and turn up the LO-FI envelope control to drive the filter frequency with your playing dynamics.

X knob controls filter resonance, bringing a more aggressive sound to the selected filter.

Tone controls the filter's center frequency or starting frequency where the modulation is applied.

Specs:

The M1 comes in a dark blue finish with red, orange, cream, gold, green, purple and blue ink.
The enclosure's exact size with knobs is 4.9" x 2.52" x 2.64". Power requirements are 9VDC (300mA minimum).
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended. Power supply not included.
USB firmware updates can be done via www.walrusaudio.io

Notes: Serious stereo reverb action in a compact pedal format. Studio-quality Spring, Hall, Plate, BFR, Refract and Air modes with customisable parameters and MIDI control.

Supplier's Notes:
Walrus Audio MAKO R1 is an extremely powerful and versatile multi-function stereo reverb that can quickly go from small intimate room sounds to massive washes of experimental euphoria with six customized, studio-quality programs - Spring, Hall, Plate, BFR, RFRCT (Refract), and Air. Every program can be tuned and tweaked and then saved to one of nine on-board presets.

The R1 boasts a volume swell effect that can be applied to any program, sustain and latching momentary features, stereo in and out, MIDI control, and up to nine on-board presets (128 via MIDI). Players of all styles and genres will be able to find eternal inspiration with the R1.

Programs

Spring - The Spring program emulates an excited spring reverb commonly found in tube amps with loads of transducing drip. Easily go from subtle to full-on surf rock. Experiment with the decay knob to get more than average amounts of reverb not found in traditional amp spring reverb tanks.

X knob adds a warm grit to the reverb decay.

Hall - The Hall program provides the acoustics of large live sound spaces like concert halls to arenas. Longer decays and higher X knob settings result in a massive wash of ambiance. Shorter decay and lower X settings allow for a more intimate reverb expression.

X knob controls the room's size; smaller at lower settings to larger room sizes as you increase X.

Plate - The Plate program emulates a smooth analog plate reverb with nice even diffusion inspired by famous plates like the EMT 140.

X knob adds in gentle warm grit to the front end of the program simulating driving a hot signal into the plate.

BFR - This is more than a giant arena reverb. It's a hall-esque reverb with rich and lush decay in a vast cavern filled with choirs of angels.

X knob controls the amount of diffusion applied to the multi-tap delays used to form the program. At lower X settings, you'll hear these delays bouncing around for a more textured sound. As you increase the X knob, the delays are diffused, creating a smooth texture, and lifting your riffs and chords into the atmosphere. See ya.

RFRCT (Refract) - The RFRCT program allows for lovely, charming, and glitch-like textures hovering over a largely diffused reverb. The Rate controls on RFRCT change how often the glitch effects occur while Depth controls the overall volume of the glitch effect.

X knob is used to shape the tone of the glitch effect. At zero, the glitch effect will have a lo-fi, almost tape-like sound to them. Increasing the X knob brightens these elements with more pristine details.

Air - The Air program offers a larger diffused reverb with a subtle shimmer but has a more "crisp" clarity to its decay. Explore slow-building sounds that don't get in the way of your playing. Air complements keys and synths as well.

X knob controls the amount of the wind and shimmer elements in the Air program. At zero the effect will be off. Turning clockwise will increase the volume of the air effect.

Presets
The R1 can save up to nine on-board presets, and up to 128 are accessible via MIDI. On-board presets are accessible with the bank switch. Cycle between presets in each bank by pressing Bypass and tap at the same time. You will see the right LED change from Red to Green to Blue. Any adjustments made in a preset will change the tap LED to purple, indicating you have edited the preset. The R1 employs a powerful reverb engine that allows for the true preset spill over. When you switch presets, the new preset loads, and the previous preset is allowed to decay naturally.

Tune
Use the Tune knob to shape the amount of low and high frequencies in the reverb signal. The X position is unique to program-specific features listed above.

Tweak
Each program can be fully customized to your taste and playing style with the Tweak knob.
Rate: Controls the rate of the LFO applied to the wet reverb signal.
Depth: Controls the Depth of the LFO applied to the reverb signal.
Pre Delay: Controls how long it takes after you play for the reverb to become audible.

Bypass Modes
The R1 has three different bypass modes.
True Bypass
DSP+True Bypass (trails)
DSP Bypass (trails)

Momentary Functions
Press and hold the SUS/LATCH (Sustain/Latch) switch to momentarily sustain the current reverb and continue to play over it through the same reverb algorithm. No dry signal here! Clicking the SUS/LATCH switch lets you latch the present reverb decay while you play over it.

6 Unique Reverbs
Spring
Hall
Plate
BFR
Refract
Air

Notes: Particle is a granular delay / pitch shifting pedal. It chops your signal into small grains and then rearranges, shifts, and mangles it, using the techniques of granular synthesis in real time. Results range from radical pitch and delay modulation to shimmering repeats to time stretching, stutter, and glitch sounds.

Five delay and three pitch modes give intuitive control over random delays, bubbling textures, time stretching, and rhythmic glitches. Take a unique approach beyond conventional delay, pitch, flanging, and chorus sounds. Freeze notes with adjustable threshold for stutter, punch in, or drone-line effects. Lock multiple parameters to tap tempo or MIDI sync with independent note divisions for intricate rhythms. Access all parameters via MIDI, tablet, or "modeless" front-panel operation for full control over granular processing.

The Particle 2 is performance friendly, with controls spaced for real-time tweaking and designed so you can explore new sonic territory while remaining in control. Use the assignable expression pedal or DIY-friendly remote switch for hands-free control. The Particle 2 is pedalboard-friendly with all jacks on top. With full MIDI control, stereo input/output, and +8 dBu maximum input level, it is also at home in modular setups or the studio.

Size: 3.05" x 4.75" x 2.5"
Input impedance: 1 MO
Output impedance:< 1 kO
Power: 9 VDC, center negative
Current:250 mA

Notes: A multi-voice synthesizer that will track your guitar for tight monosynth leads, complex chord polyphony, or multi-note sequenced arpeggiation. All without any special pickup installation. Just put it on your board and discover your own reality. The Enzo isn't limited to guitar; use it on any instrument whether drum machine, vocals or other synths. Completely transform your input signal and synthesize. Use the full synth palette of multimode analog style synth filters, ring modulation, envelopes and much much more to drive punchy, thick synth textures. Or, explore an altered state of your pure instrument signal by transforming it with pitch, time and modulation effects. Plug in to a revelation generator.

Premium quality 24 bit A/D and D/A

32 Bit floating point DSP hardware

Premium low noise Analog signal path throughout

Digitally controlled Analog Dry path for wet/dry mix

Analog Devices JFET input circuitry

Selectable True Bypass (Relay) or Analog Buffered Bypass

Durable translucent coat of vibrant gold over brushed aluminum

Current draw < 150 mA

Dimensions - 4.25" wide, 4.5" long, 2" tall

Notes: Inspired by Vangelis' majestic soundtrack for the sci-fi masterpiece Blade Runner, Mercury7 is designed to send both humans and androids into an eternal dream state with its wealth of stunning reverb algorithms.

From subtle plates and huge cathedrals to massive building soundscapes, swirling modulation, epic auto-swells and cascading shimmering pads. Whether you're looking to capture the sound and feel of well-known earthly spaces, or that of huge starlit galaxies far away, the Mercury7 is sure to deliver!

Meris has left no stone unturned in their journey to bring ultra-advanced studio reverb capabilities to your pedalboard. The Mercury7 takes everything that made the original and highly regarded Mercury7 500-series studio rack-unit amazing and distils it all into a compact, sturdy and super intuitive pedal fit for any rig and instrument out there.

Mercury7 sports two different reverb algorithms (Ultraplate and Cathedra), which alone deliver a superb range of ambient tones. Now throw in the ability to modulate, pitch-shift, swell, sustain and EQ the reverb in a million different ways via its rich control set and ALT functions and you have a reverb pedal that has your back whether you're going for smooth on-stage ambience or otherworldly sound designs that could easily form the backdrop to your favourite movie.

In addition, Mercury7 holds one of the most impressive stereo reverb images ever made, vast MIDI capabilities and the ability to seamlessly morph between sounds via an external expression pedal. Mercury7 is in essence way more than just another reverb pedal. It's a deep and highly musical creative instrument in its own right.

Premium quality 24 bit A/D and D/A

32 Bit floating point DSP hardware

-115 dB Signal to Noise Ratio (typical)

Premium low noise Analog signal path throughout

Auto Swell Envelope (variable and foot-switchable)

Analog Devices JFET input circuitry

Wet/Dry signal mix occurs in the Analog domain

Selectable True Bypass (Relay) or Analog Buffered Bypass

Durable transparent blue powder coat over brushed aluminum

Current draw < 150 mA

Dimensions - 4.25" wide, 4.5" long, 2" tall

Notes: The Raster is a digital delay with a pitch and frequency shifter integrated into the feedback loop. Forward or reverse delay can be shifted once or have continuously shifted repeats. It delivers a wide range of sounds including modulated and harmonized delays, reverse delays, chorus, arpeggios, infinite descents, chaotic self-oscillation, and continuously evolving soundscapes.

The core of the Raster is a clean delay with up to 1600 milliseconds of delay time. Three delay ranges allow you to precisely dial in resonant feedback sounds and instantly change delay time with rhythmic shifts. The feedback control has infinite repeats at 3 o'clock and chaotic, textured feedback loops at higher levels. Knob responses are carefully tuned for exploration of self-oscillation and feedback on the verge of blowing up. A tone control sweeps from dark analog-style repeats to digital clarity and emphasizes the attack at higher settings. The left and right delay times can be set as a ratio, so a single knob changes both in sync. The two delay channels can be arranged in series, parallel or ping pong.

Pitch shifting repeats up or down in semitone steps creates tempo-synced arpeggios and alien organ sounds. The detune setting can dial in micro pitch shifts and chorused repeats. The left and right channels can be shifted by the same amount, a ratio, or opposite directions. At subtle settings, repeats evolve in a way that sounds natural, but different from analog delays.

Beyond pitch shifting, a combination phase/frequency shifter creates subtle evolving repeats, dissonant harmonies, and barber pole flanging. It can be pushed to extremes for ring modulation and inharmonic shifted delays that distort and break apart.

The Raster's modulation section has seven waveforms that can be assigned to delay time, pitch shift, or effect level (for tremolo). There are two random waveforms for glitchy pitch jumps, wow and flutter, and broken tape deck effects. Envelope and inverse envelope enable dynamic flanging and pitch bent delays. Stereo controls adjust the modulation amount and phase between channels, for subtle shifts or swirling psychedelic washes.

Capable of extreme sonic mayhem, the Raster can also be used with restraint to add unique character to your sound.

The Raster 2 is performance friendly, with 6 knobs and 9 switches. The original Raster was praised for its knob response and immediacy, and the Raster 2 maintains that simplicity while adding flexible modulation and extensive stereo functionality. Alternate knob settings are related to the primary knob function, labeled, and off at the center position. Both footswitches can be latching or momentary, for instant pitch jumps or quick blasts of echo. The bypass switch can also mute the output in bypass while always listening, to catch, repeat, and manipulate what you just played.

While designing the Raster 2, we wanted to enable as many classic rack mount digital delay tricks as possible while keeping the fast and intuitive control that made the original Raster so fun to use. Instead of multiple modes with generic knob names, all of the parameters are always available, so you can mix and match different effects and explore new sounds in between.

Size: 3.05" x 4.75" x 2.5"
Input impedance: 1 MO
Output impedance: < 1 kO
Bypass: analogue buffered
Power: 9 VDC, center negative
Current: 250 mA

Notes: When Empress released the original Compressor back in 2011, it quickly became a favourite among guitar and bass players alike who were searching for something more than the typical oversimplified controls found on most compressor pedals. Although our original Compressor sounded great on bass (and still does!) we set out to do even better.

On top of the full range of features and controls normally only seen in high end studio equipment, such as input and gain reduction metering, independent attack and release controls, a mix knob for parallel compression, and an external sidechain insert, we've now added a fully variable sidechain high pass filter, and a two position 'tone + colour' circuit which adds gentle tone sculpting and harmonic distortion, giving your bass some delicious character.

Specifications:
Input Impedance 1M
Output Impedance 2.2k
Frequency Response (-3dB) 10Hz - 20kHz
Distortion less than 0.1%
Noise -101dB
Power Input Voltage 9 - 18 V DC (Negative tip)
Power Input Connector 2.1mm barrel connector (Negative tip)
Power Consumption ~ 100mA
Enclosure Material Die Cast Aluminum
Input connector 1/4" Jack
Output connector 1/4" Jack
Height (Enclosure only) 1.5"
Height (including controls) 2.5"

Notes: The Bitmap is a bitcrusher with fractional bit reduction and sample rate modulation. The Bitmap 2 adds waveshaping, wavefolding, and a window comparator for extreme digital distortion. A drive control handles everything from single coil guitars to synthesizers, with +8 dBu maximum signal level and enough gain to sound like an overdriven mixer channel. Modulation and envelope control create dynamic, responsive distortion and digital artifacts.

The Bitmap 2 is tuned to provide maximum sustain without sputtering on staccato notes. Less extreme settings add layers of nonlinearities that interact in subtle ways, giving you the warmth and grit of 8- and 12-bit samplers. Sample rate reduction turns your guitar into 8-bit video game sounds or twists scales into inharmonic melodies. Sample rate modulation adds subtle motion or morphs your guitar into entirely new textures.

The Bitmap works with guitar, bass, synthesizers, drum machines, and other instruments or line level sources.

Size:3.05" x 4.75" x 2.5"
Input impedance:1 MO
Output impedance:< 1 kO
Bypass: analog buffered
Power: 9 VDC, center negative
Current: 250 mA

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Effects masters Eventide serve up a lush bucket brigade chorus inspired by the analogue classics of the 70s and 80s. Three chorus voices plus MicroPitch detuning for stereo width and complexity.

Supplier's Notes:
Short Description: Stereo Bucket Brigade-style Tri-Chorus with Psychedelic Swirl; Eventide's lushest chorus ever! Product copy: Deep Modulation & Dreamy Textures

Inspired by the classic Tri-choruses and stompbox choruses of the 1970s and early 1980s, the TriceraChorus pedal pairs rich Bucket Brigade-style chorusing with Eventide's legendary MicroPitch detuning for a lushness that rivals the jungles of the late Cretaceous Period. TriceraChorus features three chorus voices and three unique chorus effects which can be used to create a wide stereo spread with pulsing waves of modulation. The innovative "Swirl" footswitch adds psychedelic flanging, phasing and Univibe-style tones. It has never been easier to dial in syrupy smooth deep modulation on guitar, bass, synths, strings, vocals and more.

Deep Modulation & Dreamy Textures

TriceraChorus has three chorus voices: Left, Center, and Right, which can be detuned to add even more depth. A three-phase LFO modulates the delay times for these voices, producing a dazzling movement across the stereo field. The combination of the three modulated delays creates a huge wash of chorus reminiscent of that big, dreamy '80s sound.

A Trifecta of Tone

Like the mighty three-horned Dino, TriceraChorus is a powerhouse of chorus offering three effect types complemented by detuning and Swirl. For a quintessential vintage chorus sound, set TriceraChorus to "Chorus" mode. If you need something with more complexity and movement, "Chorale" produces lush, heavenly choruses inspired by classic rackmount Tri-chorus units. For a more warbly, pulsing effect, try "Vibrato." Add detune for subtle pitch shifting sweetness. Engage the "Swirl" footswitch to get lost in a whirlpool of kaleidoscopic sound.

Notes: The Nemesis Delay is the culmination of three years of intense research, listening, and engineering. The mission was to create a compact, powerful, and easy-to-use delay pedal with unrivaled tone, flexibility, and style. Nemesis offers 26 distinct effect engines ranging from vintage tape and analog delays to highly advanced pitch-shifting, reverse, filter modulating, and rhythmic delays. It also features 128 presets, multiple delay taps, a hold function, tap tempo, full MIDI control, deep editing functionality with the Neuro Mobile App, and much more.

Nemesis captures the full spectrum of delay effects, starting with a comprehensive collection of meticulously crafted vintage delay tones. The Source Audio engineering team spent over a year studying numerous iconic and sought after tape and bucket brigade delay units with a staunch dedication to identifying their every nuance and idiosyncrasy. The Nemesis's Tape, Noise Tape and Slapback delays capture all the characteristic flutter, warmth, and color that give vintage tape delay machines like the Echoplex and Space Echo their classic charm. The Analog delay engine beautifully achieves the resonant peaks combined with high and low frequency decay that typifies classic bucket brigade delay pedals. The pedal's Digital delay manufactures pristine, high definition repeats with or without filtering effects for a classic rack-system tone.

At the opposite side of the spectrum, you'll find an advanced collection of sophisticated and specialized delay effects. The Shifter delay generates perfect polyphonic pitch intervals with repeats jumping to either an octave (up or down), major or minor third, 4th, or 5th. Sweeper applies modulating filter effects to repeats for a unique delay/wah hybrid tone. Backwards effects like Helix and Reverse provide a perfect blend of chaos and control with multi-tap reverse patterns and angelic pitch shifting effects. A Rhythmic delay features an engaging and musical collection of non-standard multi-tap delay patterns.

The 12 engines included on the face of the Nemesis represent a perfect cross section of delay effects, from classic essentials to the highly progressive. But don't stop there, we strongly recommend connecting your Nemesis to the Neuro Mobile App or Neuro Desktop Editor and checking out the 14 additional delay engines not accessible with the effect selector knob. Click the links below for deep-dive videos on some of these bonus delay effects, plus a closer look at the original 12.

Includes 9v DC power supply (300mA / Negative Tip)
Includes 1/8" to 1/4" cable for Neuro Mobile App connection.
Power Consumption - 200mA
USB port - Connects to Mac or Windows PC for MIDI control of firmware updates.
Brushed anodized aluminum housing.
Dimensions: L: 4.5 in./11.4cm x W: 4.5 in./11.4cm x H: 2 in./5.1cm (including knobs)
Wieght: 1 lb./0.45 kg.

Notes: Cerberus is a multi-function effect pedal which can be used stand-alone or with the 4 cable method and comes packed with extraordinary features including inside routing, IR loader, analogue overdrive & distortion and digital effects. You can use Cerberus as a stand-alone device to prepare your setup and control as a stomp-box chain and/or save any combinations including routing as a preset and recall by a single click. You can add your essential gears into the chain with using 4 cable method no matter which equipment you use. Cerberus also offers MIDI control to organize your own effect pedals and improve your effects control at the same time. We've put together 2 selected analogue Drive/Distortion pedals, modulation effects and delay & reverb effects.

Notes: Introducing a new addition to the DigiTech Whammy Family -- Whammy DT! We've taken the premier pitch shifting effects pedal added drop tuning and true bypass to bring you the ultimate Whammy pedal, the Whammy DT. With the Whammy DT, you can modify your tuning without having to change guitars or pause awkwardly to make adjustments for the next song. Key changes are at the tips of your toes and take just moments, which is crucial when the audience is feeling your vibe. Pitch shifting effects really help your guitar performance stand out and the Whammy pedal has been the core pitch shifting effect for famous artists for over 20 years. Now add full drop and raised tuning in addition to classic Whammy shifting to your effects arsenal and find out why the Whammy DT is the premiere pitch shifting effects pedal for every guitarist.

General Specifications
D/A Conversion24 bit
Pitch Bend Range+2/-3 Octaves
Detune Range-4 to -30 cents
Drop Tune Range1-7 Semitones, Octave, Octave + Dry
Power Consumption2.6 Watts (< 288 mA @ 9 VDC)
Power Adapter9 VDC External Adapter
Sample Rate44.1 kHz
Frequency Response20 Hz to 20 kHz
Signal to Noise Ratio> -105 dB (A weighted); ref = max level, 22 kHz bandwidth
THD0.004% @ 1 kHz; ref = 1 dBu w/ unity gain
Dimensions
Height2.36"
Width8.2"
Depth7.73"
Audio Output
Output Type1/4" Unbalanced TS
Max Output Level+10 dBu
Output Impedance1 kO
Audio Input
Instrument Input Type1/4" Unbalanced TS
Max Input Level+5 dBu
Input Impedance1 MO
MIDI Input5-Pin Din
Footswitch Input1/4" TRS - for use with optional FS3X Footpedal

What's in the box?
1 x Whammy DT Pedal
1 x Power Supply

Notes: Eventide's legendary MicroPitch effect, as found in the H910 and H949 Harmonizers, packaged into a compact pedal format, suitable for guitar, bass, synth and other line level signals.

Supplier's Notes:
Savor the secret sauce simmered into countless hit records with the MicroPitch Delay Pedal. By utilizing subtle pitch shifts to create a rich stereo spread, MicroPitch Delay makes anything you cook up sonically delectable. This pedal is the key ingredient for serving up flavorful tone: Instantly harness soaring leads that jump out of the mix, add distinct lushness to a compelling clean passage and get your fill of vibey modulation that's sure to sweeten any pot with the push of a button.

Sample a bite of the newly baked up Positive and Negative Envelope modulation sources and you'll be sure to come back for seconds; and major and minor thirds. MicroPitch Delay adds unparalleled dimension to any source; it's not just a guitar pedal.

Use it to thicken vocals, keyboards, drums, strings, brass, winds and more.

What's the recipe for the MicroPitch Delay pedal? It's a unique flavor profile of dual pitch-shifters with fine-resolution de-tuning and modulation combined with delay in a delicious red package. The pedal is the latest incarnation of a legendary effect that originated in the H910 and H949 Harmonizers, and later popularized with the H3000. It can be utilized for chorusing and savoury repeating delays. It's a creative sonic design tool. It's effective whether used subtlety as a thickening tone-enhancer or dialed to the extremes for special effects. The simplicity of the pedal's ability to make things sound bigger is what makes it so tasty! With the MicroPitch Delay pedal, you can easily harness the power of this iconic Eventide effect that helped shape musical history.

The MicroPitch Delay algorithm has been a mainstay of audio production and musical performance since it was first introduced within the legendary H910 and H949 effects processors. Its subsequent appearance in the H3000 Harmonizerr further popularized the effect and cemented its place in musical history as a quintessential studio tool. Now players can harness the power of this iconic Eventide effect with the MicroPitch Delay pedal, which offers a unique combination of dual pitch-shifters with fine-resolution de-tuning, delay and modulation - including new positive envelope and negative envelope modulation sources. Its distinctive architecture yields a wide breadth of sonic applications ranging from subtle tone thickening to creating a rich stereo spread to a host of creative sound design special effects. The rugged, gig-ready red MicroPitch Delay pedal is not just for guitars the pedal brings unparalleled dimension to any source from vocals to keyboards to drums, strings, brass and winds.

Users can choose from dozens of Eventide presets to load via MIDI, which are also accessible in the preset list on the Eventide Device Manager (EDM - a Windows or Mac OS X application for software updates, system settings and creating/saving presets).

The pedal can store up to 127 presets in memory, with five presets loaded at a player's feet for access from a latching/momentary dual-action Active Footswitch with a Catch-up mode to help players dial in their sound when toggling between presets/parameters. A single Aux switch can be deployed to Tap Tempo, or a triple Aux switch can be used for easy preset changing (up/down/load). The MicroPitch Delay Pedal offers multiple Bypass options: Buffered, Relay, DSP+FX or Kill dry. MIDI capability is available over TRS (for use with a MIDI to TRS cable or converter box) or USB. The rear-panel Guitar/Line Level switch allows level-matching with guitars, synths, FX loops or DAW interfaces. Any combination of MicroPitch Delay parameters can be mapped to an Expression pedal.

Notes: The TRIO+ is a simple-to-use guitar pedal that listens to the way you play and automatically generates bass and drum parts that match your song. Just plug your guitar into the TRIO+, press the Band footswitch to teach the TRIO+ your chords and rhythm, then press the Band footswitch again to start playing with your own personal band! Bass and drum levels can be adjusted for the perfect mix using the TRIO+'s Bass and Drums knobs. The TRIO+ also features a Simple Bass button lets you select between 3 bass line modes for busy or simple bass lines. Pushing the Band Creator™ paradigm further, the TRIO+ also allows you to loop and custom sequence your looped guitar parts to create full songs on the fly. Press the TRIO+'s Looper footswitch to record a loop along with an unlimited number of overdubs. The Loop level can be individually controlled using the TRIO+'s Loop knob. Loops can be recorded by themselves, operating just like a traditional looper, or along with the band. You can also apply built-in effects to your guitar signal by enabling the TRIO+'s Guitar FX button, or connect your favorite effects to the TRIO+'s FX Send and FX Return jacks. The TRIO+ provides 12 music genres to choose from including Blues, R&B, Rock, Alternative Rock, Metal, Pop, Electronic Pop, Hip-Hop, Country, Folk, Latin, and Jazz. 12 song styles are available for each genre and can be selected using the TRIO+'s Style encoder, including selection between 3/4 and 4/4 time signatures. Multi-colored LEDs around the TRIO+'s Style encoder indicate which styles best match your song. The TRIO+ can learn up to 5 different song parts, perfect for creating an intro, verse, chorus, bridge and outro. Song parts can be recalled on-the-fly as the song plays back or pre-programmed as a sequence for automated playback. An optional DigiTech FS3X Footswitch can be connected to the TRIO+'s Control In jack for additional handsfree control with 3 modes of operation to select from. Up to 12 songs along with loops can be stored to the TRIO+'s Micro SD Card (included). Need to create more songs? No problem. Just insert a new SD Card and you're ready to start teaching the band your new songs. To manage all your songs and loops on a computer, download the free Librarian Manager software from digitech.com, available for Windowsr and Macr. The TRIO+ offers independent Tempo, Genre, Style, Loop Level, Bass Level, Drums Level, Headphone Output Level controls; Guitar, FX Return and Control Inputs; Amplifier, Mixer, FX Send and Headphone Outputs; Built-in Guitar Effects (relative to music genre); a Soft Click Footswitch and includes a 9V DC adapter.

General Specifications
ControlsTempo, Genre, Style, Loop, Bass, Drums, Headphone Volume
Backlit ButtonsGuitar FX, Seq, Part 1-5, Alt Time, Song, Simple Bass
FootswitchesLooper, Band
LEDsGenre types, Style 1-12, Audiolastic, Looper, Band
JacksPower, Control In, Guitar In, FX Return, FX Send, Amp Out, Mixer Out, Headphone
OtherMini USB port, microSD card slot
Bit Depth24-bit
Sample Rate44.1 kHz
Signal-To-Noise Ratio110dB, A-weighted
Maximum Recording Time230 seconds per song part i based on a minimum 50 BPM and 48 bars per part
USB TypeMini-B
SD Card TypemicroSDHC, Class 10
SD Min/Max Storage Size8 GB/32 GB
Power Requirements9 VDC external power adapter
Power Consumption7.2 W
Current Draw800 mA
Dimensions
Length5.4"
Width4.25"
Height2.5"
Weight1.46 lbs.
Audio Output
Amp Output TypeUnbalanced, 1/4" TS
Amp Output Impedance1 kO
Mixer Output TypeUnbalanced, 1/4" TS
Mixer Output Impedance1 kO
FX Send Output TypeUnbalanced, 1/4" TS
FX Send Impedance1 kO
Headphone Output Type1/8" (3.5 mm) Stereo Mini Jack
Headphone Output Impedance120 O
Audio Input
Guitar Input TypeUnbalanced, 1/4" TS
Guitar Input Impedance1 MO
FX Return Input TypeUnbalanced, 1/4" TS
FX Return Impedance1 MO
Control Input Type1/4" TRS (compatible with DigiTech FS3X)

Notes: Next-level version of KMA's excellent Tyler frequency splitter pedal. Variable 12dB/oct high- and low-pass filters, isolated effect loop sends, wet/dry mix control and relay-based soft switching.

Supplier's Notes:
Expanding on the already rich feature-set of KMA Machines' popular Tyler pedal, the upgraded Tyler Deluxe is the ultimate Swiss Army Knife for creative musicians to use on their pedalboards, live or in the studio. Ideal for Bass, Guitar or any other amplified instrument, it offers a host of new features and functions and is perfect for developing new sounds with an existing collection of pedals or splitting signals into multiple amplifiers/differing signal chains. All of this helping to lead musicians' creativity down new inspiring parallel paths.

Do you remember the sounds coming from the woods, as a rough and towering man was wielding his frequency-splitting axe? Driven by nature's most primordial force, that man then dropped his simple axe, picked up his power saw and evolved into something more. Something bigger, stronger and more versatile. Standing tall is Tyler Deluxe - the ultimate frequency-selective signal-splitting tool, ideal for developing new sounds and leading your creativity down new inspiring parallel paths.

KMA Machines' Tyler (active and variable two channel crossover/signal splitter) has successfully found its place on many bass and guitar players' boards around the world, helping them refine and define their tone. However never to stand still, the team at KMA Machines decided to step up the game and create a more advanced, versatile and flexible solution, based on the great feedback from users.

The heart of the pedal is still the same essential filter sections, which splits your signal into different loops with HIGH PASS and LOW PASS paths (both filters have a 12 dB/oct. roll-off with a variable cut-off frequency from 20 Hz to 3 kHz). The rest of the vital tonal organs have had a thorough upgrade, which has resulted in an improved noise floor too. So, let's dive into everything that makes this pedal Deluxe.

Since the original Tyler was also used as an advanced AB/Y box by many, it was found that ground loops could occur - no more with Tyler Deluxe ! Both SENDs are now transformer coupled (with TRIAD Magnetics) to give you a nice and warm saturation, while avoiding ground-loops (internal slide-switched ground-lift). To be prepared for almost every situation and every pedal, both loops also got their own phase inversion switch (+/-) to get rid of potential unwanted phase cancellation.

The next new must-have feature is there to ensure the transparency of your setup; the good old CLEAN blend has been added

So far so good, but the deluxe delights don't stop here! A master phase-switch ensures a fixed and reliable interaction with your set filter frequency in every situation, no matter if you either have a loop engaged or not. But wait, for all of you who wants to follow Tyler's evolution, another claimed feature has been added. The LP-CUT and HP-CUT switches will now mute your loops when bypassed, which will give you tons of new options to be creative, by only using the engaged loops without having clean artefacts pass through when disengaging one of the loops.

Modern times brings modern needs, so Tyler Deluxe is now equipped with relay-based soft-switches, an internal step-up to increase the headroom for hotter input signals and low-noise op-amps to improve the overall sound-quality and usability.

Some fun examples of use: Bass players want to retain their low end while using their favourite fuzz or dirt pedal. Insert your dirt box in the high-pass FX-Loop and adjust the cut-off frequency of the High and Low Pass to your needs. Dial in your preferred ratio of those Low and High Pass signals, engage the HP LOOP footswitch and you will never turn off Tyler Deluxe again! You can also insert different modulation pedals, for example insert a lush phaser for the lows and a nice shimmering delay for the highs and Tyler Deluxe will make it sound like two different guitars are playing at once. Mix up your modulation pedals with any of your dirt pedals, for a very pronounced and punchy sound all coming from one amp.

If there ever was a Swiss army knife for your tone, then Tyler Deluxe must surely be it. So, fire up your frequency saw and start defining your own unique sonic path.

Notes: Second-gen Immerse offers true studio-quality stereo reverb in a compact pedal format. Eight high-quality algorithms with simple, user-friendly controls and top quality sound. Lush.

Supplier's Notes:
The Immerse Mk II raises the bar with eight rich stereo reverbs in one easy to use pedal. No user manual required. Experience studio-quality tone that can be used with instruments of all stripes.

Five controls:

Effect Select
Mix, from 100% dry to 100% wet
Reverb Depth
Tone / Echo Time / Hold Time (depending on effect)
Pre-Delay / Modulation / Blend (depending on effect)

Specifications:

Electrical

Input level: instrument / consumer line level
Input impedance: > 1 MO
Gain: unity
Frequency response: 20 Hz - 20 kHz
Total harmonic distortion: < 0.005%
Signal-to-noise ratio: > 107 dBA

Power

Input: 9-12 V DC, 80 mA
Connector: center-negative, 5.5 mm OD x 2.1 mm ID

Physical
Dimensions: 2.9" x 4.6" x 2.0" / 73 mm x 117 mm x 51 mm
Weight: 8.84 oz / 251 g

Notes: The classic Pantheon pedal gets even better with this Deluxe version. Two independent overdrive circuits give you classic Blues Breaker-style tone plus modern boutique sounds.

Supplier's Notes:
The now legendary Wampler Pantheon provided a unique interpretation of the classic "Blues Breaker" style stomp box, by capturing all the tonal nuance of the original, but with added flexibility and style. In doing so, it found its way onto thousands of pedalboards across the world. Enter the new Pantheon Deluxe - a dual overdrive pedal that takes this evolution several steps further by offering a flexible design with two completely independent Pantheon circuits, one voiced as a classic blues breaker and one with a more modern boutique sound. This palace of tone delivers a staggering 200 combinations of gain settings, featuring dual Inputs and Outputs, and for the first time ever, Wampler have added MIDI channel switching to one of their gain pedals.

The Pantheon Deluxe lets you dial in two channels of organic creamy gain, gritty overdrive, or heavy distortion while retaining Wampler's famous ease of use and flexibility. Channel 1 delivers a classic Blues Breaker tone, Channel 2 is a recreation of the original Pantheon, a similar circuit to the Blues Breaker but with a modern boutique feel. Independent side mounted Voicing and Gain Level switches allow you to further shape your tone to perfection.

DOUBLE UP

The Pantheon Deluxe lets you dial in two channels of organic creamy gain, gritty overdrive, or heavy distortion while retaining Wampler's famous ease of use and flexibility. Channel 1 delivers a classic Blues Breaker tone, Channel 2 is a recreation of the original Pantheon, a similar circuit to the Blues Breaker but with a modern boutique feel.

ALWAYS THE RIGHT FIT

Each Channel of the Pantheon Deluxe Dual Overdrive feature independent Gain, Level, Treble, and Bass controls to enhance the shaping of your tone. The Baxandall-style active Bass control is neutral at noon but boasts an extremely powerful sweep as you move through the range. A single global Presence control simultaneously alters each channel to add just the right amount of top-end chime to suit different guitars and amplifiers - perfect for when playing live or when in the studio.

MAXIMUM CONNECTIVITY

With the addition of MIDI In and Out, you can now also switch the analog channels of each circuit on and off with a MIDI switcher - saving you valuable hardware loops on your loop switcher. With dual analog inputs and outputs, you can split both channels in a loop switcher, insert pedals between each side, or run in stereo.

BUILT FOR FOREVER

Brian Wampler's attention to detail and commitment to bringing you the best-sounding & most usable Effects Boxes on the market is nothing new. Those qualities are on full display within the Pantheon Overdrive. We're all tone-freaks, and we're always trying new things, but we hope this pedal finds its forever home on your pedalboard, so we built it to last that long.

TECHNICAL DETAILS

Built in the U.S.A
Dual Independent drive channels using Brian Wampler's classic Pantheon circuits; Channel 1 Classic Blues Breaker voicing, Channel 2 Modern Boutique voicing.
Independent Volume, Gain, Treble and Bass controls for both channels, global Presence control, front mounted Channel Order Switch, side mounted independent Gain Level and Voicing switches, MIDI In and Out (3.5mm TRS) and 2 sets of input and output jacks.
Top-mounted jacks make pedalboard placement effortless
Power draw: 55mA
9-18V power jack: DC supply only, do not exceed 18V DC, battery Included.
Includes Wampler's limited 5-year warranty
5" x 4.5" x 1.5" (88.9mm x 114.3mm x 38.1mm) - height excludes knobs and switches

Notes: Echolution 3 is a multi-tap stereo modulation delay offering a myriad of sound design options including reverse, jump, pong, modulation tempo sync, variable low pass filter, flexible signal routing and comprehensive MIDI control. Delay times ranging from 100ms to 5 seconds can be dialed in using the Time knob or via Tap Tempo using the left footswitch. A second delay tap can be set to the same length or a fraction of the main delay time to create rhythmic echoes. The ¾ fraction creates a dotted eight note delay, while the Golden fraction uses the sacred geometry of the Golden Ratio (.382) as the multiplier for the second tap. The multi-tap settings can be even further enhanced by the stereo ping pong effect, which causes the different delay taps to switch sides on each repeat. Store up to 4 presets, unlock hidden features with the Universal Remote footswitch, and design yet unheard delay lines. Runs on standard 9VDC.

KNOB-BY-KNOB
Time: Sets the length of the delay line. Overrides tap tempo and vice versa. Select sub-divisions with the small push button. Can activate any two sub-divisions at once.

Mix: Sets the volume level of the delay signal.

Repeats: Sets the amount of regeneration in the delay line.

Mod: Select and set the modulation Speed, Depth, and Tone. Hold push button to sync Speed to tap tempo.

Preset Select: Push to toggle through presets, press and hold to select. To save a preset after making changes, press and hold. Presets can be toggled and selected using only footswitches (see manual).

Special FX: Reverse makes the delay line go backwards. Jump makes the delay line jump up one octave. Pong (activated with a push and hold) causes echoes to alternate between the left and right channels, meant to be used in stereo.

BREAK RULES AND BUILD WORLDS
Designed to offer a streamlined user experience and a massive feature set, Echolution 3 is a worldbuilder. In a compact package, "E3" offers multi-tap delay lines, with sound design FX options ranging from the subtly cinematic to the outlandishly dramatic. I/O options include stereo output, MIDI sync, and additional footswitch features. On board presets make revisiting your favorite corners of the Echolution 3 universe simple.

HOW TO DISAPPEAR COMPLETELY
Marvin has come across Echolutions in the Pigtronix universe beforeibut never quite like this. Echolution 3 is a supermassive black hole leading to a vivid dimension stuffed with color, light, and the unexplainable, causing the voyager to lose his or herself more deeply than they knew was possible. In this dimension, the imagination tends to expand: familiar figures appear in cloud formations, meteorites can be sat on like bean bag chairs, and ropes of light can be swung on like vines.

MODEL ECHOLUTION 3

MODEL NAME: Echolution 3
SKU: E3
FUNCTION: Stereo Multi-Tap Delay
CATEGORY 1: Delay
CATEGORY 2: Modulation
EXPRESSION: TRS Remote / MIDI
BYPASS: Buffered

ELECTRONICS
VOLTAGE: 9VDC
CURRENT DRAW: 100mA
INPUT IMPEDANCE: High
OUTPUT IMPEDANCE: 1k

BODY
LENGTH (IN): 3.25
WIDTH (IN): 4.5
HEIGHT (IN): 2.2
WEIGHT (LBS): 1

Notes: It's time to break free

Bring your perfect studio guitar sound onstage with the new AmpliTube X-TIME delay pedal. This boutique pedal features 16 all-new delay effects leveraging IK's latest AmpliTube technologies, accompanied by an exclusive virtual X-GEAR version of the exact same effects. Use the virtual version with AmpliTube 5 (SE version included) to record and tweak settings and save as presets on your X-TIME pedal for world-class tone anywhere.

Best-in-show DSP

AmpliTube X-TIME leverages IK's latest technologies for hyper-realistic emulations of real-world gear. The state-of-the-art DSP onboard offers 16 high-end algorithms, while a special X-MODE opens additional infinite-feedback effects. All combined, X-TIME delivers amazing clarity to the stage with the realism and response that users love about AmpliTube 5.

Hardware that stands out

For AmpliTube X-TIME, great effort was made to guarantee your tone stays as pure and pristine as possible, no matter how simple or sophisticated your signal chain becomes.

Industry-leading integration

AmpliTube X-TIME includes a matching virtual version for Mac/PC and a copy of AmpliTube 5 SE. Open any version of AmpliTube 5 and you'll find your virtual X-TIME pedal available as a stomp for use within the program. Adjust any of your pedal settings with the convenience of AmpliTube's award-winning workflow and save them as presets. The X-GEAR Librarian lets you move presets between X-GEAR pedals and AmpliTube and easily reorganize them on the hardware pedal. You can store up to 300 presets per pedal.

All-in-one recording

With AmpliTube X-TIME there's no need for any other gear when it comes to recording guitar. The X-TIME features an USB audio interface and some must-have recording features right onboard.

5Hz to 24kHz frequency response to record the full range of your guitar or bass
Versatile routing options let you send the wet or dry signal to your DAW
Stereo out for monitoring sound between the X-TIME pedal and your computer
Full MIDI implementation to map control

From soundcheck to final encore

When it's time to play out, AmpliTube X-TIME holds everything you need to perform at your best. In fact, you can even leave your amp and cab at home, if you want to.

Fast, intuitive interface and control knobs to tweak your sound on the fly
High-contrast LED display keeps you informed on everything, indoors and out
Expression pedal input adds additional control over any parameter you choose
Full MIDI implementation is built-in for even the most complex setups
5 cabinet impulse responses let you connect directly to a powered cab or PA

With great tone comes great portability

With its open architecture for future updates, AmpliTube X-TIME will empower you no matter where you are and for years to come. Experience the freedom of moving between the studio and stage seamlessly, confident that you and the audience hear your sound exactly as you created it to be.

Notes: Amazingly versatile phaser business in this brilliantly designed pedal. Watch the demo video to hear the amazing range of sounds this one can do. Best phaser ever? Might just be.

Supplier's Notes:

Jump into spaceship Horizont and begin your trek into star- filled galaxies, all while discovering the incredible vastness of the sounds created by this inter-dimensional multi-spatial stereo analog JFET Phaser. The unexpected is waiting for you behind the far away horizon and it will be a journey you'll never forget!

The Horizont's mission is to push way beyond the classic phasing sounds of yesteryear, and take you to uncharted phaser worlds the second you plug in. By combining lush analog JFET phasing with digitally controlled dynamics, Horizont creates a vivid and expressive modulation experience, all while providing experimental and creative features that'll kick phasing well into the 21st century.

Besides the more common phaser controls, the Horizont offers a plethora of new and exciting options for all the interstellar tone chasers out there. To greatly broaden the range of phasing tones available, KMA implemented a digital LFO with no less than eight different waveforms: Ramp Up/Down, Sine/Triangle/Square wave, a sweeping waveform, Sample & Hold and a random slope waveform going from 20s down to 40ms.

The implemented envelope generator is one of Horizont's absolute key features. It transforms your input signal into a control source to modulate the speed of the digitally controlled LFO or lets you manually phase for a resonant touch wah- like sound, depending on the state of the SWP- and SPURTCONTROL-Switch.

Set the SPURTCONTROL switch to LFO to let the SPURT knob adjust the internal phasing speed. However, by flicking the switch to ENV (Envelope) mode, it allows you to dynamically modulate the speed along the full LFO speed range, based on how loud the input source is (e.g. when you attack the strings hard). You can also combine the SPURT knob and the envelope by flicking the toggle to LFO+ENV where SPURT then sets the minimum speed. For even more control, you can even plug in an external expression pedal/CV-source (0-5V) to alter the minimum speed on-the-fly or you can use the TAP TEMPO switch (tap just twice) to set the speed to fit in with the tempo of your music.

The EXP-Mode switch also lets you choose between a manual phasing mode, controlled by an expression-pedal or an external CV source. Setting the EXP-Mode switch to the middle position will disable any external expression control.
The SWP (Sweep) switch lets you decide to use either the LFO or the envelope of your instrument signal to control the phasing.

The envelope can be set to upwards or downwards operation via the ENV switch, seeing the LFO either slowing down or speeding up, or flipping the orientation when phasing manually from lows to highs and vice versa. In conjunction with the FUEL (Sensitivity) and the DECAY controls, the envelope can be tailored perfectly to your needs.

The EMPH (Emphasis) mode from the original Astrospurt Phaser was kept, but have reworked and refined it extensively for the Horizont. The four toggle-switches determine the stage in which the phase-shifted signal is fed back into itself, while the REG (Regeneration) control sets the feedback amount. We also smoothed out the overall sound of the EMPH mode for a more pronounced, and crisp vocal-like tone. Each of the different switch variations and turn of the REG control will yield different results, seeing you discover new wild, fuzzy and noisy galaxies as you travel deeper down this sonic wormhole.

In order for you to levitate through spacetime, a stereo output has been added to the Horizont. You can switch between a standard stereo output or a panning output, via the STEREOPAN switch. Synchronized with the LFO speed, the upper cycle of the LFO sends the signal to the OUT1 and the bottom cycle to the OUT2. This is without a shadow of a doubt the most liquid and astonishing phasing experience you'll ever embark upon. But wait, there's more! Stop and take a deep breath, set the MIX control to fully clean and the Horizont is transformed into a Tremolo on-the-spot, with all the other aforementioned features.

Last but by no means least, the Horizont was equipped with an FX-Loop right in front of the phase-shifting line. This enables you to add your own secret sonic weapons to this spaceship, seeing you create your very own unique phasing sounds.The pedals' headroom was also increased drastically by boosting the internal circuit voltage to 18V, from the regular 9V input, to give the cleanest phasing possible no matter what instrument or line source you use.

Notes: The ultimate metal tone? An evolution of the brand's excellent Wurm distortion with the addition of an ultra-fast VCA-based noise gate, ideal for HM-2-inspired chainsaw tones. Heavy.

Supplier's Notes:
Fusing together the powerful evolution of KMA's highly regarded Wurm Distortion with an intuitive, yet versatile and ultra-fast Noise Gate, Guardian of the Wurm is the perfect metal monster. From chugging hard-rock, droning doom metal and grinding Swedish death metal, the beast abides. But through its highly tweakable control set, the pedal can be tamed to provide impeccable clarity to your riffs, making this the definitive dirt pedal for metal, prog-rock, shoegaze, indie and beyond.

Power by opt. 9 V PSU (9 V DC, centre -, 2.1 mm, >150 mA max. current draw)

Notes: MG-30 is the flagship modelling effect processor in the NuX range. Dual high speed processing offers accurate modelling of 30 different amplifier options, including bias tweaking for an extra dimension of response adjustment, all using the proprietary NuX TSAC-HD algorithm. Impulse response programming presents a choice of 8 guitar cabinets, 8 bass cabinets, 8 microphones in 3 different axis positions and even 3 acoustic guitar emulation profiles. Once the main guitar tone is programmed, there are 8 effects blocks which can be assigned to different positions in the signal chain, including WAH, CMP, GATE, EFX, EQ, MOD, DLY & RVB. An expression pedal covers wah and swell effects amongst other possibilities. Each has modes and/or parameters which can be adjusted and saved within the patch as needed. Real-time editing uses rotary encoders and switches, making for a natural and organic process and all prameters and graphics are displayed on a vibrant 4" colour display. Add to this a fully functioning USB audio interface, phrase looper, PC/Mac editor/librarian/updater, aux input, effects loop, drum machine and NMP-2 footswitch control and the MG-30 covers practically all bases. This unit provides all the processing power and audio quality that could be asked from any professional guitar processor at a fraction of the price of its component features.

Specifications:

Power supply: 9Vdc, 400mA pin-negative (adaptor included)
Inputs: 6.3mm jack (guitar), 3.5mm jack (aux input)
Outputs: 2 x 6.3mm jack (L/mono + R) to amp or mixer
Sends: returns: 6.3mm jack send (1k ohm) & return (220k ohm)
Headphone output: 3.5mm stereo jack
USB port: USB type-C for audio interface, PC/Mac editing & updating
Remote control connection: EXP1 TRS 6.3mm jack
Sampling format: 48kHz, 32-bit
Frequency response: 20Hz - 20kHz (i1dB)
Input impedance: 1M ohm
Output impedance: 1k ohm
Dynamic range: 110dB
Dimensions: 313 x 166 x 54mm
Weight: 1.5kg

The box for this item contains :

MG-30 multi-effects modeler pedal
1 x 9Vdc power adaptor (UK)
1 x NMP-2 dual footswitch (173.352UK)
1 x patch cable
1 x USB cable

Notes: It's time to break free

Bring your perfect studio guitar sound onstage with the new AmpliTube X-VIBE modulation pedal. This boutique pedal features 16 all-new modulation effects leveraging IK's latest AmpliTube technologies, accompanied by an exclusive virtual X-GEAR version of the exact same effects. Use the virtual version with AmpliTube 5 (SE version included) to record and tweak settings and save as presets on your X-VIBE pedal for world-class tone anywhere.

Best-in-show DSP

AmpliTube X-VIBE leverages IK's latest technologies for hyper-realistic emulations of real-world gear. The state-of-the-art DSP onboard offers 16 high-end algorithms, while a special X-MODE opens additional hyper-modulation effects. All combined, X-VIBE delivers amazing clarity to the stage with the realism and response that users love about AmpliTube 5.

Hardware that stands out

For AmpliTube X-VIBE, great effort was made to guarantee your tone stays as pure and pristine as possible, no matter how simple or sophisticated your signal chain becomes.

Ultra-low noise, 24-bit/192kHz converters for class-leading sound quality
5 Hz-24 kHz frequency response to capture the full scope of your guitar's sound
112 dB dynamic range provides whisper-quiet operation at any gain setting
Selectable true or soft bypass for maximum control

Industry-leading integration

AmpliTube X-VIBE includes a matching virtual version for Mac/PC and a copy of AmpliTube 5 SE. Open any version of AmpliTube 5 and you'll find your virtual X-VIBE pedal available as a stomp for use within the program. Adjust any of your pedal settings with the convenience of AmpliTube's award-winning workflow and save them as presets. The X-GEAR Librarian lets you move presets between X-GEAR pedals and AmpliTube and easily reorganize them on the hardware pedal. You can store up to 300 presets per pedal.

All-in-one recording

With AmpliTube X-VIBE there's no need for any other gear when it comes to recording guitar. The X-VIBE has a USB audio interface and some must-have recording features right onboard.

5Hz to 24kHz frequency response to record the full range of your guitar or bass
Versatile routing options let you send the wet or dry signal to your DAW
Stereo out for monitoring sound between the X-VIBE pedal and your computer
Full MIDI implementation to map control of AmpliTube and/or any compatible DAW

From soundcheck to final encore

When it's time to play out, AmpliTube X-VIBE holds everything you need to perform at your best. In fact, you can even leave your amp and cab at home, if you want to.

Fast, intuitive interface and control knobs to tweak your sound on the fly
High-contrast LED display keeps you informed on everything, indoors and out
Expression pedal input adds additional control over any parameter you choose
Full MIDI implementation is built-in for even the most complex setups
5 cabinet impulse responses let you connect directly to a powered cab or PA

With great tone comes great portability

With its open architecture for future updates, AmpliTube X-VIBE will empower you no matter where you are and for years to come. Experience the freedom of moving between the studio and stage seamlessly, confident that you and the audience hear your sound exactly as you created it to be.

Notes: The EHX 22500 is a stereo looper with two independent loops that can be played in sequence or in parallel. Flexible performance controls and creative effects allow you to loop in any way you imagine. It records high quality, non-compressed audio directly to a removable SDHC card (4 to 32 GB) and each card holds up to 100 individual loops. Includes an 8GB card for up to 12 hours of recording time.

Creative controls over looping functions such as adjustable tempo, programmable loop/overdub length, and two loops that can playback independently or locked to one another makes the 22500 act like the looper of your dreams.

Download free drum loops for the EHX 22500

Dual stereo loops with independent or locked loop lengths
Sequential looping mode enables verse/chorus switching
Parallel looping mode allows simultaneous playback of two loops
16 built-in drum loops
Selectable microphone input with phantom power
Reverse and Octave functions
Undo-Redo your last overdub or recording
Quantize or non-quantize (free running) modes
USB port enables backup/restore to PC or Mac
Programmable third footswitch for Stop or Tap Tempo
Optional external Loop Up/Down Foot Controller
Power adapter included

SPECIFICATIONS
Circuit
Digital
Bypass
Buffered Bypass
Audio
Stereo
Power Supply
9.6VDC-500mA power adapter included
Dimensions (in)
5.75 x 4.75 x 2.5
Current Draw
235mA
Year Released
2015

Notes: You hear that EVP? It's the all new, extra spook-tacular, Ghost Echo calling out from beyond the void! The Ghost Echo is Earth Quaker's spooky take on the haunted amp-top spring reverberation units of yesteryear. This creepy analog/digital spring reverb emulation machine boasts a terrifying 30ms - 150ms of pre-delay, controllable via the Attack knob, for everything from a quick rockabilly slapback to viscous pools of ectoplasmic reverberations. When playing staccato, you'll hear the tortured trails of the reverb, resulting in more of a slapback or echo sound. Legato playing will reveal a massive ambient "depth" that fattens up the sound - and look out, it's right behind you!

Phew, that was close. The Dwell control sets the length and thickness of the decay, which is to say that it controls how long the disembodied spirits of notes no longer with us float through the ether. At the maximum setting it will descend into an infinite loop of self-oscillation. The Depth sets the intensity of the reverb, which you probably know as the wet/dry mix.

Controls:
1. Attack: Adjusts the length of the pre-delay, from 30ms at minimum to about 150ms at maximum. When the Dwell is set to self-oscillate, this will change the pitch of the oscillations.

2. Dwell: Adjusts the length of the decay. This will start to self oscillate around 3 O'clock, the pitch of the oscillations can be changed by turning the Attack control.

3. Depth: Mixes in the wet signal with the dry, unity is around noon and everything after is boosted.

Tech Specs:
This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 86 mA
Input Impedance: 10 MO
Output Impedance: 1 kO

Notes: Multi-tap delays go next-level with Eventide's incredible heritage distilled into this compact pedal format. Line level options allow you to process synths, drums, guitars and just about any other signal.

Supplier's Notes:
A Multiverse of Tone UltraTap is a unique multi-tap effect pedal capable of rhythmic delays, glitchy reverbs, huge pad-like volume swells, and extraordinary modulation.

It's the perfect tool for staccato leads, swelling chords, and other evolving effects - everything from reversed reverbs to the sound of ripping it up in the Grand Canyon!

Think of UltraTap as the mother of all Echoplexes and you won't be too far off.

That's basically how it operates but with the flexibility to add as many 'tape heads' as you want and expressively control their positions and levels.

UltraTap's controls make possible new and unexpected effects. The controls that you would expect in a multi-tap delay pedaliNumber of Taps, Delay and Feedback- are just the basics.

Controls for Spread, Slurm, and Chop open up a new world of possibilities.

Effect Features:

"Slurm" An exclusive and innovative control that smears/slurs taps together to create truly unique reverbs and choruses.

"Chop" and "Spd/Rise/Rel" combine to allow unusual and expressive modulation of the taps based on LFO shapes or the audio's envelope.

"Feedback" unlocks further tone shaping capability.

"Taps" selects up to 64 taps to create simple repeats or morph delays into chorus and reverb.

"Spread" controls the 'distance' between' taps. With the knob centered, the taps are equally spaced, turn clockwise and the later taps are bunched together, counterclockwise and the early taps are bunched together. Use this control to dial in the perfect rhythmic space between taps.

Onboard LFOs and envelopes to chop the sound source into stuttered rhythms.

"Tap Footswitch" allows you to set the tempo of the taps.

Connectors:

Input: 1/4" TRS / Mono = Tip, Stereo = Tip & Ring
Out 1: 1/4" TS Mono / Mono Output
Out 2: 1/4" TS Mono / Stereo Output
EXP: 1/4" TRS / Expression pedal, Aux Switch or MIDI I/O
Mono/Stereo Switch: Sets Input to Mono (Tip) or Stereo (Tip + Ring)
Guitar/Line Level Switch: Optimizes internal gain structure
Mini USB: Software updates, MIDI I/O
DC Input Jack: 5.5mm / 2.1mm plug / Center Negative (-)

Analog I/O:

Input Impedance: 700k ohms Mono, 990k ohms Stereo
Max Input, Guitar: +8dBu
Max Input, Line: +14dBu
Output Impedance: 220 ohms
Recommended Load Impedance: 10k ohms

Specifications:

Power: 9V DC @ 200mA / Center Negative (-)
Dimensions (product): 4" W x 4.25" D x 1.68" H / 102 mm x 108 mm x 43 mm
Weight (product): 1.06 lb / 0.48 kg
Dimensions (package): 7.7" W x 4.75" D x 2.8" H / 178 mm x 121 mm x 71 mm
Weight (package): 1.68 lb / .77 kg

Notes: Little box, big reverb. Specially designed for huge, cavernous echo effects and ideal for infinite tails and frozen sounds, the Blackhole is an exceptionally high quality pedal at a very reasonable price.

Supplier's Notes:
Create haunting echoes, ethereal landscapes and otherworldly ambience with Blackhole, a reverb pedal as big and as mysterious as the cosmos. Blackhole takes you there - beyond the ambience of mere earthly Halls, Rooms, Plates or Springs. Blackhole will take you on a journey from cathedral-type spaces to a universe of out-of-this-world soundscapes.

It includes onboard tone controls, modulation, and infinite reverb settings with mono or stereo operation, MIDI control, preset storing, and most importantly a new compact, easy-to-use interface.

Blackhole features two types of infinite reverb. Infinity mode continuously layers new sound on top of a suspended reverb. Freeze mode holds the effect allowing you to play over the reverb tail. The Freeze Footswitch allows instant access to this feature.

Unlike other reverbs which may offer pre or post modulation, Blackhole features modulation built into the reverb structure itself. It's essentially a big multi-voice chorus, with unique tone-shaping ability. You can utilize extreme settings to smooth out the edges.

Like all Eventide pedals, Blackhole allows you to fine tune every aspect of the effect. With a new, user-friendly, intuitive interface, just about anyone can shoot for the moon and land beyond the stars.

Input: 1/4" TRS / Mono = Tip, Stereo = Tip & Ring
Out 1: 1/4" TS Mono / Mono Output
Out 2: 1/4" TS Mono / Stereo Output
EXP: 1/4" TRS / Expression pedal, Aux Switch or MIDI I/O
Mono/Stereo Switch: Sets Input to Mono (Tip) or Stereo (Tip + Ring)
Guitar/Line Level Switch: Optimizes internal gain structure
Mini USB Software updates, MIDI I/O
DC Input Jack: 5.5mm / 2.1mm plug / Center Negative (-)

Input Impedance: 700k ohms Mono, 990k ohms Stereo
Max Input, Guitar: +8dBu
Max Input, Line: +14dBu
Output Impedance: 220 ohms
Recommended Load Impedance: 10k ohms

Power: 9V DC @ 200mA / Center Negative (-)
Dimensions (product): 4" W x 4.25" D x 1.68" H / 102 mm x 108 mm x 43 mm
Weight (product): 1.06 lb / 0.48 kg
Dimensions (package): 7.7" W x 4.75" D x 2.8" H / 178 mm x 121 mm x 71 mm
Weight (package): 1.68 lb / .77 kg

Notes: The Wash is a dream come true for ambient player and ushers in a new chapter in the world of delays. It accomplishes the arduous task of creating an organic, below-the-mix wash. Normally this requires stacking 3-4 reverb and delay pedals at the end of your chain. The unique "Wash Circuit" creates the perfect wash with only one pedal.

For the new version (V2), Hungry Robots worked hard to squeeze the circuit into a smaller enclosure while keeping the build quality and tone quality identical. The circuit that hundreds of users have fell in love with is unchanged. The new versions are 2 inches smaller left and right. In addition to the smaller enclosure, the new option for top mounted jacks can save you a lot of board space.

At its most basic utility, The Wash is an outstanding analog-voiced, tap-tempo delay with just over 1000ms of delay time.

The Wash circuit is what makes the pedal stand out from other delays on the market. The Wash circuit adds reverb to the signal and through a complicated network of internal feedback loops, subtle multi-head Binson effect, and what is known as "ripple effect," It works to add a hauntingly beautiful wash to your signal in ways that can't be accomplished by stacking a reverb and a delay in series. It does all of this while keeping the clarity and presence of your original signal without getting lost in the soup of decay.

The Wash reacts to your playing unlike the common DSP reverb/delays with an infinate sustain function. There is a dynamic quality to it that is hard to replicate with any other single pedal.

The "Ripple" knob controls The Ripple Effect. The Ripple Effect is a feature in which each successive delay trail slowly scatters and transforms into reverb. The "Resonance" knob is to fine-tune the resonance and decay of the wash. The Middle "The Wash" knob controls the mix/level of the wash.

Current Draw: 92-93 mA

Switching: True-Bypass

Dimensions: 4.7" x 3.7" x 1.96"

Powering: 9V DC - Negative Center - 2.1mm Barrel

Notes: Transform your electric guitar into a sitar!

Very few instruments offer as much harmonic and dynamic flexibility as a sitar. Electro-Harmonix has streamlined the essence of the sitar into a compact enclosure that offers a polyphonic lead voice and tuneable sympathetic string drones that dynamically react to your playing. With the EHX Ravish Sitar Emulator, you can create your own custom scales for the sympathetic strings while you set the decay time for the lead voice.

Two expression pedal inputs allow you to bend the pitch of the lead voice and control the volume of the sympathetic strings simultaneously. These unique controls offer the player the ability to program the Ravish to become a totally unique and organic instrument unto itself.

The Ravish is a truly new design with the flexibility to be a crossover tonal wonder.

Download free Ravish settings

Transform your electric guitar into a sitar
Lead sitar voice tracks your notes polyphonically with a wide range of tonal possibilities
Selectable decay speed for the Lead voice
Sympathetic string drone simulation with a wide tonal range
Selectable keys and scales including major, minor and exotic provided for the Sympathetic strings
Power adapter included

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 5.75 x 4.75 x 2.5
Current Draw: 160mA
Year Released: 2011

Notes: The Germanium Filter is Death By Audio's love letter to sticking a pencil in your speaker.

Start with a console-style drive circuit, add in a dash of obsolete germanium transistors and finish it off with a super intense DBA-style filter - BLAMO! You've got a sound heavy enough to crush on and sharp enough to slice a tomato.

The Filter control is extremely unconventional - it'll take you from bottomless, sub-woofered out lows to super searing and brittle highs, with a universe of tone in between. The Germanium Filter will help you find the sweet spot for your instrument in any situation - at a show, in the studio, or even stranded on the side of the highway after your tour van catches fire - hey, it happens!

The Gain knob starts with a dirty boost that then spans through saturated drive, spitting distortion, and a blistering fuzz tone. Get ready for your sound to be cranked up to infinity-and-a-half and captured on tape by the most incredible recording engineer you've ever heard - only there's no engineer and no studio. Just you, your guitar, your amp and the Germanium Filter.

Controls

Filter: Controls the frequency response of the pedal, featuring huge low end, scooped mids, and sharp, piercing highs.

Gain: Sweeps from mild overdrive to blasted-out fuzz. Very interactive with your guitar's volume control.

Volume (internal): Controls the overall output level of the pedal.

Specifications

Dimensions: 5" x 2.5" x 2.25" (including hardware).

Weight: 10.6 oz

Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery).

Current Draw: 5 mA.

Notes: The MOD REX is a kinetic tour-de-force that lets you weave compelling, shifting, musical tapestries. Whether you are a guitarist, synthesist or electronic musician you will find it inspires your creativity and stretches your musical boundaries.

Four independent modulation sections:

The heart of the pedal is its four, independent modulation sections synced in time, they are:

MOD features great sounding EHX Vibrato, Flanger, Chorus or Phaser. The Depth knob lets you set the amount of the effect while Feedback controls the resonance of the Flanger and Phaser.

TREM delivers tremolo, an effect that modulates the volume of your signal. The Depth control sets tremolo intensity.

PAN modulates between left and right in stereo operation. In mono operation the PAN section acts as another tremolo section, but with the wave shapes all inverted!

FILTER offers a choice of a modulated LPF, HPF or BPF. In LPF (low pass filter) frequencies above a modulated cut-off point are cut. In HPF (high pass filter) frequencies below a modulated cut-off point are cut, and in BPF (band pass filter) frequencies above and below a modulated centre point are cut.

Each section also features a choice of four LFO shape options: rising sawtooth, triangle, falling sawtooth or square wave. They affect the way the modulation transitions and provide advanced creative control over the specific section as well as the way they interact with each other.

Tempo control that's flexible and powerful:

The MOD REX delivers virtually limitless polyrhythmic possibilities.

Its TEMPO component gives you nine note-length choices for each of the four modulation sections. They are independently selectable in increments starting at a whole note and ranging thru subdivisions that go up to a 16th note. In addition, any of the sections can be bypassed.

The MOD REX's tempo (displayed as beats per minute or BPM) is adjustable with the Tempo knob, Tap Tempo footswitch or by using an expression pedal into its EXP input. It can also be synced to an external device with MIDI Clock or an external pulse clock.

MIDI and the MOD REX:

The pedal's robust MIDI implementation enables you to sync devices quickly and easily as well as automate functions and changes so they occur precisely when and where you want them whether you are working at home, in a studio or live.

The MOD REX accepts MIDI to enable it to tempo sync the modulation rate with an external device, to recall presets via MIDI Program Change messages and to control any parameter on the MOD REX via Control Change messages.

Extras:

The MOD REX lets you save and recall up to 100 presets. It comes from the factory with 20 great programs.

The pedal features full stereo input and output.

An external foot controller input makes banking up and down thru presets quick and easy.

Notes: Transform your axe and resurrect the sound of vintage tape-based keyboards!

Now any electric guitar player can have access to nine magically quirky, dark and unique Mellotronr sounds. No more extra devices such as special and cumbersome 13-pin MIDI pickups! In addition to electric guitar, you can trigger the MEL9 with any instrument that produces an electrical output, such as a keyboard or a bass, down to 55 Hz or A1.

The polyphonic EHX MEL9 has superior tracking; you can create single notes or chords with ease. The MEL9 will follow guitar bends, dive bombs, slurs, and any other guitar expression/performance techniques you can throw at it!

Pays homage to nine of the coolest Mellotronr sounds: Orchestra, Cello, Strings, Flute, Clarinet, Saxophone, Brass, Low Choir and High Choir
Works on guitar without modifications, special pickups or MIDI implementation and tracks bends, slides, even whammy dive bombs!
Also works with bass guitar down to the open A string as well as keyboards within the limits of its polyphony (5 notes) and range (A1 to A5)
Includes independent Effect and Dry volume controls so you can create the perfect mix at the Effects output
Dry Output jack outputs your input signal at unity gain
Attack control sets the volume swell speed. As it's turned clockwise the notes fade in more gradually
Sustain control adjusts the release time after a sound is stopped. As it's turned clockwise, the fade out time increase
Power adapter included

SPECIFICATIONS
Circuit
Digital
Bypass
Buffered Bypass
Audio
Mono
Power Supply
9.6VDC-200mA power adapter included
Dimensions (in)
4.75 x 4 x 2.25
Current Draw
100mA
Year Released
2016

Notes: A truly super tremolo with powerful controls and signal routing.

Sculpt the tremolo's shape with adjustable sine, triangle and pulse waveforms while tap tempo and tap divide ensure synchronicity.

Create your own rhythmic patterns and store them.

Save and recall up to eight customized preset programs.

Conjure moving tremolos on-the-fly with EXP control over Rate, Depth, Shape, Phase or Volume. Deluxe I/O lets you choose stereo in/out, mono in/stereo out, stereo in/mono out or mono in/mono out operation.

Analog circuitry yields warm, lush tone that will envelop you in shape shifting waves.

*UK 230V power adapter included*

Notes: Tweaking the platform of their Fault overdrive/distortion, Old Blood Noise have carved out room for greater gain range, voice control, and clipping options in the Fault Version 2. The Fault remains a great overdrive with footswitchable second gain stage and three band EQ, and now excels as a clean boost and tweakable high gain distortion as well.

Notes: The EHX 1440 Stereo Looper is a compact powerhouse that provides 1440 seconds of high-quality, uncompressed, stereo recording time plus the ability to store 20 different loops. It can even tempo sync to an external MIDI device and is packed with features you'll want. Unlimited overdubbing means you can lay down as many parts as you like while variable tempo playback plus Reverse and Octave speed effects really enhance creative control.

A 1 Shot function is also included, adjustable fadeout times and optional external footswitch control for selecting loops and Undo/Redo. The affordable 1440 Stereo Looper puts a ton of looping power on your pedalboard.

Notes: Instantly create matching harmonies to what you play.

The EHX Intelligent Harmony Machine instantly creates matching harmonies to what you play. It's like having one - or even two - guitarists jamming with you at the same time and always in perfect sync. The Intelligent Harmony Machine opens a door to the music of great multi-lead guitar bands and multi-part harmonized solos. Plus, its ability to apply harmonies ranging from simple to sophisticated will totally transform what you play. Of course, it also boasts EHX's renowned impeccable tracking and genuine musical tone.

Select your key and the Intelligent Harmony Machines will generate single note, diatonic harmonies* with a huge range of choices that includes both two- and three-part harmonies. Here are your choices:

1: 6th Down
2: Perfect 4th Down
3: 3rd Down
4: 3rd Up
5: Perfect 4th Up
6: Perfect 5th Up
7: 6th Up
8: 7th Up
9: 3rd Up + 5th Up
10: 3rd Up + 7th Up
11: Perfect 5th Up + Octave Up

These sound so cool that EHX have included them as extra options for the multi-harmony parts (selections 9, 10 and 11) to give you even more choices:

9 optional: 4th Down + 3rd Up
10 optional: 3rd Up + 6th Up
11 optional: Octave Down + 5th Up
9 optional: 6th Down + 4th Down
10 optional: 3rd Down + 3rd Up
11 optional: Octave Down + 4th Down
The Intelligent Harmony Machine also performs perfect polyphonic pitch shifts so the pitch shifts you dial up are applied to chords as well as single notes. We've even included a Major/Minor switch so you can select whether 2nds and 3rds will be major or minor. Here are the interval selections that are available:

1: Doubler
2: Perfect 4th Down
3: 3rd Down (minor on major)
4: 3rd Up (minor or major)
5: Perfect 4th Up
6: Perfect 5th Up
7: 2nd Down (minor or major)
8: 2nd Up (minor or major)
9: Octave Down
10: Octave Up
11: Perfect 5th Up + Octave Up

The Intelligent Harmony Machine's Moment Mode lets you instantly change pitch by simply depressing the pedal's footswitch. The pitch shift is engaged as long as you hold down the F/S. There's also an option so you can apply a user-set sweep time between dry and effect. Choose instant pitch changes or control the time it takes for the Intelligent Harmony Machine to sweep up and down between the set interval and the dry signal!

EHX Founder, Mike Matthews said: "We designed the Intelligent Harmony Machine for the player who craves maximum power, but in a minimal footprint. You'll dig its sweet, musical tone and spotless tracking!"

*Diatonic harmony means notes within a specific key that relate to each other.

Compact harmony generating, pitch-shifting powerhouse
Impeccable tracking and superb musical tone
Two distinct modes: Intelligent Harmony and Polyphonic.
Intelligent Harmony Mode generates diatonic harmonies in a set key based on the single notes you play. Key Selector and #/- switches provide access to all 12 keys.
In Polyphonic Override Mode you can play single notes and chords. The IHM's 11-position Interval Selector switch lets you select the harmony.
In Momentary Mode the effect is only active when the footswitch is depressed. Choose from instant shifts or set the time it takes the signal to sweep up and down.
Mix control sets the mix between your dry and shifted signals. Dry output adds signal routing and control options and flexibility
Comes equipped with an EHX 9 Volt power supply, can also run on 9 Volt battery

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included (optional 9V battery not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 26mA
Year Released: 2021

Notes: The Archer Ikon is sort of a 2 in one guitar pedal. It can be used as just a clean boost by turning the gain all the way down. As you introduce gain it will attenuate the clean signal but there is a magical blend in between that you will find. Please experiment!!

Dimensions: 4.00" x 2.30"

9 volt Negative tip adaptor and a 5.5mm x 2.1mm jack.

9 volt Battery

Buffered Switching

Notes: Seriously potent effects power as usual from EarthQuaker. Octave reverb with clever modulation options and eight different modes, from sub-octave generation to pitch-bent harmonies.

Supplier's Notes:
Unrelenting, radicalized reverb for the modern world; an array of haunting, unearthly delights and ethereal sonic sorcery designed to take you on a deep journey through both time and space. This is your new destiny should you choose to accept it. Welcome to your new Astral Destiny.

The Astral Destiny is a compact and powerful modulated octave reverb pedal that features 8 reverb modes with 8 editable presets, assignable expression control, tails for natural reverb decay when the effect is bypassed and a super cool stretch feature that doubles the length of the reverb while adding an adjustable pitch bending effect.

Astral Destiny features a completely analog dry signal path, totally digital delay path, buffered bypass with and two different bypass states- Tails or Full Bypass. Tails Mode, which the is the pedal's stock setting, allows the reverb to naturally decay after the effect is bypassed, slowly letting you drift back from your ethereal dream state into the waking world. Full Bypass, on the other hand, will cut the reverb effect completely when the effect is bypassed and instantly throw you back into cold clutches of reality.

Let your fate spin out of control by pressing the Stretch footswitch doubles the length of the reverb effect while adding a temporary change in pitch. While a short tap will immediately change the pitch, holding the Stretch footswitch depressed gives you a temporary pitch bending effect with the speed of the of the pitch bending effect created by holding the Stretch footswitch easily adjusted by turning the Length knob.

While the Astral Destiny offers two different modes of operation, it ships in Live Mode, where each control will operate manually, laying out your fate for you, clearly visible. Preset Mode in contrast lets you chose from one of the 8 unearthly, ethereal factory preset reverb fates, 1 for each reverb mode, the Astral Destiny comes with. Each of these can be edited or completely overwritten just like when the ancient Fates plucked or cut the strings of ones destiny. Save settings for Length, Depth, Rate, Tone, Mix as well as EXP assignment and Stretch length and recall them instantly. Any of the Astral Destiny's 8 reverb modes can be used as the basis for each of the 8 presets.

But beware! - There is no undo for preset saving, so make sure you are not overwriting your favorite sound, especially when you are saving presets from Live Mode! - Once the string of your fate is cut, there is no turning back on your destiny. Freely express any aspect of your Astral Destiny - Shipping with the EXP jack mapped to the Depth control, the expression control can also be swiftly assigned to Length, Rate, Tone, or Mix, plus different EXP assignments can be saved in each preset and you can also use Control Voltage with the EXP Jack.

Each Astral Destiny is built one at a time by a team of Los Angeles-based robots and a handful of real life humans in the occupied Erie territory presently known as Akron, Ohio.

Notes: Transform your guitar into a classic organ from the '60s and beyond!

With 9 presets that were finely tuned to emulate the most legendary organs from the '60s and beyond, the EHX B9 Organ Machine will transform your guitar or keyboard. Control the instrument's signature percussive click and sweet modulation. Blend your dry signal to create lush layers. Enough tonewheel and combo organ inspiration to light your fire and cook up some green onions!

Transform the tone of a guitar or keyboard into that of a convincing full body, electric organ
9 presets that were finely tuned to emulate some of the most popular and classic electric organ tones
Control over percussive attack level, modulation speed, organ and dry volume
Rugged and easy to use
Power adapter included

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 4.75 x 4 x 2.25
Current Draw: 100mA
Year Released: 2014

Notes: The polyphonic BASS9 Bass Machine transforms a guitar into nine different basses and requires no special pickups, MIDI or instrument modifications. It relies on the same technology powering all EHX 9 Series pedals, like the award winning MEL9r Tape Replay Machine, but features a new algorithm maximized for transposing one to two octaves down with superior dynamics and tracking.

A rotary switch allows the user to select the sound of their choice, as follows:
PRECISION: Pays homage to the iconic Fender P Bassr
LONGHORN: Emulates the Danelectror 6-string bass, ideal for baritone type tones
FRETLESS: Features both electric and standup fretless basses.
SYNTH: A tribute to the classic Taurusr Synthesizer
VIRTUAL: Lets the user adjust the bass's body density and neck length for a variety of bass sounds
BOWED: Classic bowed bass
SPLIT BASS: Makes it possible for the guitarist to play bass on the lower strings (all notes below F#3) and chords or melody with the higher strings.
3:03: A polyphonic salute to the sought after Roland TB-303r vintage bass synth
FLIP-FLOP: Inspired by EHX's Octave Multiplexer, it provides a '70s style logic driven sub-octave generator that tracks without glitches.

The pedal is equipped with independent Effect and Dry volume controls so guitarists can precisely tune their mix at the Effects output jack, plus an always-active Dry output jack that outputs the input signal at unity gain.

Controls 1 and 2 have been designed to adjust specific parameters for each of the nine programs. For example, in PRECISION, CTRL 1 controls the sub-octaves while CTRL 2 imitates the original instrument's tone control.

Note: All third party trademarks referenced by EHX remain the property of their respective owners. Unless specifically identified as such, EHX's use of third party trademarks does not indicate any relationship, sponsorship, or endorsement between it and the owners of these trademarks. Any references by EHX to third party trademarks is to identify the corresponding third party goods and/or services and shall be considered nominative fair use under the trademark law.

Pays homage to nine of the best bass sounds ever
Tracks impeccably and works on guitar without mods, special pickups or MIDI implementation
Independent Effect and Dry volume knobs let you precisely control your mix at the Effects output
Controls 1 and 2 have been designed to adjust specific parameters for each of the nine programs
Dry output jack outputs the input signal at unity gain
Compact, rugged, easy to use
Power adapter included

SPECIFICATIONS
Circuit
Digital
Bypass
Selectable Buffered Bypass
Audio
Mono
Power Supply
9.6VDC-200mA power adapter included
Dimensions (in)
4.75 x 4 x 2.25
Current Draw
100mA
Year Released
2019

Notes: The ultimate rotary speaker emulator packed with goodies like a specially designed compression circuit to supercharge the rotating speaker effect on guitar.

Lester G's comprehensive controls include fully adjustable tube-style overdrive, Fast and Slow modes and an Acceleration control to dial in the rate at which the effect transitions between speeds. The sound of that giant wood cabinet will now fit on a pedalboard!

*UK 3-pin power supply included

Notes: Dynamic hold effects are the aim with this creative reverb pedal. Three reverb modes (tape, comb filtering and resonant bandpass filtering) can be frozen and triggered to create infinite sustaining textures.

Supplier's Notes:
Dynamics. It's the shifting ebb and flow of the tide. It's the ups and downs of life. It's witnessing night turn into day, as the sun attacks and sustains through the nightly veil, making the darkness release its gloomy grasp and decay. It's where you'll find the Old Blood Noise Endeavors Sunlight Dynamic Freeze Reverb. An envelope triggered multi-mode reverb with the ability to dynamically freeze and sustain your notes forever, seeing you create truly mesmerising sunlit soundscapes.

Building on what made OBNE's top-selling Dark Star such a stellar early-chain pad reverb, Sunlight twists it into the other dimension as a reverb pedal centred around the idea of a dynamic hold. When you play, your new notes are let through and old notes are allowed to fade away, but when you stop playing, old notes have the chance to repeat forever.

A dead simple to use interface of just two knobs controls the nature of this relationship. In addition, there are three sonic modes that highlight modulation, comb filtering and resonant bandpass filtering, each of which takes their own spin on the reverb signal. The Mix, Input and Decay controls work exactly the same across each mode, as they help control the dynamics.

Mix sets the loudness of the reverb, which goes from all dry to all wet and anywhere in between, allowing you to create everything from subtle reverberations to deep ambient textures. Now, the interplay between Input and Decay is where the real Sunlight magic starts to happen. Decay determines how long the reverb trails will sustain, which will go from quick ephemeral evaporations to infinite reverb pads. On the other hand, Input controls how much of your signal is allowed into and fed back within the reverb. At zero, no new input will be added to your reverb, but as you increase it, more signal is let through, letting you create gently evolving ambient textures or drastically changing synth-like pads.

Rate and Depth are mode-dependent controls. TAPE Mode is a modulated reverb inspired by the unexpected shifts of a tape machine wobbling. Here, Rate and Depth set the speed and intensity of the lopsided vibrato applied to the reverb signal. COMB Mode is a combination of reverb and delay. Four delay lines are placed after the reverb, and the emphasis on stacked short delays creates comb filters like a fixed flanger. Rate sets the time of all four delays, and Depth sets the feedback (or resonance) of the delay section. PASS Mode is a bandpass filter applied between two reverb paths, where a random sample-hold function sets the cutoff frequency of the bandpass. Rate sets the timing of the sample-hold and Depth sets the range of possible cutoff frequencies. If Rate is set to 0, Depth sets a fixed cutoff frequency.

But the sound shaping adventure doesn't end here. Sunlight also contains a bunch of expressive capabilities performed through the on-board ALT switch, which can be set to change control settings either momentarily or latching. It can be assigned to the Rate, Depth, Decay or Input controls or any combination of the four. You can also control them externally via an external expression pedal, the OBNE Expression Slider or even the OBNE Expression Ramper, which will open up even more creative possibilities.

Dimensions:

Product Height (cm): 5.800
Product Width (cm): 6.600
Product Depth (cm): 12.000
Product Weight (kg): 0.300

Box Height (cm): 7.800
Box Width (cm): 8.200
Box Depth (cm): 14.400
Boxed Weight (kg): 0.453

Notes: Compact multi-effect pedal combining the award-winning Soul Food Overdrive and Holy Grail Max Reverb!

The EHX Turnip Greens is a multi-effect pedal that combines the Soul Food Overdrive and Holy Grail Max Reverb.

The Soul Food delivers transparent sounds starting with clean boost and progressing all the way to intense overdrive. It's equally adept at adding punch to a player's tone, pushing an amp into saturation or in front of other dirt pedals driving them into new worlds of distortion.

The Holy Grail Max provides four carefully crafted reverbs: Spring, Hall, Plate and Reverse. A newly designed analog wet/dry control yields a constant volume curve as the Blend knob is turned from fully dry to fully wet, while also keeping the dry signal analog through the pedal.

A toggle effect-order switch, located in the middle of the Turnip Greens, selects whether the overdrive or reverb is first in the effects chain. Send and Return jacks let the player insert effects into the signal path between the two.

The Turnip Greens features an internal switch that lets the player select between true bypass or buffered bypass for the Soul Food section.

Soul Food goes from clean boost to classic distortion and can easily drive a guitar amp into saturation
Holy Grail Max delivers four studio quality reverbs: Spring, Hall, Plate and Reverse
An Effects Loop lets you put a single pedal or your entire pedalboard in between the Soul Food and Holy Grail Max
An Effect Order toggle switch lets you put either the Soul Food or Holy Grail Max first in the chain
Power supply included

SPECIFICATIONS
Circuit
Analog / Digital
Bypass
Selectable True Bypass
Audio
Mono
Effects Loop
Yes
Power Supply
9.6VDC-200mA power adapter included
Dimensions (in)
5.75 x 4.75 x 2.5
Current Draw
125mA
Year Released
2014

Notes: All the reverb and analogue-style delay you could wish for in a single pedal thanks to this killer all-rounder. Separate foot switches for reverb and delay on/off, with optional true bypass or 'trails' setting.

Supplier notes:
The Caverns Delay Reverb V2 dual-effect pedal combines delay and reverb for the perfect end to any pedal board. It features Keeley's analog-style tape delay with modulation options. The 650ms of warm delay combine with Spring, Shimmer or Modulated Reverb. Caverns now comes with a True-Bypass or Trails option. Because of its small and compact design, the New Caverns is a perfect fit for any fly-rig or small board where you have tight space requirements. The New V2 features Keeley's most popular time-based effects, blended perfectly via a design fine-tuned for over 2 years. Simply put, it will be an amazing addition to any board.

The Reverb side of the pedal features 3 cavernous sounds:

Spring Mode - Blackface Amp style spring reverb with F Style Tremolo
Modulation Mode - Choral modulation to the reverb for a huge, cavernous space
Shimmer Mode - Reverb with emphasis on octave-up voices in the reverb trails

The Delay side of the pedal incorporates Keeley's popular Magnetic Echo circuit, which is designed to emulate analog tape delay lines. Three way switchable modulation gives you options for adding Wow and Flutter to the repeats. Perfectly voiced echoes sit well in the mix, either clean or with distortion.

The New Caverns Delay Reverb V2 builds on the old Caverns pedal by giving players a more open and logical control layout with more space between the foot switches.

Top-Mounted Jacks allow for a compact pedalboard layout.

True-Bypass or Trails option gives you the freedom to create huge caverns of sounds and lets them ring out even after you turn the pedal off. Our buffers are engineered to retain your tone and to feed your amplifier a full-strength signal.

The New Caverns Delay Reverb V2 is entirely built in the US. Keeley's veteran crew builds the most reliable and road-worthy gear.

Use 2 TRS Breakout cables for effects patching or to use the Caverns with a pro switching system.