MIDI converters & accessories

Notes: The Audiowerkstatt trigger2midi2trigger v2 has all functions of the classic version 1, but comes in a powder-coated steel-enclosure and stores its settings.

If used as trigger-clock-to-MIDI-clock-converter or MIDI-clock-to-trigger-clock-converter, there is always a MIDI-clock-signal (incl. start/stop) sent at the "midi out"-jack. At the tip of the "clock"-phone-jack, an analog trigger-clock-signal (v-trigger: 0v/5v, s-trigger "open"/"closed") is sent. The tip of the "start/stop"-phone-jack is 5v while the masterclock is running and 0v while the masterclock is paused for v-trigger and "closed" while the masterclock is running and "open" while the masterclock is paused, if s-trigger is used.

A clock-source can be connected to the "midi in"-jack or to the ring of the "clock"- and "start/stop"-phone-jack.

Normal insert-cables can be used to connect the analog inputs/outputs. If only the analog outputs are used, normal phone-jack-cables (mono or stereo) can be used.

The following parameters can be adjusted:

1. Clock-source (MIDI-clock or analog trigger-clock).
2. Trigger-type of the analog input (s-trigger or v-trigger).
3. Trigger-type of the analog output (s-trigger or v-trigger).
4. Clock-divider of the incoming analog trigger-clock (1/4, 1/8. 1/16 or 1/32).
5. Clock-divider of the outgoing analog trigger-clock (1/4, 1/8. 1/16 or 1/32).
6. Pulse-length of the outgoing analog trigger-clock (adjustable in 6 steps, the pulse-length is calculated dependent on clock-divider and clock-frequency).

In addition to the clock-signal, start-/stop-signals from the masterclock are detected and processed, but it is also possible to send start-/stop-signals manual.

The settings for the analog output (trigger.type out, clock.divider out and pulse.length) can be changed without losing synchronisation, while the masterclock is running.

The Audiowerkstatt trigger2midi2trigger v2 can also be used as a tool for analog-trigger-signals, if it isn't used as a converter.

The following uses are possible:

a) "S-trigger" to "V-trigger" converter
b) "V-trigger" to "S-trigger" converter
c) Analog clock-divider
d) Analog clock-multiplier
e) Gate to trigger converter
f) Trigger to gate converter with adjustable gate-length

Power: 9-12V AC or DC (polarity doesn't matter)
Dimensions: 112 mm x 72 mm x 48 mm
Weight: 290g

Notes: Sync all your sequencers with ease and control the BPM - that's what we designed the midiclock for!

It's an ultra-stable hardware MIDI-Masterclock generator & has a great knob to give you full control over the tempo of your performances.

The midiclock generates incredibly accurate MIDI Clock messages.

It has two DIN MIDI outputs to connect to your gear. The clock signal can be distributed to more than two slaves by using MIDI Thru and you can start and stop everything with a single button.

Simply attach all devices that have MIDI Clock slave capabilities: Sequencers, synthesizers, drummachines and software like 'Live' from Ableton.

How to actually set the current BPM depends on the operating mode:

While using 'Live' mode, the BPM change immediately by turning the knob. You can use this mode if you want to make smooth tempo changes in your performance and are aware, that every turn of the knob changes the BPM.

In the 'Normal' mode, the changed value must be confirmed with a single click of the knob. This mode is perfect if you want to set your tempo once and simply need a stable clock signal. Accidental turning of the knob doesn't affect your BPM.

Notes: - CV & Gate inputs on 3.5mm mono jack sockets
- A to D conversion for main CV input is 16 bit high quality ADC
- V/octave, Hz/V or 1.2V/oct modes selectable
- Gate type can be selected as Gate or S-trig
- Aux1 & 2 inputs on 3.5mm mono jack (continuously variable or switch selectable)
- Auxes can select controller number
- Auto tune feature makes setup easy
- MIDI Out on 5 pin DIN socket
- Non-volatile memory EEPROM (no back-up battery required)
- 32 bit ARM processor

Comes with multi-regional power supply

Notes: The Kenton Pro-DCB brings instant MIDI to those much-loved instruments, the Juno-60 and Jupiter-8 (must have an existing DCB 14 pin). Just plug in and go.

As well as offering control of notes (and program change on Jupiter-8), the interface also has output sockets for filter control and arpeggio clocking. In addition, it boasts a built-in programmable LFO and works both ways (ie. it's bi-directional), so your Juno can be used as a master keyboard if required. We think that you'll find this the most comprehensive MIDI-DCB converter available today, and it's fast too.

2 x 3.5mm mono jack to 1/4" mono jack leads for Clock and VCF are included as well as the selected DCB lead.

*Supplied with UK 3-pin power adapter

Notes: Receives MIDI data from a single MIDI OUT (e.g. sequencer or master keyboard) and produces identical copies at the 25 MIDI THRU sockets. These can then be connected to the MIDI INs of sound modules or other devices which require MIDI signals sent to them.

High quality Kenton MIDI Thru box with opto-isolated MIDI In and separate drive for each MIDI Out. Powered from a mains adaptor (wall wart) so you can fit and forget.

Comes with multi-regional power supply

Notes: This is Kenton's USB version of their popular Solo MIDI to CV converter, so you need one less interface when connecting your analog synths to MIDI.

Notes: The MIDI Solutions Event Processor Plus offers all of the functionality of the MIDI Solutions Event Processor, with 32 settings instead of the Event Processor's 10, and 8 variable storage locations instead of the Event Processor's 2. Each of the Event Processor Plus's 32 settings can be programmed with a unique MIDI processing function. By combining these settings the Event Processor Plus becomes an extremely powerful tool capable of processing MIDI events in almost any way imaginable. You can map MIDI events or ranges of MIDI events to other MIDI events, filter MIDI events or ranges of MIDI events, trigger MIDI events, toggle between MIDI events, sequence through MIDI events, scale or crossfade MIDI messages, transpose notes, scale velocities, map to and from System Exclusive, NRPN, Bank Select messages, store incoming values in variables for later use... the Event Processor is like a swiss army knife of MIDI processing products, an indispensable tool in any MIDI musician's arsenal.

The Event Processor Plus works by comparing each incoming MIDI event with each of its 32 settings. When an incoming MIDI event matches a setting, the event is processed according to that setting. By combining different settings for different incoming events, the Event Processor Plus becomes an extremely powerful tool capable of achieving virtually any combination of MIDI-processing functions.

Following is a list of the Event Processor Plus's functions, but better yet download the Event Processor Plus Programming Tools software and read the Guide to the Event Processor and Event Processor Plus by Bruce Wahler of Ashby Solutions. The Programming Tools software is free for download, quick to install, and contains lots of example files that demonstrate the many applications of the Event Processor Plus. And the Guide to the Event Processor and Event Processor Plus is a comprehensive guide that makes it easy to understand everything these amazing products are capable of!

Filter MIDI Events

Map MIDI Events

Trigger MIDI Events

Cycle Through a Sequence of MIDI Events

Turn Settings On and Off

Store Incoming Values in Variables


The Event Processor Plus is programmed by sending it MIDI System Exclusive messages (see FAQs - Programming). This is easily done with the Event Processor Plus Programming Tools software. Once programmed, the Event Processor Plus's settings are retained even after power is removed. The Event Processor Plus can be reprogrammed with new settings as often as needed.

The Event Processor Plus is MIDI-powered, and requires no batteries or power supply to operate with most MIDI products (see FAQs - Power and FAQs - LED for more information). A MIDI indicator LED lights up when the product is powered and flashes when MIDI data passes through it.

weight: 3.8 oz.
dimensions: 4-3/16" x 2-3/16" x 1-3/32"

Notes: The MIDI Solutions MultiVoltage T8 is a 1-in 8-out MIDI Thru Box. All MIDI messages appearing at the T8's MIDI input are passed to each of its eight MIDI Thru outputs. Active circuitry cleans up any skewing of MIDI data bits that has occurred at the input, ensuring reliable operation in setups that require daisy chaining or long cable runs.

The T8 is MIDI-powered, and requires no batteries or power supply to operate with most MIDI products (for more information read the Power FAQs). A MIDI indicator LED lights up when the product is powered and flashes when MIDI data passes through it.

MIDI Solutions MultiVoltage products are compatible with both the original 5V and new 3.3V MIDI specifications, for more information read the MultiVoltage FAQ.

Weight: 1.9 kg (4.2 lb)
Dimensions: 483 x 171 x 44 mm (19" x 6.75" x 1.75")

Notes: The Pedal Controller accepts an expression pedal (such as the Yamaha FC7 or Roland EV-5 or any potentiometer connected to a 1/4" stereo phone plug) as an input and generates continuous MIDI data based on its position. The Pedal Controller may be inserted inline at any point in the MIDI data stream, allowing you to send continuous controller information to any device in your MIDI setup.

The Pedal Controller's factory default settings are for it to send CC#7 (volume) on MIDI channel 1, so if this is what you need the Pedal Controller to do then no programming is necessary - just insert the Pedal Controller in your setup and it's ready to use. The Pedal Controller can also be programmed to send other types of MIDI messages, for more info read on...

The Pedal Controller can be programmed to send:

Aftertouch

Pitch Bend

Control Change

System Exclusive

The Pedal Controller has a MIDI Echo parameter that is selectable on/off.

The Pedal Controller accurately tracks the position of the pedal or potentiometer connected to it. Small fluctuations are eliminated when the pedal is in a stationary position and no extraneous messages are sent out. When the pedal is moved slightly, the Pedal Controller will send an update even if its position has only changed by a single value. Many control wheels or knobs only update themselves every two or every four values, resulting in coarser control, and sometimes zipper noise.

Another unique feature of the Pedal Controller is its ability to add a variable amount of curvature to the response of the pedal. This allows you to correct for pedals with nonlinear responses, or to add greater response at one end of the pedal compared to the other.

The Pedal Controller is programmed by sending it MIDI System Exclusive messages (see FAQs - Programming). Once programmed, its settings are retained even after power is removed. The Pedal Controller can be reprogrammed with new settings as often as needed. The Pedal Controller's factory default settings are for it to send CC #7 (volume) on MIDI channel 1, with the Echo parameter set to ON.

The Pedal Controller is MIDI-powered, and requires no batteries or power supply to operate with most MIDI products (see FAQs - Power and FAQs - LED for more information). A MIDI indicator LED lights up when the product is powered and flashes when MIDI data passes through it.

weight: 4.1 oz.
dimensions: 4-3/16" x 2-3/16" x 1-3/32"

Notes: Compact USB MIDI Interface with 8 x MIDI IN and 8 x MIDI OUT, works Class Compliant without drivers with MAC OSX, Windows XP SP2, Windows Vista, Windows 7, 8 and 10.

The Midiface 8×8 is based on Ploytec's GM5 technology, which means extremely good timing and perfect Sys-Ex stability. When USB3.0 is used for the connection, MIDI flow is further prioritized. This ensures stable and reliable real-time performance for your DAW.

Notes: EEffortless and reliable MIDI synchronisation.

Set the tempo on your MIDI devices, modular synths, your daw and use the built-in metronome with live musicians.
At the core, the Midronome is a MIDI Master Clock, that means it will set the tempo on your MIDI gear like synths, sequencers, drum machines, Ableton, guitar pedals, etc.

Live, it will sync acoustic musicians as well with its built-in metronome in time with the sequencers.

In the studio it will solve any sync issue you might have, by syncing tightly your DAW and your outboard gear together.

It has two CV/Analog outputs for your Modular gear like Euro-racks, which can also be used a DIN (sync24) clock output for your vintage synths.

The function

So damn easy to use

Plug 3 cables and you're ready to play. Your sequencers and drum machines will automatically start in time. Change the configuration with a few clicks directly on the device.


Tons of possibilities

Customize the Midronome so it fits your setup. Choose the click sound, the speed of your CV signal, the pedals' function, the play button behavior, even the brightness of the LEDs.


Ready for live

Big display, to stay in control on the dark stage. Large metal knob and buttons that light up. Sturdy steel metal case. Special locked Mode to prevent accidental changes.

Fast and responsive

Press a button, turn a knob, or power it up, the Midronome responds instantaneously, you will never have to wait.

Tap tempo in five ways

Turn the knob, tap the button, use a drum pad, a pedal or simply send an audio sync signal - pick what fits your setup.

Ultra stable clock

No more sync issues with a jitter-free MIDI clock. Measured jitter of under 10ns, 50000 times more precise than a computer-based MIDI Clock.

The connectivity

Midronome's back

MIDI/DIN/CV/analogue clock

Whatever clock signal your equipment needs, Midronome has got you covered.

Headphones/LINE out

Send the audio click to headphones directly, or send a balanced line-level signal to your in-ears mixer.

USB powered

Avoid the classic "oh no I forgot the power plug!", just get any USB cable and plug it in a phone charger, a computer, or whatever you have handy.

Pedal / drum pad input
Connect 2 pedals to control Mute, Play, or Tap Tempo. Replace one pedal with a drum pad to tap both tempo and time signature.

Sync DAW over audio

Get your software and hardware in sync with one simple audio track in your DAW. Send the signal to the Midronome's input, and your DAW will control your Midronome, both tempo and time signature at sample rate precision.

Independent MIDI ports

Start or stop your devices independently on each port, using either two buttons or two pedals. Need more ports? Connect a MIDI powered Thru box, or even add more Midronomes to expand while keeping the same remarkable precision.

The versatility

Hybrid studio

Do you have a recording studio with lots of gear? Do you struggle to get your hardware in sync with the recording software?

Rock band

Do you want to spice up your rock sound with a few sequencer synths, without having the hassle of a complex computer setup?

Solo artist

Are you a solo artist who plays many instruments on stage? Do you need a hands-free solution to sync your gear?

Tempo

Tempo Range: 30 to 400 BPM
Time Signature: from 1 to 99 beats per bar

Connections

Physical Outputs: 2x independent MIDI Outputs, 1x Audio Output (6.35mm Stereo TRS jack) with headphones/line switch, 1x CV/Analog/DIN Sync Clock Output (3.5mm Stereo TRS jack)
Physical Inputs: 1x USB plug (also used for power), 1x Multi-function input (6.35mm Stereo TRS jack)

MIDI Clock

MIDI Outputs
No-load voltage 3.3V
Follows MIDI Specification
Compatible with MIDI-powered devices

MIDI Packets
Constantly: F8 (MIDI Clock)
Start: F2 00 00 (MIDI SPP 0), FA (MIDI Start)
Stop: FB (MIDI Stop)
Resync: same as Start

MIDI Clock Jitter: +/- 5 nanoseconds; Other MIDI packets do not add any jitter

USB-MIDI
Class Compliant
3 interfaces: Midronome Clock & Start, Midronome Clock Only, Midronome Commands (see below)

USB-MIDI Commands (to send to the Midronome over USB-MIDI)
MIDI Start/Cont./Stop -> same as pressing PLAY
MIDI Clock -> ignored
Ch 12 MIDI CC 85-89 -> set tempo
Ch 12 MIDI CC 90 -> set time signature

Analogue Clocks

CV/Analogue clocks:
2 independent outputs (Stereo TRS jack)
5ms pulse 0-5V
Configurable speed from 1ppq to 24ppq (pulses per quarter note)

DIN Sync (sync24)
Tip/Left = pulses 0-5V 24ppq
Ring/Right = start/stop signal 0-5V
Compatible with vintage Roland devices with a TRS to DIN adapter

Audio Metronome

Metronome sound
60 different click sounds
Different click sound for downbeat

Max. Audio Level
Balanced Line Out: +13 dBu
Headphones: 15 mW + 15 mW at 32 O

Audio volume
9 volume levels
+/-6dB step
Different volume for downbeat click

Multi-function Input

Possible functions:
Pedal/Footswitch
Drum Pad
"Audio Sync" Mode (to sync with DAWs f.ex.)
Additional pedal (with one of the above)

Pedal functions
Mute/Unmute
Play/Stop
Tap Tempo

Drum Pad Modes
Tap Tempo
Tap Tempo + Tap Time Signature (detects stronger hits)
3 configurable sensitivity levels

Audio Sync Mode: Sync to an Audio Sync Signal generated by the SyncFileGenerator Tool

Accepted pedal type: Momentary (typical sustain pedal), Latching (typical guitar amp footswitch)
Accepted pedal polarity: Any (automatically detected)

Other

Play/Stop Modes: Play on the next bar, Play right away and reset metronome (to the beginning of the bar)
PLAY Button Modes: Play on both MIDI Ports, Play only on MIDI Port 1
MUTE Button Modes: Mute/unmute, Second Play button: Play only on MIDI Port 2 (one button per MIDI Port)
Power Source: USB Bus Power - 5V

Current consumption: 60mA average (default display brightness, set to 003), 90mA average (maximum display brightness, set to 008), 300mA peak (without add-on module)
Asks for 500mA from USB host
Dimensions (W x D x H): 128 x 76 x 54mm
Weight: 382g

Notes: Another typically creative offering from the good people at Soma, the Metaconformer is a MIDI router and thru box with some nice touches, including Combiner mode to join monophonic instruments into one big polyphonic patch.

Supplier's Notes:
METACONFORMER is a smart MIDI router and thru box.

The METACONFORMER has 2 independent MIDI inputs and 4 MIDI outputs. One of the outputs can be configured as a sync signal source.

Today METACONFORMER supports 3 modes of processing MIDI messages:

Splitter mode allows you to split the keyboard of one MIDI channel into several zones. Notes from each zone are sent to only one instrument. This allows you to simultaneously play several instruments at once, listen to the interaction of timbres without having to switch the MIDI channel.

Combiner mode allows you to combine several monophonic instruments into one multitimbral polyphonic instrument. This works the same way as a polyphonic synthesizer's algorithm when it activates its voices. Only instead of voices with the same dynamics and parameters, you can play completely different timbres, which greatly expands the possibilities for creating interesting harmonies and rhythms.

Translator mode allows you to play the sound core parameter by pressing notes. Each received note is translated into a CC message corresponding to the desired parameter. This mode allows you to play with sound parameters, rather than simply enter them by rotating the knob. This mode works great with granular delays, resonant filters and paraphonic oscillators.

Power supply: DC +5V via USB
Current consumption: 20 ma max
Dimensions: 148 x 50 x 20 mm
Weight: 0.15 kg