Multitrack Recorders

Notes: The SU-200R offers convenient real time digital audio recording to both SD cards and USB drives. Its user-friendly operation makes it an ideal recording platform for DJ mixes, band rehearsals, sermons, board meetings, and more.

With a full set of playback controls, the SU-200R can also function as a dual SD/USB player with separate and mixed audio outputs.

Its slim rack-mountable construction will fit neatly into standard rack cases.

Notes: Unique multi-track recorder/looper with a simple, intuitive interface. Record, layer and loop up to five tracks then bounce down and add more. Creative and inspiring.

Supplier's Notes:
5 Moons is a multitrack recorder. On one hand, it's a tool to record your creativity. Build up layers of tracks and enjoy crafting that perfect song or field recording.

On the other hand, it helps you create new sounds! Looping and bounce down functions open up new dimensions for your sound and fun ways for your tracks to interact with each other!

The unassuming wood enclosure draws you in, but hidden inside are high fidelity electronics designed for rich recordings. Its sleek user interface offers crisp control and ample room for sonic experimentation.

Easy Interface, Rapid Results
Get straight into recording - let your creativity flow.

5 Moons' simple interface is perfect for effortlessly building up many tracks.

The immediacy of 5 Moons means you'll be quickly experimenting and exploring the new ideas flying around your studio - watch out!

One Shot or Loop?
Create evolving jazz loops and/or a 3-chord pop song.

5 Moons is happy to accommodate recording a song with a beginning and end or a looping vibe - it's all in how you decide to play back your tracks.
You'll probably do both!

Bounce with Me
Build up your song with more tracks.

At first glance, you might think 5 Moons 'only' has five tracks. But once you bounce down those five tracks to the first track of a new song, you'll have 4 more tracks to add to it!

Once those four new tracks have audio, bounce down again and you'll have another four new more tracks to play with! ...and on and on until your masterpiece is complete.

File Freedom
Disk Mode makes it easy to transfer files to your DAW.

The USB-C port is used for both power and data transfer. Connect to your computer and copy your recordings for posterity and/or additional editing.

You can also copy existing audio files onto 5 Moons. Use these files as the beginnings of new songs or use 5 Moons' interface as a way to re-envision and remix your prior tracks!

Welcoming Material
Warmth of wood invites you in.

A hunk of wood is a nice thing to look at and touch. 5 Moons' enclosure highlights a natural beauty that will inspire.

Design/Specs

Audio input/output:

1/8" Monophonic Audio Input
1/8" Monophonic Audio Output
Five Track Volume Sliders
Master Output Volume Potentiometer

Audio format:

Record Sample Rate: 48KHz
Record Bit Depth: 16-bit

Included storage:

An 8GB microSD card holds the operating system and audio storage.
There is ~7GB for available for audio storage.
This is about 20 hours total record time.

Physical characteristics:

Size: 4.25 x 3.375 x 1.375" / 10.8 x 8.5 x 3.6 cm. Height includes Volume potentiometer.
Weight: 5oz / 140g
Pine & PLA Enclosure

Included items:

Power Supply:
Input: 100-240VAC @ 50/60Hz.
Output: 5VDC
USB-A port
North American Plug
Power / Data Cable
USB-A to USB-C
Length: 40 inches / 101.6 cm

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Unique multi-track recorder/looper with a simple, intuitive interface. Record, layer and loop up to five tracks then bounce down and add more. Creative and inspiring.

Supplier's Notes:
5 Moons is a multitrack recorder. On one hand, it's a tool to record your creativity. Build up layers of tracks and enjoy crafting that perfect song or field recording.

On the other hand, it helps you create new sounds! Looping and bounce down functions open up new dimensions for your sound and fun ways for your tracks to interact with each other!

The unassuming wood enclosure draws you in, but hidden inside are high fidelity electronics designed for rich recordings. Its sleek user interface offers crisp control and ample room for sonic experimentation.

Easy Interface, Rapid Results
Get straight into recording - let your creativity flow.

5 Moons' simple interface is perfect for effortlessly building up many tracks.

The immediacy of 5 Moons means you'll be quickly experimenting and exploring the new ideas flying around your studio - watch out!

One Shot or Loop?
Create evolving jazz loops and/or a 3-chord pop song.

5 Moons is happy to accommodate recording a song with a beginning and end or a looping vibe - it's all in how you decide to play back your tracks.
You'll probably do both!

Bounce with Me
Build up your song with more tracks.

At first glance, you might think 5 Moons 'only' has five tracks. But once you bounce down those five tracks to the first track of a new song, you'll have 4 more tracks to add to it!

Once those four new tracks have audio, bounce down again and you'll have another four new more tracks to play with! ...and on and on until your masterpiece is complete.

File Freedom
Disk Mode makes it easy to transfer files to your DAW.

The USB-C port is used for both power and data transfer. Connect to your computer and copy your recordings for posterity and/or additional editing.

You can also copy existing audio files onto 5 Moons. Use these files as the beginnings of new songs or use 5 Moons' interface as a way to re-envision and remix your prior tracks!

Welcoming Material
Warmth of wood invites you in.

A hunk of wood is a nice thing to look at and touch. 5 Moons' enclosure highlights a natural beauty that will inspire.

Design/Specs

Audio input/output:

1/8" Monophonic Audio Input
1/8" Monophonic Audio Output
Five Track Volume Sliders
Master Output Volume Potentiometer

Audio format:

Record Sample Rate: 48KHz
Record Bit Depth: 16-bit

Included storage:

An 8GB microSD card holds the operating system and audio storage.
There is ~7GB for available for audio storage.
This is about 20 hours total record time.

Physical characteristics:

Size: 4.25 x 3.375 x 1.375" / 10.8 x 8.5 x 3.6 cm. Height includes Volume potentiometer.
Weight: 5oz / 140g
Pine & PLA Enclosure

Included items:

Power Supply:
Input: 100-240VAC @ 50/60Hz.
Output: 5VDC
USB-A port
North American Plug
Power / Data Cable
USB-A to USB-C
Length: 40 inches / 101.6 cm

Notes: The DA-3000 is perfectly designed for stereo PCM/DSD recordings at high sampling frequencies suitable for archival masters. This magnificent unit is capable of recording analog and digital signals up to 192kHz PCM or 5.6MHz DSD. The unit records to both SDHC cards and UDMA supported CF cards.

The variety of inputs and outputs enable connection with all types of studio equipment, including audio interfaces and mic preamps. The analog inputs and outputs include both XLR and RCA jacks. The digital connections include S/PDIF RCA coaxial and XLR jacks to support AES/EBU. The BNC SDIF-3 inputs and outputs support DSD digital connections.

With the goal of making a high-quality audio recorder and ADDA converter easy to use, we designed the front panel with all of the necessary external controls and included long, brightly lit meters and display. The 128x64 OEL display allows you to check necessary information quickly, and the 24 dot level meters allows you to confidently monitor levels at all times.

You can synchronize the operation of multiple DA-3000 units by interconnecting their digital inputs and outputs. Files that have been recorded in sync will have sample-level synchronization as well. In addition to stereo DSD recording of Jazz and classical music, this also makes simple DSD multitrack recording of bands possible.

Use of a dual mono structure for the output circuit eliminates interference between the left and right channels and achieves high audio quality by maximizing the performance of the components. Two high quality mono circuits are built into the unit. The left/right channels each use one highly-acclaimed BurrBrown PCM1795 D/A converter chip.
The TASCAM DA-45HR, which is still used in many studios, uses a dual mono structure with NE5532 ope amps and BurrBrown D/A converters. By using an equivalent output circuit structure including DA converters of even higher quality that support DSD, the DA-3000 provides a portable high-quality monitoring system.

The internal circuit uses a fully-balanced structure that is completely resistant to noise from the inputs and outputs. This has a great effect on the output and input stage impacting the recorded audio. The input audio is digitalized by the BurrBrown PCM4202 ADC after it passes through the analog input circuit.

Operational amplifiers have a great impact on audio quality, so we carefully selected the NJM2114 and NE5532. In addition, we selected low-impedance capacitors featuring low resistance, low noise and high precision to emphasize audio quality.

In order to assure high-quality audio input and output, a stable power supply is indispensable. The EI core transformer incorporated into this unit has separate coils - one for the digital circuits and control panels and one for the analog circuits - making it possible to capture even higher-quality signals by suppressing noise. In addition, for the clock generator, we have used a temperature-compensated crystal oscillator (TCXO) that boasts 1-ppm precision.

Cooling fans inside equipment generate noise and can cause loss of accuracy when monitoring at low volume levels. With the DA-3000, we have achieved high performance in a fanless design, allowing you to maintain a comfortable monitoring environment that is free of fan noise.

Notes: Utilized by seminal artists and home for legendary albums throughout the years, Tascam have stayed true to manufacturing rugged, compact, feature-rich song-writing and demo tools.

The DP-006 is the most compact solid-state multi-track recorder on the market. Tascam equipped it with 6-channels (2 x mono and 2 x stereo/mono), selectable track modes, built-in high-quality stereo condenser mics and 2 x mic/line inputs.

This recorder will easily fit into any gig bag, pocket or suitcase.

Song ideas can happen anywhere and with the DP-006 you're ready. Jot down all of the key components to your songs using these professional sounding multi-track recorders. Be ready wherever creativity strikes. For elongated battery life these models can connect directly to Tascam's external battery pack (BP-6AA) via USB.

The DP-006 is built with 2 x condenser microphones directly in the front of the units. Record vocals or acoustic guitar anytime without the need for extra equipment or set-up time. Tascam held many evaluation tests to secure the best sounding microphones and structures. Modeled after the top-selling DR series microphones, you can be assured you're receiving top-quality, Moreover the DP-006 was designed with a tripod mount for versatile set-up and placement.

The DP-006 is optimally designed for on-the-spot recording. No unnecessary features were included that might complicate the recording to ensure easy functionality. Designed with Analog functionality and dedicated control knobs the Pocketstudio is the simplest to use songwriting scratchpads on the market.

The DP-006 features ultra light-weight designs to ensure portability. The DP-006 is 360g (without AA batteries).

The DP-006 has 2 input terminals by phone-jack, these terminals provide to connect an external microphone, an electric-acoustic guitar and a line-level device like a synthesizer. If you prepare any conversion cable, a tablet device like a iPad will be able to connect. (Conversion cable is not included) It supported file import/export by WAV format. Also, mono file and stereo file are available. This feature offers various advantages. For example, at first, you import an instrumental song which created by a DAW. Then, your ideas capture by the DP-006. After recording, these ideas can export from a DP, you can be editing and mixing raw song data and recorded data on your DAW.

The DP-006 supported file import/export by WAV format. Also, mono file and stereo file are available. This feature offers various advantages. For example, at first, you import an instrumental song which created by a DAW. Then, your ideas capture by the DP-006. After recording, these ideas can export from a DP, you can be editing and mixing raw song data and recorded data on your DAW.

Notes: The DP-03SD is an affordable way to get into Tascam's famed Portastudio system of making recording simple and affordable for musicians. The 8-track digital recorder captures your music at CD quality to affordable SD/SDHC cards, and a 2GB card is included with the recorder. With built-in microphones, effects, and mastering, the DP-03SD provides everything musicians need to record and share their music.

A pair of stereo condenser microphones is built into the front panel of the DP-03, helpful for capturing a rehearsal, live performance or songwriting ideas. Also included are a pair of high-quality XLR microphone preamps with phantom power for condenser microphones. 1/4" line inputs are also available, and an instrument-level switch allows you to record a guitar or bass without a direct box. A three-button footswitch, the RC-3F, is available for control and punch in.

Routing the inputs to one of the eight tracks is simple, and you can record two at a time until you fill up all eight. A tuner and metronome are built-in for tight-sounding tracks, each with its own dedicated button for quick access. Track can be edited with commands like copy/paste, silence, clone track and undo. Bouncing is also available, even bouncing all eight tracks down to one or two. There's even the option to import a WAV file through USB.

Each track has its own send to a stereo reverb processor as well as two-band shelving EQ. Once you've perfected your mix with the 45mm faders, pan knobs, reverb and EQ, record it to the dedicated stereo master track. Your mix can be processed with mastering effects like EQ and limiting for a tight, modern sound. When you're satisfied, transfer your mix to a computer over USB 2.0.

Tascam's DP-03SD is the simplest, best-sounding way to share your music with the world.

Notes: The DP-24SD Digital Portastudio is a 24-track workstation, allowing eight tracks of simltaneous recording. The built-in mixer includes everything you need for a professional-sounding mix, from EQ and reverb to amp simulation and multi-band mastering effects. The Digital Portastudio series creates finished productions without the need for a computer, instead using a simple-to-use control surface to keep you creative.

For clear display of your mix, the DP-24SD has a large color LCD displaying tracks, meters, and effects parameters. A set of 12 encoders control EQ, effects sends, and panning. Built-in effects include compression, guitar amp modeling, delay, reverb, with a total of 10 effects processirs available during mixing.

Eight XLR mic/line inputs each provide phantom power for condenser microphones, switchable in banks of four. One input includes an instrument-level impedence switch for direct input recording of guitar or bass. Balanced monitor outputs and effects sends are also provided on the rear panel. A USB output allows tracks and mixes recorded to your SD card to be transferred to a computer for CD burning or sharing online.

For a complete music production on a desktop, there's no simpler choice than the DP-24SD.

Even with the DP-24SD's number of tracks and features, there's no easier multi-track recorder to use. Nineteen track faders and one master fader allows instant access to any track without selecting pages or banks of faders.

3.5" LCD screen and select, self-illuminated buttons - making it easy to view your entire creative process. Some of the illuminated buttons include (SOURCE, SELECT, REC, MUTE).

The DP-24SD have similarly employed rotary knobs to control dynamics such as EQ, effect send and other related features.

The DP-24SD employ SD/SDHC media. SD/SDHC cards provide secure shock resistance due to the absence of any moving parts. File format of the DP-24SD is FAT 16 or 32. The Portastudio recorded files can be accessed on your computer when connected via USB.

8 XLR-TRS combo inputs. You can record up to eight sources at one time.

The equalizer for each track and each input are independent from other effects. Record like any professional studio with EQ for each individual track.

Use up to 8 dynamics effects at once, one for each input source. For example, utilize the built-in compressor effect for your bass, guitar and drum tracks. A multieffects processor includes guitar amp modeling, chorus, flange, delay and other effects.

When the mutlieffects processor is used, only four dynamics effects are available. The stereo reverb on send/return 1 is always available.

Create a master track without using a computer with the TASCAM mastering effects.

In the mastering effect section you will find a 3-band equalizer, a 3-band multiband compressor and 3 normalize effects for setting peak amplitude - take your stereo master file to the next level of quality.

Notes: Tascam's DP-32SD Digital Portastudio records an unmatched 32 tracks to solid-state media. Up to eight tracks can be recorded at a time through its combination XLR and 1/4" combo jacks. Input processing like compression and limiting are available during recording, as well as guitar amp simulation and multi-effects for use with the instrument-level input. A color LCD and channel strip knobs make mixing fast and creative. With its great sound, powerful features and easy operation, the DP-32SD is Tascam's biggest Portastudio yet.

The DP-32 has 12 selectable tracks between MONO or STEREO. Use a STEREO track for recording synthesizer, or set the track to MONO when recording guitar or vocal. Not only that, you can create ideal settings for each track. (set #9 to #12 STEREO, then set #13 to #22 MONO) If all tracks are set to MONO the DP-32 becomes a 20-track multi track recorder.

The DP-32, even with the high number of tracks, is one of the easiest multi-track recorders in the market to use. The The DP-32SD has 20 track-faders and one master fader. You can control any track with ease.

The DP-32SD has a 3.5" LCD screen and select self-illuminated buttons, making it easy to view your entire creative process. Some of the illuminated buttons include (SOURCE, SELECT, REC, MUTE).

The DP-24/32 have similarly employed rotary knobs to control qualities such as EQ, Effect Send and other related features.

The DP-32SD uses SD/SDHC media. These cards provide secure shock resistance due to the absence of any moving parts. The file format in the DP-32SD is FAT 16 or 32. You can transfer the recorded files to your computer via USB.

The DP-32SD has 8 XLR-TRS combo inputs. You can record up to eight sources at one time.

The equalizer for each track and each input are independent from other effects. Record like any professional studio with EQ for each individual track.

Use up to 8 dynamics effects at once, one for each input source. For example, utilize the built-in compressor effect for your bass, guitar and drums tracks. In addition, the DP-32SD have multiple guitar and mixing effects.

The DP-32SD is equipped with mastering effects for finihsed-sounding mixes. There is no need for computers when recording and mixing. The mastering effects section includes a Multi-Band Compressor, EQ, Noise-Shaping Dither, and a Normalize Effects. You can create a high-quality 2-track master file for transfer to your computer to burn a CD or share online.

The headphone amplifier provides easy monitoring in loud environments such as a rehearsal studios or live performance.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Tascam's DP-32SD Digital Portastudio records an unmatched 32 tracks to solid-state media. Up to eight tracks can be recorded at a time through its combination XLR and 1/4" combo jacks. Input processing like compression and limiting are available during recording, as well as guitar amp simulation and multi-effects for use with the instrument-level input. A color LCD and channel strip knobs make mixing fast and creative. With its great sound, powerful features and easy operation, the DP-32SD is Tascam's biggest Portastudio yet.

The DP-32 has 12 selectable tracks between MONO or STEREO. Use a STEREO track for recording synthesizer, or set the track to MONO when recording guitar or vocal. Not only that, you can create ideal settings for each track. (set #9 to #12 STEREO, then set #13 to #22 MONO) If all tracks are set to MONO the DP-32 becomes a 20-track multi track recorder.

The DP-32, even with the high number of tracks, is one of the easiest multi-track recorders in the market to use. The The DP-32SD has 20 track-faders and one master fader. You can control any track with ease.

The DP-32SD has a 3.5" LCD screen and select self-illuminated buttons, making it easy to view your entire creative process. Some of the illuminated buttons include (SOURCE, SELECT, REC, MUTE).

The DP-24/32 have similarly employed rotary knobs to control qualities such as EQ, Effect Send and other related features.

The DP-32SD uses SD/SDHC media. These cards provide secure shock resistance due to the absence of any moving parts. The file format in the DP-32SD is FAT 16 or 32. You can transfer the recorded files to your computer via USB.

The DP-32SD has 8 XLR-TRS combo inputs. You can record up to eight sources at one time.

The equalizer for each track and each input are independent from other effects. Record like any professional studio with EQ for each individual track.

Use up to 8 dynamics effects at once, one for each input source. For example, utilize the built-in compressor effect for your bass, guitar and drums tracks. In addition, the DP-32SD have multiple guitar and mixing effects.

The DP-32SD is equipped with mastering effects for finihsed-sounding mixes. There is no need for computers when recording and mixing. The mastering effects section includes a Multi-Band Compressor, EQ, Noise-Shaping Dither, and a Normalize Effects. You can create a high-quality 2-track master file for transfer to your computer to burn a CD or share online.

The headphone amplifier provides easy monitoring in loud environments such as a rehearsal studios or live performance.

Notes: The DR-701D is TASCAM's flagship recorder for single-shooter video production. A timecode generator is included for location reference, which can be jam synced from a SMPTE generator, camera, or smart slate. The HDMI in and out allows a DSLR camera to start recording on both devices, and video clock prevents drift between sound and picture.

Four mic inputs can be individually recorded and mixed to a stereo track, for a total of six-track recording. For additional tracks, multiple units can be cascaded together. The lightweight yet rigid chassis is forged from a magnesium alloy. Tripod mounts on the top and bottom of the unit allow the unit to mount under a camera, attach to a follow-focus cage, or used stand-alone.

Designed for the needs of professional filmmakers, television producers, advertisers, and documentarians, the DR-701D packs high quality multitrack recording into a package compact enough for use with any camera.

6-track recording (4 tracks + L-R stereo mix):
Using the built-in mixer, 4 tracks and their stereo mix (6 tracks total) can be simultaneously recorded. In addition to pan and level adjustments, the mixer includes a delay function to compensate for distances between mics. A mid-side decoding function is also built-in for use with MS stereo mics.

Perfect camera sync using HDMI video clock synchronization:
An HDMI input and output allows the DR-701D's internal clock and the camera to be digitally synchronized. Even when shooting long events, the video files recorded by the camera and audio files recorded by the DR-701D will not drift out of sync.

One button press on the camera starts sound recording on the DR-701D:
Simply pressing the camera recording start button sends a trigger to the DR-701D to start audio recording. Unlike other systems that force you to press record on both devices, the HDMI start system prevents missed takes, syncs the two recording starts together, and makes single-operator shoots much easier.

Cascade feature for additional track recording:
By connecting multiple units using HDMI, slave DR-701D units can be made to follow a master unit to start and stop recording simultaneously. Since audio can also be output through the HDMI connection, monitoring selections can be made using slave units without reconnecting headphones.

SMPTE timecode stores time data in recorded audio files:
The built-in SMPTE generator allows the camera and DR-701D to store the same location reference. Several options are available to integrate SMPTE LTC into your camera system. The BNC timecode input can follow a source signal, or can be "jamsynced" a few times per day for independent freewheel operation. Cameras that send timecode through their HDMI output can be followed by the DR-701D's timecode input. And the internal generator can be started without an external reference for a simple time-of-day stamp on recorded BWAV files.

The magnesium-alloy chassis is lightweight yet rugged enough for daily on-set use
The DR-701D's chassis is forged using a magnesium alloy, chosen for its lightweight but solid structure. Despite its compact size, a high number of inputs and outputs are included. Screw threads for mounting a tripod are included on the bottom of the unit, while a removable camera attachment screw and hot shoe are included on the top of the unit. The DR-701D includes a number of mounting options - either below the camera for best cable management, above the camera, or mounted to a follow-focus cage.

High-quality HDDA (High Definition Discrete Architecture) mic preamps:
The microphone preamps have a significant impact on the quality of the recorded audio. The DR-701D features TASCAM HDDA mic preamps. The differential mic preamp circuits use discrete architecture, built with carefully selected components. For example, Texas Instruments OPA1652 op amps were selected for their high quality and low noise - with even better audio performance than the previous DR-70D model. As a result, the unit boasts an equivalent input noise of -124 dBu or better.

The A/D converters, which convert analog signals to digital, are made by Asahi Kasei Corporation and are equivalent to those used in the top models in the TASCAM DR series of linear PCM recorders. High audio quality HDDA circuits faithfully convert the amplified audio to digital. Resolutions up to 96kHz/24-bit are supported when recording 6 tracks and 192kHz/24-bit when recording

Multiple mic inputs support various recording options:
The four XLR/TRS inputs can be adjusted and recorded independently, allowing various on-set recording options. Talent can be recorded using shotgun mics, lavaliers, or both simultaneously. Ambience can be recorded using a stereo mic (or the built-in microphones.) The 3.5mm stereo input can be selected for channels (1-2) and the built-in omni mics for channels (3-4) for an even wider range of mic setups.

Notes: The DR-70D is a compact audio recorder that allows the aspiring DSLR user to create audio recordings in very high quality in parallel to their film or video shots. The recorder can be mounted directly between a tripod and the camera or on top of the camera, resulting in a compact package.

With its two built-in microphones, the DR-70D is instantly ready for use in standard situations. In addition, it provides four XLR/TRS combo jacks which can be used to record four channels of audio with excellent sound quality using professional microphones. Thanks to a camera output the recorder's stereo signal can be recorded also on the camera to ease subsequent editing of the material in combination with the slate tone function of the recorder. On the other hand you can use the camera input to monitor the audio of the camera using the recorder.

Features of the DR-70D include overload-resistant, great-sounding preamps with switchable low-cut filter and limiter, handling of microphone signals in mid/side format, 24- or 48-volts phantom power for condenser mics, as well as many common and not so common functions that facilitate capturing, monitoring and subsequent processing of the audio tracks.

The two omnidirectional microphones allow you to easily record natural stereo sound with just this unit. Used together with small shotgun mics, you can even record audio from people speaking in an interview and the ambient sound at the same time (on different tracks), for example, with a compact set up.

The four-channel design enables use of two shotgun mics and the stereo mic to record ambiance and each speaker individually. Since channels 1 and 2 can be set to the stereo input and channels 3 and 4 can be set to the built-in mic, a large variety of microphone setups is possible: MONO/DUAL MONO mode - This is best for recording the audio of a single performer. STEREO/DUAL STEREO mode - This is best for recording with the built-in microphone or a stereo mic. 2MIX/DUAL 2MIX mode - This creates stereo files of the signals of multiple inputs that have been mixed.

The mixer can take a total of 4 channels from among the four XLR inputs that support phantom power, the stereo mini-jack input and the built-in stereo mic. In addition to enable pan and level adjustments, this unit also offers a limiter, a five-setting low-cut filter and a delay that can compensate for distances between mics. Moreover, a mid-side decoding function allows the use of two microphones in mid-side configuration.

Mic preamps, which receive and amplify microphone input signals, have a large impact on the quality of the recorded audio material. The DR-70D uses Tascam original HDDA (High Definition Discrete Architecture) microphone preamps that we created through careful selection of parts. For example, we chose the NE5532 for the operational amplifier, which has a strong effect on audio quality. With a mic amp circuit that uses discrete architecture comprised of meticulously-chosen parts, we have achieved an equivalent input noise of -120 dBu.

The A/D converter that converts analogue signals to digital is made by Cirrus Logic and is equivalent to those used in our successful DR series of linear PCM recorders. Recording at resolutions up to 96 kHz/24 bit is supported.

The designer of the DR-70D focused on making the unit small so that it does not interfere with camera-work when it is attached to a camera support system or stabilizer. The unit has tripod screw threads on the bottom side and a removable camera attachment screw on its top. A hot shoe mount is also included so you can attach the recorder in the way most convenient for you by placing it between a tripod and the camera or on top of the camera with a hot shoe:
- Stand adapter (14 inch) on bottom side to attach the unit to a tripod
- DSLR bracket for easy camera attachment and removal
- Hot shoe mount (accessible when not using the DSLR bracket)
- Handles on the front left and right sides protect the screen and can be used to attach a shoulder belt

The DR-70D has a camera input jack that can be used to monitor the audio from the DSLR camera. By using this with the DR-70D monitor selection function, you can efficiently monitor the audio from not only the DR-70D but also from the DSLR camera.

The camera output jack is designed to output the mixed audio to the camera so that the same audio can be recorded by the DR-70D and the camera. Since the input level varies by camera maker and there are usually few adjustments related to volume on DSLR cameras, this unit has an output volume dial that can be used to make adjustments.

The built-in generator can produce slate tones that can be used as references when aligning audio and video. In addition to being able to produce slate tones when recording starts or when it starts and stops, the SLATE button can be used to add slate tones at any desired point.

Notes: The SD-20M is a simple-to-use solid-state recorder at a breakthrough price. The 1U rackmount includes a pair of microphone preamps with phantom power for direct microphone recording. Both the mic inputs and line inputs can be recorded simultaneously in four-channel mode. The dual recording mode captures a copy of your audio at a lower level, as insurance against distorted takes.

The SD-20M includes a battery backup system - AA batteries can keep recording for hours in case of power loss. A wired remote or footswitch can be attached to control recording and playback. Variable speed playback allows the playback to be changed without affecting the pitch.

Designed for installations like schools, house of worship, and conferences, the TASCAM SD-20M is a flexible, affordable solution for long-form recording.

Notes: The TASCAM models SS-R250N and SS-CDR250N are the ideal SD card recorder/players having a variety of features with extensive terminal equipment applications and business applications. An FTP client function is added which enables the exchanges of sound source data with others via server communication. You can also keep the starting time accurate for recording and playback based on time management via SNTP. The remote control with the dedicated app on a iOS/Android device, and the mic inputs are also available on the unit which allows you to use in many ways with flexibility.

FTP Client function enables automatic uploading of recorded files or downloading audio files from the server:
The unit is equipped with a LAN terminal, so you can have a network connection. When using as an FTP client, you can upload recorded files from the SS-CDR250N / SS-R250N side or download sound files from the server. Since the unit is also act as an FTP server, you can also upload / download from the PC side. Without having to physically exchange SD cards, this is a safer and more convenient file management system.

Event List for recording, playback, download and other functions can be operated automatically based on the time set:
The Event List function has auto-play feature for audio files such background music and announcements -useful in retail stores and restaurants. Utilize the event lists for scheduled recording, playback, downloading and other events. By combining playback events with download events, audio files can be automatically retrieved from a server for playback. The function also enable centralized file management from a corporate headquarters to multiple locations -perfect for playing files simultaneously in chain stores.

Time setting via SNTP Client function enables event management with more accuracy:
An event list plays based on the time you set. The SNTP Client function enables you to obtain time information regularly from the server in order to keep time accurate.

Automatic Upload function enables recorded files to be uploaded automatically:
After recording, the recorded data can be automatically uploaded to the specified server. You can archive recorded data without extra time-consuming work. Meetings or lectures on regular basis can be recorded and uploaded automatically for file archive. Since the file uploading takes place in the background so it does not disturb your recording/playback work.

iOS / Android control apps available: allowing transport operations and remote control of various settings:
When the SS-R250N / SS-CDR250N main unit is connected to the same network as iOS / Android mobile device, you are able to remote control these devices with the dedicated app. Settings for every function such as transport control are possible in order for you to stay efficient and convenient in any kind of installation or PA/SR situations.

Supports SD memory cards (SDXC supported / 128GB maximum), USB flash memory, CD (SS-CDR250N only):
Versatile SD card and USB flash memory devices are well-selected to play and record media. The SS-CDR250N also supports CD media. The SD card slot is compatible with SDXC type cards, as well as SD / SDHC types. It complies with the SD card that contains up to 128GB memory.

Dual SD memory card slot permits the backup and relay recording:
There are two SD card slots. These slots can be used for backup recording, which records the same data on two cards simultaneously. In addition, when the first card is out of memory, the relay recording function automatically uses the second SD card memory to continue the recording.

Automatic file closing process to avoid data loss if there is a sudden power loss during recording:
While recording, this feature automatically saves and closes every few seconds to safeguard against data loss when facing power loss situation.

Link Playback function allows two units to operate simultaneously:
The link playback function allows simultaneous operation of two units, connected using S / PDIF. For example, in cases where you want to utilize an extra unit for backup playback, this function allows more reliable and simple operation. In addition, as the second unit is a slave machine, in the unlikely event of an error occurring in the master machine, the operation is not affected.

XLR and RCA analog inputs/outputs, AES/EBU and S/PDIF digital inputs/outputs:
As analog inputs and outputs, equipped with XLR balanced inputs and outputs, and RCA unbalanced inputs and outputs. In addition, digital input and output is catered for with an AES / EBU and S / PDIF, to connect to other devices using the appropriate format, such as mixers for example.

Notes: The Tascam SSR100 Solid State Recorder serves up an impressive set of recording and playback features in a compact single-rack unit that's great for installations. Whether you're recording important meetings, capturing audio in your house of worship, or want a great solution for live performances, the SSR100 gives you the flexibility you need. This unit records in WAV or MP3 formats. You get unbalanced RCA inputs & outputs, as well as S/PDIF or AES/EBU coaxial digital ins and outs. Get high-quality results when you record with the SSR100.

Notes: Great value from this compact, portable multi-track recorder. Record instruments or vocals anywhere. Pre-loaded drum loops and built-in synth instruments help you get started.

Supplier's Notes:
The R12 Multitrak - Live to make music.

The R12 is made for musicians who live to make music. And they want the freedom to make music wherever they go.

All you need on-board

Compact and mobile, you can record and mix songs without a computer. Use the R12's full-colour LCD touchscreen to cut, copy, loop, and edit your tracks.

Amazing sound

The R12 has super-clean preamps and you'll love the way they sound. With two XLR/TRS inputs, and 8 tracks of audio, the R12 is perfect for recording everything from demos to release-ready songs.

Fully loaded

The R12 includes a send effects channel offering reverb, chorus and delay with a ddedicated effects return fader. For advanced tones, you can use presets and effects from Zoom's Guitar Lab.

Take it everywhere

The R12 provides up to 5 hours on four AA batteries allowing you to bring your production anywhere. Additionally, you can use the R12 with the included AD-17 power adapter, or a USB battery.

The R12 also has pan and a 3-channel EQ for each track and a compressor on inputs 1 and 2.

Playback. Play along.

Use Sequence Play to create a playlist of your projects. Then use them as backing tracks, whether you're playing live or rehearsing a set.

It starts with a groove

With 150 preloaded drum loops in a variety of patterns and genres, the R12 provides a versatile rhythm section for any project.

Import audio files

Add additional audio samples by importing files into your R12 via Micro SD card or USB thumb drive.

From headphones to monitors

The R12 includes an 1/8" stereo headphone jack as well as dedicated 14" monitor outputs.

Interface + control surface

Use the R12 as a stereo audio interface with your favorite DAW or streaming platform, via USB-C. As a control surface, the transport controls and faders make it easy to adjust and control your software during production.

Attention to detail

Connections

Connect microphones, instruments or line level devices like keyboards, mixers and more.

Hi-Z

Input 1 on the R12 has a Hi-Z switch, allowing you to plug your guitar directly into the recorder.

Phantom Power

Both inputs on the R12 offer 48V Phantom Power for condenser microphones.

Stay in time. Every time.

Activate the fully customizable click track with the press of a button. Click balance blends the metronome with your playback audio and routes it to your headphones and/or the main outputs.

Add some synth

The R12 has 18 FM synth instruments built in. They can be played by plugging in a MIDI keyboard via USB-C or programmed using the touchscreen.

What's in the box:
R12 MultiTrak
AD-17 AC Adapter
USB Cable

Specs

INPUTS / OUTPUTS
INPUTS - MIC/LINE (mono): 2
OUTPUTS - MASTER OUT: 1
PHONES: 1

INPUTS
MIC/LINE (MONO) Connectors: 2 XLR/TRS combo jacks (Balanced, XLR: 2 HOT / TRS: TIP HOT)
Input gain: +6 ~ +50 dB
Input impedance: XLR: 3.9 kO TRS: 3.9 kO/1 MO (when Hi-Z ON, INPUT 1 only)
Phantom power: +48 V (switchable separately for INPUTS 1 and 2)
Equivalent input noise: -121 dBu or less (IHF-A) at +50 dB/150 O input
Frequency response: -1.0/+0.5 dB: 20 Hz - 20 kHz

OUTPUTS
MASTER OUT - Connectors: 2 TRS phone jacks (balanced)
Maximum output level: +14 dBu
Output impedance: 200 O
PHONES Connectors: 1 stereo 3.5mm mini jack
Maximum output level: 45 mW + 45 mW (into 32 O load)
Output impedance: 10 O

RECORDER
Maximum simultaneous recording tracks: 2
Maximum simultaneous playback tracks: 8
Recording format: 44.1kHz, 16/24-bit, mono/stereo WAV
Recording media: Cards compatible with microSDHC specifications 4 GB - 32 GB

TRACK SETTINGS
EQ
High: 10 kHz, 12 dB, shelving
Middle: 2.5 kHz, 12 dB, peaking
Low: 100 Hz, 2 dB, shelving
Pan: L100 - R100

EFFECTS
Input Dynamics: Comp/Limiter/Gate
Patch memory effects: 3 types can be used simultaneously
50 patch memories
Guitar Lab supported
Can be assigned and used as an insert (input) or send effect
Dedicated send effects: 10 types of spatial effects

TUNER: Chromatic/Guitar/Bass/Open A/Open D/Open E/Open G/DADGAD

CLICK (METRONOME)
Time signatures: 3/4, 4/4, 6/8
Tempo range: 40.0 - 250.0 BPM

POWER
Batteries: 4 AA (alkaline, lithium, or rechargeable NiMH)
AC adapter: ZOOM AD-17 (5V/1.0A)

RHYTHM LOOPS
Sound source format: PCM
Number of loops: 150

SYNTH
Sound source format: FM
Polyphony: 8
Number of sound types: 18 (and a PCM drum kit)

DISPLAY: 2.4" (320×240) full-color touchscreen LCD

USB
CONNECTOR: USB Type-C
Note: Use a USB cable that supports data transfer. USB bus power is supported.

AUDIO INTERFACE FUNCTION:
2-in/2-out or 2-in/2-out (iPad): USB 2.0 Full Speed - 44.1 kHz, 16/24-bit
2-in/4-out: USB 2.0 High Speed - 44.1 kHz, 16/24-bit

MASS STORAGE FUNCTION
Device: USB 2.0 High Speed (5 V/200 mA power supplied when host)
GUITAR LAB CONNECTION: USB 1.1 Full Speed
DAW CONNECTION (CONTROL SURFACE): USB 1.1 Full Speed

MASS STORAGE FUNCTION
Host: USB 2.0 High Speed (5V/200 mA power supplied)

USB MIDI KEYBOARD CONNECTION: USB 1.1 Full Speed (5 V/200 mA power supplied)

ESTIMATED CONTINUOUS OPERATION TIME USING BATTERIES
During playback with +48V off and 32O headphone load
Alkaline batteries: about 5 hours
NiMH batteries (1900 mAh): about 5 hours
Lithium batteries: about 11 hours
* The above values are approximate. Continuous battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.

POWER CONSUMPTION: 5 W maximum
DIMENSIONS: 256 mm (W) × 158 mm (D) × 61 mm (H)
WEIGHT (including batteries): 827 g
NOTE: 0 DBU = 0.775 VRMS

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Great value from this compact, portable multi-track recorder. Record instruments or vocals anywhere. Pre-loaded drum loops and built-in synth instruments help you get started.

Supplier's Notes:
The R12 Multitrak - Live to make music.

The R12 is made for musicians who live to make music. And they want the freedom to make music wherever they go.

All you need on-board

Compact and mobile, you can record and mix songs without a computer. Use the R12's full-colour LCD touchscreen to cut, copy, loop, and edit your tracks.

Amazing sound

The R12 has super-clean preamps and you'll love the way they sound. With two XLR/TRS inputs, and 8 tracks of audio, the R12 is perfect for recording everything from demos to release-ready songs.

Fully loaded

The R12 includes a send effects channel offering reverb, chorus and delay with a ddedicated effects return fader. For advanced tones, you can use presets and effects from Zoom's Guitar Lab.

Take it everywhere

The R12 provides up to 5 hours on four AA batteries allowing you to bring your production anywhere. Additionally, you can use the R12 with the included AD-17 power adapter, or a USB battery.

The R12 also has pan and a 3-channel EQ for each track and a compressor on inputs 1 and 2.

Playback. Play along.

Use Sequence Play to create a playlist of your projects. Then use them as backing tracks, whether you're playing live or rehearsing a set.

It starts with a groove

With 150 preloaded drum loops in a variety of patterns and genres, the R12 provides a versatile rhythm section for any project.

Import audio files

Add additional audio samples by importing files into your R12 via Micro SD card or USB thumb drive.

From headphones to monitors

The R12 includes an 1/8" stereo headphone jack as well as dedicated 14" monitor outputs.

Interface + control surface

Use the R12 as a stereo audio interface with your favorite DAW or streaming platform, via USB-C. As a control surface, the transport controls and faders make it easy to adjust and control your software during production.

Attention to detail

Connections

Connect microphones, instruments or line level devices like keyboards, mixers and more.

Hi-Z

Input 1 on the R12 has a Hi-Z switch, allowing you to plug your guitar directly into the recorder.

Phantom Power

Both inputs on the R12 offer 48V Phantom Power for condenser microphones.

Stay in time. Every time.

Activate the fully customizable click track with the press of a button. Click balance blends the metronome with your playback audio and routes it to your headphones and/or the main outputs.

Add some synth

The R12 has 18 FM synth instruments built in. They can be played by plugging in a MIDI keyboard via USB-C or programmed using the touchscreen.

What's in the box:
R12 MultiTrak
AD-17 AC Adapter
USB Cable

Specs

INPUTS / OUTPUTS
INPUTS - MIC/LINE (mono): 2
OUTPUTS - MASTER OUT: 1
PHONES: 1

INPUTS
MIC/LINE (MONO) Connectors: 2 XLR/TRS combo jacks (Balanced, XLR: 2 HOT / TRS: TIP HOT)
Input gain: +6 ~ +50 dB
Input impedance: XLR: 3.9 kO TRS: 3.9 kO/1 MO (when Hi-Z ON, INPUT 1 only)
Phantom power: +48 V (switchable separately for INPUTS 1 and 2)
Equivalent input noise: -121 dBu or less (IHF-A) at +50 dB/150 O input
Frequency response: -1.0/+0.5 dB: 20 Hz - 20 kHz

OUTPUTS
MASTER OUT - Connectors: 2 TRS phone jacks (balanced)
Maximum output level: +14 dBu
Output impedance: 200 O
PHONES Connectors: 1 stereo 3.5mm mini jack
Maximum output level: 45 mW + 45 mW (into 32 O load)
Output impedance: 10 O

RECORDER
Maximum simultaneous recording tracks: 2
Maximum simultaneous playback tracks: 8
Recording format: 44.1kHz, 16/24-bit, mono/stereo WAV
Recording media: Cards compatible with microSDHC specifications 4 GB - 32 GB

TRACK SETTINGS
EQ
High: 10 kHz, 12 dB, shelving
Middle: 2.5 kHz, 12 dB, peaking
Low: 100 Hz, 2 dB, shelving
Pan: L100 - R100

EFFECTS
Input Dynamics: Comp/Limiter/Gate
Patch memory effects: 3 types can be used simultaneously
50 patch memories
Guitar Lab supported
Can be assigned and used as an insert (input) or send effect
Dedicated send effects: 10 types of spatial effects

TUNER: Chromatic/Guitar/Bass/Open A/Open D/Open E/Open G/DADGAD

CLICK (METRONOME)
Time signatures: 3/4, 4/4, 6/8
Tempo range: 40.0 - 250.0 BPM

POWER
Batteries: 4 AA (alkaline, lithium, or rechargeable NiMH)
AC adapter: ZOOM AD-17 (5V/1.0A)

RHYTHM LOOPS
Sound source format: PCM
Number of loops: 150

SYNTH
Sound source format: FM
Polyphony: 8
Number of sound types: 18 (and a PCM drum kit)

DISPLAY: 2.4" (320×240) full-color touchscreen LCD

USB
CONNECTOR: USB Type-C
Note: Use a USB cable that supports data transfer. USB bus power is supported.

AUDIO INTERFACE FUNCTION:
2-in/2-out or 2-in/2-out (iPad): USB 2.0 Full Speed - 44.1 kHz, 16/24-bit
2-in/4-out: USB 2.0 High Speed - 44.1 kHz, 16/24-bit

MASS STORAGE FUNCTION
Device: USB 2.0 High Speed (5 V/200 mA power supplied when host)
GUITAR LAB CONNECTION: USB 1.1 Full Speed
DAW CONNECTION (CONTROL SURFACE): USB 1.1 Full Speed

MASS STORAGE FUNCTION
Host: USB 2.0 High Speed (5V/200 mA power supplied)

USB MIDI KEYBOARD CONNECTION: USB 1.1 Full Speed (5 V/200 mA power supplied)

ESTIMATED CONTINUOUS OPERATION TIME USING BATTERIES
During playback with +48V off and 32O headphone load
Alkaline batteries: about 5 hours
NiMH batteries (1900 mAh): about 5 hours
Lithium batteries: about 11 hours
* The above values are approximate. Continuous battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.

POWER CONSUMPTION: 5 W maximum
DIMENSIONS: 256 mm (W) × 158 mm (D) × 61 mm (H)
WEIGHT (including batteries): 827 g
NOTE: 0 DBU = 0.775 VRMS

Notes: A multi track recorder that redefines 'easy' - With a familiar touchscreen interface, the R20 makes it insanely simple to track, edit and mix your songs, letting you focus on the music.

Musicians, be prepared to get blown away - The R20 has the best preamps and noise floor of any multi track recorder Zoom has ever designed. With six XLR inputs, two combo inputs, and 16 tracks of recording, the R20 is perfect for singer-songwriters to full bands.

Drag, drop, pinch, swipe, create - Navigate and edit with ease, via the R20's 4.3-inch color LCD touchscreen interface.

Colour-coded for clarity - Improve your workflow with color-coded faders, gain dials, and touchscreen track regions, making sure you are always adjusting the correct channel.

Put the pieces together - Cut, copy, combine and loop. The R20's interface provides intuitive editing. You'll immediately feel at home.

Spice things up - Polish your tracks and mixes with professional effects such as EQ, compression, and more.

The R20 provides a full MFX processor compatible with Guitar Lab software.

The rhythm is gonna get ya - 30 genres, 150 rhythm patterns and song form variations, it's hard to find a drummer this versatile

18 built-in synth sounds - Plug in a MIDI keyboard via USB-C or use the touchscreen to add sonic textures with the R20's internal synthesizer.

Backing tracks - The R20 can import and playback standard MIDI files allowing you to import bass lines, melodies, piano parts, and more.

Record to SD - The R20 records directly to SDHC or SDXC cards up to 1 TB, giving you plenty of space to track your next song or album.

Monitor & plyabck - The R20 has a headphone jack for monitoring while recording and dedicated outputs for mixing on your favorite monitors.

Inputs - H1-Z is available on input 1, while 48V phantom power is available on inputs 5-8.

Locking AC Adapter - The new Zoom locking adapter ensures security against accidental unplugging.

Click - Access the fully adjustable click track with just a press of a button.

Wireless control app - Use the optional Zoom BTA-1* Bluetooth Adaptor to control the R20 wirelessly from your iOS device.

*BTA-1 available separately.

** R20 Control App available in 2022

Let's move forward together - accessibility for the Visually Impaired

The first multi-track recorder that allows accessibility for the visually impaired, the R20 Control App features VoiceOver and VoiceOver Gestures.

SPECS

Inputs/Outputs

INPUTS
MIC/LINE (mono): 8
OUTPUTS - Master out: 8 - Phones: 1

INPUTS
MIC/LINE (MONO)
Connectors: XLR/TRS combo jacks × 2 XLR × 6 (XLR: 2 HOT/TRS: TIP HOT)
Input gain: +6 ~ +50 dB
Input impedance: XLR: 3.9 kO TRS: 5.3 kO/1 MO (when Hi-Z is ON, for INPUT 1 only)
Maximum input level: +4 dBu (@0 dBFS)
Phantom power: +48 V (INPUTS 5-8, switchable in pairs)
Equivalent input noise: -121 dBu or less (IHF-A) with +50dB/150O input
Frequency response: -1.0 dB: 20 Hz - 20 kHz

OUTPUTS
MASTER OUT
Connectors: 2 TRS phone jacks (balanced)
Maximum output level: +14 dBu
Output impedance: 200 O

PHONES
Conncetor: 1 standard stereo phone jack
Maximum output level: 20 mW + 20 mW (into 32O load)
Output impedance: 33O

TRACK SETTINGS
EQ: High: 10 kHz, i12 dB, shelving - Middle: 2.5 kHz, i12 dB, peaking - Low: 100 Hz, i12 dB, shelving

RECORDER
Maximum simultaneous recording tracks: 8
Maximum simultaneous playback tracks: 16
Recording format: 44.1kHz, 16/24-bit, mono/stereo WAV
Recording media: 4-32GB cards compatible with the SDHC specification

EFFECTS
Maximum number of simultaneous effects: 3 effects (One insert effect on one channel or one send effect available to all tracks)
Patch memories: 50
Tuner: Chromatic/Guitar/Bass/Open A/Open D/Open E/Open G/DADGAD

METRONOME
Time signatures: 3/4, 4/4, 6/8
Tempo range: 40.0-250.0 BPM

RHYTHM LOOPS
Polyphony: 8
Sound source format: FM
Number of sound types: 18 + PCM drum kit
Display: 4.3" (480×272) full-color touchscreen LCD

USB
Connector: USB Type-C
Audio interface operation
Stereo mix: USB 2.0 Full Speed, 44.1kHz, 16/24-bit, 2-in/2-out
Multitrack: USB 2.0 High Speed, 44.1 kHz, 16/24-bit, 8-in/4-out

MASS STORAGE OPERATION (Host/Device): USB 2.0 High Speed (5V/500mA power supplied when host)
GUITAR LAB CONNECTION (Host/Device): USB 1.1 Full Speed
USB MIDI KEYBOARD CONNECTION (Host/Device): USB 1.1 Full Speed (5V/500mA power supplied)
DAW CONNECTION (CONTROL SURFACE) FUNCTION: USB 1.1 Full Speed

MISC
REMOTE: Dedicated wireless adapter (ZOOM BTA-1)
POWER: AC adapter (ZOOM ZAD-1220): 12 V/2.0 A
Power consumption: 11 W maximum
External dimensions: 378 mm (W) × 206 mm (D) × 58 mm (H)
Weight (unit only): 1.33 kg

Note: 0 dBu = 0.775 V

What's In The Box?

Zoom R20
ZAD-1220 AC adapter
Quick Tour
Steinberg Cubase LE Software

Notes: Portable recording made with musicians in mind, the R4 records up to four tracks in 32-bit float resolution, with on-board EQ and effects, amp simulation and the option to bounce recordings down then overdub.

Supplier's Notes:
The Little Recorder For Big Ideas

Introducing the Zoom R4 MultiTrak

Designed By Musicians

All of our engineers are musicians and they designed the R4 to empower musicians to explore big ideas. With a unique dedicated 'bounce track' and 32-bit float recording, the R4 is perfect for capturing your most ambitious compositions.

Record. Bounce. Repeat.

With the R4, you can record up to four tracks, mix and then bounce them to the dedicated 'bounce track.' This lets you free up additional tracks to keep adding layers.

You can choose to do a 'quick' bounce or mix and bounce in real time.

The R4 also allows you to 'undo' your last bounce, if you're not satisfied with the results.

32-Bit Float Recording

The R4 captures perfect audio with every take, without the need to set gain.

Combo Inputs

The R4 has 2 XLR/TS combo inputs with legendary Zoom preamps. You can plug in microphones, instruments, keyboards, and more.

Track Effects

Each track features a 3-band EQ, pan, echo, and reverb to refine your mix.

Input Effects

Apply effects to input A such as amp simulations, delays, distortions and more.

Built-In Microphone

The R4 features a high-quality built-in microphone, perfect for acoustic guitars, vocals, or capturing a quick reference recording.

Much More Than A Metronome

The R4 has a rhythm section preloaded with over 80 different drum patterns to play along with featuring genres such as rock, hip hop, funk, heavy metal, and more.

Every Take Is Saved

Tracks that you record are automatically saved individually, even after they have been bounced.

32-Bit Float Audio Interface

The R4 is also a powerful 2-in/ 2-out USB audio interface with 32-bit float technology. Connect it to either your computer or smartphone.

Control and Create

With a fader for each track and dedicated hardware buttons for the most used functions, you won't need to menu dive to record your music.

Powered For Your Ideas

The R4 can be powered by 4 AA Batteries, or through its USB-C port.

Specs

Inputs/outputs
Inputs: Built-in mic (mono): 1
XLR/TS inputs (mono): 2
Output: Headphones: 1

Inputs
XLR/TRS inputs:
Connectors: 2 XLR/TRS combo jacks (Balanced, XLR: 2 HOT)
Input gain: No adjustment required (dual A/D converter circuit used)
Input impedance XLR: 2.3 kO; TS: 1 MO
Maximum input level: XLR: +4 dBu, TS: +10 dBu
Phantom power: +48 V (switchable separately for INPUTS A and B)
Equivalent input noise: XLR: -120 dBu or less (IHF-A); TS: -107 dBu or less (IHF-A)
Frequency response: XLR: -0.5 /+0.0 dB : 20 Hz - 20 kHz; TS: -0.2 /+0.0 dB : 20 Hz - 20 kHz

Built-in mic input
Directionality: Omnidirectional
Input gain: No adjustment required (dual A/D converter circuit used)
Maximum sound pressure input:
115 dB SPL
Output

Headphone

Connector: 1 stereo 3.5mm mini jack
Output impedance: 10 O
Maximum output level: 20 mW + 20 mW (into 32O load)

Recorder

Maximum simultaneous recording tracks: 2
Recording format: WAV: 48kHz, 32-bit float, mono
Recording media: Cards compatible with microSDHC specifications 4 GB - 32 GB; Cards compatible with microSDXC specifications 64 GB - 1 TB

Display: 2" full-colour LCD (240 × 320)

USB

Connector: USB Type-C
Note: Use a USB cable that supports data transfer. USB bus power is supported.
Audio interface function
Class: USB 2.0 High Speed
Sampling frequency: 48 kHz
Bit rate: 24-bit/32-bit float
Input / output channels: 2 in/2 out
Mass storage function: USB2.0 High Speed

Power supply

Batteries: 4 AA (alkaline, lithium, or rechargeable NiMH)
AC adapter: ZOOM AD-17 (5V/1.0A)
* USB bus power is supported.
Estimated continuous operation time using batteries

Alkaline batteries: about 7 hours
NiMH batteries (1900 mAh): about 6 hours
Lithium batteries: about 14 hours
* Use conditions: Recording 1 track, playing 1 track, phantom power off, headphones into 32O load, power saving on
* The above values are approximate. * Continuous battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.

Power consumption: 5 W
External dimensions: 74 mm (W) × 138 mm (D) × 36 mm (H)
Weight (including batteries): 287 g
Note: 0 dBu = 0.775 Vrms