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2hp Bell Physical Modelling Voice Module (black faceplate)
2hp
Cat: 725427 Rel: 03 Apr 19
 
Melodic percussion generator
Notes: Bell is a melodic percussion generator based on modal synthesis. By synthesizing the vibrations of complex geometric shapes, Bell provides a simple interface for creating metallic sounds that can both emulate acoustic instruments, and defy physics. Its sonic palette includes numerous physical models that span the range of vibraphone, marimba, glockenspiel and Tibetan bowls. In addition, damping allows for the articulation of all voices, and enables drastically changing the tone of your patch with a single knob turn.

It's time to ring your Bell!
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2hp Grain Granular Processor Module (black faceplate)
2hp
Cat: 727386 Rel: 02 Oct 19
 
High fidelity audio processor focused on granular synthesis
Notes: 2hp Grain is a high-fidelity audio processor focused on granular synthesis. It's capable of generating granular clouds, microsound phrases, and unique textures that are derived from any input signal. The Density control sets the rate of granularization applied to the input signal and sets its position within the buffer. The Mix control sets the balance between live input and the granular audio stream for dialling in the perfect combination of sounds. In addition, there is a frequency control and associated v/oct input allowing for pitch accurate sequencing of grains. Particle patching has never been smaller with Grain.
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2hp Loop Module (black faceplate)
2hp
Cat: 766647 Rel: 31 Dec 20
 
loop module
Notes: Sound on sound looper with 5 minute audio buffer.

Audio specs: 48kHz, 24 bit.
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2hp Loop Module (silver faceplate)
2hp
Cat: 766646 Rel: 31 Dec 20
 
sound looper module
Notes: Sound on sound looper with 5 minute audio buffer.

Audio specs: 48kHz, 24 bit.
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2hp Vowel Speech Synthesis & Formant Oscillator Module (silver faceplate)
2hp
Cat: 704937 Rel: 01 Oct 18
 
Powerful, easy-to-use speech synthesiser & oscillator
Notes: Vowel is a speech synthesis and formant oscillator. It synthesises and approximates the human voice by generating vowel sounds. These can be manipulated to provide deep low baritones, or high-pitched squeaks. Two unique algorithms provide separate takes on this exciting synthesis method and allow for a multitude of talking synth sounds.
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4ms Listen Four 4 Channel Stereo Mixer Module
Cat: 717580 Rel: 06 Feb 19
 
Four channel stereo mixer with line-level, modular-level & headphone outs
Notes: The Listen Four is a four channel stereo mixer with line, modular, and headphone outputs. Two mono channels with Pan knobs and two stereo channels with dual inputs provide optimal compatibility with both stereo and mono signals. The Listen Four can be daisy-chained to other Listen modules to create a larger mixer with sub-mix outputs.
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4MS Percussion Interface & Expander Modules
Cat: 794765 Rel: 31 Jan 21
 
Envelope follower/envelope generator/external/expander synth module
Notes: The Percussion Interface (PI) and PI Expander are a pair of Eurorack modules that generate gates and envelopes from acoustic drums, samplers, drum machines, and virtually any audio source.

Converting microphone, instrument, line and modular signals into CV and clock/gate signals, the PI and PI Expander are suited for synchronizing sequencers or other modules to the rhythm of an audio track or live percussion. The modules can simultaneously be used as a pre-amp for microphones or line-level signals, while generating inverted envelopes useful for side-chaining. The PI module contains all the core functionality and can be used without the Expander to conserve space. The Expander requires the main PI modules and adds three gain stage options, a modular-level audio output jack, a 1/4" (6.35mm) input jack, and envelope attenuation capabilities. The two modules are only sold together, they are not available separately.

Electrical and Mechanical Specifications:
Module size (PI):
4 HP Eurorack formal module
0.98" (25mm) maximum depth with power cable
10-pin Eurorack power header

Module size (PI EXP):
4 HP Eurorack formal module
0.98" (25mm) maximum depth with power cable
8-pin cable connects to PI

Power consumption:
with PI Expander
+12V: 104mA
-12V: 65mA
without PI Expander
+12V: 69mA
-12V: 56mA

Audio Inputs:
1/8" [3.5mm] on PI main module, and 1/4" [6.35mm] on PI Expander
100k input impedance, AC-coupled

Audio Outputs:
Voltage range: -10.4V to +10.8V, DC-coupled
1k output impedance
Gain Characteristics
Gain range: < -100dB to +54dB (500x)
Clip light turns blue when signal (post-gain) exceeds 2.5Vpp
Gate is triggered when signal (post-gain) exceeds 6.3Vpp
Clip light flashes red when signal clips on Audio Out jack (exceeds +10.8V)
Gate Out Jack
1k output impedance
+8V gate/trigger signal
6ms - 0.5s pulse width
+ Env Out jack (jack on PI main module)
1k output impedance
+9V peak (sustain), -60mV resting (off)
15ms attack time
70ms - 6s exponential decay time (1% of peak voltage)
- Env Out Jack (jack on PI main module)
1k output impedance
+9V resting (off), -150mV peak (sustain)
15ms attack time
70ms - 6s exponential decay time (1% of peak voltage)
Env. Out jack (attenuated jack on PI Expander)
1k to 26k variable output impedance
+9V maximum
-60mV minimum
Inv. Out jack (attenuated jack on PI Expander)
1k to 26k variable output impedance
+9V maximum
-150mV minimum
Included with the PI+EXP:
8-to-16 pin power cable
8-to-8 pin cable for connecting to the Expander
M3 Knurlie screws (4)
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4ms Row Power 45 Power Solution Module For Eurorack Systems (black)
Cat: 785962 Rel: 12 Aug 20
 
Power solution module
Notes: Row Power is a clean, regulated, and protected power solution for Eurorack systems. Row Power 45 provides enough power for two to three typical Eurorack rows (typically up to about 312HP):
+12V @ 2.0A maximum, 1.5A recommended
-12V @ 1.4A maximum, 1.2A recommended
+5V @ 1.5A maximum, 1.2A recommended

Simply plug a universal power supply (laptop style) into either of the barrel plugs on the 4HP panel. Connect your modules via flying bus cables or the Bus Stick. For custom power systems, the Row Power 45 has a set of easily soldered holes for using large gauge wire or MTA156 connectors to connect to distribution bus boards.

Multiple Row Power modules can be powered from a single power brick by daisy-chaining with an inexpensive barrel cable. The Row Power 45 can also be daisy-chained to 4ms Company's Pod enclosures. Each power supply is independently regulated and protected for ultra-low cross-talk between rows/pods.

The Row Power 45 is compatible with the 4ms Row Power Shield. This device (sold separately) attaches to the back of the Row Power 45 and monitors the amount of current being drawn, as well as the voltages of the power rails. The information is sent over Bluetooth to be displayed on a phone or tablet.

Electrical and Mechanical Specifications

Module Size:
4 HP Eurorack format module

Power Output:
Maximum average load under normal conditions: +12V @ 2.0A, -12V @ 1.4A, +5V @ 1.5A
Maximum average load under any condition: +12V @ 1.5A, -12V @ 1.2A, +5V @ 1.2A
Powered by laptop-style DC power supply: 2.1mm barrel, positive center, 15V-20V.

Included with the Row Power 45:
16-to-16 pin power cable
2 M3 Knurlie screws
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Abstract Data ADE50 Triple VCA Module
Cat: 601496 Rel: 31 Oct 17
 
3 linear VCA's based on a discrete OTA core
Notes: The ADE-50 provides 3 all-analogue voltage controlled amplifiers based on a modern operational transconductance amplifier design.

The VCA's are designed to provide a good balance between the performance and specification of modern 'on-chip' VCA's and the character and musicality of classic analogue designs.

The OTA core of each VCA is fully discrete - it is built from only resistors, capacitors and transistors - however, the CV conditioning, audio input and output stages are built using high-quality op-amps giving the best balance between musicality, character and performance.

The ADE-50 provides a good signal-to-noise ratio, linearity, attenuation, an output level at unity gain at 5V CV input, minimal CV 'bleed' and minimal output offset/bias.
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ACL Pan Mix Mixer Module
ACL Pan Mix Mixer Module (synth module)
Cat: 776671 Rel: 30 Jun 20
 
mixer module
Notes: The ACL Pan Mix module mixes up to four different mono sources into a stereo output with panorama and gain control. It also includes an stereo aux input, which will be added unity gain to the sum for cascading purposes.
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MRP:$265.89 SAVE 26%
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ADDAC System ADDAC104 VC T-Networks Module (black faceplate)
Cat: 776116 Rel: 08 Sep 20
 
4 voice module
Notes: Following the ADDAC103 T-Networks, this new module is also inspired by Twin T-Networks circuits used in many lengendary drum machines. A simple 4 voice module with frequency controls for each of the voices. This new module also features CV inputs with attenuverters for each voice Frequency. Due to the specificities of the circuit, and to keep the module at a low price, these inputs are not callibrated to 1v/octave.

At each voice input there's a gate to trigger converter so any input source is possible.
Audio inputs can also be used as an input, in this case and due to the nature of the gate to trigger converter, each voice can be used as very destructive filters.

The top 2 channels feature a higher frequency range, the bottom 2 channels feature a lower frequency range.
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ADDAC System ADDAC106 T-Noiseworks Module (black faceplate)
Cat: 776120 Rel: 08 Sep 20
 
4 voice module
Notes: This is the last module in Addac System's T-Networks series, a straight forward 4 voice module with frequency and decay controls for each of the voices. As the name already unveils, a noise source has been added, and 2 different circuits have been created, that explore the timbre of a t-network when used to filter noise.

There are 2 different circuits in this module, voices 1 to 3 have a pre-vca t-network filter while in voice 4 the t-networks filter applied post-vca.

At each voice input there's a switch which sets which type of input to use, this signal will be used to control an internal VCA hence why the type of setting defined here is important:
1. Trigger - Any incoming CV will be converted into a 1ms trigger as soon as it crosses it's fixed threshold.
2. Mute - This disconnects then incoming signal effectivelly muting the voice.

3. Envelopes - This can be used with CV sources as well as Gate sources and simply follows the input signal.

This incoming signal will then be processed by a slew circuit which adds a decay factor allowing the user to set the "Tail" of each voice.

Trigger mode is mostly dedicated for percussive sounds while the Envelope mode is open to any external enve- lope control and able to control noise swooshes, swirls, crackles and pops simply out of t-networks filtered noise.

Audio inputs are also welcomed to be used as a Trigger/Envelope input.

Diferences between voices:
The first 3 voices also feature a Timbre selector switch: Hat/Snare
In Snare mode all frequencies coming from the t-networks filter pass thru to the output .
In Hat mode it adds a High Pass circuit which removes the mid/bottom frequencies (characteristic of the snare strike) creating a higher spectrum output which is closer to a Hat timbre.
All of these 3 voices are also differently tuned from each other to offer more timbrical options.

Voice 4 is closer to a typical t-networks circuit but this time peculiar one where the noise is gated by the vca and then sent through the t-networks filter.

Hat and Snare are terms used very looselly here, they are timbrical references and do not in any shape or form try to effectivelly replicate the complex timbres of a real world Hat or Snare.
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ADDAC System ADDAC203 CV Mapping Module (gold faceplate)
Cat: 776164 Rel: 08 Sep 20
 
CV mapping module
Notes: With the ADDAC203 CV mapping you'll be able to tame that voltage range and put it where it belongs. The attenuation knob compresses your voltage range and then you can also offset it.

Two channels for your mapping needs.

Mechanical:
- Format: Eurorack
- Width: 4 HP
- Depth: 3 cm

Control Voltage I/O:
- CV inputs: i 10v
- CV outputs: i 10v

Electrical:
- Compatible with +-12v and +-15v power supplies?
- Max current: 50mA
- Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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ADDAC System ADDAC214 VC Rotator Module (red faceplate)
Cat: 776199 Rel: 08 Sep 20
 
VC rotator module
Notes: This is the VC Rotator, a stepped routing module for any type of signal (audio, cv, gate, trigger...)

Similar to a VC switcher but in this case there's the same number of inputs than outputs so, instead of 4 to 1 or 1 to 4, this module is always 4 to 4 but it can be patched for 2 to 2 and 3 to 3 step actions.

All four inputs get routed to the four outputs depending on the CV and Clock controls and are divided into 4 routing steps:
1. routes all inputs to the same number output: 1:1, 2:2, 3:3, 4:4
2. routes all inputs to an offset of 1: 2:1, 3:2, 4:3, 1:4
3. routes all inputs to an offset of 2: 3:1, 4:2, 1:3, 2:4
4. routes all inputs to an offset of 3: 4:1, 1:2, 2:3, 3:4

Direction determines if the clock input goes forward or backwards.
Going forward it can be set to 2-3 or 4 steps using the Rotate knob offset, going backwards always sync to 4 steps even if offseted by the Rotate knob.
For 2 & 3 step action input 1 is normalled to input 3 and input 2 is normalled to input 4.

Reset resets the internal clock to the first step.

Pendulum, external sequencing or any complex CV actions can be achieved using the CV input and dedicated attenuverter.

4 leds monitor which input is routed to output 1.
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ADDAC System ADDAC605 VC Spectral Tilt Module (black faceplate)
Cat: 791268 Rel: 08 Oct 20
 
VC spectral tilt module
Notes: Two-channel spectral tilt filter with simple single-knob control and CV input. Adjust the frequency balance by turning the knob to emphasise highs or lows. Simple but effective way to add movement or stereo width.

Supplier's Notes:
The TILT EQ concept was first introduced in the 1970's by Quad Ltd, featured on the company's model 34 preamplifier.

The tilt control tilts the frequency spectrum of the audio signal by simultaneously boosting the treble and cutting the bass frequencies, or vice versa, making it a simple to use but powerful EQ.

As stated by Quad Ltd, it was designed to produce a very gradual change in balance across the musical spectrum without changing the overall subjective level.

This gradual fall from Bass to Treble, or vice versa, means there's no sudden change and hence no 'coloration' added to the sound, the sound will remain entirelly natural but with a slight added bottom or high end. In practice, it rotates most of the audio-range frequency response around a 1Khz axis, so as to change the overall balance of the sound from warm to cool without affecting either the apparent volume or the "color" of the sound.

Here this idea is introducedinto the modular world in a stereo configuration.

CV input with attenuverter was added for the Tilt control as well as a Spectral Motion switch that allows stereo spectral matching or inverted spectrum use of the Tilt control: Left=Right matches both channels direction, i.e. when left channel is tilted to the low end the right channel will also be tilted to the low end

Left Right inverts the Right channel spectrum, i.e. when left channel is tilted to the low end the right channel will be inverselly tilted to the high end, or vice-versa.

This possibility is extremmelly interesting when applied as a stereo effect, in other words a spectral EQ panner. This module will also be available as a full DIY kit.

Specs:
4Hp
4.5cm deep
40mA on each rail
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AJH Synth Mini Mod Glide + Noise MK2 Module (black)
Cat: 708115 Rel: 22 Jan 19
 
MiniMod Glide + Noise, combining two Minimoog circuits in one module - 6HP
Notes: The original MiniMod Glide +Noise module was based exactly on the original Minimoog Model D circuitry, which was designed to be used with the built in Model D keyboard, and because of its vintage design its range was severely limited to 5 or 6 octaves, and it also responded to positive voltages only. Another limitation was that it would not return fully to zero when selecting long glide times, which restricted the range even more.

So we made the decision to re-design the MiniMod Glide + Noise using modern precision parts, and we have come up with an all new circuit which has exactly the same function, but with a hugely extended range. It has the same Glide slope characteristic (a slightly curved Linear Glide) as the Model D on which the MiniMod is based, however in response to many requests from customers we have adjusted the glide up and down speeds so that they are now very similar , which is much more useful in real world applications that the earlier MK1 version which (like the Model D) would glide up considerably faster than it would glide down.

The new Mk2 MiniMod Glide Noise module now has an impressive 14 octave range, and can respond to negative voltages down to -5V. This is a very useful feature, as our MiniMod VCO's will respond to negative control voltages and produce correspondingly low frequencies; so it is now possible to glide down quickly or slowly to crazy sub bass levels! The hold feature has been improved too, it covers the full audio range as well as DC control voltages, and works as a track and hold module with Eurorack signal levels.

A further enhancement is that the Mk2 module can now (using selectable jumpers) transmit or receive pitch CV to the Eurorack power bus; for example, the Glide CV Output can now be directed to the Bus in order to send CV's to (for example) three VCO's via the bus without the need for a passive multi and four patch cords!

The Noise section of the module is unchanged, except that we have slightly boosted the level of the Red Noise output to bring it more in line with Eurorack control voltage levels.

Lastly, it is much shallower - Mk1 Glide Noise had a depth of 54mm, and it was the only MiniMod module that was too deep to fit a skiff style case - and this prevented a full MiniMod system being installed into a shallow Eurorack case. The new MK2 version is only 28mm deep, so this allows both it and a full MiniMod system to be mounted into shallow skiff style Eurorack cases.

Dimensions: 6HP wide, 26mm Deep
Current draw: 36mA Positive, 38mA Negative
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AJH Synth Mini Mod Sample Hold & Slew Module (silver)
Cat: 708090 Rel: 18 Apr 19
 
Sample & Hold, Track & Hold, Gated Slew, Clock & Noise generator - silver, 12HP
Notes: A real powerhouse module that takes up only 12 HP of rack space. It can generate random and pseudo random control voltages, staircase waveforms, deliberate aliasing of audio signals, portamento type effects, adjustable audio range noise and has many other uses too.

It can be switched between Sample & Hold or Track & Hold modes, and the unique "Restrict" control affects the way the hold output changes with respect to the current input level and previously held output level. With the control fully off the unit behaves just like any other S/H, but at fully clockwise the output is restricted to move by only a small amount after each new sample. The output will still have the same range as the input, but will need more hold commands to get there. This versatile Sample and Hold circuit was designed by Tony Allgood, and is built under licence from Oakley Sound.

The Sample Hold & Slew module also includes a very well featured Slew generator, which includes a Gated Slew function. It can be used independently or chained with the S&H module. Slew mode can be switched between Linear or Exponential Slew types. There is a Gate input, so that the Slew on/off can be switched using an External CV (Gated Slew), and also the Slew control logic can be reversed by a toggle switch that doubles as a manual Slew on/off switch. In addition, it has slew up only, slew down only or slew up and down modes, which are selected with a three-way toggle switch. An indicator LED lights when Slew is active

There is also an inbuilt analogue Noise generator, which is normalised to the input of the Sample and Hold section, and there are both regular and clipped Noise outputs - the Clipped Noise is particularly useful with the sample and hold section, as it is weighted to produce higher random voltages. Both Noise outputs are fed through an internal "Noise Colour" control - at centre position it allows the noise through unfiltered, turning the control anti-clockwise introduces low pass filtering of the Noise, and rotating it clockwise introduces high pass filtering. The Noise source itself is based on an analogue band gap shunt regulator configured in avalanche mode, and it generates white noise with a gradual roll off above 8kHz. It is a little "grainier" in character than the noise from our MiniMod Glide & Noise module (which uses a reverse biased transistor as a noise source), so is a useful compliment to this module as it does not generate exactly the same sounding Noise

Lastly, it includes a wide range clock generator with a rate LED. The range is from one cycle every thirty seconds to around 2 kHz and the clock output is normalised to the Clock Input of the S&H section. It also has a Clock Out jack so that it can be externally patched to other Eurorack modules.
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ALM MCO Digital Wavetable Oscillator Module
Cat: 688774 Rel: 31 Jan 19
 
Compact digital oscillator with a resolution of 16Bit/48kHz
Notes: The 'MCO' is a compact digital oscillator. It features a main 'morphing' wavetable output, an additional copy of this output with overlaid variable pulse width segments (ala Alpha Juno style saw wave pwm) and a sub square wave output an octave down to the main output. The waveform and pulse segment width and be both directly and voltage controlled. The pulse segment distribution can also be voltage controlled via the 'type' input.

Expect an early 90s slightly crunchy digital type sound (ala Ensoniq, Kawaii KX synths) rather than something striving for perfect analog emulation.
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ALM MUM M8 Low Pass Filter Module
Cat: 679163 Rel: 09 Mar 18
 
Eurorack recreation of classic sampler filter with added resonance & voltage control
Notes: 'MUM M8' is an 8hp Eurorack low pass filter building on the filter design used in the classic Akai S950 12 bit sampler with the addition of resonance, voltage control, clipped saturation and a dedicated VCA.

The low pass filter gives the recognisable super smooth vacuum like tone sucking sound which works magic on complex sources. The addition of clipped overdrive and intentionally aggressive self-oscillating resonance compliment the smooth filter core by juxtaposing it into more wasp like territory with acidic squeals and a more gritty sound.
Mum M8 features dual voltage control with attenuation (and inversion) of filter cut off and voltage control of resonance together with dual audio inputs - one of which includes a VCA to with the capability to aid overdriving signals into the filter core.

The filter core is a 6th Order Butterworth switched capacitor type design featuring an analog core but controlled by a high speed digital clock. This produces the characteristic smooth sounding filter but, as with the original S950, has a relatively high minimum cut off as to avoid 'clock bleed' into the filter output from the digital control. This minimum cut of point (and introduction of bleed if required) can be controlled via trimmers on the rear of the module (see calibration chapter). It is not unusual for there still to be some low-level artefacts from the clock present, particularly during filter sweeps - these add to the filters character.

The motivation for the module came from discussing filters in classic samplers with the artist Jack Adams - aka Mumdance. Jack suggested investigating the S950's filter well known as for it use in classic use in early jungle and hardcore. From that point onward Jack provided inspiration, help and feedback in the development of the filter. Big up Mumdance.
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ALM Tangle Quartet Quad Linear VCA & Mixer Module
Cat: 584259 Rel: 15 Apr 16
 
High quality quad linear voltage controlled amplifier (VCA) synthesiser module - 8HP wide
Notes: 'Tangle Quartet' is a high quality quad linear voltage controlled amplifier (VCA) providing individual level control of 4 signal inputs with both individual outputs and a combined 'mix' output (for non patched outputs) . Control signal inputs and associated attenuation controls allow for voltage control of signal levels. Control inputs are normalised to 5v thus providing manual mix control in the absence of control signals.

Technical Specifications:

Supply: +/-12V (Reverse voltage protection)
Current Draw: ~80ma
Size: 8 HP
Depth: 32mm (including power header)
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Animal Factory Coma Reactor Delay Module
Cat: 714519 Rel: 25 Jan 19
 
Gritty sounding delay effect with open feedback path - 10HP
Notes: The Coma Reactor module from Animal Factory Amplification is an innovative delay with a variety of sonic possibilities.

It is based on a PT2399 delay chip and offers amazing routing and sound design options.

The Coma knob is an attenuator for the input signal. Low levels can generate funny noises. The input signal is mirrored at the Thru output, for further processing with another module.

There are separate dry and wet potentiometers to adjust the desired effect amount.

The delay time ranges from 30 to 2000 ms. It can be controlled manually via the Time knob or with control voltage thanks to the MOD input, which is equipped with an attenuverter and a switch for setting the amount of modulation. Furthermore there is a LED which indicates the CV polarity.

The delay features a feedback knob for controlling the repeats. Turned fully clockwise it will bring up self-oscillation.

Thanks to an integrated send/return path it is possible to use the module with external effects. The volume of the external effect is controlled by the Return potentiometer. If nothing is connected to send/return, the delay signal is routed internally through a crude twin-T Bandpass Filter. The effected signal can be fed back into the delay circuit thanks to a dedicated Return Feedback knob.
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AniModule DD Dual VCA Module
AniModule DD Dual VCA Module (CV modulation / panning / VCA / dual stereo synth module)
Cat: 794391 Rel: 31 Dec 20
 
Dual VCA module
Notes: A Dual VCA for Audio or CV.

Mod In 1 is Buffered, Inverted then Normalled to Mod In 2, to facilitate stereo panning and VC CrossFading without a bunch of support modules.

Don't want it? Just turn the attenuator down or plug a signal of your choosing in to the Mod In 2.

Current Draw: +12V = 25mA, -12V = -22mA

8HP, 28mm Deep
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AniModule Gate_Mod Module
AniModule Gate_Mod Module (clock modulator / dual stereo / frequency divider synth module)
Cat: 793797 Rel: 31 Dec 20
 
Gate modifier & trigger delay module
Notes: Got a gate that's gonna make you late? Run it through the Gate_Mod! Got a trigger comin' sooner than you figger'd? Run it through the Gate_Mod!!

Let's face it, couldn't we ALL use a little more length?

This Tiny (yet powerful) Module allows you to manipulate your gate length and delay your event triggers with ease and minimal impact on your HP.

Take an incoming Signal above ~1.1V (OpAmp Comparators on the Inputs make very forgiving Clock Inputs) and shrink it down to 5MS or lengthen it up to 5 Seconds.

That Gate will appear at the Gate Out.

When the Gate is Over a 10MS Trigger will turn on at the Delay Out.

Set the length of the Gate with the Time Potentiometer OR with the CV Input.

The switches allow you to choose between Interrupt OR Dividing Behavior (1 for each channel).

If you have Interrupt selected, when Clock In receives a new Clock Pulse the time will reset, essentially lengthening your Gate Out and Delay Out to the Time you have set + the time that has already elapsed.

So Gate will never go Low and Delay will never go High if you have a Time set longer than the interval between Clock Pulses (Useful if you have staggered, irregular or random Clocks).

When Dividing is selected Clock In will Ignore new Clock Pulses until it has finished the current cycle it's running.

The Delay 1 Out is Normalled via the Jack switch of the Clock 2 Input for all kinds of Timing madness!

Width = 4 HP
Depth = 37mm
Current Draw:
+12V = 35mA
-12V = -18mA

*The Gate_Mod firmware has been updated as of Mid August 2015. There was a bug in the Delay Out section that prevented it from resting at full 0V. All Gate-Mods shipped After the Firmware was updated include the new revision.
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FORTHCOMING
AniModule MIDI_Gate Module
AniModule MIDI_Gate Module (MIDI synth module)
Cat: 793791 Rel: 31 Dec 20
 
MIDI gate interface module
Notes: The AniModule MIDI_Gate is an easy way to integrate your MIDI-synced workflow with your Modular Synth.

10 Gate Outs that correspond to MIDI notes C1 - A1 (36 - 46).

MIDI NoteOn >> Gate is High

MIDI NoteOff >> Gate is Low

Programmed to receive on MIDI Channel 10

All this in 4HP!!!

Use it to send Multiple Clocks synced to your main Clock.

Use it to trigger events to effect samples piped in via a Line_Amp or TrAniModule in realtime in the analog domain for Live Performance or Resample.

Use it to interface in realtime with your Keyboard, Pad Based Controller, or DAW.

Width = 4HP

Depth = 33mm
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FORTHCOMING
AniModule Quad Comparator Module
AniModule Quad Comparator Module (CV modulation / logic / comparater / utility / quad synth module)
Cat: 794399 Rel: 31 Dec 20
 
Quad comparator module
Notes: Simple quad comparator based around the LM339.

It will take your Voltages and turn them into Logic On.

When your signal is higher than the threshold the Gate goes high and the NOT Gate goes low.
When your signal is lower than the threshold the NOT gate goes high and the Gate goes low.

You can set the threshold anywhere from about -10V to +10V.

Input 1 is buffered then normalled to JackSwitches 2->4. So you could send an LFO in to Input 1, set different thresholds for all the inputs and have all the gates/NOT Gates fire at different points from the same LFO.

115 mA +12V
95 mA -12V
29 mm deep
O 5.00 (1 Votes) Average Rating
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FORTHCOMING
AniModule SOB v1 Module
AniModule SOB v1 Module (state variable filter & waveshaper synth module)
Cat: 794397 Rel: 31 Dec 20
 
State variable filter module
Notes:  A State Variable Filter with an adjustable WaveFolder on the input.

Self-Oscillating Filter Tracks 1V/Oct

Vactrol Input allows you to control CutOff via gates/triggers without using up an EG

Pot to mix "Clean" and "Folded" signal levels

Filter and/or Fold Audio Or Control Voltages

2 Input Signal mixer

1 Input Control Voltage Mixer

1 Input to Vactrol for CV Modulation

1V/Oct In

current Draw: +12V = 31mA -12V = 34mA
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FORTHCOMING
AniModule STD Syncopated Timing Disruptor Module
AniModule STD Syncopated Timing Disruptor Module (clock generator / clock modulator / logic synth module)
Cat: 793790 Rel: 31 Dec 20
 
Syncopated timing disruptor module
Notes: The STD, or Syncopated Timing Disrupter is a dual tap tempo clock with CV control for clock division and multiplication. If one wishes to synchronize the STD with other clocked gear, there is also a Gate input. The CV inputs can shift the clock to being upto 8x faster or /8 to be slower. This function is voltage controllable to turn the STD into a nonstop groove machine. Included in this are three logic functions that output gates depending on how the two channels are interacting. There is OR, ADD, and XOR logic functions.

2 Independent Tap Tempo Clock Channels
Prefer to use a Gate? No Prob! Just Patch in to the Gate Input.

Use the Div/Mult/Offset Pot to Multiply or Divide your Clock Time up to *8 - /8

Or patch In to the CV Input to Modulate the Mathematical Madness!
When CV is being input the Div/Mult/Offset Pot behaves as an Offset.

CV Input wants 0V to +5V, but whatever you got, Between the Offset, and the Front Panel CV Attenuators, it's easy to dial in your desired range of "On the Fly" Mathematical Clock Time Modulations.

Want to sync the 2nd channel to the first?
Latch the Ch1 - Ch2 switch and the Output of Channel 1 is normalled to the jack Switch of Channel 2.
You can still control the Multiplications / Divisions of each channel Independently!

If that wasn't enough to get you poppin' penicillin prophylactically there's more!

The bottom row of jacks constantly output OR, AND, and XOR Logic Combinations of the 2 channels combined!

Want to use something funky (like a Sine Wave / Envelope / Random Voltage Generator) to set the rhythm? The Input is a Buffered Comparator set to trigger at any signal above +1.2V

Perfectly happy up in to the Mid- Audio range.

6HP
+44mA
-16mA
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AniModule TikTok Module
AniModule TikTok Module (clock modulator synth module)
Cat: 793800 Rel: 31 Dec 20
 
Clock divider & multiplier module
Notes: The TikTok is a 4HP Clock Divider/Multiplier.
It has Divisions and Multiplications of:
*//2
*//3
*//4
*//5
*//6

There is a Clk Input and a Reset Input.
Both are buffered with an opamp based comparator circuit.
They are looking for approximately +1.1V on a rising edge.
This means that you are not constrained to gate (pulse) signals to trigger them.

The Reset input resets your divisions clock counter to 1

There is a switch to select Mathematical or Musical divisions.

The Multiplication Outputs 25MS Trigger pulses.
The Division Outputs are on as long as your Clock source.

Avg Current draw:
40 mA
-9 mA
Peak Current Draw:
80 mA
-17 mA

Width = 4HP
Depth = 38mm
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Befaco Burst Pingable Trigger Burst Generator Module (assembled)
Cat: 689667 Rel: 14 Jun 18
 
Probabilistic & pingable burst generator - 8HP
Notes: Burst is a Pingable Trigger Burst generator with distribution, probability and time division control. It will create multiplications of your triggers, leading to doubles, triplets, quintuplets and true polyrhythms for your modular system.

The module allows you to add voltage controlled redrums and dynamic ratcheting effects for your patches. In addition, Burst works like a regular clock source and trigger for other modules via its Tempo and End of Cycle outputs.
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Befaco VC ADSR Module (assembled)
Cat: 668622 Rel: 09 Nov 17
 
Compact, well-equipped envelope module - 8HP
Notes: The VC ADSR is our take on the classic ADSR: now smaller, more powerful and user friendly.

The circuit is based in a dual transistor "Current Mirror" (a voltage controlled integrator) and switching logic

This compact unit features voltage control for each stage with manual faders to improve usability, feel and aesthetics.

A unique feature of the VC ADSR is the gate outputs for each stage of the envelope offering an extra level of control over your patch!

Envelope generation can be triggered and controlled with the use of the panel mounted push button or with the trigger/gate input.

Control of the response curve between each stage of the envelope (from linear to logarithmic/exponential) is provided by a potentiometer.

Phase Time Limits:

- Attack: Min 3.0ms (down to 200uS with negative CV) // Max 10s
- Decay: Min 2.8ms (down to 400uS with negative CV) // Max 10s
- Release: Min 2.8ms (with Sustain at maximum) // Max 10s
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Blue Lantern Modules Arcade Kick Module
Cat: 774017 Rel: 13 May 20
 
kick module
Notes: This product is used to produce drum and percussion sounds. You can make 909 type of kick drums- the toggle switch on the left chooses between long and short vca decay. The toggle switch on the left chooses long and short pitch envelope decay. Smack knob control lefts you mix in a noise 'paper' sound for the drum.

You can mix in two trigger sources to create complex percussion patterns. The internal circuit is using logic 'OR' triggering.

This product was refined for optimum sound and response from the controls. Part values were changed from the original 909 design.

-There is onboard distortion to get techno type of kick drums.

-This internal oscillator is triangular core, with internal reset.

-The internal trigger conditioner can take audio rate frequencies.

-There is a manual push button.

Width: 10hp

Current: +30mA,-24mA
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Blue Lantern Modules Dwarf Star Stereo Delay Mk2 Module
Cat: 774012 Rel: 13 May 20
 
stereo delay module
Notes: Excellent stereo/dual mono delay module. CV inputs allow you to control the delay times independently, allowing for some creative modulation effects.

Supplier notes:
This module has two echo delay effect circuits based on the Dwarf Star Semi Modular system. With this module you can add cool delay fx to synth level signals. Each of the parameters has CV control with their own attenuators. There are three parameters per channel. The two echo fx circuits are mirrored on the front panel: Channel A and Channel B.

The fx processing was fine tuned for clean fx processing. You can however patch a cv input into the 'REPEAT' parameter, have the RCV attenuator fully clockwise, and force it to feedback into loud trash. There is no switch jack on the input jacks. However, all the CV jacks have switch jack internal connections. This allows you to modulated both channels using only the the Channel A side. For true independent patching on each separate channel simple patch something into the corresponding Channel B jack.

The Kill toggle switches kill the dry signal input going into the pt2399 fx chip. It will however allow echo trails to keep going until they die out. So this is not just a mute switch to abruptly cut the echo trails in halfm which is potentaially better for live manipulation and recording.

The module also features onboard head phone monitoring. You can also use a JBL portable speaker or any other charger type portable speaker to hear your modular using a 3.5mm stereo cable. There is also a new spread parameter and fx bypass push button for live use.

width: 18hp
current: 10mA, -6mA
depth: 1.5 inches
FX Chip: PT2399.
Signal Levels for In/Outs: modular synth levels -5/+5.
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Blue Lantern Modules Dwarf Star Stereo Delay Mk2 Module (B-STOCK)
Cat: 783152 Rel: 13 May 20
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Excellent stereo/dual mono delay module. CV inputs allow you to control the delay times independently, allowing for some creative modulation effects.

Supplier notes:
This module has two echo delay effect circuits based on the Dwarf Star Semi Modular system. With this module you can add cool delay fx to synth level signals. Each of the parameters has CV control with their own attenuators. There are three parameters per channel. The two echo fx circuits are mirrored on the front panel: Channel A and Channel B.

The fx processing was fine tuned for clean fx processing. You can however patch a cv input into the 'REPEAT' parameter, have the RCV attenuator fully clockwise, and force it to feedback into loud trash. There is no switch jack on the input jacks. However, all the CV jacks have switch jack internal connections. This allows you to modulated both channels using only the the Channel A side. For true independent patching on each separate channel simple patch something into the corresponding Channel B jack.

The Kill toggle switches kill the dry signal input going into the pt2399 fx chip. It will however allow echo trails to keep going until they die out. So this is not just a mute switch to abruptly cut the echo trails in halfm which is potentaially better for live manipulation and recording.

The module also features onboard head phone monitoring. You can also use a JBL portable speaker or any other charger type portable speaker to hear your modular using a 3.5mm stereo cable. There is also a new spread parameter and fx bypass push button for live use.

width: 18hp
current: 10mA, -6mA
depth: 1.5 inches
FX Chip: PT2399.
Signal Levels for In/Outs: modular synth levels -5/+5.
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 1 in stock $181.04
Blue Lantern Modules Dwarf Star Stereo Delay Mk2 Module (B-STOCK)
Cat: 783142 Rel: 13 May 20
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Excellent stereo/dual mono delay module. CV inputs allow you to control the delay times independently, allowing for some creative modulation effects.

Supplier notes:
This module has two echo delay effect circuits based on the Dwarf Star Semi Modular system. With this module you can add cool delay fx to synth level signals. Each of the parameters has CV control with their own attenuators. There are three parameters per channel. The two echo fx circuits are mirrored on the front panel: Channel A and Channel B.

The fx processing was fine tuned for clean fx processing. You can however patch a cv input into the 'REPEAT' parameter, have the RCV attenuator fully clockwise, and force it to feedback into loud trash. There is no switch jack on the input jacks. However, all the CV jacks have switch jack internal connections. This allows you to modulated both channels using only the the Channel A side. For true independent patching on each separate channel simple patch something into the corresponding Channel B jack.

The Kill toggle switches kill the dry signal input going into the pt2399 fx chip. It will however allow echo trails to keep going until they die out. So this is not just a mute switch to abruptly cut the echo trails in halfm which is potentaially better for live manipulation and recording.

The module also features onboard head phone monitoring. You can also use a JBL portable speaker or any other charger type portable speaker to hear your modular using a 3.5mm stereo cable. There is also a new spread parameter and fx bypass push button for live use.

width: 18hp
current: 10mA, -6mA
depth: 1.5 inches
FX Chip: PT2399.
Signal Levels for In/Outs: modular synth levels -5/+5.
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 1 in stock $181.04
Blue Lantern Modules FM Joystick Pro V3 Module
Cat: 775744 Rel: 13 May 20
 
joystick module
Notes: This is a nice small joystick to add some control to your modular. The joystick is acting as an attenue-inverter. At center position is zero. Swinging the joystick side to side gives + or -. There are two attenue-inverters, one for each axis. When nothing is patched into the 'input' jack, the joystick is using an internal reference voltage (7v). You can use that to control a fitler module for example.When you patch a vco or lfo into the input jack you can add some fm to another external vco and have control over the FM with the Joystick.The joystick also has a push button. The gate out jack allow you to trigger your other modules that don't have manual trigger control.
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Doepfer A-105-4 Quad SSM VCF Module
Cat: 676691 Rel: 21 Sep 18
 
Polyphonic filter with four identical 24dB Lowpass filters 8HP
Notes: A-105-4 is our first polyphonic filter and contains four
identical 24dB Lowpass filters (SSM2044 type). It has
available common manual controls and CV inputs with
attenuators for these parameters:

Frequency (F)

Frequency Modulation Intensity (FM)

Resonance (Q)

Audio Input Level (L)
Each filter has available a separate FM input as well as an Audio Input and Output. The FM input is typically connected to the output of the associated envelope generator (e.g. A-141-4).
The envelope amount for all four filters is controlled by the FM knob and the CVFM input by means of four built-in VCAs, which are controlled by the FM control and CVFM input. This allows also voltage control of the envelope amounts.

In addition common frequency modulation for all filters is possible (e.g. by an LFO). For this the CVF input with attenuator can be used. The range of the audio input level control (L) allows also clipping/distortion with typical A-100 audio levels
(e.g. from A-111-4) at the filter inputs. Even this parameter is voltage controllable as well as the resonance (Q).
Application: polyphonic patches (four VCFs with same parameters).
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FORTHCOMING
Doepfer A-106-6V XP Multimode Filter Vintage Edition Module
Cat: 790473 Rel: 31 Dec 20
 
Multimode filter module
Notes: Module A-106-6 is a multimode filter that is based on the filter circuit of the Oberheim Xpander. The module features 15 different filter types with 8 filters available simultaneously.

The toggle switch Filter Group is used to switch between 2 filter groups. These filter types are available:
1L (6 dB low pass)
2L (12 dB low pass)
3L (18 dB low pass)
4L (24 dB low pass)
1H (6 dB high pass)
2H (12 dB high pass)
3H (18 dB high pass)
2B (6 dB band pass)
4B (12 dB bandpass)
2N (notch)
3A (allpass)
2H1L (asymmetrical band pass made of a 12 dB high pass and a 6 dB low pass)
3H1L (asymmetrical band pass made of a 18 dB high pass and a 6 dB low pass)
2N1L (combination of notch and 6 dB low pass)
3A1L (combination of allpass and 6 dB low pass)

The module features voltage controlled resonance. For filter group 2 (2L, 4L, 2B ...) even self oscillation is possible. All standard VCF controls are available: manual filter frequency control Frq, one control voltage input with attenuator (FCV2)and one without attenuator (FCV1, ~ 1 V/octave). In addition voltage controlled resonance with manual control (Q) and a CV input with attenuator (QCV) are available. The circuit is based on a 24dB lowpass filter. The outputs of the four internal filter stages (i.e. the 6, 12, 18 and 24dB outputs) are mixed together with different levels and polarities to obtain 15 different filters. Because of this special circuit the outputs have slightly different levels and noise floor. This is caused by the different internal amplifications and numbers of stages that are required to generate the filter in question. If e.g. a filter is derived by one stage only (e.g. the 6 dB, 12dB, 18dB and 24dB low pass) the noise floor is smaller compared to a filter that is derived by a combination of all four filter stages. The module generates a distorted audio signal if the level control is set to about 50% (i.e. center position) or more with A-100 standard signals like VCOs.

Power consumption: 50mA at +12V and 50mA at -12V
Depth: 50mm
HP : 12
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Doepfer A-110-1v Standard VCO Module (vintage edition)
Cat: 692511 Rel: 19 Jun 18
 
Standard VCO providing two CV inputs for pitch, an octave switch, four waveforms with separate outputs, pulse width modulation & hard sync - 10HP
Notes: Module A-110-1 is a voltage-controlled oscillator. This VCO's frequency range is about eight octaves (ca. 15Hz ... 8kHz). It can produce four waveforms simultaneously: rectangle, sawtooth, triangle, and sine wave (triangle and sine shapes are not perfect, see remark below). The output levels are typically 8Vpp for saw and rectangle, and 10Vpp for triangle and sine. The frequency or pitch of the VCO is determined by the position of the octave (Range) switch and tuning (Tune) knob, and by the voltage present at the CV inputs. Frequency modulation (FM) of the VCO is therefore a possibility. Footage (the octave of the fundamental) is set by the Range control in five steps, and Fine tuning controlled by the Tune knob by about +/-1 one semitone (can be modified for a wider range).

You can control the pulse width of the square wave either by hand, or by voltage control - Pulse Width Modulation or PWM.

For more detailed information please look at the user's manual A110_man.pdf. In addition, the A-110 service manual is available as an example for the A-100 service manual that is available at extra charges. This document describes also how to modify the sensitivity of the tune control, how to re-adjust the 1V/octave scale and the frequency offset (i.e. the absolute pitch). Such modifications should be carried out by experienced users only!

The core of the A-110-1 is a sawtooth oscillator (in contrast to the A-111-1, which is based on a triangle oscillator). The other waveforms are derived from the sawtooth by internal waveform converters. As the sawtooth reset (i.e. the back-to-zero slope) is not infinite fast but takes a little bit of time the derived waveforms triangle and sine are not perfect! At the top of the waveform they have a small glitch or notch that is caused by the sawtooth reset and cannot be eliminated by the waveform converters. The sine is derived from the triangle by a simple diode-based converter and the sine shape is not perfect (only a rounded triangle).

If a perfect triangle is required, the A-111-1 is recommended. For a perfect sine wave the quadrature LFO/VCO A-143-9 is recommended.
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Doepfer A-111-3 Micro Precision VCO & VCLFO Module
Cat: 671591 Rel: 29 Nov 17
 
Analog VCO/LFO module with wide frequency range - 4HP
Notes: The Micro Precision VCO is a space-saving and utterly precise analog VCO/LFO with a extremely wide frequency range, immaculate tracking over at least ten octaves and nearly perfect waveforms.

Basically, it's the same circuitry like the High-End VCO A-111-2 but with reduced functions and controls. It is suitable as a modulator for exact linear FM and much more.

The A-111-3 has two elements for setting the frequency: A switch selecting between LFO and VCO mode as well as a tune control with a jumper-selectable range:

- Jumper position 1: 16Hz to 20 kHz
- Jumper position 2: 16Hz to 70Hz
- Without jumper: 16Hz to 22Hz

The XM potentiometer can be used as a fine tune control as long as nothing is patched to the XM socket.

The oscillator has a frequency range of at least fifteen osctaves (0.0001 - 40 Hz in LFO mode; 0.5 Hz to 20 kHz in VCO mode) and offers perfect 1 V per octave tracking over ten octaves minimum, typically in the range of 20 Hz to 20 kHz. Frequencies below 25 Hz are visualized with a two-colour LED.

The 1V per octave input is accompanied by two FM inputs, one for linear and one for exponential frequency modulation. A jumper determines whether the module obtains pitch CV via the internal bus.

The VCO has a triangle core from which sawtooth, pulse and triangle are derived. The wave forms are almost perfect and sans glitches.

The pulse width can be set with a control from 0 to 100% and of course it can be modulated.

There is one input for oscillator synchronisation and its type, either hard or soft sync, is jumper-selected. Both types differ in sound with the hard sync being more aggressive and richer in harmonics.
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Doepfer A-111-6 Miniature Synthesiser Voice Module
Cat: 731937 Rel: 15 Nov 19
 
Complete miniature monophonic synthesiser module - 10HP
Notes: VCO:

- Tune: manual tune control (with an internal jumper the range can be set to ~ +/-1 half an octave or ~ +/-2.5 octaves)
- Oct: range switch -1 / 0 / +1 octave
- Mod: modulation depth (attenuator wired to the Mod. socket)
- Dest: switch that is used to address the modulation to frequency modulation (position FM) or pulsewidth modulation (positon PM), in centre positon no modulation
- PW: manual pulsewidth control for rectangle waveform, PW can be also modulated by the Mod. input as mentioned above
- Wave: waveform switch (sawtooth / off / triangle), the sum of the waveform chosen by this switch and the rectangle is fed into the VCF (to turn the rectangle off the PW control has to be set fully CCW or fully CW)
- 1V/Oct. (socket): external CV input for VCO frequency (1V/octave)
- Access to internal bus CV (via jumper, optional, please remove the bus jumper if this feature is not used to avoid unwanted frequency modulation as then the unused CV line of the bus works as a kind of antenna)
- Triangle core VCO, frequency range about 32Hz ... 8kHz

Balance unit:

- The balance unit is made of two VCAs which are controlled by the sum of manual Balance control and the balance CV input in the opposite direction.
- The audio input of VCA1 is hard-wired to the VCO output, audio input 2 is connected to the socket Ext.In.
- The output of the balance unit is used as audio input for the VCF
- Bal.: manual balance control, fully CCW the internal VCO is used, fully CW the external signal (Ext.In) is used, at centre position both signals have about the same level
- CV Bal.: CV input for balance (range about 0...+5V)
- Ext. In: external audio input for VCA2, about 5 Vpp level required for similar loudness as the internal VCO
- This socket is normalled to the internal VCO suboctave f/2 signal (rectangle with half the frequency), if no external signal is applied the suboctave signal is used as the second signal for the balance unit

VCF:

- 24 dB low pass
- Frq: manual frequency control
- FM1: frequency modulation depth (attenuator wired to the VCF FM1 socket, the socket is normalled to the internal Envelope signal and then FM1 controls the modulation depth of the internal envelope applied to the filter)
- FM2 (socket) : second CV input for VCF without attenuator (about 1V/octave), can be used e.g. for VCF tracking by connecting the same CV which is used also for the VCO frequency
- Res: manual resonance control (up to self oscillation)
- If the VCO is turned off (waveform switch = centre position, pulsewidth control = fully CCW or CW) and the VCF resonance is set to maximum the module can be used as a sine oscillator, the tracking at socket VCF FM2 is about 1V/octave (not as precise as the VCO but much better than most other filters)
- ~ 11 octaves frequency range (~ 10 Hz ... 20kHz)

VCA:

- Gain: manual amplitude control (initial gain), can be used to open the VCA without envelope signal
- VCA (switch): used to switch between gate and envelope as control signal for the VCA, in centre position the VCA is not controlled by envelope or gate
- Note: when gate is used the VCA is controlled directly by the gate signal (i.e. hard on/off), this may lead to clicking noise under certain conditions (especially with low VCO/VCF frequencies)
- Special control scale: exponential scale in the range from about -20dB to -80/90dB, linear scale from about -20dB to 0dB
- Remark: this special control scale results in a loudness behaviour that is a bit different from pure linear or exponential VCAs
- Out: audio output of the module (= VCA output)

Envelope:

- Gate (socket): Gate input (min. +5V), can be normalled to the bus gate signal by means of a jumper
- Att: manual control for Attack
- D/R: manual control for Decay/Release
- Env. (switch): used to switch between A/D, ADSR and A/R mode of the envelope generator, in centre position (ADSR) the sustain level is fixed to about 50%
- Envelope (socket): envelope output (about +10V)
- CVT (socket): CV input for time control, by means of two internal jumpers one can select which time parameters are controlled by the CVT input (e.g. A only or D/R only or A/D/R) and in which direction (i.e. if an increasing CVT shortens or stretches the time parameter in question)
- Envelope LED display
- Attack time range: ~ 1ms ... 5 sec (can be extended by using the CVT input)
- Decay/Release time range: ~ 1ms ... 15 sec (can be extended by using the CVT input)
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Doepfer A-111-6v Miniature Synthesiser Voice Module (vintage edition)
Cat: 749811 Rel: 15 Nov 19
 
Complete miniature monophonic synthesiser module - 10HP
Notes: VCO:

- Tune: manual tune control (with an internal jumper the range can be set to ~ +/-1 half an octave or ~ +/-2.5 octaves)
- Oct: range switch -1 / 0 / +1 octave
- Mod: modulation depth (attenuator wired to the Mod. socket)
- Dest: switch that is used to address the modulation to frequency modulation (position FM) or pulsewidth modulation (positon PM), in centre positon no modulation
- PW: manual pulsewidth control for rectangle waveform, PW can be also modulated by the Mod. input as mentioned above
- Wave: waveform switch (sawtooth / off / triangle), the sum of the waveform chosen by this switch and the rectangle is fed into the VCF (to turn the rectangle off the PW control has to be set fully CCW or fully CW)
- 1V/Oct. (socket): external CV input for VCO frequency (1V/octave)
- Access to internal bus CV (via jumper, optional, please remove the bus jumper if this feature is not used to avoid unwanted frequency modulation as then the unused CV line of the bus works as a kind of antenna)
- Triangle core VCO, frequency range about 32Hz ... 8kHz

Balance unit:

- The balance unit is made of two VCAs which are controlled by the sum of manual Balance control and the balance CV input in the opposite direction.
- The audio input of VCA1 is hard-wired to the VCO output, audio input 2 is connected to the socket Ext.In.
- The output of the balance unit is used as audio input for the VCF
- Bal.: manual balance control, fully CCW the internal VCO is used, fully CW the external signal (Ext.In) is used, at centre position both signals have about the same level
- CV Bal.: CV input for balance (range about 0...+5V)
- Ext. In: external audio input for VCA2, about 5 Vpp level required for similar loudness as the internal VCO
- This socket is normalled to the internal VCO suboctave f/2 signal (rectangle with half the frequency), if no external signal is applied the suboctave signal is used as the second signal for the balance unit

VCF:

- 24 dB low pass
- Frq: manual frequency control
- FM1: frequency modulation depth (attenuator wired to the VCF FM1 socket, the socket is normalled to the internal Envelope signal and then FM1 controls the modulation depth of the internal envelope applied to the filter)
- FM2 (socket) : second CV input for VCF without attenuator (about 1V/octave), can be used e.g. for VCF tracking by connecting the same CV which is used also for the VCO frequency
- Res: manual resonance control (up to self oscillation)
- If the VCO is turned off (waveform switch = centre position, pulsewidth control = fully CCW or CW) and the VCF resonance is set to maximum the module can be used as a sine oscillator, the tracking at socket VCF FM2 is about 1V/octave (not as precise as the VCO but much better than most other filters)
- ~ 11 octaves frequency range (~ 10 Hz ... 20kHz)

VCA:

- Gain: manual amplitude control (initial gain), can be used to open the VCA without envelope signal
- VCA (switch): used to switch between gate and envelope as control signal for the VCA, in centre position the VCA is not controlled by envelope or gate
- Note: when gate is used the VCA is controlled directly by the gate signal (i.e. hard on/off), this may lead to clicking noise under certain conditions (especially with low VCO/VCF frequencies)
- Special control scale: exponential scale in the range from about -20dB to -80/90dB, linear scale from about -20dB to 0dB
- Remark: this special control scale results in a loudness behaviour that is a bit different from pure linear or exponential VCAs
- Out: audio output of the module (= VCA output)

Envelope:

- Gate (socket): Gate input (min. +5V), can be normalled to the bus gate signal by means of a jumper
- Att: manual control for Attack
- D/R: manual control for Decay/Release
- Env. (switch): used to switch between A/D, ADSR and A/R mode of the envelope generator, in centre position (ADSR) the sustain level is fixed to about 50%
- Envelope (socket): envelope output (about +10V)
- CVT (socket): CV input for time control, by means of two internal jumpers one can select which time parameters are controlled by the CVT input (e.g. A only or D/R only or A/D/R) and in which direction (i.e. if an increasing CVT shortens or stretches the time parameter in question)
- Envelope LED display
- Attack time range: ~ 1ms ... 5 sec (can be extended by using the CVT input)
- Decay/Release time range: ~ 1ms ... 15 sec (can be extended by using the CVT input)
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Doepfer A-111-6v Miniature Synthesiser Voice Module (vintage edition) (B-STOCK)
Cat: 794200 Rel: 15 Nov 19
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


VCO:

- Tune: manual tune control (with an internal jumper the range can be set to ~ +/-1 half an octave or ~ +/-2.5 octaves)
- Oct: range switch -1 / 0 / +1 octave
- Mod: modulation depth (attenuator wired to the Mod. socket)
- Dest: switch that is used to address the modulation to frequency modulation (position FM) or pulsewidth modulation (positon PM), in centre positon no modulation
- PW: manual pulsewidth control for rectangle waveform, PW can be also modulated by the Mod. input as mentioned above
- Wave: waveform switch (sawtooth / off / triangle), the sum of the waveform chosen by this switch and the rectangle is fed into the VCF (to turn the rectangle off the PW control has to be set fully CCW or fully CW)
- 1V/Oct. (socket): external CV input for VCO frequency (1V/octave)
- Access to internal bus CV (via jumper, optional, please remove the bus jumper if this feature is not used to avoid unwanted frequency modulation as then the unused CV line of the bus works as a kind of antenna)
- Triangle core VCO, frequency range about 32Hz ... 8kHz

Balance unit:

- The balance unit is made of two VCAs which are controlled by the sum of manual Balance control and the balance CV input in the opposite direction.
- The audio input of VCA1 is hard-wired to the VCO output, audio input 2 is connected to the socket Ext.In.
- The output of the balance unit is used as audio input for the VCF
- Bal.: manual balance control, fully CCW the internal VCO is used, fully CW the external signal (Ext.In) is used, at centre position both signals have about the same level
- CV Bal.: CV input for balance (range about 0...+5V)
- Ext. In: external audio input for VCA2, about 5 Vpp level required for similar loudness as the internal VCO
- This socket is normalled to the internal VCO suboctave f/2 signal (rectangle with half the frequency), if no external signal is applied the suboctave signal is used as the second signal for the balance unit

VCF:

- 24 dB low pass
- Frq: manual frequency control
- FM1: frequency modulation depth (attenuator wired to the VCF FM1 socket, the socket is normalled to the internal Envelope signal and then FM1 controls the modulation depth of the internal envelope applied to the filter)
- FM2 (socket) : second CV input for VCF without attenuator (about 1V/octave), can be used e.g. for VCF tracking by connecting the same CV which is used also for the VCO frequency
- Res: manual resonance control (up to self oscillation)
- If the VCO is turned off (waveform switch = centre position, pulsewidth control = fully CCW or CW) and the VCF resonance is set to maximum the module can be used as a sine oscillator, the tracking at socket VCF FM2 is about 1V/octave (not as precise as the VCO but much better than most other filters)
- ~ 11 octaves frequency range (~ 10 Hz ... 20kHz)

VCA:

- Gain: manual amplitude control (initial gain), can be used to open the VCA without envelope signal
- VCA (switch): used to switch between gate and envelope as control signal for the VCA, in centre position the VCA is not controlled by envelope or gate
- Note: when gate is used the VCA is controlled directly by the gate signal (i.e. hard on/off), this may lead to clicking noise under certain conditions (especially with low VCO/VCF frequencies)
- Special control scale: exponential scale in the range from about -20dB to -80/90dB, linear scale from about -20dB to 0dB
- Remark: this special control scale results in a loudness behaviour that is a bit different from pure linear or exponential VCAs
- Out: audio output of the module (= VCA output)

Envelope:

- Gate (socket): Gate input (min. +5V), can be normalled to the bus gate signal by means of a jumper
- Att: manual control for Attack
- D/R: manual control for Decay/Release
- Env. (switch): used to switch between A/D, ADSR and A/R mode of the envelope generator, in centre position (ADSR) the sustain level is fixed to about 50%
- Envelope (socket): envelope output (about +10V)
- CVT (socket): CV input for time control, by means of two internal jumpers one can select which time parameters are controlled by the CVT input (e.g. A only or D/R only or A/D/R) and in which direction (i.e. if an increasing CVT shortens or stretches the time parameter in question)
- Envelope LED display
- Attack time range: ~ 1ms ... 5 sec (can be extended by using the CVT input)
- Decay/Release time range: ~ 1ms ... 15 sec (can be extended by using the CVT input)
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 4 in stock $172.59
Doepfer A-127 Triple Voltage Controlled Resonance Filter Module
Cat: 707079 Rel: 23 Oct 18
 
Triple resonance filter unit - 28HP
Notes: Module A-127 is a triple resonance filter unit. It contains three separate voltage-controlled band pass filters. Each filter has its own LFO (triangle waveform) with LED display and adjustable frequency and amplitude. Instead of the internal LFO an external control voltage may be used to control the filter frequency. In this case the external voltage is fed into the external CV jack (with integrated switch to turn off the LFO signal) and the amplitude control of the LFO affects the level of the external CV signal. Each filter is equipped with the following controls: LFO frequency, LFO/external CV amplitude, filter frequency, filter resonance and filter amplitude. In addition to the mix output for all three filters each filter has a separate audio output. The original audio signal can be added to the triple filter mix signal with a separate control. All 3 filters share a common audio input with attenuator. The filter audio inputs are very sensitive so that distortion may intentionally be used to create new sounds - if desired.

The frequency control range of the bandpass filters is about 40Hz...6kHz, the frequency range of the LFO's is about 0.02Hz...20Hz (= 1 min ... 1/20 sec per cycle).

Each of the three filters can used also as a 12dB low pass (with resonance control) instead of band pass. For this a jumper has to be changed on the filter board in question. In this case the module can be called no longer "resonance filter" but "triple low pass filter". It is also possible to modify only one or two of the filters to low pass.
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Doepfer A-132-8 Octal Poly VCA Module
Cat: 676692 Rel: 18 Jul 18
 
Octal VCA module containing four VCA pairs - 8HP
Notes: A-132-8 is an octal VCA and primarily planned for polyphonic applications. The module contains four VCA pairs. Each pair includes two daisy-chained VCAs. One VCA has a linear control scale, for the second VCA linear or exponential control scale can be chosen by means of jumpers. We decided to provide two VCAs for each voice because usually one VCA is required for loudness envelope and a second one for velocity (or other functions like individual voltage-controlled loudness of each voice, amplitude modulation and so on).

These controls and in/outputs are available:

- Default Gain 1 (GL)
- Default Gain 2 (GX)
- CV Input VCA 1
- CV Input VCA 2
- Audio Input
- Audio Output

In addition, an Audio Sum Output is also available.

The module features two Default Gain controls (GL, GX), that enable the opening of the first VCAs (L) and/or second VCAs (X). For this the controls GL and GX generate two internal control voltages 0...+10V which are connected to the switching contacts of the sockets 1L...4L (control GL) and 1X...4X (control GX). As long as no patch cable is inserted into the socket in question the internal default control voltage (GL or GX) is used to control the corresponding VCA. This is necessary when the VCA in question is not in use (i.e. no external CV available). Otherwise the VCA would close and there would be no output signal even if the other VCA in the chain is open. The controls GL and GX are also useful for testing polyphonic patches (e.g. for tuning the VCOs).

In the factory the CV inputs are adjusted for a CV range 0...+10V - matching to the polyphonic ADSR module A-141-4. But the sensitivity of each CV input can be adjusted by means of a trimming potentiometer to adapt the CVs even to other control voltage ranges.
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Doepfer A-140-2v Dual Micro ADSR Module (vintage edition)
Cat: 734880 Rel: 10 Jul 19
 
Envelope module with two ADSR voltage controlled enevelope generators - 8HP
Notes: The module contains two ADSR type voltage controlled envelope generators with exponential curve shapes (charge/discharge curves of a capacitor) behind a front panel with 8 HP only.

Each ADSR provides these controls and in/outputs:

- LED (displays the envelope output)
- A: manual Attack control
- D: manual Decay control
- S: manual Sustain control
- R: manual Release control
- Gate Input
- Retrigger Input
- CVT Input with attenuator (CVT = CV Time)
- Envelope Output 1
- Envelope Output 2

The output voltage range for each envelope is 0 - 10V (10V = attack peak).

The time range of Attack/Decay/Release is about 1ms to 30s.

By means of internal jumpers one can select which time parameters are controlled by the CVT input (e.g. D only or D+R or A+D+R) and in which direction (i.e. if an increasing CVT shortens or stretches the time parameter in question).

Socket CVT can be normalled to an internal fixed voltage (i.e. the switching contact is connected to an internal fixed voltage). That way it's possible to change all time parameters simultaneously by means of the CVT control.

Another jumper is used to set output 2 to normal or inverted envelope.

And another jumper is used for the normalling of Gate 2 to Gate 1 (i.e. ADSR#2 is also triggered by Gate 1).

Two more jumpers are used for the optional bus access to the gate signal of the bus for each ADSR.
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Doepfer A-143-1 Complex Quad Envelope Generator & LFO Module
Cat: 738634 Rel: 09 Jul 19
 
Quad AD-generator with four independent Attack-Decay envelopes - 28HP
Notes: Module A-143-1 is a complex envelope generator that consists of Attack/Decay generators. For the complex envelope generator the four units are daisy-chained, i.e. the preceding unit triggers the following unit. The four units can be used even as four separate AD generators (switch position AD) or AD-type LFOs (switch position).

Details: Module A-143-1 contains four separate attack/decay type envelope generators. Each unit can be switched into a free running mode (LFO mode). The LFO mode differs in several points from a regular LFO (like A-145, A-146 or A-147): The slopes are exponential - in contrast to linear slopes of a normal LFO, and the frequency is defined by both controls. The attack control defines the time of the rising slope, the decay control the falling slope.

Each unit has available a comparator that compares the AD output voltage with a manually adjustable threshold and switches the corresponding comparator output (Cp 1...4) to "high" as soon as the AD output voltage goes in the decay phase below this value. The comparator output is normalled to the trigger input of the next stage via the switching contact of the trigger input socket. Consequently the first unit triggers the second, the second triggers the third and so on.

Each AD generator is equipped with a Polarizer (look at the Voltage Controlled Polarizer A-133 concerning details about the polarizer function) and a mixer that adds up all polarizer outputs. This allows to add up all AD/LFO output signals inverting or non-inverting with adjustable level to the mix output. Additionally a single output (Env 1...4) is available for each unit.

If the trigger input of unit 1 is controlled by a normal gate signal (e.g. from a keyboard resp. MIDI-to-CV/Gate interface) one obtains a very complex envelope signal at the mix output. The signal contains 8 segments controlled by Attack 1, Decay 1, Attack 2, Decay 2, Attack 3, Decay 3, Attack 4 and Decay 4. The transition between the stages (i.e. when the following AD generator is triggered) is controlled by threshold knob. The positive or negative contribution of each unit to the mix signal is adjusted with the Mixing Polarizer control. If the trigger input of unit 1 is controlled by the comparator output of unit 4 one obtains a 8 stage LFO.

The single AD outputs can be used to control VCAs or VCFs that open one after another corresponding to the AD signals (a little bit similar to the Shepard generator A-191).

The default-connection between the four units (CPn = Trig.n+1) can be interrupted by patching cables into the trigger inputs. Consequently the four units can be used as separate AD generators or LFOs. In any case the mix signal is available (e.g. mix of four AD generators or LFOs with adjustable level and sign).

In the LFO mode the comparator output serves as LFO rectangle output with adjustable pulse width (= threshold control).

Each unit is equipped with a separate LED display for envelop and comparator output. The shortest attack/decay time is about 5 ms, the longest attack/decay times are about 3 seconds (attack) / 10 seconds (decay). By changing the value of a capacitor the shortest time can be modified (details can be found here: A100_Capacitors.htm).

The sketch at the bottom of the page shows the module principle with 4 daisy-chained AD units (as predetermined by the normalled sockets), that are mixed with the integrated polarizing mixer.
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Doepfer A-154v Sequencer Controller Module (vintage edition)
Cat: 745783 Rel: 09 Sep 19
 
Controller unit for the A-155 sequencer
Notes: Module A-154 is a supplement to the A-155 Analog/Trigger Sequencer module. It offers a lot of new features that are not available in the basic control unit of the A-155. The A-154 is used to replace the control unit of one or two A-155, i.e. the section marked "Control" with Start / Stop / Step / Reset buttons and inputs in the upper left corner of the A-155 front panel. If the A-154 is used to control the A-155 the control section of the A-155 is put out of action.

These are the features of the A-154:

Several running modes: forward, backward, pendulum, random, CV controlled step adressing. All modes are available as loop or one-shot.

LED display of the 5 different current modes and one LED for loop/one-shot display

Manual and voltage controlled selection (with attenuator) of the running mode. If no external control voltage is applied one of the 10 modes (5 modes x 2 loop/one-shot) is simply selected with a rotary knob. The CV input with attenuator is used to modulate the running mode with an external control voltage (digital high/low CV to switch between two modes or continuous analog CV to sweep through different modes). With the combination of manual control and CV with attenuator it is possible e.g. to use only two neighbouring modes (e.g. forward/backward) or sweep through all possible running modes

Manual and voltage controlled selection (with attenuator) of first and last step of the sequence. The range is step 1...8 in 8 step mode resp. 1...16 in 16 step mode

If the running mode "CV Controlled Step Address" is selected the First Step section is used to determine the active sequencer step. Consequently manual and voltage controlled selection (with attenuator) of the active step is possible: the active step can be set by hand with the first step manual control and then modulated by an external control voltage (e.g. LFO, Random, S&H, Theremin, Light CV source, Joy Stick) at the first step CV input (with attenuator).

An internal voltage controlled clock generator with manual and CV control (with attenuator) is available. The output of the clock generator is displayed with a LED and is used as sequencer clock provided that no external clock signal is connected to the Clock In socket (normalled socket). If the CV input of the Clock section is connected to one of the analog outputs of the sequencer the time for each step can be set separately. Even jumps (or skipping) will be possible as we will introduce the feature that a very short clock pulse will be generated if the control voltage exceeds a certain value. For example the gate row of the A-155 can be used to obtain skipping of steps: the gate output simply has to be conneted to the CV input of the A-154 clock generator. If the corresponding switch of the A-155 is set correspondingly in the gate row the step will be skipped.

Manual and voltage controlled (with attenuator) pulse width (PW) of the clock signal. This features can be used to obtain a different gate length for each step: e.g. one of the CV outputs of the A-155 can be used to control the PW. With a PW control voltage coming from a LFO/random/S&H the gate length will change automatically. CV coming from Theremin A-178, ribbon controller A-198, light controlled CV A-179, joy stick A-174 are other ways to control the gate length.

8/16 step mode: A toggle switch us used to select 8 or 16 steps. The "16 step" mode requires two A-155 and one or more voltage controlled switches (e.g. A-150-1 or A-150-8). The voltage controlled switches are controlled by the "A3" output of the A-154. This output remains "low" as long as the active step is in the range 1...8 and turns to "high" in the range 9...16. The voltage controlled switches are used to switch between the CV/trigger/gates outputs of the first A-155 (step 1...8) and the second A-155 (step 9...16). In the A-154 user's manual the corresponding patch is shown.

If two A-155 are used they can work in parallel (8 steps) or serial (16 steps). The 8/16 steps switch determines if the 8 step mode (one A-155 or two A-155 in parallel) or the 16 step mode (two A-155 serial) is chosen. Both modes work with CV controlled step addressing too (see below). In 8 step mode only the steps 1...8 are addressed, in 16 step mode the steps 1...16. For serial operation an additional VC switch (A-150) is required - as mentioned above.

The functions of the Start/Stop/Step/Reset buttons and inputs are the same as for the "old" control unit of the A-155:

A high level at the Start input or operating the Start button starts the sequence from the momentarily addressed step. Not working in "CV controlled step address" mode.

A high level at the Stop input or operating the Stop button stops the sequence (the last active step remains addressed). Not working in "CV controlled step address" mode.
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 1 in stock $182.08
Doepfer A-173-1/2 Micro Keyboard & Manual Gate Module Set
Cat: 671557 Rel: 29 Nov 17
 
Module combo allowing musicians to start/stop sequences, transpose patterns, trigger modulators & much more
Notes: A-173-1/2 is a module combo that is used to generate a manually controlled 1V/Octave CV signal and up to 15 manually controlled gate/trigger signals. Typical applications are the transposition of a sequence by means of the CV output (without the need of an external keyboard and CV interface) and the manual generation of gate signals for start, stop, envelope generator triggering and other trigger tasks.

A-173-1 is the transmitter module and is made of a 1 1/2 octaves micro keyboard and a three-position octave switch.

A-173-2 is the receiver module and generates several gate/trigger signals and a 1V/Oct. CV signal. The upper section of the module is used for the gates which are controlled by the corresponding buttons of the A-173-1. Each output can be programmed as gate (pressing/releasing the corresponding key turns the gate on/off) or toggle (pressing the corresponding key changes the state). The state of each output is displayed by an LED. The lower section of the module is used the generate a 1V/Oct. CV signal and gate signal in the usual way.

By means of the learn feature of the A-173-2 (i.e. defining the key for 0V CV) a few buttons can be separated from the CV generation section so that these buttons only control gate/trigger outputs without affecting the CV. That way e.g. start/stop or other triggers become independent from the CV section. For example, it's possible to separate the lower five buttons (G to B) from the CV generation and use these buttons only for the generation of gate signals. For this the lower C has to be defined as lowest key for the CV generation.

The modules communicate via standard midi note on/off messages and are connected internally by means of a 2-wire cable. That way the modules can be mounted at different positions within the case.
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 1 in stock $171.11
Doepfer A-188-1D 4096 Stages BBD Delay Module
Cat: 755398 Rel: 13 Nov 19
 
Analogue delay module - 14HP
Notes: The A-188-1 series bases on a so-called bucket brigade device (BBD) that has been used in the pseudo-digital BBD-delays.

The version with 4096 stages provides a delay time of 8.19 - 4096 ms.

The module is not an entire delay but only its core with all anomalies (e.g. cross talk of the internal clock frequency), and its very independent spacey and raw sound.

There are modulation possibilities with invertible polaritiy, a dry/wet control, feedback up to self-oscillation and a feedback loop with insert.
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Doepfer A-188-1YV 256 Stages BBD Delay Module (vintage edition)
Cat: 755391 Rel: 13 Nov 19
 
Analogue delay module - 14HP
Notes: The A-188-1 series bases on a co-called bucket brigade device (BBD) that has been used in the pseudo-digital BBD-delays.

The version with 256 stages provides a delay time of 0.51 - 256ms and is great for Karpluss-Strong synthesis.

The module is not an entire delay but only its core with all anomalies (e.g. cross talk of the internal clock frequency), and its very independent spacey and raw sound.

There are modulation possibilities with invertible polaritiy, a dry/wet control, feedback up to self-oscillation and a feedback loop with insert.
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 1 in stock $163.45
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