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4ms Listen Four Quarters 4 Channel Stereo Mixer Module
Cat: 717581 Rel: 06 Feb 19
 
Four channel stereo mixer with balanced 1/4-inch & headphone out - 12HP
Notes: The Listen Four Quarters is a four channel stereo mixer with 1/4" (6.35mm) TRS balanced outputs and 1/8" (3.5mm) headphones output. Two mono channels with Pan knobs and two stereo channels with dual inputs provide optimal compatibility with both stereo and mono signals. The Listen Four Quarters can be daisy-chained to other Listen modules to create a larger mixer with sub-mix outputs.
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MRP:$254.97 SAVE 21%
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4ms Quad Clock Distributor Module (Rev 2)
Cat: 589490 Rel: 10 Dec 15
 
4 channel voltage controlled clock divider/multiplier synthesiser module with master tap tempo - 10HP wide
Notes: Four channel voltage controlled Clock Divider/Multiplier with master Tap Tempo. Each channel can be synced to the tap tempo, to the channel above, or to an external clock. Each channel also has a reset jack.

With a Tap Tempo button and five sync'ed clock outputs, the QCD is a versatile head-of-the-chain "Master" clock module, and/or a complex rhythmic pattern generator.
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MRP:$292.34 SAVE 22%
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4ms Wav Recorder Module
4ms Wav Recorder Module (synth module)
Cat: 648950 Rel: 29 Jun 18
 
6HP Eurorack module for recording high-fidelity, low-noise stereo WAV files
Notes: The WAV Recorder from 4ms Company is a high fidelity, two-channel stereo audio recorder with basic playback features. Accepting a wide range of input signals, from line-level to modular-level, the WAV Recorder stores audio onto a microSD card in lossless .wav format up to 96kHz/24-bit. The trigger jack can be used for capturing rhythmic loops or synchronizing multiple WAV Recorder modules for multi-track recording. In Playback mode, the trigger jack or button plays the most recent recording. A simple file/folder navigation system can be used to browse the folders on the card for playing back .wav files. A Gain knob allows for up to +20dB of boost, and an LED Signal Meter indicates clipping and the signal level.
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MRP:$327.05 SAVE 24%
 2 in stock $249.19
Abstract Data ADE33 Event Boss Pattern & Rhythm Generator Module
Cat: 601494 Rel: 28 Mar 18
 
Sophisticated rhythm creation & manipulation module - 14HP
Notes: Pattern and rhythm creation and manipulation module for creating musically useful rhythms and patterns from a variety of inputs - it's a module that will jam along with you.

36 algorithms in 6 sets covering Variables, Multiples, Probability, Logic, Phase and Gates with configurable CV control over all parameters.

Takes regular clocks and generates rhythmic patterns, takes rhythmic patterns and generates new patterns, takes irregular and random patterns and generates new, irregular and probability-based patterns.

The patterns can be rhythmic, continually evolving or entirely random and can be controlled and manipulated via multiple CV options.

Can also be used as a utility module to perform Clock Division/Multiplication, Phase-Shifting and Logic-related tasks.
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 4 in stock $205.80
ACL Mini MIDI USB MIDI To CV Converter Module
Cat: 776679 Rel: 06 Aug 20
 
MIDI to CV converter module
Notes: Compact solution for converting MIDI signals to Eurorack-friendly CV. USB in from hardware devices or a host DAW. Pitch, gate, clock, start/stop and CC outputs. Simple but effective.

Supplier notes:
The ACL MINI MIDI is a USB MIDI to CV convertor module in a small module.

It uses MIDI CLOCK, START/STOP, one selectable MIDI Controller and a monophonic MIDI Note to be converted to Eurorack compatible CV, GATE and clock signals.

It can be used as USB MIDI to CV interface by connecting to your computer via the USB B port. A Class Compliant USB MIDI device can be connected to the USB A port.
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MRP:$359.09 SAVE 23%
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ADDAC System ADDAC204 VC CV Mapping Module (red faceplate)
Cat: 776178 Rel: 08 Sep 20
 
CV mapping module
Notes: With the VC mapping module you'll be able to scale your voltage and also control its offset via CV.

This module provides two outputs for normal and inverted output voltages. A third output morphs between the normal and inverted outputs.

Mechanical:
. Format: Eurorack
. Width: 6 HP
. Depth: 2 cm

Control Voltage I/O:
. CV inputs: i 10v
. CV outputs: i 10v

Electrical:
. Compatible with +-12v and +-15v power supplies?
. Max current: 40mA
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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ADDAC System ADDAC302 Nchunk Control Module (red faceplate)
Cat: 776295 Rel: 08 Sep 20
 
Control module
Notes: The ADDAC302 Nchunk Control module allows you to connect a Nintendo Nunchuck controller to your modular synth, featuring a two-axis thumb joystick, a three-axis accelerometer and two trigger buttons.

The module provides CV outputs for all of the Nunchuck's parameters and special functions to remap the CV outputs. The remapping can be both continuous or step-by-step and can be accessed through either the dedicated CV inputs or the manual controls.

A specially dedicated Mix output averages between the first two CV outputs, a very useful feature for continuous control parameters.

Mechanical:
- Format: Eurorack
- Width: 8 HP
- Depth: 4 cm

Control Voltage I/O:
- CV inputs: 0 - 10v
- CV outputs: 0 - 5v
- Gate in threshold: 2.5v

Electrical:
- Compatible with +-12v and +-15v power supplies
. Max current: 100mA?
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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FORTHCOMING
ADDAC System ADDAC405 VC Relabi Generator Module
Cat: 797099 Rel: 31 Jan 21
 
clock generator / clock modulator / LFO / quad / comparator synth module
Notes: In 2009 John Berndt coined and defined the term Relabi in his essay "Relabi": Patterns of Self-Erasing Pulse, these are his own words: "Relabi, Def.: The experience of a palpably coordinated plurality of events that appears to be cyclical but simultaneously suspends identification of a uniform pattern, preventing a resolved sense of pulse. Relabi therefore seems equally pulsed and unpulsed at the same time. It is an experiential gestalt, a quality of experience, greater than the sum of its parts (it forms a sustained unity in experience, albeit of a new kind)."

He also makes the question: "Why would anyone want this Relabi experience? I maintain that much of what is exciting in musical forms involves an interplay between the setting up and denying of pulse expectations."

Inspired by this idea, ADDAC System developed this module that is both a gate/trigger and cv generator that can be freely used to trigger events or act as a complex modulation source. Four Sine LFOs are internally generated, each has controls for gain, frequency and mute(off). These 4 LFOs are then mixed together to generate what Berndt named the "Relabi Wave" this "wave" becomes a complex bipolar CV source. This i5v bipolar "wave" can be monitored on the 2 dedicated leds and is also available at its own Output.

Make sure to check the User's Guide for indepth description, working behaviour and diagrams.

Tech Specs:
10HP
4cm deep
100mA +12V
40mA -12V
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MRP:$356.42 SAVE 19%
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AION Modular 904A Voltage Controlled Low Pass Filter Module
Cat: 780153 Rel: 08 Jul 20
 
Voltage controlled low pass filter module
Notes: The AION Modular 904A Low Pass filter is an Eurorack clone of the classic Moog Modular Low Pass filter (should not be confused with the Mini Moog Low Pass filter).

The 904A Low Pass filter attenuates frequencies above the Fixed Control Voltage (cutoff frequency) point at a rate of 24dB per octave. The cutoff frequency is voltage controlled through the three control inputs at the bottom of the module (1v per octave).

The Regeneration knob (resonance) varies the amount of internal feedback, creating a resonant peak at the cutoff frequency.
The Fixed Controlled Voltage knob adjustes frequency over 12 octaves span (1v per octave).

The Frequency Range switch:
(sets the frequency band in two-octave steps)
1- 1Hz to 5kHz
2- 4Hz to 20kHz
3- 16Hz to 80kHz

Specifications:
Power: +12 40mA, -12 25mA
Depth: 40mm
Doepfer compatible

40 mA +12V
25 mA -12V
0 mA 5V
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AION Modular 904B Voltage Controlled High Pass Filter Module
Cat: 780159 Rel: 18 Nov 20
 
filter module
Notes: Premium sound quality from this premium module, based on the classic Moog high-pass filter. Steep 24dB/oct filter curve with precise CV-controlled cutoff frequency tracking over a 12-octave span.

Supplier's Notes:
The AION Modular 904B High Pass filter is an Eurorack clone of the classic Moog Modular High Pass filter.
The 904B High Pass Filter attenuates frequencies below the Fixed Control Voltage(cutoff frequency) point at a rate of 24dB per octave.

The cutoff frequency is voltage controlled through the three control inputs at the bottom of the module (1v per octave).

The Fixed Controlled Voltage knob adjustes frequency over 12 octaves span (1v per octave).

The Frequency Range switch:
LOW- 4Hz to 20kHz
HIGH- 10Hz to 50kHz

Specifications:
Power: +12 60mA, -12 50mA
Depth: 40mm
Doepfer compatible.

60 mA +12V
50 mA -12V
0 mA 5V
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AION Modular 904C Filter Coupler Module
Cat: 780136 Rel: 07 Jul 20
 
Filter coupler module
Notes: The AION Modular 904C Filter Coupler is an Eurorack clone of the classic Moog Modular 904C.

The 904C Filter Coupler connects the 904A Lowpass and the 904B Highpass together to produce a Bandpass or a Band Reject filter response.

Bandwidth can be extended to three octaves and Center Frequency ranges from 5Hz to 20KHz. Both can be controlled manually or via control voltage.

The 904C provides a wide variety of signal processing and we strongly encourage experimentation but we advise to start with the following settings:

904A Fixed Control Voltage +6
904A Frequency Range 2
904B Fixed Control Voltage -1
904B Frequency Range LOW

The 904A and the 904B are required to use the 904C.
In the "OFF" position, the 904A and 904B are disconnected from the 904C an can be used independently.

The connection cables are provided with the module.

30 mA +12V
15 mA -12V
0 mA 5V


Specifications:
Power: +12 (30mA), -12 (15mA)
Depth: 20mm
Doepfer compatible.
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AION Modular 905 Reverberation Unit Module
Cat: 780111 Rel: 07 Jul 20
 
Reverberation module
Notes: When a dynamically varying signal is applied to the input of the 905, the output will consist of a series of closely spaced echoes, the subjective effect of which is similar to that of reverberation of sound. If a small amount of "echo signal" is mixed with a larger amount of "direct signal" (Reverberation Control set slightly clockwise), the effect of a typical concert hall is obtained. If the echo signal only is passed (Reverberation Control is set fully clockwise), an exaggerated echo suggesting a cave is obtained. The relative amount of echo signal and direct signal can be continuously changed from 100% direct signal to 100% echo signal.

Specifications:
Power: +12 (25mA), -12 (25mA)
Depth: 40 mm
Doepfer compatible
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AION Modular 911 Envelope Generator Module
Cat: 780140 Rel: 07 Jul 20
 
Envelope generator module
Notes: The AION MODULAR 911 Envelope Generator is an Eurorack clone of the classic Moog™ Modular 911.

The 911 Envelope Generator (ADSR) generates the Control Voltage contours required for producing envelopes in conjunction with a voltage-controlled amplifier or a voltage-controlled Filter.

Attack time (T1), Decay time (T2), and Release time (T3) are all independently variable over a 2 millisecond - 10 second range, making the module suitable for very fast percussive sounds or long and evolving sounds.

The 911 Envelope Generator can be triggered by an external gate signal via the Trigger Input or manually by a push button.

Specifications:
Power: +12 (30mA), -12 (15mA)
Depth: 20mm
Doepfer compatible
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AION Modular 912 Envelope Follower Module
Cat: 780115 Rel: 08 Jul 20
 
Envelope follower module
Notes: The Envelope Follower produces two functions which can be used separately or in conjunction. The follower circuit Signal Input presents a control voltage output (DC) proportional to the average amplitude of the AC input signal. The second function, a Schmitt trigger, generates a V-trigger above a threshold voltage (comparator), when a slowly varying or DC voltage is introduced at the control input jack. The normalling of the control input of the follower circuit to the control input of the Schmitt trigger circuit allows both control voltage and trigger to be generated from a single variable source.

Specifications:
Power: +12 (40mA), -12 (8mA)
Depth: 40mm
Doepfer compatible
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AION Modular CP3 Mixer Inputs Module With 2U-3U Adapters
Cat: 780123 Rel: 07 Jul 20
 
Mixer module
Notes: The CP3 module is a 4 x 1 mixer with positive and negative outputs and a maximum gain of two. This mixer can combine both AC and/or DC voltages. The module has a switch which, in the ON position, allows unwanted spikes to be removed from the waveforms. There is also a passive multiple.

Input Impedance: 25k ohms
Output Impedance: 100 ohms
S/N Ratios: better than 60dB
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AJH Synth Entropic Doom Voltage Controlled Noisillator Module (black)
Cat: 763098 Rel: 04 Feb 20
 
controlled noisillator module
Notes: Really clever noise-based oscillator from AJH. Drones, sweeps and bleeps aplenty, ranging from tamed to out-of-control filth. Also doubles up as a more conventional ring mod and distortion module.

Supplier's notes:
This 14HP wide module is a voltage controlled noise based oscillator, or noisillator for short. It generates 1/f noise and this is then sent through a feedback loop which allows the noise to be "tuned" to varying degrees depending on the settings of the frequency and resonance controls, or incoming frequency or resonance CV's. The tuned circuit can be FM modulated too, for some thunderous sweeping sounds. We have bright and dark outputs, which are pre and post filter respectively. The Bright output will always have a degree of noise present in the signal, whereas the Dark output can be tuned noise only when 4 pole resonance is selected. We also have an external Sync input, which will reset the resonant waveform, and we also have an Audio input, so that an external signal can be mixed into the resonant loop. Combinations of external waveforms to these two inputs can create some massive drone sounds, or sweeping sync sounds.

There is also an XOR ring modulator, which can be used as a module in its own right too. Lastly, we have an XOR amplifier, which is another independant circuit that can be used to add noise and distortion to any audio signal.
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AJH Synth Mini Mod DH ADSR Envelope Module (black)
Cat: 637047 Rel: 22 Mar 17
 
Model D-based complex envelope generator - dark edition
Notes: AJH Synth have had quite a few requests for a variant of MiniMod contour generator with Release added to the envelope so that it is full ADSR but still with the characteristics of the Model D - so this is what they have done!

The DH-ADSR is exactly the same circuit as the original Model D envelope and therefore features the same contour shape and retrigger behaviour, but with the addition of a release control. However, they have also added a pulse delay and pulse stretch circuit, along with a re-trigger facility (both of these can be switched out of circuit so that the envelope is a simple ADSR unit).

The addition of pulse stretching and retrigger makes it into an LFO module and it can perform in a similar way to the EMS Synthi A and VCS3 Trapezoid generator, with a variable delay between each trigger and a variable "on" time - however it can also have full ADSR envelope on each retrigger too!

Notable Features:

- PREDELAY - This control determines how long (up to 10 seconds) the start of the envelope is held off, after a gate is received. This ability to delay the onset of the envelope is especially useful when used in conjunction with a standard ADSR: With both envelopes receiving the gate simultaneously complex envelopes can be produced as the DH-ADSR only starts running through its stages after the standard ADSR has completed. Once their outputs are mixed together in a mixer a single evolving envelope with multiple stages is produced!

- Use of the bipolar mixer found in the MINIMOD CV MIX-OFFSET-VCA module can enhance this technique even further, with more precise control over the polarity/offset of the envelope mix possible. Using the VCA of this module could allow for external modulation over either/both of the signals. It goes on...

- HOLD - When in Del-Hold mode (switch down) the HOLD control determines the gate length applied to the envelope, and thus controlling its length/overall shape. When the switch is up, normal ADSR action is produced.

- RETRIG - In this mode the DH-ADSR becomes an LFO, which can mimic the "Trapezoid" function of the vintage EMS designs. HOLD controls the length of the trapezoid shape, and PREDELAY allows for adjustable gaps between each repeat of the shape produced.
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AJH Synth Mini Mod DH ADSR Envelope Module (black) (B-STOCK)
Cat: 776429 Rel: 22 Mar 17
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


AJH Synth have had quite a few requests for a variant of MiniMod contour generator with Release added to the envelope so that it is full ADSR but still with the characteristics of the Model D - so this is what they have done!

The DH-ADSR is exactly the same circuit as the original Model D envelope and therefore features the same contour shape and retrigger behaviour, but with the addition of a release control. However, they have also added a pulse delay and pulse stretch circuit, along with a re-trigger facility (both of these can be switched out of circuit so that the envelope is a simple ADSR unit).

The addition of pulse stretching and retrigger makes it into an LFO module and it can perform in a similar way to the EMS Synthi A and VCS3 Trapezoid generator, with a variable delay between each trigger and a variable "on" time - however it can also have full ADSR envelope on each retrigger too!

Notable Features:

- PREDELAY - This control determines how long (up to 10 seconds) the start of the envelope is held off, after a gate is received. This ability to delay the onset of the envelope is especially useful when used in conjunction with a standard ADSR: With both envelopes receiving the gate simultaneously complex envelopes can be produced as the DH-ADSR only starts running through its stages after the standard ADSR has completed. Once their outputs are mixed together in a mixer a single evolving envelope with multiple stages is produced!

- Use of the bipolar mixer found in the MINIMOD CV MIX-OFFSET-VCA module can enhance this technique even further, with more precise control over the polarity/offset of the envelope mix possible. Using the VCA of this module could allow for external modulation over either/both of the signals. It goes on...

- HOLD - When in Del-Hold mode (switch down) the HOLD control determines the gate length applied to the envelope, and thus controlling its length/overall shape. When the switch is up, normal ADSR action is produced.

- RETRIG - In this mode the DH-ADSR becomes an LFO, which can mimic the "Trapezoid" function of the vintage EMS designs. HOLD controls the length of the trapezoid shape, and PREDELAY allows for adjustable gaps between each repeat of the shape produced.
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AJH Synth Mini Mod Dual Contour Generators Module (black)
Cat: 625067 Rel: 22 Sep 16
 
Eurorack format dual envelope generator based on the original RA Moog design
Notes: Two independent Contour Envelope Generators in a single 12hp wide Eurorack module. These are very accurate replicas of the Model D contour generators, with identical circuitry and component values running on the correct +9.3V and -10v supply voltages of the original; so they exactly replicate the original envelope response along with all of it eccentricities. Extra features include manual trigger buttons and envelope status LED's.

The contour generators played a larger part in the sound of the Model D than many people realise. There are two factors that make them unique, firstly the exponential slope when is used in conjunction with the (near) linear slope of the original VCA which is responsible for the famous Model D "punch". Secondly, the re-trigger behaviour is quite unique, multiple retriggering increases the output level so that either the volume increases incrementally, or the filter opens incrementally with each extra key press.

AJH Synth have added independent Decay switches for each individual Contour Generator rather than the shared switch on the original synthesiser, these switches change the Contour response from AD (switch up) to ADSD mode (switch down).
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AJH Synth Mini Mod Dual LFO & VCA Module (black)
Cat: 637044 Rel: 22 Mar 17
 
Dual LFO with waveshaping, sync input & DC-coupled VCA - dark edition
Notes: This has two LFOs, each with variable waveshape from Saw to Triangle to Ramp waveforms, or variable Pulse width on the Square wave output. LFO 1 has the addition of a low range and a Sync input. The nominal maximum frequency of the LFOs when in Triangle shape is 20Hz, but under certain combinations of settings they will go much higher, well into audio range.

Also included is a DC coupled VCA, the input of the VCA is normalised to the output of LFO 2, so a 0 to +5V input to the VCA CV input gives control of the LFO waveform amplitude. It can also be used as a stand alone VCA.

This module is very useful for controllers such as the Waldorf KB37 where the modulation wheel gives out 0 to +5V, this can be routed to the VCA CV module so the level of the modulation waveform can be easily controlled. This makes it very easy to add VCO vibrato or filter 'wah' with control of modulation amount from the modulation wheel or other controller.
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AJH Synth Mini Mod Precision Voltages Module (black)
Cat: 755446 Rel: 07 Nov 19
 
Precision voltages module - dark edition
Notes: Sometimes real precision is required with pitch control voltages - this module features a super accurate "Cal" output, which is accurate to <1mV over 20V, translates to one cent over 20 octaves! It is ideal for calibrating the scaling of VCO's, indeed we have been using our own version of this circuit to calibrate our own MiniMod VCO's for the last three years.

As well as being a precision voltage source it is also a very accurate voltage adder, it has two channels (A & B) and both full volts (octaves) or 1/12th volt increments (notes) can be either added to or subtracted from the incoming signal. Perfect for adding a voltage offset to the output of a sequencer or it can be used to add switchable octaves to a VCO which only has course and fine tunes controls.

It also has a "mix" output, which allows either A channel on its own, or with the three way toggle switch channel B can either be added to, or subtracted from channel B, and this is in addition to the addition and subtraction per channel mentioned earlier.

Dimensions: 10HP wide, 26mm Deep
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AJH Synth Mini Mod VCF Transistor Ladder Filter Module (silver)
Cat: 625059 Rel: 22 Sep 16
 
Mini Mod VCF Transistor Ladder Filter Module
MRP:$260.31 SAVE 18%
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AJH Synth Mini Mod Vintage Transistor Core VCO Module (silver)
Cat: 625054 Rel: 22 Sep 16
 
Mini Mod Vintage Transistor Core VCO Module
MRP:$327.05 SAVE 17%
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AJH Synth Ring SM Ring Mod Sub Bass Mixer Module (black faceplate)
Cat: 625079 Rel: 22 Sep 16
 
Ring SM Ring Mod Sub Bass Mixer Module
MRP:$347.07 SAVE 22%
 2 in stock $269.21
AJH Synth Ring SM Ring Mod Sub Bass Mixer Module (silver)
Cat: 625077 Rel: 23 Sep 16
 
AJH synth ring sm ring mod sub bass mixer module
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AJH Synth Sonic XV Diode Ladder Wave Filter Module (black)
Cat: 625082 Rel: 22 Sep 16
 
Sonic XV Diode Ladder Wave Filter Module
MRP:$327.05 SAVE 12%
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AJH Synth V Shape Wave Twist & Distort Module (black)
Cat: 688825 Rel: 01 Aug 18
 
Wave twister/distortion module - black, 10HP
Notes: The V-Shape is two modules in one, a wave twister and a distortion/wavefolding module. Both sections of the module are all analogue in design, and both can be used independently, or they can be normalised together in series, so that a waveform can be twisted first and then distorted and wavefolded.

The wave twister can take (for example) a saw tooth waveform as an input and shape it, under manual or external voltage control, through to being a triangle waveform and on to being a ramp waveform, and produces a sound similar to PWM for sawtooths. It will also work with symmetrical waveforms such as triangle and sine waves, again producing PWM like tones.

It can produce a wave twisting effect from most waveforms (with the exception of square waves), whether they are symmetrical or asymmetric. Under many conditions the transfer function is not perfect, so different harmonics may be generated too. The offset control allows a bias to be added to the incoming waveform, either to bias it correctly around zero or offset it for more distortion and harmonics.

The second part of the V-Shape module is a distortion unit, with selectable Soft or Hard Clipping, and the clipping amount can be varied either by a front panel control or an external control voltage with the "Distort" control. The distortion offset control adds or subtracts a bias voltage to the CV signal, to give an extended range of control. There is also a single stage, switchable wavefolder, which can be used with either soft or hard clipped waveforms.
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AJH Synth Wave Swarm Dual 6 Stage Wave Animators Module (black)
Cat: 688824 Rel: 01 Aug 18
 
Analogue waveform animator & dual channel device - black, 14HP
Notes: The WaveSwarm is a waveform animator and all analogue dual channel device.

Each channel simulates up to six VCO's beating in unison with a different beat frequency between each animation. The fixed beat frequencies are generated by twelve onboard LFO's, and the front panel pots control the level of each of the six animators, along with the level of the dry signal to the final mix. In addition to independent channel inputs and outputs it also has an A+B output, which sums the outputs of the two channels, creating an effect similar to twelve VCO's in unison! This is possible because channel B uses slightly different beat frequencies to channel A, they are not identical.

The input waveform can be saw, triangle, sine or wavetable/complex waveforms, in fact most waveforms with the exception of square or PWM waves will give some form of animation.

A soft clip circuit is built in so that at higher signal levels the signal magnitude is limited by rounding the top and bottom of the waveforms, thus slightly softening the sound. There are soft clip LED indicators for both channels.

It can produce huge, fat drones or supersaw type waveforms from a single sawtooth or triangle wave input.
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ALM Akemie's Taiko FM Drum Voice Module
Cat: 628650 Rel: 17 Oct 16
 
Complete drum voice featuring algorithm selection, operator release envelopes, ratios, waveforms & feedback
Notes: Gritty drum voice module based on new old stock Yamaha FM synthesis chips, also capable of a decent range of synth tones. User-friendly knobby interface with a decent range of CV inputs for modulation.

Supplier's notes:
'Akemie's Taiko' is an authentic complete FM synthesis based drum voice created using original Yamaha IC's. It builds on the same technology used in the mighty Akemie's Castle but in a more complete triggered voice form featuring both signal generation and envelope shaping.

The module provides CV and direct control over a number of FM parameters including algorithm selection, operator release envelopes, ratios, waveforms & feedback. This gives a massive range of unique sounds.

The voice is able to track 1 volt per octave allowing it to be used for melodic lines as well as percussion. Also optional 'frequency ramps' can be enabled for additional audio effects.

The drum voice includes a trigger input as well as accent and choke trigger inputs to add further expressive and rhythmic control.
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 7 in stock $287.00
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ALM Dinky's Taiko Digital Drum Voice Module
Cat: 584252 Rel: 15 Apr 16
 
12bit digital drum voice synth module with full voltage control and an analog EQ output path - 12HP wide
Notes: Dinky's Taiko' is a 12 bit digital drum voice with full voltage control and an analog EQ output path.

The drum voice consists of 3 parts; a digital noise source with controllable frequency and release time, a wavetable oscillator with start and end frequency settings together with a variable rate (and release time, and finally a mix and tone control for the audio output. All settings, bar the tone control, are both direct and voltage controllable.

The drum voice includes a trigger input as well as accent and choke trigger inputs to add further expressive and rhythmic control.
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 3 in stock $209.14
ALM Pamela's New Workout Programmable Clocked Modulation Source Module
Cat: 648928 Rel: 25 May 17
 
Compact programmable clocked modulation source in Eurorack format - 8HP
Notes: Updated version of the Pamela's Workout clock source module from one of the best Eurorack brands around. Now functions as a modulation source as well as clock, providing eight outputs of CV. Essential.

Supplier's notes:
'Pamela's NEW Workout' is a compact programmable clocked modulation source for your Eurorack modular synthesiser system. It provides 8 highly editable outputs producing various control voltage signals correlated and synced to a BPM based master clock.

Building on the original 'Pamela's Workout', this new evolved model maintains the original's form factor and intuitive workflow but greatly improves on and adds many new features with upgraded hardware, a new OLED display and rewritten software.

Each output is now able to provide not just clocked triggers but also rhythmic waveforms with many parameters controllable directly and via assigning to external CV control. Pamela has grown beyond a clever clock and now provides almost limitless synced modulation possibilities.

Improvements have been made to overall clock stability and integration with external clocks and devices. Also new are dedicated MIDI and Din Sync clock outputs available via optional expander modules.
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Analogue Systems RS-100N Lowpass Module
Cat: 777029 Rel: 15 Sep 20
 
Low pass filter module
Notes: This low pass filter is a very good -24dB/octave Moog filter, based on the classic Moog cascade with selected, low-noise transistors. Being the successor of the RS-100, the new "S" version features several improvements regarding stability, tracking, distortion behavoiur and also the frequency range.

Two signal inputs, resonance, manually and voltage controlled cutoff frequency. Frequency range 10Hz to 35kHz with CVs applied. The transistors used in the filter cascade are low-noise and have been selected and matched in pairs to improve the frequency response over the whole frequency range. A better stability guarantees, after a one minute heating time, that the filter can be used as a clean and well tracking sine wave oscillator.
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 1 in stock $208.02
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Analogue Systems RS-110N Multimode Filter Module
Cat: 777031 Rel: 31 Jan 21
 
multimode filter module
Notes: The RS-110 is a resonant analog multimode filter with excellent sound, resonance and four simultaneously available filter types. An insert function in the feedback loop allows you to insert other audio processors.

The module has two audio inputs, each with a level control. "unity gain" is reached at position 4, beyond this the signal will be overdriven at the filter input.

The cutoff frequency can be set manually in a range of 30Hz to over 15kHz, with additional CVs even up to 50kHz.

Separate audio outputs for the four filter types are available: 24dB low pass, 24dB high pass, 12dB band pass and 12dB notch.

Resonance goes up to self-oscillation and besides that it offers an unique feature: the socket Res-Out and Res-In act like an insert i.e. they allow you to process the audio signal in the feedback loop by other audio processors like filters, distortions, delays, frequency shifters etc.

You get very wicked results when you connect the notch output with the resonance input. It sounds very metallic and the filter behaviour gets more aggressive. Generally it is fun to cross-connect the separate outputs with the CV and audio inputs and to use the filter in a modular way.

In use:

The RS-110N consists of a two channel audio mixer followed by four, parallel, resonant filters with voltage controlled frequency and a unique "insert" point in the feedback path that generates and controls resonance.

Filter Modes

The RS-110N offers four filter modes. These are 24dB/Oct low-pass , 24dB/Oct high-pass, 12dB/Oct band-pass and 12dB/Oct band reject (often called 'notch') filtering, with the cutoff frequencies (Fc) of the high-pass and low-pass outputs being the centre frequencies of the band-pass and notch outputs. Each of these filter characteristics is described in appendix 2.

There is no switch to select between the modes because all four are available simultaneously from the appropriate output sockets. However, the cut-off and resonance can not be defined individually for each, and the controls act upon each mode equally

You can determine Fc in the range 3Hz to 50kHz using combinations of the frequency control knob and the voltage control inputs.

CV-IN:
If you apply a CV conforming to the 1V/Oct standard, Fc will track the CV in exactly the same way as an RS-90 VCO would if you applied the same CV to its CV-IN 1V/Oct socket. If the CV is supplied from a keyboard then, in common parlance, the filter is tracking the keyboard 100% and, with the resonance at maximum, you can 'play' the filter as if it were a conventional oscillator.

You can also use this facility to make a notch or band-pass filter "track" the notes you are playing, and this can be used to create many special effects.

CV-IN VARY:
You may wish Fc to track incoming CVs differently, so the C V-IN VARY input is provided. This socket and its associated LEVEL control allow you to specify the filter's sensitivity to C Vs within the range 8V/oct to approximately 0.4V/Oct. The former of these makes the filter invariant to incoming CVs, while the latter makes it oversensitive compared to CV-IN.

Resonance

The filters have a common resonance, 'Q', that you can control using the RESONANCE knob. In its fully anticlockwise position, Q is approximately zero, and there is no emphasis of the signal at Fc. As you rotate the knob clockwise Q will increase, whereupon every mode of the RS-110N will accentuate the harmonics that lie close to the cut-off frequency, Fc. Increasing Q further, the filters will exhibit ringing, and will severely colour any signals passed through them. Finally, if you continue to increase the resonance beyond a certain point, the filter will itself begin to oscillate, even in the absence of an input. Each mode will now produce a stable tone at the cutoff frequency determined by the various controls. This oscillation takes the form of (approximately) a sine wave, and it is produced by all four of the conventional audio outputs. The exact nature of the wave varies slightly from mode to mode, and you can use these subtle differences to create tonal variation when using the RS-110N as an oscillator.

Uses for RES OUT and RES IN include the introduction of voltage controlled resonance (achieved by routing the signal via an RS-180 VCA) or the creation of special effects (achieved by modifying the signal using devices such as reverb units).
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Analogue Systems RS-500N Synthifilter Module
Cat: 777032 Rel: 26 Jun 20
 
filter module
Notes: Genuine EMS synthi filter, with redesigned faceplate!

This legendary filter can be switched between pre1974 and post 1974 filter type and response. For the first time response can be voltage controlled which was designed on the circuit board but not available on the matrix. This module is made under license from EMS. The only officially licensed remake of the EMS diode lowpass filter used in the VCS3 and AKS synths. It´s a faithful recreation of the original circuit, featuring some modifications that are also done on vintage EMS equipment, like a switchable faster CV response option for very quick modulations. Another switch determines if the filter has 18dB/oct slope as used by EMS pre-1974 or 24dB. The cutoff frequency and also the resonance are voltage controllable. Signal inputs and outputs have level controls.
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Analogue Systems RS-510N Synthishaper Module
Cat: 777036 Rel: 02 Jul 20
 
LFO/envelope generator module
Notes: The Synthishaper module is made under license of the EMS and is a remake of the EMS envelope shaper known from VCS3, Synthi A and AKS.

It is a very unique modulator which can be used as a trapeze or triangle shape LFO and/or a attack-hold-decay envelope generator. For the real EMS feeling combine the 500e Filter with the 510 Trapezoid. The Trapezoid Generator has Attack, On, Decay, Off parameters. The "Off" parameter can determine a amount of time until the envelope can be re-triggered. A very short "off" time will make the unit loop, changing it into a LFO. VC of Decay time, Gate input and a manual trigger button. Two signal outputs that can be adjusted in level in polarity with one common knob. Additionally the module has an internal VCA which explains the Signal in- and output and is being controlled by the trapezoid signal.
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MRP:$363.09 SAVE 18%
 2 in stock $299.24
Analogue Systems RS-650N Echo & Reverb Module
Cat: 799757 Rel: 13 Nov 20
 
Echo & reverb synth module
Notes: The RS-650 Echo / Reverb is a combination of the RS-310 and RS-440 which are based on the same circuit.

It offers both delay (echo) and reverb settings in one module. It is based on a bucket brigade device (BBD) with six parallel delay taps. Those six delay times have no relationship to each other and their outputs have different levels. You have to consider the reverb effect as a mixture of six different short delays what results in a dense sound. The clock frequency which scans the bucket brigade is audible and you'll have to use a low pass filter in order to eliminate or minimize it. In Reverb mode the delay time can be set between 2.5ms and 150ms and in Echo mode it spans from 75ms to 200ms.

All modules by Analogue Systems come ready to use with five years warranty mounted in the by the customer preferred rack or cabinet.

Depth: 65mm
HP : 12
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Analogue Systems RS-95N VCO Dual Bus Module
Cat: 776867 Rel: 26 Jun 20
 
oscillator module
Notes: The RS-95N oscillator is a premium, british sounding VCO with waveshaping possiblities. It has a new front panel design with elongated holes.

It is based on the RS-90 but has more features, predominantly a very special sine wave.

The RS-95N presented here is technically identical but instead a normal frequency control it features a gorgeous, lockable potentiometer with ten turns. This allows precise fine tune control and adds the look of an EMS synthesiser to the VCO.

The module has three audio outputs: pulse, triangle and sine.

The upper shape control affects the pulse width. The lower shape control not only morphs from a falling sawtooth over triangle to a rising saw (or ramp) but simultaneously alters the sine wave and produces a kind of smoothed, softer sawtooth. Additionally the saw/sine output is a CV-INPUT for the symmetry of the sine. Very extraordinary feature that all are voltage controllable.

The oscillator sync is "soft" and not only reacts to square waves but works with all waveforms.

The frequency control has three switchable modes:

STD (standard) with a range of two octaves.
2 is two octaves lower than STD.
WIDE mode gives a range from 0.3 Hz - 17kHz and thus allows use of the RS-95 as VC-LFO with waveshaping options!
The "vary" control not only attenuates but also can amplify the pitch CV. It controls linearly from 0V over 1V/oct to 0.4 V/oct.
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Animal Factory Godeater Distortion & Waveshaper Module
Cat: 760202 Rel: 10 Mar 20
 
distortion module
Notes: A legendary German band that influenced industrial music for years to come. A young drum virtuoso and breakout techno talent. A recording engineer to the likes of St. Vincent, Queens of the Stone Age and Ozzy Osbourne. A former Dire Straits and Paul McCartney drummer. A multifaceted producer and DJ who can play the most underground cuts to audiences of 35000 while producing for the likes of Lady Gaga and Frank Ocean. A hard techno legend known for smashing raves around the world with long, powerful live sets.

All of the above have offered praise for the Godeater pedal and consider it a pivotal part of their arsenal, with good reason. The extreme saturation of the low end guarantees a bass distortion like no other, making it no longer a necessity but a matter of aesthetic choice whether to dial the clean in or not.

Popular demand dictated that we release the Godeater in Eurorack format - after almost two years of research and development, it's finally in production. The delay gave us time to understand what people wanted from this module, and gave us the inputs we needed to make this one seriously special. This module offers CV control over almost every parameter without compromising on the signature sound that users of noisy things the world over have fallen in love with.
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MRP:$327.05 SAVE 22%
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Animal Factory Godeater Distortion Module (B-STOCK)
Cat: 777207 Rel: 10 Mar 20
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


A legendary German band that influenced industrial music for years to come. A young drum virtuoso and breakout techno talent. A recording engineer to the likes of St. Vincent, Queens of the Stone Age and Ozzy Osbourne. A former Dire Straits and Paul McCartney drummer. A multifaceted producer and DJ who can play the most underground cuts to audiences of 35000 while producing for the likes of Lady Gaga and Frank Ocean. A hard techno legend known for smashing raves around the world with long, powerful live sets.

All of the above have offered praise for the Godeater pedal and consider it a pivotal part of their arsenal, with good reason. The extreme saturation of the low end guarantees a bass distortion like no other, making it no longer a necessity but a matter of aesthetic choice whether to dial the clean in or not.

Popular demand dictated that we release the Godeater in Eurorack format - after almost two years of research and development, it's finally in production. The delay gave us time to understand what people wanted from this module, and gave us the inputs we needed to make this one seriously special. This module offers CV control over almost every parameter without compromising on the signature sound that users of noisy things the world over have fallen in love with.
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 1 in stock $240.48
Animal Factory Godeater Distortion Module (B-STOCK)
Cat: 779154 Rel: 10 Mar 20
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


A legendary German band that influenced industrial music for years to come. A young drum virtuoso and breakout techno talent. A recording engineer to the likes of St. Vincent, Queens of the Stone Age and Ozzy Osbourne. A former Dire Straits and Paul McCartney drummer. A multifaceted producer and DJ who can play the most underground cuts to audiences of 35000 while producing for the likes of Lady Gaga and Frank Ocean. A hard techno legend known for smashing raves around the world with long, powerful live sets.

All of the above have offered praise for the Godeater pedal and consider it a pivotal part of their arsenal, with good reason. The extreme saturation of the low end guarantees a bass distortion like no other, making it no longer a necessity but a matter of aesthetic choice whether to dial the clean in or not.

Popular demand dictated that we release the Godeater in Eurorack format - after almost two years of research and development, it's finally in production. The delay gave us time to understand what people wanted from this module, and gave us the inputs we needed to make this one seriously special. This module offers CV control over almost every parameter without compromising on the signature sound that users of noisy things the world over have fallen in love with.
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 1 in stock $240.91
FORTHCOMING
AniModule Lil' Monster VCO Module
AniModule Lil' Monster VCO Module (oscillator synth module)
Cat: 794393 Rel: 31 Dec 20
 
VCO module
Notes: At 8HP and 28mm deep this is A Frightening little Oscillator with Monstrous PWM, Sick, Sick Sync, and Terrifying FM capabilities!!

Great 1V/Oct tracking

Range from below to above the audible

All Waveforms respond to your Sync Input signal

Current Draw: +12V = 21mA, -12V = -21mA 8HP, 29mm Deep
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MRP:$249.63 SAVE 17%
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AniModule LogicOgic Module
AniModule LogicOgic Module (clock modulater / frequency divider / logic synth module)
Cat: 794401 Rel: 31 Dec 20
 
Logic module
Notes: This is a handy module. It's nice to have a few ORs and ANDs around when you're fiddling around with your clocks and percussives.

The Output from FlipFlop1 Q is normalled to the FlipFlop2 Input via the jack switch.

The NOT Q outs from the FlipFlops are fun to stagger your clock pulses or use as a Sub-Oscillator. The Inverter/Buffer can be sent to a Gate-Trigger converter and back to the OR to double your clock.

2 - FlipFlops (Q and NOT Q outs for each)

2 - OR Gates

2 - AND Gates

1 - Buffer/Inverter

All the outs are Buffered.

55 mA +12V
38 mm deep
O 4.00 (2 Votes) Average Rating
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MRP:$262.98 SAVE 17%
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AniModule M1xXOR Module
AniModule M1xXOR Module (mixer / sequencer / switch synth module)
Cat: 793792 Rel: 31 Dec 20
 
CV sequencer module
Notes: The Animodule M1xXOR is the Jon Snow of Animodule's product lineup. Described as a "bastard progeny" and "unholy union" by its creators, the module is an amalgamation of the V9a, VCSS, XXX_OR, and MixMan modules. Each of the module's channels, as well as the mixer, can be used independently of the sequencer, enabling a variety of self-contained and inter-module uses. When used independently for self-contained functionality, the module can function as a 4-channel DC-coupled mixer or as 4 individual channels of gated attenuation.

How It Works:
-Signal goes in to Channel Input (it's DC connected so you can use Audio OR CV).
-Signal is attenuated via Channel Attenuator.
-Signal is allowed to pass through to Individual Channel Output AND Mixer Output IF Gate Input is High OR Switch is depressed.

Sequencer:
-Clock Pulse High in to Clock Input Moves Sequence forward 1 Step.
-The Channel that the step is On will be open
-CV can be used to control the Sequencer via the CV Input.
-There is a resolution of 5 steps (4 channels and a 0 step allowing for all channels to be cleared from the Sequencer).
-There is an attenuator and offset to help properly scale and position your CV Input.
-CV Input is expecting 0V to +5V, but with the Attenuator and Offset will easily work with -/+5V.
-Clock and CV maybe used in tandem resulting in some mind melting rhythms!
-In that case the Clock will step forward 1 step from it's current position (unless it's on step 4 in which case it will roll over to step 1)
-The Clock used in conjunction with the CV will bitshift the sequence to the left, incrementing the static position of the step counter by 1 (wrapping around to step 1 after step 4).
-Fer' Instance, 2 Clock counts and CV is on 0. Step will be on Channel 2
-Gate High in to Reset will reset Clock counter to step 1 OR if Clock Input is being used in conjunction with the CV Input the reset will clear the Clock Counter and return the step to where the CV indicates it should be without any BitShifting

*Gate Input / Switches in conjunction with Sequencer:
-The Sequencer and the Gate Input / Switches combine in a XOR gate. If one is High and the other is not, that channel will be open. If BOTH are High, that channel will be closed.

Despite the lengthy description, the M1xXOR is very intuitive (and unbelievably Fun!) to use.
Each Channel (and the Mixer) May be used independently of the Sequencer.
So if you're not in the mood for Rhythmic Insanity You still have a gateable 4 Channel DC-Coupled Mixer AND/OR 4 independent and gateable channels of Attenuation.
You will NEVER just have it filling space in your cabinet.
You will find a use for it in EVERY patch!

All this in 8HP with a depth of 33mm (from rear of Front Panel).
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AniModule V9a Module
AniModule V9a Module (clock generator / sequencer / waveshaper synth module)
Cat: 793809 Rel: 31 Dec 20
 
VC sequencer & waveshaper module
Notes: Here's a powerful animal to add to your sequencing arsenal.

Send your CV to the CV In. As the Voltage increases the sequence steps forward. As the voltage decreases the sequence steps back.
Scale and adjust your input voltage to taste with the Onboard Attenuator and Offset.

Control the Output CV with an individual Potentiometer for each step.

When a step changes, a 10MS trigger is sent to it's corresponding switch. If the latching switch is depressed it allows the trigger to pass to the Trigger Out.

There is a switch per step for slew (portamento/slide).
and a Potentiometer to control the Slew Amount.
There is also an input to allow gated control of when the slew turns on and off which will work in conjunction with the switches.

This module is looking for 0V to +5V. The Offset is 0V to +5V.

To allow for chaining of the V9a and rests, 0V will put you under the sequencer range and +5V will put you over the sequencer range.
When the sequence drops below step 1 or over step 9, 0V will be sent to the CV Out and No Trigger will be sent to the Trig Out.
When step 1 or 9 is activated a trigger will be sent to the Trig buss.

Max Current Draw:
+12V = 40mA
-12V = 11mA

Width: 14HP Depth: 39mm
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Befaco Chopping Kinky Voltage Controllable Dual Channel Wavefolder Module
Cat: 668632 Rel: 09 Nov 17
 
Two-channel wavefolder - 8HP
Notes: Chopping kinky is a voltage controllable, dual channel Wavefolder.

A wavefolder converts simple signals into richer and more dynamically changing ones. In contrast to a filter, wavefolding adds harmonic content to the waveform. It works by amplifying the waveform until it begins to saturate, then rather than clipping, the waveform gets folded back in on itself.

Each of the module's two channels has a unique wavefolding profile. At each input there are two CV inputs for controlling the level of waveshaping including one that passes through an attenuverter.

The CHOPPING KINKY is DC coupled allowing it to be used for both CV and audio duties; to generate harmonics on an audio signal or kinking LFOs and envelopes.

- Current needs: +12V: 65mA, -12V: 55mA
- Width: 8 HP
- Depth:30mm (inc power connector)
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Befaco Crush Delay V3 Echo Module
Cat: 668620 Rel: 09 Nov 17
 
Echo-delay unit based on the PT2399 IC
Notes: Crush Delay v3 is a special Echo-Delay unit based on the PT2399 IC, which is able to offer 400ms of clean delay and up to 2 seconds of dirty repetitions, having a special talent to generate noisy-glitch textures. The module bases its operation on controlling the PT2399 chip with circuit bending techniques, converting the unit in an advanced VC digital trash generator. This third version comes with some interesting new features like redesigned VCAs circuits, wider range for clean delay and reduced depth to make it skiff friendly.

The module features a few VCAs to provide a flexible signal route to maximize module's possibilities. First two VCAs at the inputs to control the amount of signal sent to the delay. The first is routed to both the dry/wet mix and the delay, and the second directly to the delay. Combining the second VCA and the FX Send output allows external feedback routings.

Compared with v2, this third version offers a bigger range of clean delay time as well as a revision of some of the Crush modifiers. Combining those modifiers you will have a access to a vast palette of noises and textures that can be used in many different ways. From ambient/drone patches to even percussion sounds.

The VC Feedback features an automatic gain control to keep levels stable at any feedback level.

- Current needs: +12V: 135mA, -12V: 35mA
- Width: 11 HP
- Depth: 30 mm (inc power connector)
- Aluminium, heat-treated front panel
- Designed, kits prepared and modules assembled in Barcelona
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Befaco CV Thing Voltage Controlled MIDI Controller Module
Cat: 775217 Rel: 08 Jul 20
 
MIDI controller module
Notes: A 6 HP version of the VCMC module. Simpler, less connectivity but all the flexibility and power from VCMC.

It's the exact same concept as the VCMC in that you pump in CV and control MIDI gear or your DAW and software instruments but in a much smaller package. The faders and buttons have been droppws and just give you 8 CV inputs, a big white knob and that rather nice little screen. The MIDI connections are taken care of by a TRS socket and USB for direct connection to a computer.

Essentially, you've lost the manual controls over MIDI gear that the faders and buttons provided and are just going straight with triggers, notes or modulation.

Each of the 8 CV inputs can be mapped to any MIDI message or controller number, note or event. You can send clock, program changes, note on/off and everything you'd expect in MIDI. It's a pretty great way of connecting your modular to your external instruments or software while keeping the control in the Eurorack rather than ceding control to the DAW. And if you prefer things the other way around then Befaco also makes a MIDI Thing MIDI-to-CV interface.
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 3 in stock $243.62
Befaco Even VCO Voltage Controlled Oscillator Module (assembled)
Cat: 668582 Rel: 09 Nov 17
 
High precision VCO with octave select
Notes: The EVEN VCO is a voltage controlled oscillator which offers stability even in the case of power supply fluctuations.

The EVEN VCO features a 10-position octave selector switch (C0 - C9) and is able to track with 1 cent precision between C0 - 7, 4 cents through C8 and 13 cents through C9.

Outputs:

- Triangle
- Ramp
- PWM
- Sine
- Even (waveshape with emphasis on even harmonics)

Inputs:

- Hard sync. This forces the core to reset in the event of a phase change at the input.
- V/oct. Two inputs for pitch control summed to the main octave selector and the tone control.
- FM. Linear pitch control.
- PWM CV. Pulse width control summed to the potentiometer.
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Befaco Kickall Percussion Voice Module
Cat: 689669 Rel: 14 Feb 19
 
Punchy kick drum module - 6HP
Notes: Kickall is a 6HP compact synth voice that features everything needed to make a big fat Kick sound: A stable VCO that tracks V/oct, a couple of VCAs, envelopes for volume and pitch and an aggressive wave shaper.

The module has been designed with a kick synthesis patch in mind: VCO to VCA with an envelope to open the VCA and another one to change VCO pitch. As addition a CV controlled waveshapper has been added to the VCO and an extra VCA at the end of the signal path to control the volume of the sound to act as kind of an accent.
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Befaco Muxlicer Sequential Signal Processor Module (assembled)
Cat: 689665 Rel: 14 Jun 18
 
VC addressable sequential switch & sequencer - 16HP
Notes: Muxlicer is a sequential signal processor designed for add a huge range of special functions to your modular setup in the minimum space.

Muxlicer is divided in three main blocks: Digital Step Controller, Gate Generator and Analog Switch (a.k.a. Mux/DeMux).

The module is designed with high "function to HP ratio" philosophy, to have maximum flexibility in minimum space.
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