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Synthesisers

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ACL System 2 Desktop Modular Synthesiser
ACL System 2 Desktop Modular Synthesiser (desktop modular synthesiser)
Cat: 765867 Rel: 17 Jul 20
 
Desktop modular synthesiser
Notes: Beautiful complete modular system from Berlin-based Audiophile Circuits League. Based around two contrasting VCOs and a ladder filter, but with massive depth beyond the basics.

Supplier notes:
With System II Audiophile Circuits League presents a powerful modular Synthesizer with two full-featured Oscillators and an extremely musical Lowpass filter. Based on the Multifunction Discrete VCO and the Variable Sync VCO, System II serves with an unbelievably vast sound spectrum, from thick basses to aggressive Leads. The new VC Dual Amp provides a crystal clear sound, which can be perfectly integrated in the studio thanks to the high quality Audio Interface.

System II is a beautiful compact system, suitable for all situations.

System 2 is a modular instrument built entirely from ACL components. The search for a microcomputer in this system would be in vain because all modules are analog and for the most part discrete.

The whole thing comes in a metal case with oak side panels. A KAZU power supply is also included. - However, not as a module, but discreetly installed inside. This leaves four partial units for personal additions. The KAZU power supply is characterized by minimal interference and voltage peaks. The same applies to the built-in EVE 1 bus board. The result: extremely clear high-end sound.

Included modules:
Multifunction Discrete VCO
2 x Oktave
Variable Sync VCO
Discrete Core Ladder VCF
Gate Mix
2 x Multi II
Envelope X3
2 x QLFO
2 x VC Dual Amp
Audio Interface
EVZ1-Gehause 6U 84TE (incl. Kazu PSU, EVE1 Busboard, AC Adapter 15V - 3.34 A)
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 1 in stock $4,224.23
Behringer CAT Analogue Synthesizer
Cat: 772857 Rel: 18 Jun 20
 
analogue synthesiser
Notes: The Octave Cat isn't the best known synth that Behringer have turned their attention to, but it's well worth a look. Similar in approach to the Odyssey but with an even broader sonic range, going from warm and fat to tough and edgy.

Supllier notes:
Great care has been taken in engineering the CAT, including the true to the original analog circuitry, legendary VCO, VCF and VCA designs that come together to recreate classic tones that are evocative of classic electronic music. This highly-focused attention to detail is what gives the CAT its ultra-flexible sound shaping capability. It gives you the ability to cover a lot of amazing tones from super-fat bass, tasty leads - and all the way to full on dreamy ambience from the far reaches of your imagination.

The synthesizer tracks laid down in the 1970s and 80s in progressive rock, wave and synth-pop have become classics and have inspired many other artists.

The CAT has the ability to accept any keyboard controller via MIDI. The signals generated can be tweaked via the Pitch Bend slider which can bend a note up or down one octave. Bump this up to two octaves by flipping the Octave Shift switch up or down. Use the Glide slider to change how fast a note transitions to another; up is faster, down is slower. Combine that with the LFO Freq slider to control the LFO and ADSR repeat tempo and you can create some amazing pulsating portamentos.

The very heart of the CAT's sound is its two VCOs. The Duophonic/Paraphonic nature of the CAT allows both oscillators to be controlled independently. Use the Fine and Coarse Frequency controls to tune VCO1 to VCO2. Keyboard control on the CAT can be set to either Mono or Poly. Poly mode lets VCO1 generate the highest note played on the keyboard while VCO2 handles the lowest allowing two notes to be played simultaneously. Setting the switch to Mono mode makes VCO1 generate the lowest note depressed on the keyboard.

Waveform switches on both VCOs allow different waveforms to be patched in from the LFO. Choose between Sine, Square, Sample and Hold and even pitch modulation through each VCO. Turning the Modulation Depth knobs in either direction controls the intensity of the effect. VCO2 also comes with a Sync switch that locks VCO1 with it and has them act as one huge oscillator to produce more complex waveforms and dramatic results. Mix VCO1 into VCO2 or vice versa and the CAT can produce some really tasty tones that make themselves at home in your next synth jam.

Each VCO on the CAT comes equipped with their own waveform sliders where you can adjust the volume of each type of VCO wave form. Pump up the Sub Octave, Sawtooth, Square, Triangle or Pulse waves or mix them all together and create some truly unique tones.

The CAT comes with another set of claws in the form of a VCF filter section. Here you can get more complex and robust tones by incorporating VCO1 into the mix. Introduce more waveforms and manipulate the Q slider to emphasize harmonics and Filter Cutoff slider which acts as a low-pass filter. Turn the CAT into a really funky bass machine or an out-of-this-world synth that creates some searing lead tones. You can even create some amazing drum sounds by manipulating the VCOs, VCF and ADSR.

The CAT features a whole slew of Inputs and Outputs that expand its capabilities beyond what you can see out of the box. You can route external control voltages to VCO1 or 2, the VCF and even pump in some external line-level audio into the CAT. You can even connect the CAT to other external synthesizers through the Gate, ADSR, AR or Keyboard Outputs. The CAT's 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony - and it provides vastly improved reliability and stability over its 1970s and '80s predecessors.

To give the signal even more character, you can use the CAT's Transient Generator to create a detailed voltage transient every time a key is depressed. Adjust the Attack, Decay, Sustain and Release via the matching sliders and to shape your signal. The AR transient generator works similarly to the ADSR but with less detailed control over the envelope. You can also set the ADSR to automatically repeat or only when a key is held down. The Sample and Hold switch can be set so the VCO1 setting is sampled or, when set to Noise mode, produce a random output pattern. Slide the LFO Delay control up or down to determine when the LFO will reach its maximum output after a key is depressed.

The CAT has 47 controls, all laid out in a highly-intuitive format that puts the joy back into your music creation.
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 9 in stock $291.85
Behringer K2 Analog Semi Modular Synthesiser
Cat: 688736 Rel: 19 Jun 20
 
Analog semi-modular synthesiser based on Korg's legendary MS20
Notes: Channelling the Korg MS20, Behringer serve up a desktop module with attitude. Semi-modular design plays nicely with Eurorack gear to add a dose of the aggro MS sound to your rig.

Supplier notes:
An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, the K-2 lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, dual authentic VCOs with 4 selectable waveforms each, plus extremely flexible VCF and VCA filters, the K-2 is sure to become your favorite keyboard. Owning the K-2 is like having your own personal time machine, enabling you to embrace the past - or make your imprint on the future!

Your K-2 comes ready to rock, thanks to its default signal routing that doesn't require lifting a single patch cable to instantly create amazing sounds. The semi-modular architecture lets you easily tap into the inspired sounds of 1980s and '90s progressive rock, wave, EDM and synth-pop music synthesizer tracks that made rock and roll history - or to design incredibly fat and original sounds that will make you a legend in your own right!

The very heart of K-2's sound is its versatile 6 dB High/12 dB Low filter, which lets you freely experiment with the High and Low-Pass Cutoff Frequencies and their respective peak (resonance) settings to dial in the perfect sound. The high-pass filter sets the level of signals below the cutoff frequency, effectively reducing the fundamental and lower-order harmonics levels. The low-pass filter controls the level of signals above the cutoff, which reduces higher-order harmonic content. K-2's VCF Peak controls provide emphasis to the signals at the crossover frequency.

K-2's authentic Voltage Controlled Oscillators (VCOs) provides an incredible range of 4 variable oscillator shapes with variable pulse widths and ring modulation for the ultimate in sound creation. VCO 1 waveform choices include triangle, reverse-sawtooth, noise and pulse, where the pulse width can be adjusted from square wave to narrow across a 4-octave range (32', 16', 8', or 4'). VCO 2's waveform can be selected from reverse-sawtooth, square, narrow pulse and ring, where both oscillators are operating. VCO 2's pitch can also be varied independently across a 4-octave range (16', 8', 4' and 2'). The VCO Mixer allows you to adjust the levels of VCO 1 and VCO 2 to create an overall mix and a wide range of amazing effects.

K-2's Low Frequency Oscillator (LFO), the Modulation Generator, features a selectable Waveform (reverse sawtooth, triangle, sawtooth) with a sweepable frequency range from 0.1 to 22 Hz - and 2 separate Envelope generators to help you craft incredible sounds! Envelope Generator 1 affects the frequency modulation via controls for Delay, Attack and Release Time, while generator 2 adjusts the cutoff frequency modulation, as well as amplitude modulation of the Voltage Control Amplifier (VCA). Dials for this generator include Hold, Decay, Attack, Sustain, and Release for unparalleled envelope-shaping control.

While it is a monophonic instrument (one note at a time), K-2's 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony - plus provides vastly improved reliability and stability over its 1970s and '80s predecessors.

Designed to handle the rigors of life on the road or in the studio, your K-2 can easily be transferred into a standard Eurorack case for the perfect integration into your existing system.

For those who want the numbers, K-2 has 36 controls, all laid out in a highly-intuitive format that puts the joy back into your music creation. And you can expand K-2's tone-sculpting capabilities beyond your wildest dreams by utilizing the multi-I/O patchbay to connect external devices at virtually any point in the signal path!
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 6 in stock $286.40
Behringer MS-1 101 BU Analog Synthesizer (blue)
Cat: 688722 Rel: 19 Jun 20
 
analog synthesiser
Notes: Blue version of Behringer's tribute to the legendary Roland SH-101. Classic Roland-inspired 80s analogue sound with a gorgeously squelchy resonant filter and powerful oscillator with beefy sub.

Supplier notes:
An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, such as a 32-step sequencer, arpeggiator and live performance kit, the MS-1-BU lets you conjure up virtually any sound with incredible finesse and ease. With its 32 semi-weighted full-size keys, pure analog signal path, authentic 3340 VCO with 4 simultaneously-mixable waveforms, plus extremely flexible VCF and VCA filters, the MS-1-BU is sure to become your favorite keyboard. Owning the MS-1-BU is like having your own personal time machine, enabling you to embrace the past - or make your imprint on the future!

Great care has been taken in engineering the MS-1-BU, including the true to the original analog circuitry, legendary VCO, VCF and VCA designs, all of which combine to make it easy to recreate the classic sound performance. This highly-focused attention to detail is what gives the MS-1-BU its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects - and all the way out to the otherworldly sounds of your imagination.

The inspired synthesizer tracks laid down in the 1980s and '90s are etched in the annals of progressive rock, wave, EDM and synth-pop music forever, making them truly classic in every sense of the word. The MS-1-BU lets you recreate all of that magic - or design incredibly fat and original sounds that will make you a legend in your own right!

MS-1-BU's authentic 3340 Voltage Controlled Oscillator (VCO) provides an incredible range of 4 simultaneously-mixable waveforms for sculpting the perfect sound. Options include: saw, triangle, square/pwm and octave-divided square sub-oscillator. Additionally, the VCO can be adjusted across a wide, 4-octave range (16', 8', 4', and 2'). This amazing flexibility gives you the tools needed to be your creative best.

The very heart of MS-1-BU's sound is its highly-flexible Voltage Control Filter (VCF), which includes faders for: cutoff Frequency (10 Hz to 20 kHz); Resonance (0 to self-oscillation); Envelope and Modulation depth, and Keyboard follow (0 to 100%) to dial in the perfect sound. MS-1-BU's VCF can be modulated via the ADSR, keyboard tracking and Bender controller. The Frequency Modulation (FM) Amount knob sets the depth, while the FM Source selector lets you further modify the signal by choosing from: pulse; sawtooth; sub oscillator 1 octave down; 2 octaves down; narrow 2 octaves down, and Noise.

MS-1-BU's sequencer allows you to program up to 32 steps of notes and rests and save them as a pattern. You can record, save and recall up to 64 patterns, all of which can be stored in the 8 banks, each holding up to 8 patterns. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode, which allows you to interact while composing a pattern. The onboard Arpeggiator features 8 patterns (you can use just by playing a chord, which the arpeggiator then sequences through your selected pattern. Both the sequencer and arpeggiator in the MS-1-BU are fun, mesmerizing and totally addictive.

When you're ready to strut your stuff and get a little centerstage time, the MS-1-BU has that covered too! Just attach the included guitar strap and handgrip (with pitch bend wheel and a pitch modulation trigger), and take your performance to the next level.

In addition to the great sound-sculpting features already mentioned, the MS-1-BU has still more to offer. The noise generator can also be used as modulation source to create distortion-like effects, which will send your solo soaring into the stratosphere. Glide (portamento) lets you sweep seamlessly over time from one note to the next, creating smooth-as-silk transitions that few other instruments can emulate. MS-1-BU's Bender is also assignable to the VCO, VCF and pitch mod wheel on attachable handgrip. You can even modulate the pulse wave via the LFO, envelope or manually - for sounds ranging from mild to wild!

For those who want the numbers, MS-1-BU has 57 knobs, faders and switches, all laid out in a highly-intuitive format that puts the joy back into your music creation. Input and output connections include: MIDI I/O and Thru over USB/MIDI DIN; Velocity Out; CV; Gate; External Clock In; VCF CV In; Hold; External Audio; Phones; and main Output.

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 More than 10 in stock $291.85
Behringer MS-1 BK 101 Analog Synthesizer (black)
Cat: 688717 Rel: 19 Jun 20
 
analog synthesiser
Notes: Inspired by the amazing Roland SH-101, Behringer's MS-1 is a peach of an analogue mono synth, excelling at deep, elastic basslines but also amazing for arps, leads and FX.

Supplier notes:
An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, such as a 32-step sequencer, arpeggiator and live performance kit, the MS-1-BK lets you conjure up virtually any sound with incredible finesse and ease. With its 32 semi-weighted full-size keys, pure analog signal path, authentic 3340 VCO with 4 simultaneously-mixable waveforms, plus extremely flexible VCF and VCA filters, the MS-1-BK is sure to become your favorite keyboard. Owning the MS-1-BK is like having your own personal time machine, enabling you to embrace the past - or make your imprint on the future!

Great care has been taken in engineering the MS-1-BK, including the true to the original analog circuitry, legendary VCO, VCF and VCA designs, all of which combine to make it easy to recreate the classic sound performance. This highly-focused attention to detail is what gives the MS-1-BK its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects - and all the way out to the otherworldly sounds of your imagination.

The inspired synthesizer tracks laid down in the 1980s and '90s are etched in the annals of progressive rock, wave, EDM and synth-pop music forever, making them truly classic in every sense of the word. The MS-1-BK lets you recreate all of that magic - or design incredibly fat and original sounds.


The very heart of MS-1-BK's sound is its highly-flexible Voltage Control Filter (VCF), which includes faders for: cutoff Frequency (10 Hz to 20 kHz); Resonance (0 to self-oscillation); Envelope and Modulation depth, and Keyboard follow (0 to 100%) to dial in the perfect sound. MS-1-BK's VCF can be modulated via the ADSR, keyboard tracking and Bender controller. The Frequency Modulation (FM) Amount knob sets the depth, while the FM Source selector lets you further modify the signal by choosing from: pulse; sawtooth; sub oscillator 1 octave down; 2 octaves down; narrow 2 octaves down, and Noise.

MS-1-BK's Envelope generator features 4 ADSR (Attack, Decay, Sustain and Release) faders that help you craft incredible sounds, and utilizes a 3-position switch for Gate, Gate + Trigger and LFO. When applied to the Voltage Control Amplifier (VCA), the ADSR envelope is used to control the level of the note being played over time. When applied to the VCF, the ADSR envelope is used to control the cut-off frequency of the filter for each note played over time. In addition, the ADSR envelope can also be used to affect the VCO pulse width modulation.

MS-1-BK's sequencer allows you to program up to 32 steps of notes and rests and save them as a pattern. You can record, save and recall up to 64 patterns, all of which can be stored in the 8 banks, each holding up to 8 patterns. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode, which allows you to interact while composing a pattern. The onboard Arpeggiator features 8 patterns (you can use just by playing a chord, which the arpeggiator then sequences through your selected pattern. Both the sequencer and arpeggiator in the MS-1-BK are fun, mesmerizing and totally addictive.

When you're ready to strut your stuff and get a little centerstage time, the MS-1-BK has that covered too! Just attach the included guitar strap and handgrip (with pitch bend wheel and a pitch modulation trigger), and take your performance to the next level.

In addition to the great sound-sculpting features already mentioned, the MS-1-BK has still more to offer. The noise generator can also be used as modulation source to create distortion-like effects, which will send your solo soaring into the stratosphere. Glide (portamento) lets you sweep seamlessly over time from one note to the next, creating smooth-as-silk transitions that few other instruments can emulate. MS-1-BK's Bender is also assignable to the VCO, VCF and pitch mod wheel on attachable handgrip. You can even modulate the pulse wave via the LFO, envelope or manually - for sounds ranging from mild to wild!

For those who want the numbers, MS-1-BK has 57 knobs, faders and switches, all laid out in a highly-intuitive format that puts the joy back into your music creation. Input and output connections include: MIDI I/O and Thru over USB/MIDI DIN; Velocity Out; CV; Gate; External Clock In; VCF CV In; Hold; External Audio; Phones; and main Output.
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 8 in stock $261.31
Behringer Odyssey Analogue Synthesizer
Cat: 688740 Rel: 19 Jun 20
 
analog synthesiser
Notes: Behringer's tribute to the ARP Odyssey is a pleasingly retro instrument. Fully analogue duophonic goodness with that classic tough ARP sound, great for bass and leads.

Supplier notes:
An ultra-affordable homage to the legendary ARP* synthesizer of the '70s and beyond with all the features of the original and then some including: dual VCOs; 32-step sequencer with onboard storage; arpeggiator and world-class Klark Teknik FX that boast reverb, chorus, flanger, delay, pitch shifter and multi-effects, the ODYSSEY lets you conjure up virtually any sound with incredible finesse and ease. With its 37 semi-weighted full-size keys, pure analog signal path based on authentic VCO, VCF and VCA designs from the '70s, the ODYSSEY is sure to become your favorite keyboard. Owning the ODYSSEY is like having your own personal time machine, enabling you to embrace the past - or make your imprint on the future!

Great care has been taken in engineering the ODYSSEY, including the true to the original analog circuitry, legendary VCO, VCF and VCA designs, all of which combine to make it easy to recreate the classic sound performance. This highly-focused attention to detail is what gives the ODYSSEY its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects - and all the way out to the otherworldly sounds of your imagination.

The inspired synthesizer tracks laid down in the 1970s are etched in the annals of progressive rock, disco and synth-pop music forever, making them truly classic in every sense of the word. The ODYSSEY lets you recreate all of that magic - or design incredibly fat and original sounds that will make you a legend in your own right!

ODYSSEY's 2 voices are the product of dual analog Voltage Controlled Oscillators (VCOs), which each provide your choice of: sawtooth, square/pulse with pulse-width modulation, or sine/square wave LFO for sculpting the perfect sound. This amazing flexibility gives you the tools needed to be your creative best.

The very heart of ODYSSEY's sound is its highly-flexible Voltage Control Filter (VCF), which includes faders for: Frequency; Resonance (0 to self-oscillation); and High Pass Filter (HPF) Cutoff Frequency. A feature missing from the original is a new 3-position switch, which lets you choose the VCF filter you prefer from all 3 iterations of the famous synth: 2-pole MKI (4023); 4-pole MKII (4035); and 4-pole MKIII (4075), plus a Drive switch to add a touch of edge to your sound.

ODYSSEY features two easy-to-use Envelope Generators, AR (Attack and Release) and ADSR (Attack, Decay, Sustain and Release) with 2 and 4 faders, respectively to help you craft incredible sounds. Switches are provided for ADSR Gate/LFO Repeat, AR Gate/LFO Repeat or thirdly, Keyboard Repeat/Auto Repeat - which provides a wide range of performance options.

ODYSSEY's sequencer allows you to program up to 32 steps of notes and rests and save them as a pattern. You can record, save and recall up to 64 patterns, all of which can be stored in the 8 banks, each holding up to 8 patterns. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or in Step mode, which allows you to interact while composing the pattern. The onboard Arpeggiator features 8 patterns (you can use just by playing a chord, which the arpeggiator then sequences through your selected pattern. Both the sequencer and arpeggiator in the ODYSSEY are fun, mesmerizing and totally addictive.

For those who want the numbers, ODYSSEY has 35 sliders, 25 switches and 3 pressure-sensitive buttons, all laid out in a highly-intuitive format that puts the joy back into your music creation. Input and output connections include: MIDI In and Out over USB/MIDI DIN; Pedal; Portamento Footswitch; Low and High Outputs; External Audio In; CV In and Out; Gate In and Out, and Phones with a dedication Volume control.

In addition to the great sound-sculpting features already mentioned, ODYSSEY has still more to offer. There's the pink/white noise generator with sample & hold plus lag processor; Portamento, which lets you sweep seamlessly over time from one note to the next, creating smooth-as-silk transitions that few other instruments can emulate; and the 3 pressure-sensitive buttons for pitch and modulation control that provide a total hands-on performance. ODYSSEY is the ideal tone-making machine for creating sounds that run the gamut - from mild to wild!
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 5 in stock $400.74
Black Corporation Kijimi 8 Voice Polyphonic Analogue Synthesiser
Cat: 767536 Rel: 28 May 20
 
analogue synthesiser
Notes: Long-awaited analogue monster from Japan's Black Corporation, inspired by the rare RSF Polykobol II keyboard. Raw synth power with eight-voice analogue-based architecture. Stunning.

Supplier notes:
The unique architecture of KIJIMI features smoothly variable waveforms on each fully analog oscillator, a rich SSI2144 lowpass filter, and a wealth of deeply programmable modulators, making it one of the most powerful polyphonic analog synthesizers ever made.

KIJIMI features eight voices, each with two oscillators + one suboscillator, a lowpass filter, VCA, 6 envelopes, and 16 LFOs. A deeply programmable modulation matrix along with velocity and polyphonic aftertouch route these modulators into a variety of destinations to create anything from subtle movements in bass lines to complex, organically evolving soundscapes. Polyphonic aftertouch introduces another level of touch- controlled modulation independent to each voice, making KIJIMI a truly powerful performance tool.

Variable wave shaping of its analog oscillators is a feature unique to KIJIMI's synthesizer design. Rather than selecting a single waveform KIJIMI offers a range of waveforms from Triangle through Saw to Pulse waves, passing smoothly through every shape in between. Using modulation sources to control the oscillator waveform brings a new dimension to the sound sculpting process. Each oscillator can be modulated independently, detuned in semitone intervals and synced to each other, VCO2 can even be used to FM VCO and filter, bringing rich harmonic content to the initial tone.

KIJIMI's SSI2144-based lowpass filter is an updated version of a legendary design found in some of the most powerful analog synthesizers throughout history. Apart from being a gorgeous, rich lowpass filter for typical duties, a powerful feature found in the KIJIMI is the ability to FM the filter via VCO2, resulting in sounds ranging from atonal clangorous FX to aggressive vocal-sounding formants. The filter cutoff and resonance can be independently modulated, providing a filter section, which is far more complex than most analogue polyphonic synthesizers.

KIJIMI's two envelopes are set up in typical ADSR mode by default, but a CYCLE button can be switched on to enter a cycling trapezoidal mode reminiscent of the function generator found in the EMS Synthi. In this mode, the 4 parameters are instead used to control Rise, Time On, Fall, and Time Off, resulting in a uniquely controllable cyclic function. Each envelope also features 3 switchable speed modes ranging from fast, medium, or slow.

By default, KIJIMI features two powerful LFOs - Each with many selectable waveforms, rate, and a dedicated A/D envelope for modulating its rate on each new trigger. This means that each LFO can have its speed modulated on each new note independently of any other modulators across the synthesizer.

The modulation matrix in KIJIMI is what makes this instrument truly special: 8 destinations for each LFO, and 4 destinations for ADSR2, each with its own button to switch between Unipolar (+/-) or Bipolar modulation. Furthermore, the new firmware introduces the ability to assign different LFO settings (rate, waveform, EG and depth) to EACH individual destination. Below the Modulation Matrix are the performance modulators: Velocity and MPE- based polyphonic aftertouch which can be routed to 6 simultaneous destinations, each with its own bipolar level setting. With the ability to control filter, VCA, pitchbend, sub oscillator level, and 2 LFOs each modulating up to 8 destinations independently on each voice through your aftertouch performance, the expressive possibilities are truly limitless.

KIJIMI features full MIDI control and 10 preset banks with 128 slots including a Factory Bank and 9 user banks for storing and recalling settings.
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 1 in stock $3,991.19
Black Corporation Xerxes Polyphonic Analogue Synthesiser
Cat: 765885 Rel: 27 Feb 20
 
polyphonic analogue synthesiers
Notes: Wow! Stunning analogue polysynth inspired by the classic early 80s Elka Synthex, renowned for amazing strings and pads. Painstakingly developed by the company behind the Deckard's Dream. Beautiful.

Supplier's notes:
Xerxes is an eight-voice polyphonic analog Synthesizer that features two discrete logic DCO's per voice. Each DCO section offers four waveforms (triangle, saw, square, pulse), octave switch, transpose, oscillator PWM, PAM, ring mod, pulse width, and a volume knob. It offers an analog multimode filter (HP/BP/LP) as well as two LFO's and 2 ADSR envelopes. Furthermore there is an analog BBD stereo chorus.

The synth is heavily inspired by the well-known Elka Synthex Synthesizer from the past but it is not a replica. It's a completely new development that has many modern and clever new features. The interface was not taken from the vintage Synthex but is also heavily inspired without cloning it.
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 1 in stock $3,991.19
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quote 765885
Cyclone Analogic Bass Bot TT303 Monophonic Analogue Synthesizer & Sequencer (limited edition space black version)
Cat: 761225 Rel: 13 Jan 20
 
monophonic analogue synthesizer & sequencer
Notes: Special edition of one of our favourite 303 clones. Fully analogue tribute to the Roland original with incredible sound. Authentic acid at a very nice price.

Supplier's notes:
A full analog synth clone of the famous TB303, coming with a lot of new features and improvements, from the sound point of view as well as the ergonomics of the machine and the sequencer.

A new design, new pots very smooth, new features for Live jam, 2 new sequencer modes for even more creativity, added CV / Gate (and even more) outputs to play your favorite synths !

The design of the analogue circuit (composed of 1 VCO) and the audio engine has been improved compared to the previous version, giving it a warm and groovy sound thanks to the addition of the Shuffle (not present on the original) .

The very intuitive sequencer takes on the original spirit while bringing new and unique features such as Mute and Hammer, which gives it a great flexibility for live jam and more sound variations, as well as 2 new sequencer modes to create New patterns.
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 3 in stock $320.17
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quote 761225
Elettrorama/MFOS Echo Rockit Sound Processor & Synthesiser
Cat: 700962 Rel: 21 Oct 19
 
Portable synth/effect processor
Notes: Quirky little synth and effects box with some interesting features. Simple square wave oscillator, LFO and filter design with lo-fi digital delay. Wacky stuff but lots of fun.

Supplier notes:
MFOS Echo Rockit is a small, portable synth/effect processor. The Echo Rockit makes unusual sounds and will give you hours of creative sound making fun. You'll make sounds you'd swear would require a modular, and all in the palm of your hand.

About the Anti-Feature "Significant noise at echo times > 340ms". The PT2399 is designed to produce echoes in the range of 40mS to 340mS. In addition to those delay times, the Echo Rockit allows you to explore lower clock rates that result in longer echo times. However, the longer the delay you select, the more noise will be contributed by the PT2399's single bit A to D conversion mechanism.

Specifications:

Type: Analogue
Synthesis: Oscillator(s)

Oscillators: 1
Waveforms: Square
Osc Modulation: LFO

Filters: 1
Types: 12dB Slope (2-pole), Low Pass, Resonance
Filter Modulation: LFO, Oscillator

LFO: 1
LFO parameters: Triangle, Square

Polyphony: 1
Timbrality: 1
Tuning: Atonal
Modes: Mono

Effects: Delay & Echo

Case: Desktop
Controls: Knobs, Switches. 3,5 mono jack input
Dimension: 20 x 15 x 6,5 (cm)
Material: Plexiglass
Front panel: Aluminium (1mm thick)

Audio Output Connections: 1/4" Phone Jack, Mono Out, 3,5 Phono jack, Mono Out
Audio Output Count: 2
Audio Input Connections: 1/4" Phone Jack, Mono Out, 3,5 Phono jack, Mono Out
Audio input Count: 2
Control voltage: 1 NOT BE 1V/Oct
Power: 9V power supply 300 mA/1mA max (euro)
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$184.04 SAVE 10%
 5 in stock $165.64
Elettrorama/MFOS Soundlab Minisynth Plus Synthesiser
Cat: 700960 Rel: 29 Jun 20
 
MIDI interface
Notes: Latest version of the mini synth that began life as a DIY kit. Simple analogue architecture which offers a good introduction to subtractive synthesis and sound design.

Supplier notes:
This project is a reprise of the Sound Lab Mini-Synth with the addition of a Sample and Hold and several circuit and component value changes to improve performance. Even if you already have a Sound Lab, this is thoroughly recommended as a completely new project.New design and a new MIDI INTERFACE onboard.

You can play your SLMS+ with a midi keyboard or midi controller.

Type: Analog Synthesis: Subtractive

Oscillators: 2 Waveforms: Pulse, Pulse Variable, Saw Down, Square Osc Modulation: Envelope, Input, Knob, LFO, Sync Hard

Envelope: 1 Evelope

Paramerters: Attack, Decay, Looping

Filters: 1 Types: 12dB Slope (2-pole), Low Pass, Resonance Filter Modulation: Envelope, Knob, LFO, S&H

Lfo: 1 LFO Parameters: Saw Up, Saw Down, Square, Triangle

Sample & Hold Addon: variable sample rate - output voltage glide - switch to select source to be modulate

Midi cannel: 1 (not exchangeable) Midi port: MIDI IN, MIDI THRU Control change: pitch bend, modulation , portamento (CC 5) 1V/Oct: 5 octaves

IMPORTANT: POWER ON SOUNDLAB WHEN YOUR MIDI SEQUENCER IS IN STOP MODE! MICROCONTROLLER CAN GENERATE MIDI SIGNAL ERROR IF YOUR SEQUENCER IS IN PLAY MODE.

Polyphony: 1 Timbrality

1 Tuning: Standard Modes: Mono

Desktop Controls: Knobs, Switches, Buttons Display Type: LED Dimension: 27 x 16 x 7 (cm) Material: Plexiglass Front panel: Aluminum (1mm thick)

Connections: Audio Output Connections: 1/4" Phone Jack, Mono Out

Power: 9V power supply 300 mA (euro) Audio Output Count: 1 Control voltage: 2 - 1V/Oct (1/4" Phone Jack/3,5 mini jack) Gate in: 1 (1/4" Phone Jack/3,5 mini jack) IMPORTANT NOTE: TO USE GATE/MIDI
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MRP:$313.63 SAVE 14%
 5 in stock $271.16
Erica Synths Pico System III Analogue Modular System (desktop version)
Cat: 749138 Rel: 16 Oct 19
 
Compact modular system with full analogue design - desktop version
Notes: Eurorack innovators Erica Synths pack as much as possible into a compact case with their Pico system. Huge sonic potential and clever card-based patch preset system.

Supplier notes:
Pico System III brings modular synthesis back to the basics - the system has multi functional (instead of single-function, like Pico Drums or Pico Trigger in the Pico System II) analogue modules and is intended to encourage creativity in modular patching.

The system has 31 inputs and 20 outputs (master output is duplicated) + 7 switches; if you have enough patch cables at your disposal, you can patch the system in 121000931215044250740178662400 or 1.21x1029 variations (we ignored the possibility to adjust potentiometers here). Even though only 0,0001% of all patches will sound more-less enjoyable, you and all your future generations can spend a lifetime only patching the Pico System III.

Voice-cards with preset patches set it apart from other eurorack systems - they allow user to change patches instantly and radically, which makes the system well suited for experimental live performances. The system comes with 5 great sounding "factory preset" voicecards, and 5 DIY voicecards that are empty and users can develop their own patches. More voicecards will be available from Erica Synths shop.

Desktop unit includes: 20 patch cables, 1 Hosa stackable cable, PSU, 5 factory preset & 5 DIY voice-cards, user manual and patch note sheets.
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 2 in stock $509.64
Erica Synths Pico System III Analogue Modular System (desktop version) (B-STOCK)
Cat: 783969 Rel: 16 Oct 19
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Eurorack innovators Erica Synths pack as much as possible into a compact case with their Pico system. Huge sonic potential and clever card-based patch preset system.

Supplier notes:
Pico System III brings modular synthesis back to the basics - the system has multi functional (instead of single-function, like Pico Drums or Pico Trigger in the Pico System II) analogue modules and is intended to encourage creativity in modular patching.

The system has 31 inputs and 20 outputs (master output is duplicated) + 7 switches; if you have enough patch cables at your disposal, you can patch the system in 121000931215044250740178662400 or 1.21x1029 variations (we ignored the possibility to adjust potentiometers here). Even though only 0,0001% of all patches will sound more-less enjoyable, you and all your future generations can spend a lifetime only patching the Pico System III.

Voice-cards with preset patches set it apart from other eurorack systems - they allow user to change patches instantly and radically, which makes the system well suited for experimental live performances. The system comes with 5 great sounding "factory preset" voicecards, and 5 DIY voicecards that are empty and users can develop their own patches. More voicecards will be available from Erica Synths shop.

Desktop unit includes: 20 patch cables, 1 Hosa stackable cable, PSU, 5 factory preset & 5 DIY voice-cards, user manual and patch note sheets.
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 1 in stock $485.65
Korg Nu:Tekt NTS1 Programmable Digital DIY Synthesiser Kit (no soldering required)
Cat: 746618 Rel: 02 Mar 20
 
digital DIY synthesiser kit
Notes: Korg is always building new ways to experience hands-on, fun music-making. Now, you can too.

The Nu:Tekt NTS-1 digital KIT is a unique, flexible, and easy DIY synthesizer that you can easily assemble yourself, without any soldering (tool included!).

The first of its kind from KORG's DIY-focused Nu:Tekt brand, NTS-1 packs a powerful synth and multi-effects engine into a compact form factor that you can carry and connect anywhere. Its DIY nature means it's also very customizable. Explore the possibilities!

Included items: USB cable, owner's manual, screwdriver
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 4 in stock $106.73
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Korg Volca Nubass Vacuum Tube Analogue Bass Synthesiser
Cat: 732455 Rel: 23 Sep 19
 
Powerful bass synth with sound source based around a vacuum tube oscillator
Notes: Valves meet Volca. The original Volca Bass design gets twisted with the addition of Korg's Nutube technology for gritty saturation. 303-style acid with a filthy attitude.

Supplier notes:
Even today, when digital technology allows electronic musical instruments to simulate any sound imaginable, people seek the warm harmonics and distortion produced by analogue vacuum tubes. This distinctive sound has a quality beyond words that sets it apart, and cannot be captured by a response curve; it's the unmistakable sound of tubes.

The Volca Nubass is the first analogue synth to be equipped with a Nutube new-generation vacuum tube in its oscillator. Vacuum tube plus analogue means that the sound is warm, thick, and rich. The familiar transistor ladder filter gives it the character of a classic bass machine, along with overdrive, and huge-sounding distortion.

An acid bass machine for a new generation combines classic sound with the power of modern synthesizer design. It's the Volca Nubass.

A vacuum tube oscillator circuit forms the heart of Volca Nubass, utilizing groundbreaking Nutube technology:

The Nutube is equipped with two vacuum tubes; one is used in the oscillator to generate a sawtooth wave or square wave. The other vacuum tube is used in the drive circuit of the sub oscillator, adding depth and warmth one octave below the oscillator. This oscillator and sub oscillator provide a circuit structure that brings out the harmonic character that only a real vacuum tube could provide.

A transistor ladder low-pass filter that produces a distinctive sound:

The low-pass filter defines the sound of this bass machine; it uses a transistor ladder design found on classic analogue bass synths. This filter is uniquely dynamic in the way it affects a sound more than just ranging from bright-to-dark. Its wide range of timbral possibilities makes it ideal for a broad variety of dance music; you can use it to create the distinctive modulation that can be heard in acid house, or increase the resonance to bring out a sharp character that's appropriate for techno.

Analogue driver circuit:

Nubass is equipped with overdrive that uses an analogue circuit reminiscent of a classic stompbox. Turning the knob toward the right compresses the volume while causing mild distortion, adding thickness to your bass sounds. The tone knob also lets you adjust the crispness of the high-frequency range.

A 16-step sequencer that lets you automate parameters:

The Volca Nubass is equipped with a full-fledged 16-step sequencer with a variety of functionality; by using it in conjunction with a rhythm machine, you can construct rhythm tracks or loop music.

You can use the 16 buttons for step input just like the rest of the Volca series, or play the buttons as a keyboard for realtime recording. The chain function lets you play back multiple sequence patterns in succession, allowing you to loop up to 16 sequences.

Three functions to create grooves on Volca Nubass:

The sequencer of the Volca Nubass provides three functions that add the slap and slide performance techniques that are distinctive of acid bass: these transpose, accent, and slide functions are accessible and controllable through the step sequencer.

Transpose is a function that plays a note one or two octaves higher; it adds movement to the bass line while staying within the original scale. Accent emphasizes a note, creating dynamics that make the rhythm expressive. And the slide function that's indispensable to acid sound creates a smooth transition to the next note. Use these functions to add a sense of groove, and Volca Nubass will come alive in your performances and compositions.

Free bundle of music software:

The Volca Nubass comes with a diverse variety of music software from Izotope including "Ozone Elements" which lets you not only create songs but also master them using AI, "Skoove" which will help you improve your keyboard playing skills, "Reason Lite" DAW software, as well as software synths from KORG and other brands.
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 5 in stock $140.48
Korg Wavestate Wave Sequencing Digital Synthesiser
Cat: 761104 Rel: 16 Apr 20
 
digital synthesiser
Notes: KORG's legendary Wavestation introduced the world to Wave Sequencing, transforming raw samples into sounds that no-one had ever heard before. The flagship OASYS and KRONOS keyboards developed Wave Sequencing even further, expanding on its unique palette of lush, evolving pads and driving rhythms.

Now, KORG is proud to announce the next step in digital synthesis: the wavestate. Featuring the radically re-imagined Wave Sequencing 2.0, the wavestate delivers astonishing, ever-changing sounds with extensive hands-on control.

Far from a nostalgic reissue, the wavestate is designed from the ground up for a new generation of musicians, producers, and composers, taking cues from sources as diverse as modular synths, groove boxes, and algorithmic composition. The compact form-factor, with 37 full-size keys, transports easily and fits neatly into any stage, studio, or desktop setup.

With the Wavestation, each step of a Wave Sequence had a duration, a sample, and a pitch. This created ear-catching patterns-but the patterns repeated the same way, over and over. What if they could evolve in organic, unexpected ways, instead of just repeating?

Wave Sequencing 2.0 splits apart the timing, the sequence of samples, and the melody, so that each can be manipulated independently. Also added are new characteristics including shapes, gate times, and step sequencer values. Each of these is a "Lane," and each Lane can have a different number of steps and its own start, end, and loop points.

Every time the sequence moves forward, the individual Lanes are combined to create the output. For instance, a sample may be matched with a different duration, pitch, shape, gate length, and step sequence value every time that it plays. You can modulate each Lane's start, end, and loop points separately for every note, using velocity, LFOs, envelopes, Mod Knobs, or other controllers. Each note in a chord can be playing something different!

Lanes can also randomize the step order every time they play, with realtime control over the range of included steps. Finally, individual steps can be randomly skipped, with a modulatable probability from 0 to 100%. The result is organic, ever-changing sounds that respond to your control. The four onboard arpeggiators can interact with Wave Sequences for even more possibilities.

With all of that synthesis power, you might think the wavestate would play only one sound at a time. Not a chance. For even more rich and complex results, layer up to four Programs together in a Performance-each with their own effects and arpeggiator. The Vector Envelope and Joystick mix the individual voices of the four Layers, and can also modulate any other parameters.

Bursting with knobs and controllers, the wavestate invites you to explore. All of the basics-filter, envelopes, LFOs, effects-are at your fingertips with dedicated front-panel controls. Eight programmable Mod Knobs are customized to bring out the most in every sound, often taking them in entirely new directions. Use the knobs in realtime performance, and also save the results as new sounds. Add in the Pitch Bend and Modulation Wheels and the unique Vector Joystick, and you'll always have multiple dimensions of realtime expression.

Want to dig deeper? Almost all front-panel knobs, and most on-screen parameters, can be modulated. You can even modulate settings for individual Wave Sequence Steps! Mod Processors let you transform modulation signals using quantization, smoothing, curvature, and more.

Looking for even more inspiration? A dedicated front-panel button, marked by a "dice" icon, generates new sounds via intelligent randomization. Randomize the entire sound or just a part of it, such as the filter, the Sample Lane, or the effects. Use the results directly, or as a jumping-off point for your own creations.

The wavestate's superb effects deliver production-ready sounds. Each Layer has three dedicated effects; additionally, the Performance has a master reverb and parametric EQ. Along with standards such as compressors, EQs, choruses, flangers, phasers, and stereo delays, you'll find distinctive processors such as the Wave Shaper, Talking Modulator, Reverse Delay, Multiband Mod Delay, and Overb (from the OASYS), plus modeled effects including VOX guitar amps, VOX wah, multi-head tape echo, and a collection of classic guitar pedals.

Set Lists offer effortless organization of your wavestate Performances, and deliver instant access at the gig or in rehearsal. Smooth Sound Transitions allow previously-played voices and effects to continue to ring out naturally, even once a new sound has been selected.
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MRP:$913.45 SAVE 24%
 4 in stock $695.87
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MFB Synth Pro Eight Part Analogue Polyphonic Desktop Synthesiser & Sequencer
MFB
Cat: 755493 Rel: 09 Apr 20
 
analogue polyphonic desktop synthesiser & sequencer
Notes: The SYNTH PRO is the advanced, polyphonic version of the SYNTH II. All oscillators are discretely structured. So here are for the sound base so no highly integrated chips are used, but proven components that even in Synthesizer 40 years ago produced a great analog sound. If required, the VCOs can be switched over to the particularly stable DCO mode, for example if unfavorable environmental conditions have to be overcome. The provided waveforms can be superimposed and additionally modulated by different sources. VCO2 and VCO3 can be synchronized to the first oscillator. For this purpose, VCO1 and VCO2 can be frequency-modulated with VCO3. In the SYNTH PRO, two filters are used per voice, which can be connected in series or in parallel. The low-pass filter works as a cascade filter with a slope of 24 dB / oct. and uses the popular SSI 2144. Multifilter and VCAs are based on OTA's. Both filters and the VCA's can be modulated by different sources. The LFOs and envelopes are calculated per voice by fast processor. There is also a dedicated chip for the effects section. This can produce not only reverb and echo but also chorus and flanging effects. The built-in sequencer works polyphonically and is available in addition to a monophonic arpeggiator.
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MFB Synth Pro Eight Part Analogue Polyphonic Desktop Synthesiser & Sequencer (B-STOCK)
MFB
Cat: 782688
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The SYNTH PRO is the advanced, polyphonic version of the SYNTH II. All oscillators are discretely structured. So here are for the sound base so no highly integrated chips are used, but proven components that even in Synthesizer 40 years ago produced a great analog sound. If required, the VCOs can be switched over to the particularly stable DCO mode, for example if unfavorable environmental conditions have to be overcome. The provided waveforms can be superimposed and additionally modulated by different sources. VCO2 and VCO3 can be synchronized to the first oscillator. For this purpose, VCO1 and VCO2 can be frequency-modulated with VCO3. In the SYNTH PRO, two filters are used per voice, which can be connected in series or in parallel. The low-pass filter works as a cascade filter with a slope of 24 dB / oct. and uses the popular SSI 2144. Multifilter and VCAs are based on OTA's. Both filters and the VCA's can be modulated by different sources. The LFOs and envelopes are calculated per voice by fast processor. There is also a dedicated chip for the effects section. This can produce not only reverb and echo but also chorus and flanging effects. The built-in sequencer works polyphonically and is available in addition to a monophonic arpeggiator.
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 1 in stock $986.96
Modal Electronics ARGON8M 8 Voice Polyphonic Wavetable Desktop Synthesiser Module
Cat: 763205 Rel: 11 May 20
 
desktop synthesiser module
Notes: Desktop module version of one of our favourite new synths of 2020. Beautifully rich wavetable synth engine that somehow sounds good whatever you do with it.

Supplier's notes:
The Argon8M features an identical sound engine and feature set, but rather than a 37-note keybed, it has brackets for mounting to a 19" 3U rack, as well as end-cheeks for simple desktop use. Mind-bending functionality and near-infinite tonal possibilities meets an attractive price tag; Modal have once again raised the bar in the desktop synth category.
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MRP:$652.09 SAVE 22%
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Modal Electronics SKULPT Virtual Analogue Polyphonic Synthesiser
Cat: 749862 Rel: 15 Oct 19
 
Four-part polyphonic desktop synthesiser with virtual analogue synthesis
Notes: Tiny but powerful module from British synth brand known for big-budget analogue keyboards. Virtual analogue this time, with built-in sequencer and arpeggiator. Big sound in a small box.

Supplier notes:
Sculpt and shape your sound with total control. The Modal Electronics SKULPT Synthesiser is a compact analogue synth providing a hands-on approach to sound design.

The Modal Electronics SKULPT features 32 oscillators in total, with 8 oscillators per voice with two selectable morphable waveforms. The intuitive design features a 16-key touch MIDI keyboard that allows you to create and audition sounds on the fly.

It also features a built-in sequencer and arpeggiator and an 8-slot modulation matrix with 37 destinations in total. Create everything from classic bassline sounds to cutting-edge pads and leads. Capture your inspiration when it strikes with the SKULPT synthesiser.
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 5 in stock $231.94
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Pittsburgh Modular Lifeforms SV-1B Eurorack Analog Synthesiser Module
Cat: 782211 Rel: 07 Jul 20
 
Eurorack analog synthesiser module
Notes: The original Lifeforms SV-1 eurorack format synthesizer module is legendary for its deep, analog sounds capable of pumping out everything from roaring bass and cutting leads to absolute chaos. The SV-1b shares this same bold, powerful core while fine tuning the details. We have made a countless number of small tweaks and adjustments to the original SV-1 synthesis engine to improve the stability and functionality of the SV-1b. The sound is what matters, and this is still the East Coast analog monster to beat.

From the custom designed oscillator core to the iconic sound of the Pittsburgh Filter, the SV-1b showcases the true power of analog synthesis. The oscillator core used in the SV-1b was developed by Michael Johnsen and Richard Nicol to pair the visceral size and depth of vintage oscillators with the tracking and stability needed by modern instruments. The result is a palate of waveforms tuned to perfection with proprietary analog designs and countless listening tests. The Pittsburgh Filter is the heart of the SV-1b. The first collaboration between Michael and Richard, it defines the sound of Pittsburgh. Buttery smooth, the filter adds a depth and weight to waveforms so it never sounds dull. Michael's liquid resonance circuit allows the Pittsburgh Filter to overdrive smoothly and never lose the bottom end regardless of how high you turn up the resonance. Everywhere is a sweet spot.

The SV-1b is not a semi-modular synthesizer with limited signal path options. Each module within the SV-1b can be used independently to the rest of the system. The SV-1b is pre-patched (normaled) internally so patch cables are not necessary to get started. But as soon as you begin patching, you will appreciate the unrestricted creativity of the 53 patch points and 21 knobs. By breaking each module of the SV-1b out with patch cables, a tremendous amount of flexibility and control emerges to patch up any sound your imagination can dream up.

The MIDI to CV converter enables you to connect all your MIDI-compatible gear and convert it to control voltage right inside the SV-1b. Volt per octave, gate, CC, and velocity outputs allow you to connect to your MIDI keyboard or DAW while a digital LFO with sine, triangle, square, and quantized random voltage waveforms provides clock sync'd modulation options. A clock input allows you to override the internal or MIDI clock and sync to external CV and gate clock signals. The built-in arpeggiator unlocks another level of playability and the capacity to create complex and fresh musical patterns out of just a few notes.

The custom core, dual analog oscillators provide the sonic framework for massive synth sounds and a deep exploration of east coast synthesis. Sine, triangle, saw, and square waves are at your control, all available to modulate via FM and hard sync. Oscillator One also contains our unique blade wave. The shifting saw-like shape of the blade wave can be controlled using the width CV input, creating a sweeping or chorusing effect. Oscillator Two is normaled to the FM of Oscillator One, providing jaw-dropping analog FM bass, deep percussive hits, searing leads, and thick, warm analog pads which all come to life from these two Pittsburgh designed, organic sounding oscillators. Both analog oscillators dip well below audio rate, allowing them to function as voltage controllable LFOs.

A utility LFO with triangle and square wave outputs is ideal for VCA or Filter frequency sweeps. Or, turn it up and release the dynamic FM capabilities of either oscillator. A Tools section provides access to two sub-octave oscillators, derived from Oscillator One's core frequency. Analog noise and sample & hold finish out the Tools section.

This versatile four channel mixer comes pre-wired for fast access to Oscillator One's sine, saw, pulse and sub. However, you are just a patch cable away from instantly making your own unique blend of waveforms from the SV-1b. The mixer can also be split into two independent two channel mixers for maximum patching flexibility.

Smooth and thick, the sound of the revered Pittsburgh Modular Filter is unmistakable. Stunning harmonic character with voltage control over the entire frequency range. A provided attenuverter lets you dial in exactly how much CV to feed the frequency input, even inverting the input for dramatic changes in modulation. Separate highpass, lowpass, and bandpass outputs are provided as breakout options, each with their own powerful sonic timbres. Turn up the resonance for an added growl, giving your tones an aggressive edge that no softsynth can match.

Panel size: 48hp
Depth: 35mm
Power Usage: +12v 230mA, -12v 200mA. Does not require +5v. Includes reversed power polarity protection.
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MRP:$744.88 SAVE 17%
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Polyend Medusa Black Limited Edition Hybrid Synthesiser
Cat: 763237 Rel: 21 May 20
 
hybrid synthesiser
Notes: Limited edition version of the excellent Medusa, combining the best of Polyend's digital sequencer knowledge with a Dreadbox hybrid synth engine.

Supplier's notes:
The whole is greater than the sum of its parts.
The Medusa Hybrid Synthesizer is a fruit of a collaboration between Dreadbox and Polyend companies. It has emerged from both teams unusual approach to integrating analog and digital domains into a totally new quality. The innovative way of connecting a classic synthesis character with the digital versatility and unique musical controller brings out the best of these two worlds. Seems like a simple addition, but this fusion brings something that has never been available before.

The innovative way of connecting a classic synthesis character with the digital versatility and unique musical controller brings out the best of these two worlds. Seems like a simple addition, but this fusion brings something that has never been available before.

64 fully responsive and customizable, three-dimension expressive pads with assignable musical scales and different layouts.
The Grid is storing 128 presets of voices, chords memory, sequences and more than one hundred modulators per step.
Choose any modulation parameter per preset for X, Y and Z pressure axis.
Three sequencing modes: step, live and incremental.
Unique musical controller, sequencer and powerful modulation source fixed in one powerful Grid.
Sequence notes, modulation parameter locks or even entire synth voice presets per step.
Separate voice, notes sequence and modulation randomizer onboard.
All the necessary Grid information is given on a crispy OLED display.

The innovative way of connecting a classic synthesis character with the digital versatility and unique musical controller brings out the best of these two worlds.
Seems like a simple addition, but this fusion brings something that has never been available before.

You like it digital
or prefer analog?
Medusa has it all.
medusa
Three synchronizable analog oscillators with the choice of four classic wave types for each of them.
One 24dB classic Dreadbox analog filter with three different types (2pole LP, 4pole LP, HP).
Frequency modulation separately for analog oscillators and filter.
Analog noise generator with colour shaping.
Three digital wavetable oscillators with a choice of 64 morphable wavetables.
Three different play modes: monophonic, semi polyphonic x3, semi polyphonic x6.
Audio input lets you use the power of Medusa sound engine with external audio sources.
Second OLED screen to display all necessary synthesis data.
Independence. Times ten.
Five independent and adjustable low-frequency oscillators with an extensive pool of parameters to control.
Five independent, adjustable and loopable DADSR envelopes with a wide list of parameters to assign.
Mixer for all seven paths of independent analog, digital and noise voices.
Separate volume control for headphones and master audio outputs.
Implemented MIDI protocol with bi-directional USB and DIN input, output and through. MPE compatible controller.
Sustain notes using the Drone mode. Transpose the running sequences.

The build.
All that analog and digital functionality merged in a one clearly marked layout sealed in a sturdy tabletop aluminium chassis. Handily placed aluminium covered knobs, informative LED buttons for the comfort of use. The Grid pads made of specially designed silicone, so their immaculately matched density and firmness are providing an instant and precise response.

Once you start, you can't stop.
It's all about innovation, revealing new quality and ideas in music. Medusa Hybrid Synthesizer materialized from the genuine passion and a firm relationship between Dreadbox and Polyend synthesized in the proper way. At first, there was a desire to add a simple sequencer and preset functionality to the famous Dreadbox analog synthesizer. But as the more you have, the more you want, this liaison grew up to something utterly unique and totally different than initially planned. We literally had to limit ourselves from tucking more and more new ideas for Medusa functionality, just like you're going to have to withhold yourself from tweaking it all the time. Careful, Medusa might be dangerously absorbing and can drag you in for a long time.

Medusa Black Limited Edition
The Medusa Hybrid Synthesizer is a fruit of a collaboration between Dreadbox and Polyend companies. It has emerged from both teams an unusual approach to integrating analogue and digital domains into a new quality.

Colourful knobs included in every purchase.
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MRP:$782.77 SAVE 15%
 7 in stock $664.29
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Soma Laboratory Ether V2 Anti Radio
Soma Laboratory Ether V2 Anti Radio (field recording tool)
Cat: 781128 Rel: 08 Jul 20
 
Radio receiver
Notes: ETHER is a wide-band receiver that makes it possible to perceive the electromagnetic landscape around you.

ETHER is a kind of anti-radio. Instead of being tuned to a specific radio station, it receives all the interference and radiation that a traditional radio tries to eliminate in order to create a clean signal. It captures the radio waves as is from hertz to gigahertz because it doesn't contain the tuned input circuit that filters out all frequencies except the narrow band of a specific station. This allows ETHER to perceive the invisible electromagnetic landscape that humans created unintentionally, making possible live electromagnetic field listening and recording.

The design was inspired by the design for the very first radios (early 1900s) that had no tuning wheel. At this time there weren't many radio stations, and all of them used Morse code. It was possible to distinguish each transmitter by ear, as each one had its own specific timbre or voice.

ETHER is pocket-sized (103x58x17mm) and light-weight (73g with batteries). It consumes very little power and runs on two AAA batteries. How long it can run on two batteries is unclear,- but the battery life is more than 300 hours if you using alkaline or lithium batteries.

ETHER was intended to be a unique accessory for the conscious modern human. Special designed enclosures made in Europe were used, as well as high-quality PCB and furniture providing long life and high reliability. So with ETHER, you get both a unique sound experience and a cool-looking high-quality gizmo.

ETHER has both magnetic and electric components for sensing radiation. For the magnetic component, it has a built-in magnetic antenna, like the ones used in old long-wave radios. The antenna has maximum sensitivity on ETHER's axis. By changing the orientation, angle and position of ETHER, you will change the sound. For the electric component, it has antennas printed on the PCB and the special input pins placed on the anterior surface.

ETHER V2 has two external antenna pins. You can touch any conductive material or surface (including your body) with the pins and use objects or yourself as a big external antenna! Two pins are connected to different points of the circuit and interact differently with electromagnetic waves. Switching from one to another or using them both, you can change the sound. Far away from a city, we recommend trying to use a piece of wire 1-4 meters long connected to one of the pins for getting some interesting sound.

ETHER V2 has two wheels for sound control and the power switch. The upper wheel adjusts the amount of high-frequency amplification and regeneration. The lower wheel is the volume. By adjusting high-frequency gain you can focus ETHER on different dynamical levels of surround interferences getting the richest and interesting sound.

ETHER is not just an inductive sniffer like some projects you can easily find online. A simple low-frequency inductive sniffer will be silent in most places that are full of sounds in the video. Such devices need to be placed close to an emitting source and will not work on a street. All they contain is a coil and a low-frequency amplifier. In comparison, ETHER has a regenerative circuit and a demodulator, making it an actual radio wave receiver, not just an amplifier of low-frequency magnetic fields. However, ETHER can perceive the low-frequency magnetic fields as well. But, honestly, if your goal is to scan objects in close proximity (0-20 centimeters), a simple inductive sniffer will work cleaner and more focused due to its narrow band and lower sensitivity. ETHER was designed to be a part of your walks in the city and may even pick up sounds in a forest or at the seashore. Also, ETHER can perceive the electric component of the radiation as well, capturing radiation that is far above the audio range and is much more sensitive. Therefore, it has a significantly different design, functions and implementation than a simple inductive sniffer even if in some cases their functions can overlap.

ETHER is very sensitive to any kind of digital circuitry that's in close proximity, hence the lack of an SD-card recorder or something like that inside. You also have to make sure to keep other electronic devices that you carry (phone, laptop, recorder) at least 30cm/1ft away to avoid interference, but ETHER definitely works well when you walk around with a smartphone and laptop.
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MRP:$168.58 SAVE 20%
 4 in stock $135.03
Soma Laboratory The Pipe Voice Controlled Dynamic FX Processor & Synthesiser (black)
Cat: 781124 Rel: 08 Jul 20
 
Effects processor/synthesiser
Notes: THE PIPE is a voice / breath / mouth-controlled dynamic FX processor and synthesiser.

It turns your voice into a powerful FX / beat / lead / soundscape synthesizer and it offers unprecedented levels of vocal processing, truly expanding the traditional boundaries of singing. Conventional singing with lyrics is also possible, and you can use the FX to add live modulations to your vocal performance.

Also, you can use the PIPE as a powerful FX processor for an external signal as a synth, drum machine etc.

THE PIPE has 12 different algorithms: ORPHEUS, FILTERRA, SYNTH, REVERB, MADELAY, PULSE, BASSDRUM (three versions), OCTAVA, GENERATOR, HARCHO!

The PIPE consists of the handheld part and a small break-out box with L R output jacks (1/4-inch) and DC IN for power. The handheld part and break-out box are connected by a single cable that contains both output channels and DC power.

The handheld part consists of the contact vocal mic (connected by a standard 1/4-inch jack), electronic components and the controls. You can easily attach a cable extension to the mic which opens up many more options. Attach it to a stand, or put it inside of or on the surface of acoustic instruments such as drums, guitars, trumpets etc. Also, you can use the mic in jack as external in and use the PIPE to process any signals you want.
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MRP:$628.57 SAVE 15%
 1 in stock $531.44
Teenage Engineering PO137 Rick & Morty Pocket Operator Vocal Synthesiser & Sequencer With Built In Microphone
Cat: 737279 Rel: 14 Nov 19
 
Rick & Morty limited edition synth & sequencer pocket operator
Notes: Everyone's favourite dimension-hopping animated weirdos finally join the synth game. Eight voice character modes and unique Rick & Morty visuals. Utterly bonkers. We love it. Wubba lubba dub dub indeed.

Supplier's notes:
The Emmy award-winning producer Justin Roiland has stepped into the role of inventive mad scientist collaborating with Teenage Engineering. Together, they have created a limited-edition Pocket Operator (PO-137), a vocal synthesiser and sequencer with built-in microphone offering 8 different voice character sampling options, all voiced by Roiland himself plus all new custom Rick and Morty visuals.

Other features of the PO-137 include an animated LCD display, folding stand, 120-seconds sample memory, alarm clock and much more.
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MRP:$111.08 SAVE 25%
 2 in stock $83.14
Teenage Engineering POM-170 Home-Build Analogue Monophonic Synthesiser With Built-in Programmable Sequencer
Cat: 777383 Rel: 22 Jun 20
 
analogue monophonic synthesiser
Notes: The mid-sized option in Teenage Engineering's innovative POM range, the 170 is designed as an introduction to modular synthesis. A simple DIY build in IKEA-style flat-pack format.

Supplier notes:
POM-170 is a home-build analogue monophonic synthesizer with built-in programmable sequencer. A complete kit with powder coated chassis, keyboard, oscillator, filter, envelope, LFO, VCA, speakerbox, power distro, powerpack, a screwdriver, 8 patch cables, and an illustrated build guide.

Each kit comes with all of the parts needed to build the project. Included in these flat packed synthesizers are everything from a powder coated aluminium chassis to an illustrated build guide with instructions and bend angles. When bending is complete, move on to mount the modules, snap the wire connectors and finalise your build with knobs and rubber feet. Remember, think twice and double-check the angles before bending.

Warning: Make sure to remove the batteries from the battery holder before connecting the DC-plug to the external AC/DC adapter.

Use separate battery charger to charge re-chargeable batteries.

Note: There is no power supply included. If you want to run the units on wall power you need an adapter with the following specifications (sold separately):
AC/DC adapter
12V, min 1A (12 watt)
Polarity: center negative
Plug: 4.75/1.7mm

SPECIFICATIONS
1 x POM-170 Chassis
7 x Modules - M-1, M-4, M-5, M-6, M-10, M-11, M-16
1 x Battery Pack
1 x Distro
23 x Trim Knob
9 x Value Knob
8 x Audio Cable
6 x Rubber Foot
6 x Chassis Screw
1 x Screwdriver
1 x User's Manual

PSU improved to be more stable and offer longer battery life
Oscillators retrimmed to improve audio range
Speaker volume knob adjusted for intuitive control
Labelling for the output jacks on the keyboard changed to "CV 1, 2, 3" the 3 "program gate" jacks changed to "Gate 1, 2, 3" and the 3 "keyboard" jacks changed to "Keyboard CV"
Increased size of screw holes on powder coated aluminIum chassis for easy building
Standoffs come pre-threaded for quicker assembly

MEET THE MODULES
M-1
square
square oscillator
Rich in odd harmonics, the square wave oscillator is great for hollow basses and screaming leads. The pulse width modulation (pwm) input makes it possible to generate
a faux two oscillator detune sound.

M-4
filter
low pass filter
Shape your sound with the 24db/oct low pass filter. Get lost in space while tweaking the resonance and frequency pots.

M-5
env
envelope
A classic. Attack, decay, sustain and release. Give your sonic creation the contour it deserves. Triggered by any signal that crosses the two volt threshold.

M-6
vca
voltage control amplifier
Automate your volume! Feed it control voltage and your signal will adapt accordingly. Best friends with the envelope for classic configurations, and your oscillator in wired configurations

M-10
lfo
low frequency oscillator
Generating both square as well as triangle waves, the low frequency oscillator is the perfect tool to spice up your patches. Great in everything from automated filter sweeps to syncing the clocks.

M-11
speaker
amplifier+speaker bellow
Cables goes in, sounds come out. Show off your amazing patch to the rest of the world. Let them hear it.
Warning: never connect headphones directly to the outputs! You can damage your ears and your headphones.

M-16
keyboard
keyboard+sequencer
Keyboard with individual tuneable keys and a programmable step sequencer.
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MRP:$521.41 SAVE 27%
 4 in stock $379.69
Teenage Engineering POM-400 Home-Build Analogue Synthesiser With 1-16 Step Sequencer
Cat: 777388 Rel: 22 Jun 20
 
home-build analogue synthesiser
Notes: Top-of-the-range model in Teenage Engineering's kit-build modular synth range. Three oscillators, all the basic synth modules you'd expect, plus built-in sequencer and speaker.

Supplier notes:
POM-400 is a home-build analogue synthesizer with 3 oscillators, noise, random generator, 2 envelopes, 2 VCA's, LFO, filter, mixer, speakerbox, power pack and a 1-16 step sequencer. A Complete kit with powder-coated chassis, 16 modules, 15 patch cables, screwdriver, and an illustrated build guide.

Each kit comes with all of the parts needed to build the project. Included in these flat packed synthesizers are everything from a powder coated aluminium chassis to an illustrated build guide with instructions and bend angles. When bending is complete, move on to mount the modules, snap the wire connectors and finalise your build with knobs and rubber feet. Remember, think twice and double-check the angles before bending.

Note: There is no power supply included. If you want to run the units on wall power you need an adapter with the following specifications (sold separately):
AC/DC adapter
12V, min 1A (12 watt)
Polarity: center negative
Plug: 4.75/1.7mm

Warning: Make sure to remove the batteries from the battery holder before connecting the DC-plug to the external AC/DC adapter.

Use separate battery charger to charge re-chargeable batteries.

SPECIFICATIONS
1 x POM-400 chassis
14 x Modules - M-1, M-2, M-3, M-4, 2x M-5, 2x M-6, M-7, M-8, M-9, M-10, M-11, M-12
1 x Battery Pack
1 x Distro
37 x Trim Knob
13 x Value Knob
15 x Audio Cable
14 x Chassis Screw
4 x Rubber Foot
1 x Screwdriver
1 x User's Manual

Added PO-Sync output, which allows for easy patching out and into the PO series. Use this jack to sync modular tempo with any pocket operator.
Speaker volume knob adjusted for intuitive control
Level on sequencer clock out adjusted to 5v from 10v
Output amplitude on white noise adjusted so now it can trigger envelopes
PSU has been improved, it is now more stable and offers a longer battery life
Oscillators have been retrimmed, giving an improved audio range to play with
Increased size of screw holes on powder coated aluminium chassis for easy building

MEET THE MODULES
M-1
square
square oscillator
Rich in odd harmonics, the square wave oscillator is great for hollow basses and screaming leads. The pulse width modulation (pwm) input makes it possible to generate
a faux two oscillator detune sound.

M-2
saw
sawtooth oscillator
Containing both the odd and even harmonics, the sawtooth is great for string types of sound. The linear frequency modulation input (fm) easily brings you into the sci-fi domain.

M-3
sine
sine oscillator
With no overtones the pure sine wave is a jack of all trades. From pure bass to dub sirens, it's the army knife of a modular system. The linear frequency modulation input (fm) easily brings you into the sci-fi domain.

M-4
filter
low pass filter
Shape your sound with the 24db/oct low pass filter. Get lost in space while tweaking the resonance and frequency pots.

M-5
env
envelope
A classic. Attack, decay, sustain and release. Give your sonic creation the contour it deserves. Triggered by any signal that crosses the two volt threshold.

M-6
vca
voltage control amplifier
Automate your volume! Feed it control voltage and your signal will adapt accordingly. Best friends with the envelope for classic configurations, and your oscillator in wired configurations

M-7
mixer
3-channel mixer
A necessity in all modular systems. Three inputs, one output, with volume control over both the individual inputs as well as the master output.

M-8
noise
2 x noise
The white noise contains noise equal over the whole spectrum. The saw output is a perfect companion for the sample and hold.

M-9
rand
Randomise your music with the sample and hold. Any input is sampled and then presented at the outputs. Rate can be controlled both externally and internally, but always needs an external signal to sample. Experiment with both receptive and random sources as the sample input.

M-10
lfo
low frequency oscillator
Generating both square as well as triangle waves, the low frequency oscillator is the perfect tool to spice up your patches. Great in everything from automated filter sweeps to syncing the clocks.

M-11
speaker
amplifier+speaker bellow
Cables goes in, sounds come out. Show off your amazing patch to the rest of the world. Let them hear it.
Warning: never connect headphones directly to the outputs! You can damage your ears and your headphones.

M-12
sequencer
16-step sequencer
Sixteen steps of control. Override the internal clock with the clock input. Send clock out or PO Sync out. Make it go backwards with the arrow input. Jump to the first step, the second, fourth or eight step with the reset and binary.
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MRP:$652.09 SAVE 20%
 2 in stock $520.54
Waldorf Kyra VA Virtual Analogue Desktop Synthesiser
Cat: 692803 Rel: 02 Dec 19
 
128-voice polyphonic synthesiser module
Notes: Amazing flagship synth from the legendary Waldorf. Seriously powerful multitimbral virtual analogue monster. The designers reckon it's one of the most powerful synths ever built. We're not going to argue.

Supplier's notes:
Kyra is a powerful, hardware virtual analogue synthesizer capable of creating a wide range of contemporary sounds for live and studio musicians.

From first glance it is patently obvious that Kyra is a beautifully-designed desktop VA Synthesizer - as the wording elegantly emblazoned on its eye-catching front fascia subtly states. As a truly multitimbral instrument it features eight independent 'parts' with up to 32 notes per PART, each effectively being a complete synthesizer with sound sources (OSC GROUP 1, OSC GROUP 2, SUB 1, and SUB 2); FILTERS; modulators (EGs, LFOs, and MOD MATRIX); multi-effects unit (EFFECTS); and a USB 2.0 connection - can exchange MIDI (Musical Instrument Digital Interface) information, as well as send the audio from each stereo PART to a computer as eight stereo 24-bit streams at 96kHz (with 48kHz downsample mode available) and one stereo audio return from the computer supporting a single 24-bit stereo audio stream from the host DAW (Digital Audio Workstation). With that being said, the only other resource they share are the four balanced, stereo output pairs - OUT A (Right and Left), OUT B (Right and Left), OUT C (Right and Left), and OUT B (Right and Left) - using 32-bit DAC (Digital-to-Analogue Conversion) running at 96kHz sampling rate connected to four internal stereo busses and that powerful pool of 128 hardware voices.

Patches:
Better still, each PART hosts a Patch from the pool available to the system. Speaking of which, Kyra has a generous Patch storage capacity of 26 banks - A through to Z, each containing 128 patches. That's a total of 3,328! The first seven banks are 'user' patches stored in RAM (Random Access Memory), meaning users can change them quickly and individually using the Store sequence. The remaining 19 banks are ROM (Read-Only Memory) patches that users can recall and use just like RAM patches but cannot be replaced using the Store sequence. It is, however, perfectly possible to freely copy whole banks between RAM and ROM, so all are user- programmable. And any Patch can be recalled via MIDI program changes and Bank select commands.

Oscillators:
As a sensational synthesizer with a spectacular specification, Kyra has two primary virtual alias-free oscillator groups (OSC GROUP 1 and OSC GROUP 2) per voice, each with Saw (sawtooth); Wave (waveform) - with no fewer than 4,096 18-bit linear PCM (Pulse Code Modulation) 32x oversampled waveforms covering a huge range of synthetic and emulated sound sources with two wave sources per voice; Pulse; and noise simultaneously available. Also OSC GROUP 1 and OSC GROUP 2 each has an independent detune-able oscillator - SUB 1 and SUB 2 - with four selectable shapes and two selectable (Octave) pitches. Real Hard Sync, ring modulation, and FM (Frequency Modulation) are available between those oscillator groups.

Filter:
Successfully synthesizing sound is inextricably linked with flexible filtering. Fortunately for discerning users, Kyra's FILTERS front panel perfectly positions powerful control, creatively implementing accurate emulations of classic analogue ladder filters with 2-pole (12dB/octave) low pass (12dB LP), band pass (12dB BP), and high pass (12dB HP), plus 4-pole (24dB/octave) low pass (24dB LP), band pass (24dB BP), and high pass (24dB HP) configurations. Creatively, 128 filters are configurable for single or dual parallel (Dual Filter) true stereo operation.

Envelope and LFOs:
Onwards and upwards, three fast-response ADSR (Attack, Decay, Sustain, Release) envelope generators with EG Slope setting are also at hand. Helpfully, one is assigned to the VCA (Voltage Controlled Amplifier), another to the filter, while the third can be freely assigned. All are available in the MOD MATRIX (modulation matrix), itself being a six-channel affair with up to three destinations per channel giving a maximum of 18 routings. It is also worth noting that the three LFOs (Low Frequency Oscillators) - with 128 waveforms, monophonic, polyphonic, random, anti-phase, and quadrature stereo phase settings - are also available in the MOD MATRIX and additionally as a MIDI clock sync source.

Arpeggiator:
Creativity continues courtesy of an arpeggiator (ARP) on each PART with 128 preset patterns; Up, Down, Random, and Chords modes; and an ability to synchronise to MIDI clock. Arpeggiators are aimed at live performance, primarily, but can clearly complement composition. Kyra's ARP is an integral part of a Patch, so settings are always stored.
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MRP:$2,084.35 SAVE 17%
 1 in stock $1,736.96
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