Synthesisers

Notes: The Nanobox series kicks off with a tiny wavetable synth. 1010music's Fireball offers eight-voice polyphony, touchscreen control, built-in effects and custom user wavetables. Small but spicy.

Supplier's Notes:
Red Hot Wavetable Synthesis

Bring some heat to your music creation workflow with Nanobox | Fireball, a polyphonic wavetable mini synthesizer with intuitive touchscreen control. Featuring eight voice polyphony, two wavetables and an oscillator, Fireball unlocks a huge array of sounds, from punchy and aggressive leads to atmospheric pads. Touchscreen X/Y control allows you to instantly morph and shape sounds with the swipe of a finger. Choose from hundreds of professionally designed presets and wav files, or quickly create your own patches with deep parameter control via the 2" touchscreen. Integrate fireball seamlessly with your existing tabletop gear or create on-the-go thanks to a compact design that fits in the palm of your hand.

What is included:

Nanobox | Fireball compact polyphonic granular synthesizer with touchscreen control
MicroSD card with presets and wav files
USB power cord
Type B TRS MIDI To MIDI 5 Pin DIN adapter
Quick Start Guide

Technical Specs:

Includes 123 presets and 103 wavetables
Wavetables use 2048 samples per cycle and 256 cycles
Power: USB-C connection 5V, 500mA
3.5mm audio input and output
Maximum input and output level: 2Vrms
DAC and ADC resolution: 24-bit
Internal resolution: 32-bit
Sample rate: Oscillators: 96kHz Rest of Engine: 48kHz
MIDI Input: 3.5mm Type A/B auto sensing
MIDI Output: 3.5mm Type A/B selectable
Clock Input: 4 PPQ
MIDI support: Note On/Off, Mod Wheel, Sustain, Pitch Bend, Mono & poly Aftertouch, assignable CCs, and clock
H x W x D: 1.5" x 3.75" x 3"
Weight: 0.25 lbs.

Notes: ***B-STOCK: Box opened, product is in excellent condition and is in perfect working order***


The Nanobox series kicks off with a tiny wavetable synth. 1010music's Fireball offers eight-voice polyphony, touchscreen control, built-in effects and custom user wavetables. Small but spicy.

Supplier's Notes:
Red Hot Wavetable Synthesis

Bring some heat to your music creation workflow with Nanobox | Fireball, a polyphonic wavetable mini synthesizer with intuitive touchscreen control. Featuring eight voice polyphony, two wavetables and an oscillator, Fireball unlocks a huge array of sounds, from punchy and aggressive leads to atmospheric pads. Touchscreen X/Y control allows you to instantly morph and shape sounds with the swipe of a finger. Choose from hundreds of professionally designed presets and wav files, or quickly create your own patches with deep parameter control via the 2" touchscreen. Integrate fireball seamlessly with your existing tabletop gear or create on-the-go thanks to a compact design that fits in the palm of your hand.

What is included:

Nanobox | Fireball compact polyphonic granular synthesizer with touchscreen control
MicroSD card with presets and wav files
USB power cord
Type B TRS MIDI To MIDI 5 Pin DIN adapter
Quick Start Guide

Technical Specs:

Includes 123 presets and 103 wavetables
Wavetables use 2048 samples per cycle and 256 cycles
Power: USB-C connection 5V, 500mA
3.5mm audio input and output
Maximum input and output level: 2Vrms
DAC and ADC resolution: 24-bit
Internal resolution: 32-bit
Sample rate: Oscillators: 96kHz Rest of Engine: 48kHz
MIDI Input: 3.5mm Type A/B auto sensing
MIDI Output: 3.5mm Type A/B selectable
Clock Input: 4 PPQ
MIDI support: Note On/Off, Mod Wheel, Sustain, Pitch Bend, Mono & poly Aftertouch, assignable CCs, and clock
H x W x D: 1.5" x 3.75" x 3"
Weight: 0.25 lbs.

Notes: One of 1010music's first miniature Nanobox instruments, the Lemondrop is a granular synth in a compact format. Touchscreen interface gives full hands-on control of the four-voice sound engine.

Supplier's Notes:
Freshly Squeezed Granular Synthesis

Explore a freshly squeezed approach to granular synthesis with Nanobox | Lemondrop, a polyphonic granular mini synthesizer with intuitive touchscreen control. Four voice polyphony, two granulators and an oscillator provide a wide sonic paletteifrom lush environmental pads to rugged and glitched-out textures. Instantly morph and shape sounds with the swipe of a finger using touchscreen X/Y control. Choose from hundreds of professionally designed presets and wav files, or quickly create your own patches with deep parameter control via the 2" touchscreen. Integrate lemondrop seamlessly with your existing tabletop gearior create on-the-go thanks to a compact design that fits in the palm of your hand.

What Is Included

Nanobox | Lemondrop compact polyphonic granular synthesizer with touchscreen control
MicroSD card with presets and wav files
USB power cord
Type B TRS MIDI To MIDI 5 Pin DIN adapter
Quick Start Guide

Technical Specs

Includes 153 presets and 311 wave files
16 grains per oscillator for a total of 128
Sample memory per oscillator 30 seconds
Power: USB-C connection 5V, 500mA
3.5mm audio input and output
Maximum input and output level: 2Vrms
DAC and ADC resolution: 24-bit
Internal resolution: 32-bit
Sample rate: 48kHz
MIDI Input: 3.5mm Type A/B auto sensing
MIDI Output: 3.5mm Type A/B selectable
Clock Input: 4 PPQ
MIDI support: Note On/Off, Mod Wheel, Sustain, Pitch Bend, Mono & poly Aftertouch, assignable CCs, and clock
H x W x D: 1.5" x 3.75" x 3"
Weight: 0.25 lbs.

Notes: ***B-STOCK: Box opened, product in perfect working order***


One of 1010music's first miniature Nanobox instruments, the Lemondrop is a granular synth in a compact format. Touchscreen interface gives full hands-on control of the four-voice sound engine.

Supplier's Notes:
Freshly Squeezed Granular Synthesis

Explore a freshly squeezed approach to granular synthesis with Nanobox | Lemondrop, a polyphonic granular mini synthesizer with intuitive touchscreen control. Four voice polyphony, two granulators and an oscillator provide a wide sonic paletteifrom lush environmental pads to rugged and glitched-out textures. Instantly morph and shape sounds with the swipe of a finger using touchscreen X/Y control. Choose from hundreds of professionally designed presets and wav files, or quickly create your own patches with deep parameter control via the 2" touchscreen. Integrate lemondrop seamlessly with your existing tabletop gearior create on-the-go thanks to a compact design that fits in the palm of your hand.

What Is Included

Nanobox | Lemondrop compact polyphonic granular synthesizer with touchscreen control
MicroSD card with presets and wav files
USB power cord
Type B TRS MIDI To MIDI 5 Pin DIN adapter
Quick Start Guide

Technical Specs

Includes 153 presets and 311 wave files
16 grains per oscillator for a total of 128
Sample memory per oscillator 30 seconds
Power: USB-C connection 5V, 500mA
3.5mm audio input and output
Maximum input and output level: 2Vrms
DAC and ADC resolution: 24-bit
Internal resolution: 32-bit
Sample rate: 48kHz
MIDI Input: 3.5mm Type A/B auto sensing
MIDI Output: 3.5mm Type A/B selectable
Clock Input: 4 PPQ
MIDI support: Note On/Off, Mod Wheel, Sustain, Pitch Bend, Mono & poly Aftertouch, assignable CCs, and clock
H x W x D: 1.5" x 3.75" x 3"
Weight: 0.25 lbs.

Notes: Complete synthesizer voice with analog VCO and VCA, multimode filter (lowpass, highpass, and bandpass), and ADSR envelope for sound shaping.

Notes: Explore unique sonic possibilities with this semi-modular digital synth, combining physical modelling with spectral sound sources, versatile effects and complex modulators.

Supplier's Notes:
An affordable hybrid monophonic synthesizer that allows you to create new sound universes inspired from the real world, where objects collide, vibrate, and resonate.

Anyma Phi blends the classic ingredients of electronic music with physical modelling technology, allowing it to simulate acoustic sound sources, such as strings or reeds, as well as resonating structures, like wood, glass, or metal.

Anyma Phi is compact enough to stand on your keyboard, or anywhere on your desk, and is compatible with any MIDI controller, such as keyboards, sequencers, or even wind controllers, including Aodyo's own Sylphyo.

Whether you play live or record in the studio, design sounds or play presets, Anyma Phi will become an indispensable tool. It can even be used as a stand-alone effects processor, or as part of a guitar effects pedal setup.

The heart of the Anyma Phi is the matrix, which provides a quick and easy way to explore your sounds by following a physical metaphor, with four macros for each of the five stages of sound generation:

With its matrix, Anyma Phi offers a straightforward way to tweak, explore, and create sound universes. It also provides easy ways to make your sound react to your MIDI controllers with mapping shortcuts. But don't be fooled by the simplicity!

If you want to dive deeper, you can take control of the powerful semi-modular synth engine beyond the matrix, with oscillators covering a wide range of synthesis techniques, effects, and modulators.

By connecting those together, you can create any kind of sound, and control it any way you want.

Anyma Phi offers you:
Up to 3 oscillators (sound sources)- physical models, classic spectral, noise souces, external input
Up to 5 effects: resonators, filers - EQ, pitch shifter, ring mod, delay - reverb, chorus - phaser, drive - folder
Up to 8 modulators: envelopes, LFOs, curves, slew limiter, math & logic

This amounts to 69 different module types available, including 30 sources, 22 effects, and 17 modulators.

Technical specifications:
Hybrid monophonic synthesizer
Stereo audio output:
Two 1/4" mono line jack outputs
One 1/4" stereo headphone jack output
1/4" stereo jack audio input (internal piezoelectric mic when external input unplugged)
MIDI inputs and outputs via USB and DIN ports
Powerful digital semi-modular synthesizer engine :
Memory: 200 patches
3 oscillator slot
5 effect slots along 2 serial buses (Main, Aux) + 1 mono reverb
16 modulator slots, including envelope generators, LFO, curves, interpolators, slew limiters, etc.
32 mapping slots (virtual patch cords), each allowing to control any synth parameter (including another mapping) using a modulator or a controller input, with a sidechain input
Responsive to pitch, pitch-bend, velocity, breath control / expression, as well as 4 other controller inputs

Additional features:
Percussive playing surface
Patch librarian / editor
Extended memory

The percussive playing surface will allow you to tap and scratch your sounds directly on the case, making your performance even more expressive and fun! This would be made possible by integrating a piezoelectric contact microphone into the case. The resulting sound would be available to use on the Anyma as an audio input, ready to be fed into resonators and effects!

You can edit patches directly on your Anyma, as well as send and receive patches via MIDI SysEx. But what about something more comfortable and powerful?

This software will allow you to easily manage and share patches, as well as edit them in depth in a streamlined environment on your PC or Mac, by making all the synth components directly visible and showing their interactions.

With more memory, you can have a huge library of sounds at your fingertips, or you can make many variations of your patches without having to worry about space or having the computer editor around to make backups!

Let's free the Anyma Phi from the shackles of the Western 12-tone equal temperament! A440 be gone!

Notes: Solid experimentalism at an excellent price, the vocoder-equipped version of Arturia's hybrid MicroFreak offers 14 digital oscillator options, analogue filters and 16 vocoder modes, plus a uniquely expressive polyphonic touch keyboard.

Supplier's Notes:
The uniquely unpredictable MicroFreak but not as you know it. 14 digital oscillator modes, velvety analog filters and heaps of modulation/randomization controls, supercharged with wild vocoding abilities.

The Vocoder engine

Arturia have created an entirely new 16-band mode to transform your voice in the Freakiest way possible. The vocoder engine features 3 waveforms - sawtooth, pulse width and noise - while the Tim-bre and Shape knobs adjust the response of the 16 frequency bands.

MicroFreak Vocoder Edition goes beyond robot vocals. 16 new presets give you instant access to android translations, crystalline harmonies and vibrant formant sequences galore. Connect an ex-ternal sound source like a drum machine or synth via the headphone socket for glitchy sound pro-cessing.

Step up to the mic

A simple, removable mic attachment that lets you sprinkle your voice into the mix. A gooseneck design means quick position adjustment, with easy connection straight into the headphone socket alongside your cans. The utility menu lets you set your preferred mic gain and noise gate settings.

A new dress code

First impressions make a difference. MicroFreak has always been out to make a statement, and the Vocoder Edition is no exception. The control panel has been given a makeover. The center strip boasts a bold new Swan graphic, while a sleek white finish makes this limited edition Freak stand out from the crowd - as if it didn't already.

The Freak within

Behind the revamped appearance and microphone attachment is the same lovable maniac that set the synth world spinning. Sparkling digital and wavetable oscillators collide with warm analog filters. A unique poly-after-touch PCB keyboard combines with a distinctly freaky arpeggiator & sequencer. Bathe your mix in sonic hysterics with the erratic mod matrix or the unique Spice & Dice randomizers.

Included Software: MIDI Control Center

Notes: MiniBrute 2 has evolved from the legendary monosynth that revolutionized the analog scene with its mixable waveforms, Steiner-Parker filter, and Brute Factor. Now with semi-modular architecture, you can splice its genome and expand its raw power into the world of Eurorack modular.

Born from the lineage of its predecessor, MiniBrute 2 is an adaptable, dynamic synth with semi-modular architecture and huge connectivity. This is synth evolution.

From the earliest electronic instruments, synthesizers have expanded and enhanced the possibilities available to musicians. We decided not only to apply this mantra to the sound of our new instrument, but to synthesizer itself. MiniBrute 2 was born! A synthesizer that would sound huge and yet be compact, self-contained and versatile. An instrument that would be both comprehensive and evolving.

MiniBrute 2 sweeps conventions aside, in terms of sound, features, and preconceptions of what a synth should be.

A small beast with a powerful voice:

Let's be honest, you're not here because you want the same old synth, are you?

The MiniBrute 2 has nothing to hide. Take a look at its front panel, get yourself acquainted. You'll notice the now-iconic Brute oscillators, the acidic Steiner-Parker filter, and the mayhem-inducing Brute Factor knob that has become the signature Arturia synth element for many fans.

Looking a bit further, beyond the usual modulation sources and controls, you'll notice some exciting, unexpected features: a second VCO; a second LFO; new VCO and Filter frequency modulation possibilities; modifier-related modulation destinations; a brand new, loopable AD envelope. Once tamed, this little beast will reveal the full range of its vocalizations, including raging leads and piercing sequences, as well as smooth pads and purring bass.

The time is nigh, the moon is full, and MiniBrute 2 is ready to howl.

A polymorph with a pack instinct:

There are two ways that creatures thrive: adapting, and grouping together. MiniBrute 2 is a master of both.

Thanks to its massive CV/Gate patch bay, you will be able to reinvent and restructure your MiniBrute 2 at any time. The synth is semi-modular, even with no patch leads connected, and each of its features has already been cleverly, inspiringly routed. If you want to start dissecting the sound and experimenting, you will find direct, 100% safe access to the MiniBrute 2's genetic code on the right of its front panel.

Modulating the Metalizer amount to an audio pulse? Having the AD envelope affecting its own decay to make it sharper? Affecting the VCO1 FM amount with the LFO? You get the idea. The possibilities are practically unlimited, and even more so if you have CV/Gate-enhanced gear and Eurorack modules to welcome into the pack.

No natural selection here. With MiniBrute 2, you set your own rules of sonic evolution.

Box contents:

- MiniBrute 2 unit
- Power cord
- 8 patch cables
- "Cook Book" jam-packed full of superb sonic recipes for you to try out, put together by some of the most illustrious synth-chefs around

Notes: ***B-STOCK: Box opened, product in perfect working order***


Another stylish offering from Arturia's Noir range, the MiniBrute 2 gets a black paint job and retains its hugely powerful semi-modular analogue sound. Still great value for money.

Supplier's Notes:
Arturia's revolutionary analog monosynth reborn for the modular age; the MiniBrute 2 Noir Edition is a thrilling, adaptable synthesizer that can't wait to meet your other instruments. Combining huge analog tone, powerful sound shaping features, step-sequencer, arpeggiator, a modular patch bay, and a stealthy black finish, MiniBrute 2 Noir represents the darker side of analog.

Hands-on synth joy

Intuitive, accessible, and fun; the pure synthesis power of MiniBrute 2 is easy to understand, quick to master, and will provide endless enjoyment. With instant, hands-on control of every parameter, you can mix your oscillators, ride your filters, sync your LFOs, and control your envelopes. MiniBrute 2 is a synth that gives you the freedom to create the sounds from your imagination.

Discover the modular world

Now you're able to make a music system that's truly more than the sum of its parts. MiniBrute 2 features a comprehensive modulation matrix with dozens of sources and destinations at your disposal. Whether you want to experiment with its internal parameters, wire in your modular setup, or sync your other gear to its sequencer, the possibilities are endless.

Performance power

Sporting the same luxurious, smooth-action keyboard as the venerable MatrixBrute, you'll never want to stop playing on this inspiring synth. The keyboard also features aftertouch, which can be routed through the modulation matrix, opening up massive performance possibilities. MiniBrute 2 also features an arpeggiator with multiple modes, tap tempo, and rock-solid sync, and an intuitive step-sequencer to give you as much creative freedom as possible.

The Brute Noir Editions

Unique analog instruments, where vintage synthesis and cutting-edge technology collides in the name of creative freedom and controlled sonic chaos, decorated with stealthy black exteriors. These are the Brute Noir Editions, the darker side of analog.

Included Software:
Arturia MIDI Control Center

Notes: Another stylish offering from Arturia's Noir range, the MiniBrute 2 gets a black paint job and retains its hugely powerful semi-modular analogue sound. Still great value for money.

Supplier's Notes:
Arturia's revolutionary analog monosynth reborn for the modular age; the MiniBrute 2 Noir Edition is a thrilling, adaptable synthesizer that can't wait to meet your other instruments. Combining huge analog tone, powerful sound shaping features, step-sequencer, arpeggiator, a modular patch bay, and a stealthy black finish, MiniBrute 2 Noir represents the darker side of analog.

Hands-on synth joy

Intuitive, accessible, and fun; the pure synthesis power of MiniBrute 2 is easy to understand, quick to master, and will provide endless enjoyment. With instant, hands-on control of every parameter, you can mix your oscillators, ride your filters, sync your LFOs, and control your envelopes. MiniBrute 2 is a synth that gives you the freedom to create the sounds from your imagination.

Discover the modular world

Now you're able to make a music system that's truly more than the sum of its parts. MiniBrute 2 features a comprehensive modulation matrix with dozens of sources and destinations at your disposal. Whether you want to experiment with its internal parameters, wire in your modular setup, or sync your other gear to its sequencer, the possibilities are endless.

Performance power

Sporting the same luxurious, smooth-action keyboard as the venerable MatrixBrute, you'll never want to stop playing on this inspiring synth. The keyboard also features aftertouch, which can be routed through the modulation matrix, opening up massive performance possibilities. MiniBrute 2 also features an arpeggiator with multiple modes, tap tempo, and rock-solid sync, and an intuitive step-sequencer to give you as much creative freedom as possible.

The Brute Noir Editions

Unique analog instruments, where vintage synthesis and cutting-edge technology collides in the name of creative freedom and controlled sonic chaos, decorated with stealthy black exteriors. These are the Brute Noir Editions, the darker side of analog.

Included Software:
Arturia MIDI Control Center

Notes: Synth meets sequencer in this limited-edition Noir version of Arturia's excellent MiniBrute. Semi-modular design and extensive patch bay offer a wide variety of sound design options.

Supplier's Notes:
The MiniBrute 2S Noir Edition is a thrilling hybrid synthesizer enhanced for the modern musician. Combining raw analog power, an intuitive triple-layered step sequencer, a modular-worthy patch bay, and a stealthy black exterior, MiniBrute 2S Noir delivers the Brute Factor, and then some.

Pure synth power

A powerful standalone instrument, MiniBrute 2S Noir has massive synth potential that's intuitive, accessible, and fun to use. Whether you're a seasoned pro or new to the world of synthesis, you'll find its layout easy to understand, quick to master, and hugely inspiring. Thanks to its analog semi-modular architecture, you have hands-on control of every parameter, so you can sculpt your oscillators, sweep your filters, sync your LFOs, and control your envelopes on the fly to create a sound that's uniquely yours, bound only by your imagination.

Discover the modular world

Open up exciting new possibilities by rerouting MiniBrute 2S' signal with the modular patch bay. Better still, patch it to your existing Eurorack system and explore new connections, then sequence and shape with MiniBrute 2S' myriad of controls. With this synth at your command, your creative workspace will become a experimental sound laboratory.

Step in line

Featuring an awesomely powerful, triple layered step-sequencer, multi-mode arpeggiator, and high-quality performance pads, MiniBrute 2S Noir perfectly suits adventurous electronic musicians who want to take their creations further than ever before.

The Brute Noir Editions

Unique analog instruments, where vintage synthesis and cutting-edge technology collides in the name of creative freedom and controlled sonic chaos, decorated with stealthy black exteriors. These are the Brute Noir Editions, the darker side of analog.

Included Software:
Arturia MIDI Control Center

Notes: A smaller, more affordable version of the excellent Hydrasynth Keyboard. Advanced wavetable synthesis with 8-voice polyphony, hands-on control and an excellent keybed with polyphonic aftertouch.

*** New 2.0 Firmware update for all Hydrasynth models - March 2023 ***

This is a free of charge update for all current and new users of Hydrasynth. The biggest news in this update includes:
Expanded memory to 8 banks (Keyboard, Desktop, and Explorer only)
NEW modulation source: VOICE MODULATOR
OSC Bit reducer
LFO quantizer
ENV quantizer
LFO Step Advance
Global FX bypass
Increased Vibrato resolution
New Sustain pedal options including Sostenuto
More LED options
Glissando in glide options
Arp Range goes to 6 octaves
Arp Step Offset parameter
More Rand/Init shortcuts (all STEP LFO steps, Wavescan waves, Voice mod offsets)
Local On/Off saved
......And more!
This is the first major update to the Hydrasynth family in a little, which adds a tonne of new features.


Supplier's Notes:
The ASM Hydrasynth Explorer takes the now legendary Hydrasynth into new territories. The Hydrasynth Explorer offers the same 8-voice sound engine as the Hydrasynth Keyboard and Desktop, but in a compact and portable battery powered form factor. The 37-note mid-sized PolyTouchr keybed features polyphonic aftertouch, offering great playability and expression but in a reduced footprint. The extremely deep yet easy to use sound engine features the famous WaveScan oscillators, Mutator waveshaping, flexible dual Filter section, 32-slot modulation matrix, and dual Insert and dual Master effects allowing a lifetime of sonic explorations. The CV/GATE outputs provides for easy integration with equipment such as modular synthesizers and the USB MIDI and full-sized MIDI DIN connectors takes care of standard connectivity without the need for special cables. The ASM Hydrasynth Explorer can also be powered by 8xAA batteries for true on-the-go mobile operation. Simply put, this is one very powerful compact-sized synthesizer and controller all-in-one for the modern musician.

Tech Specs

Type: Polyphonic Wave Morphing Synthesizer
Sound Engine Type(s): Wavescan
Analog/Digital: Digital
Number of Keys: 37 mid-sized keys
Type of Keys:ASM POLYTOUCH Polyphonic Aftertouch Keyboard, On/Off Velocity-sensitive
Other Controllers: Pitch Bend, Mod Wheel
Polyphony: 8 voices
Number of Presets: 640
Oscillators: 3 x Wavescan oscillators (219 Waveforms), 4 x Mutator wave shapers (8 Types), Noise (7 Types)
Mutators: 8 Types (FM-Lin, WaveStack, PW-Orig, PW-Squeeze, PW-ASM, Harmonic Sweep, Hard Sync, PhazDiff)
Noise: 7 Types (White, Pink, Brown, Red, Blue, Violet, Grey)
LFO: 5 per Voice (Sine, Triangle, Saw Up, Saw Down, Square, Pulse27%, Pulse13%, S&H, Noise, Random, Step), Tempo syncable, Semitone Lock
Envelopes: 5 per voice, Tempo syncable, Variable trigger sources
Filter Types: 1 Multimode Filter (16 types) and 1 Variable LP-BP/Notch-HP filter, series or parallel routing
Filters: Filter 1 (LP Ldr12, LP Ldr24, LP Fat12, LP Fat24, LP Gate, LP MS20, HP MS20, LP 3-Ler, BP 3-Ler, HP 3-Ler, LP Stn12, BP Stn12, HP Stn12, LP 1 Pole, LP 8 Pole, Vowel), Filter 2 (LP-BP-HP, LP-Notch-HP)
Effects: 9 Insert Effects, 5 Delays, 4 Reverbs.
Effects Types: Chorus, Flanger, Rotary, Phaser, Lo-Fi, Tremolo, EQ, Compressor, Distortion, Delay, Reverb
Arpeggiator: 8 types (Up, Down, Up&Down, Up/Down, Order, Random, Chord, Phrase)
Other: Mod Matrix (32 slots), Macro Controllers (8), Favorites (32), Randomizer (Patch and Module), MPE Compatibility, Warm Mode, Microtuning
Audio Outputs: 2 x 1/4" Balanced (L/Mono, R)
Headphones: 1 x 1/4"
USB: 1 x Type B
MIDI I/O: In/Out
Pedal Inputs: 1 x 1/4" (sustain)
Other Outputs: 5 x 1/8" Outputs (CV, Gate, Mod1, Mod2, Clock)
Power Supply: 12V DC switchable power supply
Height: 2.28" / 5.8cm
Width: 21.81" / 55.4cm
Depth: 9.72" / 24.7cm
Weight: 7.63lbs / 3.46kg
MPN: HSMK

Notes: The Koe desktop is based on the Koe synth voice module and the Koneko midi to CV module in a laser cut clear acrylic case plus a power source.

This is the Koe module, it is japanese for voice because it is a complete synth voice in just one affordable module, if you are new to the modular world or if you want to add an extra voice to your sistem, this is for you.

Notes: The new AtomoSynth KOE M6 is a monophonic analogue semi-modular synthesizer. It features all the classic circuits like: One oscillator with sub oscillator, audio mixer, low frequency oscillator, high and low pass filter, ADSR envelope generator and also some special ones like a loopable slope generator, multimode random voltage modulator, a voltage mixer and with its 32 point patch bay you can experiment and create not only classic warm analogue sounds but a great variety of interesting and otherworldly soundscapes, Also it features a modulable delay effect capable of creating from spring-like reverbs all the way to super long decimated echoes to add the final touch to your sound, a true mini lab for sound design!

It has internal normalized basic connections so you can play it without any patch cable connected, It also features an internal midi to CV converter so you can play it with a midi keyboard or connect to a computer or midi sequencer, and also with a CV/gate controller or you can forget about controllers and play it as a drone synth.

The KOE M6 desktop edition is fully compatible with your eurorack setup or it can be a great entry gate to the modular world. You can even take the module out from its enclosure and install it in another Eurorack case.

Dimensions: 364mm (W), 157mm (D), 81mm (H)

Uses 15V 2A center positive power supply (not included).

Notes: This machine gives you the great powerfull analog sound of AtomoSynth now with a build in keyboard and also it is MIDI controlable. Play it directly, it features a 2 octaves keyboard (tactile button keys ), with octave up and down shift buttons.

The Krakken features an accurate 12bits MIDI to control voltage converter with a range of 5 octaves, it can be set to any midi channel from 1 to 16 so you can control any external analog synthesizer with the CV and gate outputs (1V/octave). Also you can connect many Krakken synthesizers in chain with its midi thru output to a computer or midi sequencer and each one will play a different midi channel.

The instrument is is housed in a clear, laser cut, acrilic case that shows the analog circuitry. It is powered directly from mains, it features a switcher to select 110V or 220V AC.

Notes: This machine gives you the great powerfull analog sound of AtomoSynth now with a build in keyboard and also it is MIDI controlable. Play it directly, it features a 2 octaves keyboard (tactile button keys ), with octave up and down shift buttons.

The Krakken features an accurate 12bits MIDI to control voltage converter with a range of 5 octaves, it can be set to any midi channel from 1 to 16 so you can control any external analog synthesizer with the CV and gate outputs (1V/octave). Also you can connect many Krakken synthesizers in chain with its midi thru output to a computer or midi sequencer and each one will play a different midi channel.

The instrument is is housed in a clear, laser cut, acrilic case that shows the analog circuitry. It is powered directly from mains, it features a switcher to select 110V or 220V AC.

Notes: With the creation of DEEPMIND 6, the ultimate true analog, 6-voice polyphonic synthesizer is finally a reality. DEEPMIND 6 allows you to conjure up virtually any sound you can imagine with unparalleled finesse and ease. Thanks to its 4 FX engines, dual analog OSCs and LFOs per voice, 3 ADSR Generators, 8-Channel Modulation Matrix and onboard 32-Step Control Sequencer, the DEEPMIND 6 gives you complete control over your soundscape. Plus, DEEPMIND 6 features comprehensive remote control via iPad/PC/Mac and selected Android Apps over USB or MIDI - for a custom-tailored workflow that lets your creative spirit soar to new heights.

Classic Polyphonic Synthesizer:

The inspired synthesizer tracks laid down in the 1970s and '80s are etched in the annals of progressive rock and pop music forever, making them truly classic in every sense of the word. DEEPMIND 6's pure analog signal path with legendary IR3109-style VCFs, stereo VCAs, and 12-voice polyphony lets you recreate all that magic or design the powerful, original sounds that just might make you a legend in your own right.

The FX Racks:

We also included 4 simultaneous FX engines with over 33 world-class TC ELECTRONIC, MIDAS and KLARK TEKNIK algorithms - including Reverb, Chorus, Flanger, Phaser, Delay, Multiband Distortion, and many more. Custom-designed and physically modelled after some of the most iconic and sought-after processors, DEEPMIND 6's FX were essentially "rebuilt" in the digital domain - and put right at your fingertips. All effects run inside the low-latency environment of the DEEPMIND 6, ensuring flawless performance and flexible routing.

Notes: Behringer's tribute to the ARP Odyssey is a pleasingly retro instrument. Fully analogue duophonic goodness with that classic tough ARP sound, great for bass and leads.

Supplier notes:
An ultra-affordable homage to the legendary ARP* synthesizer of the '70s and beyond with all the features of the original and then some including: dual VCOs; 32-step sequencer with onboard storage; arpeggiator and world-class Klark Teknik FX that boast reverb, chorus, flanger, delay, pitch shifter and multi-effects, the ODYSSEY lets you conjure up virtually any sound with incredible finesse and ease. With its 37 semi-weighted full-size keys, pure analog signal path based on authentic VCO, VCF and VCA designs from the '70s, the ODYSSEY is sure to become your favorite keyboard. Owning the ODYSSEY is like having your own personal time machine, enabling you to embrace the past - or make your imprint on the future!

Great care has been taken in engineering the ODYSSEY, including the true to the original analog circuitry, legendary VCO, VCF and VCA designs, all of which combine to make it easy to recreate the classic sound performance. This highly-focused attention to detail is what gives the ODYSSEY its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects - and all the way out to the otherworldly sounds of your imagination.

The inspired synthesizer tracks laid down in the 1970s are etched in the annals of progressive rock, disco and synth-pop music forever, making them truly classic in every sense of the word. The ODYSSEY lets you recreate all of that magic - or design incredibly fat and original sounds that will make you a legend in your own right!

ODYSSEY's 2 voices are the product of dual analog Voltage Controlled Oscillators (VCOs), which each provide your choice of: sawtooth, square/pulse with pulse-width modulation, or sine/square wave LFO for sculpting the perfect sound. This amazing flexibility gives you the tools needed to be your creative best.

The very heart of ODYSSEY's sound is its highly-flexible Voltage Control Filter (VCF), which includes faders for: Frequency; Resonance (0 to self-oscillation); and High Pass Filter (HPF) Cutoff Frequency. A feature missing from the original is a new 3-position switch, which lets you choose the VCF filter you prefer from all 3 iterations of the famous synth: 2-pole MKI (4023); 4-pole MKII (4035); and 4-pole MKIII (4075), plus a Drive switch to add a touch of edge to your sound.

ODYSSEY features two easy-to-use Envelope Generators, AR (Attack and Release) and ADSR (Attack, Decay, Sustain and Release) with 2 and 4 faders, respectively to help you craft incredible sounds. Switches are provided for ADSR Gate/LFO Repeat, AR Gate/LFO Repeat or thirdly, Keyboard Repeat/Auto Repeat - which provides a wide range of performance options.

ODYSSEY's sequencer allows you to program up to 32 steps of notes and rests and save them as a pattern. You can record, save and recall up to 64 patterns, all of which can be stored in the 8 banks, each holding up to 8 patterns. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or in Step mode, which allows you to interact while composing the pattern. The onboard Arpeggiator features 8 patterns (you can use just by playing a chord, which the arpeggiator then sequences through your selected pattern. Both the sequencer and arpeggiator in the ODYSSEY are fun, mesmerizing and totally addictive.

For those who want the numbers, ODYSSEY has 35 sliders, 25 switches and 3 pressure-sensitive buttons, all laid out in a highly-intuitive format that puts the joy back into your music creation. Input and output connections include: MIDI In and Out over USB/MIDI DIN; Pedal; Portamento Footswitch; Low and High Outputs; External Audio In; CV In and Out; Gate In and Out, and Phones with a dedication Volume control.

In addition to the great sound-sculpting features already mentioned, ODYSSEY has still more to offer. There's the pink/white noise generator with sample & hold plus lag processor; Portamento, which lets you sweep seamlessly over time from one note to the next, creating smooth-as-silk transitions that few other instruments can emulate; and the 3 pressure-sensitive buttons for pitch and modulation control that provide a total hands-on performance. ODYSSEY is the ideal tone-making machine for creating sounds that run the gamut - from mild to wild!

Notes: Thanks to 37 semi-weighted full-size keys with velocity sensitivity and an authentic analogue signal path, the VOCODER VC340 is sure to become one of your favourite keyboards. Whether you use it to provide that awe-inspiring talking-synth sound that sold millions of recordings, or just for its really fat string section and multi-voice choir pads, owning the VOCODER VC340 is like having your own personal time machine, enabling you to embrace the past - or make your imprint on the future!

Legendary Vocoder Users:

Although originally patented by Bell Labs engineer Homer Dudley in 1939, the vocoder didn't become part of the modern musical lexicon until the 1970s. It has since been used by recording/performing artists Wendy Carlos, Phil Collins, Jean Michel Jarre, Mike Oldfield, Kraftwerk, Stevie Wonder, Michael Jackson, Coldplay, Red Hot Chili Peppers, Daft Punk, Isao Tomito and Emerson, Lake and Palmer, to name but a few. The vocoder has also become a singular staple of major motion pictures and video games for its ability to create robot voices, special audio effects and much more.

True to the Original:

Great care has been taken in engineering the VOCODER VC340, including the true to the original analogue circuitry, which makes it extremely easy for you to recreate the classic vocoder sounds that made a tremendous impact on synth-based rock. This highly-focused attention to detail is what gives the VOCODER VC340 its ultra-flexible sound shaping capability, which covers everything from super-fat voice and string ensembles to stunning effects - and all the way out to the otherworldly sounds of your imagination.

You Provide VOCODER VC340's Unique Voice:

Unlike the original vocoders of the 1970s and '80s, you get to use your favourite microphone with the VOCODER VC340. A dedicated XLR input connector is provided on the rear panel that allows any Low-Impedance (Lo-Z) dynamic mic (not incl.) to modulate the onboard synthesized sounds.

Multiple-Stage Chorus:

Nothing fattens up the sound of a vocal choir or string section better than a truly-great chorus! That's why VOCODER VC340's chorus features authentic analogue BBD (Bucket Brigade Delay) technology, which hands the signal off across multiple processing stages for the ideal amount of luscious thickening.

Controls & Connectivity:

We just can't help ourselves - like you, we're gear-heads, too. For those who want the numbers, VOCODER VC340 has 32 knobs, faders and switches, all laid out in a highly-intuitive format that puts the joy back into your music creation. Input and output connections include: Mic In; Phones; External Synth In; Control (Vocoder Hold & Pitch pedal inputs); Audio Out (Mono & Stereo with 3-position Level switch); and MIDI (I/O and Thru) via USB/MIDI DIN.

When it comes to not just pushing envelopes but creating them, VOCODER VC340 gives your imagination its voice - and it's so very affordable. When modern performance calls for that classic analogue sound - it calls for the Behringer VOCODER VC340!

Visit your dealer to experience the stunning VOCODER VC340, or get yours online today. MUSIC never felt this good!

Notes: Somewhere between an analogue drum synth and a dub siren, the DS71 is a uniquely creative little box. Properly versatile, experimental stuff.

Supplier's Notes:
The DS71 is a synthesizer designed to easily create many different dub siren tones at your fingertips. It combines analog synth voicing circuitry with a powerful digital LFO that allows for quick access to different sounds at the press of a button. Inspired by the classic analog drum-synth modules and re-interpreted as dub siren.

Audio output: impedance balanced 1/4" TRS Jack

Trigger input: impedance balanced 1/4" TRS Jack

DC Input: 12VDC, 500mA, centre positive, 2.1mm x 5,5mm barrel type connector

Dimensions: 145mm x 130mm x 60mm

12VDC 1A power supply included.

Notes: Unique video synthesis module from the makers of the Organelle. Based on a Raspberry Pi, the Eyesy generates custom animated graphics based on your music. Ideal for live performances.

Supplier's Notes:
Welcome to the world of the EYESY - Critter & Guitari's video synthesizer! The EYESY reacts to your music to create endlessly mesmerising visuals. Simply plug it in and start creating. But don't be fooled by the simplicity of the EYESY, there are many features and goodies hidden inside. Whether you are creating live visuals, working on a music video, or want to program your own graphics, the EYESY will become an indispensable tool.

The EYESY comes with numerous pattern generators called modes. Navigate the modes using buttons, and then tweak their visual appearance using five knobs. The modes respond to audio input in various ways; from smooth undulating patterns to rapid fire animations. The controls allow you to effect various elements of the patterns and colors. There is also a setting that allows the graphics to pile up in vibrant collages.

Store your current settings and screen grabs.- when you happen upon a setting that you like, press the scene save button to save it. This scene can now be recalled at a future time.
You can press the screen grab button to take a picture of the current frame, providing a quick way to generate interesting still images from your moving videos. Access all of your screen grabs from the browser-based interface.

The EYESY's USB-MIDI & TRS-MIDI inputs offer a wide range of controllability. Incoming MIDI Notes and Clock can change a mode's behavior. The knobs can automated by sending MIDI controller messages from a sequencer or your favorite performance software. Program Change messages may also be sent to select your saved scenes.

Curate your EYESY for you. You can add and remove the pattern generating modes to make the device as simple or complex as you like. The saved scenes are stored in a single file that can be saved and edited. All of the resources are managed through a simple-to-use web browser-based interface.

If you really want to go deep, you can also program your own modes for the EYESY. Edit and create your own modes! The modes are all open source and based on an open platform. You can make changes to the modes and create new modes using the browser-based editor. Modes are written in the Python programming language.

Design/Specs

Video output:
NTSC (Composite Video Out Jack)
PAL (Composite Video Out Jack)
720p (HDMI Video Out Jack)
1080p (HDMI Video Out Jack)

Input:
14" Stereo Audio Input
MIDI Input: 1/8" TRS-MIDI Jack
MIDI Input: USB-MIDI (for class compliant devices)
LINK: Sync to LINK tempo via WiFi

Processing:
Raspberry Pi Compute Module 3
1.2GHz Processor
1GB RAM

Physical characteristics:
Size: 6.0 x 3.5 x 2.2" / 15.24 x 8.9 x 5.6 cm. Height includes knobs.
Powder Coated Aluminum
Rubber Foot Pads

Included items:
Power Supply- Input: 100-240VAC @ 50/60Hz. Output: 9VDC, 1.3A, Center-positive polarity.
USB-WiFi Adapter (Ralink 5370 Chipset, 2.4GHz)

Included storage: A microSD card holds the operating system and modes. There is ~4GB for available for mode storage.

Notes: A more compact take on the Organelle M, dispensing with the built-in speaker and battery power to create a more studio-focussed version of this unique instrument.

Supplier's Notes:
The Organelle S is for musicians who like what they see and hear in the Organelle M but don't need the portability of the M's battery power and speaker.

In all other functions, the S is identical to the M. They share same patches, processor, RAM, audio & MIDI connections, keys, knobs, screen, microphone, HDMI output, USB ports, and power adapter.

TLDR:

The Organelle S is great for studios & pedalboards.
The Organelle M is portable and autonomous!
The Organelle is a powerful instrument that keeps up with your spontaneity and creativity!

The Organeller makes it easy to explore new sounds and experiment with new ways of making music. It combines playful and intuitive controls with a powerful and flexible sound engine. The result is an instrument that is limitless in musical possibility and a joy to play.

At the heart of the Organelle's sound engine is a robust computer that runs patches. A patch allows the instrument to take on different forms. Onboard hardware for sound input and output and mappable knobs, keys and buttons enable patches to synthesize, sample, effect, and anything in between!

The Organelle ships with a set of common default patches, and new patches may be loaded from a USB drive. Simply select patches from a continually-growing list, transfer them to a USB drive, reinsert it in the Organelle, and play!

Don't see the exact patch you need? You can create it yourself! Patches may be created and/or edited directly on the device. Plug in a keyboard, mouse and monitor and begin customizing. The Organelle runs patches created in the powerful computer music programming environment Pure Data.

As you create patches or tweak existing ones you can share them with others! The Organelle is built with community interaction in mind. The entire system runs open source software and may be customized at every level.

Design/Specs

Audio specifications:
Sampling Rate: 44.1kHz; 16-bit (In & Out)
14" Stereo Sound Output Jack
14" Stereo Sound Input Jack
1/8" Stereo Headphone Output Jack
Electret Microphone
Organelle M features 3W Speaker

Interface:
High-Contrast OLED Display Screen
Four Parameter Knobs
Rotary Selection knob with Push Button Select
Volume Knob
25x Maple Key
RGB LED

PROCESSOR SPECIFICATIONS:
1.2GHz ARM Cortex A53 (Quad-core; 64-bit)
1GB RAM
Linux Operating System
Boot time: ~12 seconds
STORAGE:
8GB microSD card installed. Card is split into two ~4GB partitions: one for OS and another for patches and any required files (audio samples, etc.).

ADDITIONAL CONNECTIONS:
1/8" TRS MIDI Input Jack (Type A)
1/8" TRS MIDI Output Jack (Type A)
2x USB Port (2.0 standard-A type connector). USB Host for: MIDI over USB & Serial over USB
HDMI output port
14" Footswitch Jack

POWER REQUIREMENT:
9VDC, 1.0 Amp, Center-positive plug
Organelle M can be powered by four 'AA' Batteries (1.2-1.5V per cell)

PHYSICAL CHARACTERISTICS ORGANELLE M:
Size: 13.3125 x 3.375 x 2.125 inches
Size: 33.81 x 8.57 x 5.40 cm
Weight: 1.45 lbs / 657g
Batteries installed: 1.66 lbs / 753g
Enclosure: Powder coated aluminum top, screen printed ink, ABS Plastic bottom, rubber foot pads

PHYSICAL CHARACTERISTICS ORGANELLE S:
Size: 10.625 x 3.36 x 2.175 inches
Size: 27 x 8.53 x 5.52 cm
Weight: 1.09 lbs / 495g
Enclosure: Powder coated aluminum top and bottom, screen printed ink, rubber foot pads

WHAT'S INCLUDED IN THE BOX:
1x Organelle M or S
1x Power Supply. Input: 100-240 Volts AC at 50/60 Hz. US/North America-Style Plug.
1x USB-WiFi adapter w/ Ralink 5370 chipset

OPTIONAL ACCESSORIES:
TRS-MIDI Adapter Cable
TRS Cable (for Organelle-Organelle MIDI connections)

Notes: - Analog 2-voice Paraphony or Unison sounds, only with Through Hole components
- 2 x VCO with seperate glide controls
- 2 pole (12dB/ocv) pre-fed resonating VC Low Pass Filter
- VC LFO with additional VC Depth
- 2 x Envelope Generators (1xADSR and 1xAR dedicated to the AMP)
- VC Delay/Echo
- 15 patches for an astonishing Modular experience
- CV Outputs: LFO, Envelope (attenuated), Modulation Wheel (attenuated), Gate, Osc1 pitch (1V/ocv), Osc2 pitch (1V/ocv)
- CV Inputs: Osc1, Osc2, Echo time, VCF, CV, GATE, LFO rate, PW , VCA
- Paraphony CV/GATE outputs allows you to turn monophonic devices into Paraphonic, or even combine 2 monosynths into a paraphony orgy.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Boutique analogue goodness inspired by chthonic demi-goddesses. Obviously. Six-voice synth engine with fully analogue signal path plus digital reverb. Compact and powerful with a lush, distinctive sound.

Supplier's Notes:
Nymph(e)s are chthonic demi-goddesses who not only personify nature but are regularly associated with the wild.

They inhabit rivers, springs, woods, groves, fields, caves, mountains and valleys.

They preside over fountains, sacred wells and fresh water.

The Polyphonic Synthesizer N Y M P H E S was developed during the obscure pandemic times and we really hope that it will bring a pinch of happiness on your face. Dreadbox have attempted to condense an ambitious idea in a small and compact box, without any compromise in the quality of the final instrument.
The result is stunning and ethereal ...

Features per Voice

1x VCO with Wave Forming
1x Sub Oscillator
Noise generator
1x LFO per voice with: Key track, Fade In and Fade out, 5 waveforms and wide frequency (into the FM range)
2x Envelope Generators
24dB/octave Low Pass Resonant Filter with accurate tracking
6dB/octave High Pass Non-Resonant Filter

Common

Voice Features

1x common LFO (named LFO2) that can target any and multiple parameters with different amount to each one at the same time , with: Key track, Fade In and Fade out, 5 waveforms and Wide Frequency (into the FM range)
7x active Chords that you can edit, modulate and store on each preset
Modulation wheel, Velocity and Aftertouch (monophonic) can target any and multiple parameters with different amount to each one at the same time

Specifications & Connections:

USB powered (1.5 Watts)
50 Playing hours with 20,000mA portable power bank
MIDI IN via USB or DIN5
1/4 MONO TS Jack Out
1/8 Headphones Out

Dimensions: 24 x 12.5 x 3.8 cm
Weight: 0.85 kg

Requirements

USB-A Adapter (5v) with 1000mA or more
MIDI device or keyboard that is equipped with either USB HOST or DIN5 midi output
Monitor, Amp or Headphones

Included in the box

USB cable (A to B)
DIN5 to 3.5mm adapter (specs as found at midi.org)
Quick Start Guide
Menu Map

IMPORTANT NOTE:
True power consumption is at 310mA. Some computers cannot deliver that much current. Please make sure that your device has sufficient current for Nymphes before connecting it- otherwise if you want to connect it with a computer, you will need a USB splitter or a powered USB hub.
When using a USB adapter, always make sure it can deliver 1000mA or more.

Notes: Boutique analogue goodness inspired by chthonic demi-goddesses. Obviously. Six-voice synth engine with fully analogue signal path plus digital reverb. Compact and powerful with a lush, distinctive sound.

Supplier's Notes:
Nymph(e)s are chthonic demi-goddesses who not only personify nature but are regularly associated with the wild.

They inhabit rivers, springs, woods, groves, fields, caves, mountains and valleys.

They preside over fountains, sacred wells and fresh water.

The Polyphonic Synthesizer N Y M P H E S was developed during the obscure pandemic times and we really hope that it will bring a pinch of happiness on your face. Dreadbox have attempted to condense an ambitious idea in a small and compact box, without any compromise in the quality of the final instrument.
The result is stunning and ethereal ...

Features per Voice

1x VCO with Wave Forming
1x Sub Oscillator
Noise generator
1x LFO per voice with: Key track, Fade In and Fade out, 5 waveforms and wide frequency (into the FM range)
2x Envelope Generators
24dB/octave Low Pass Resonant Filter with accurate tracking
6dB/octave High Pass Non-Resonant Filter

Common

Voice Features

1x common LFO (named LFO2) that can target any and multiple parameters with different amount to each one at the same time , with: Key track, Fade In and Fade out, 5 waveforms and Wide Frequency (into the FM range)
7x active Chords that you can edit, modulate and store on each preset
Modulation wheel, Velocity and Aftertouch (monophonic) can target any and multiple parameters with different amount to each one at the same time

Specifications & Connections:

USB powered (1.5 Watts)
50 Playing hours with 20,000mA portable power bank
MIDI IN via USB or DIN5
1/4 MONO TS Jack Out
1/8 Headphones Out

Dimensions: 24 x 12.5 x 3.8 cm
Weight: 0.85 kg

Requirements

USB-A Adapter (5v) with 1000mA or more
MIDI device or keyboard that is equipped with either USB HOST or DIN5 midi output
Monitor, Amp or Headphones

Included in the box

USB cable (A to B)
DIN5 to 3.5mm adapter (specs as found at midi.org)
Quick Start Guide
Menu Map

IMPORTANT NOTE:
True power consumption is at 310mA. Some computers cannot deliver that much current. Please make sure that your device has sufficient current for Nymphes before connecting it- otherwise if you want to connect it with a computer, you will need a USB splitter or a powered USB hub.
When using a USB adapter, always make sure it can deliver 1000mA or more.

Notes: Typhon has been developed with ultimate care and love, so as to be a great-sounding, portable and affordable synthesizer. It has a complex modulation routing, 256 preset memory, a 32 note sequencer, and powerful stereo effects developed by Sinevibes.

Since it is packed in a compact USB powered box, it can be carried everywhere you go!

Specifications & Connections:

USB powered (at least 500mA)
60 Playing hours with 20,000mA portable power bank
MIDI Din IN and OUT
1/4 in Stereo Out
1/8 in Headphone Out
1/8 in Mono Audio In (for routing via Typhon FX)

Dimensions: 23 x 13 x 6 cm
Weight: 1kg

Notes: ***B-STOCK: Box opened, product in perfect working order***


Typhon has been developed with ultimate care and love, so as to be a great-sounding, portable and affordable synthesizer. It has a complex modulation routing, 256 preset memory, a 32 note sequencer, and powerful stereo effects developed by Sinevibes.

Since it is packed in a compact USB powered box, it can be carried everywhere you go!

Specifications & Connections:

USB powered (at least 500mA)
60 Playing hours with 20,000mA portable power bank
MIDI Din IN and OUT
1/4 in Stereo Out
1/8 in Headphone Out
1/8 in Mono Audio In (for routing via Typhon FX)

Dimensions: 23 x 13 x 6 cm
Weight: 1kg

Notes: Desktop module incarnation of Electrosmith's customisable DSP platform, designed with plenty of audio, MIDI and CV connectivity to allow you to create your own synths, drum machines and sequencers.

Supplier's Notes:
Create a mono-synth, drum machine, or MIDI sequencer with the Field! It works as a great development tool, or handy small-form synth to take with you on the go. Comes with Daisy installed and 9V power adapter.

Notes: The idea of the Polivoks Mini analog synthesiser came into mind in 1990, as the junior version of its older brother - the well known Polivoks full synth. The aim was to develop a simpler and lighter device that has less components, offers the same broad capabilities, and removes possible flows of the Polivoks full synth. As a result of this research, a new minimalistic schematic appeared. It has fewer controls that are compensated by greater functionality. For example, in the Modulator section the Form switch has been replaced by the controller with triangular oscillation in the middle position and sawtooth shape oscillation smoothly falling in the extreme positions.

The controller for the envelope filter input is set to zero in the middle position and its value increases by turning the knob clockwise, while turning the knob counter-clockwise increases inverse voltage of the envelope generator. The main synthesizer sections, such as generator, famous Polivoks filter and multimode envelope generator, are essentially the same as the Polivoks, and have this unique sound. In addition, the main generator of the Polivoks Mini doesn't require any thermal stabilization or adjustment.

In general, the simplified schematic delivers the sound appreciated by a wide range of musicians with minimal means but new capabilities. The Polivoks Mini is a keyboardless version with integrated USB and MIDI interfaces. The overall design of the Polivoks Mini is made in collaboration with Ms. Olympiada Kuzmina, Polivoks full synth concept designer.

Notes: ***B-STOCK: Box opened, product in perfect working order***


The Quadrantid Swarm is a versatile, unique instrument for sound designers and musicians looking to explore exquisite and unfamiliar timbres that range from subtle to outrageous, nebulous to shimmering. It is comprised of a digital synthesizer voice with a percussive element, 2 pole analogue filter, an LFO with 8 waveforms, and a spring reverb.

The 8 touch keys can be used as a mono keyboard, polyphonic keyboard or an 8-step sequencer. The QS interfaces with other instruments via MIDI, and CV/Trig inputs. Pre-patching allows you to get hands on immediately, but you can and should use patch cables to fully explore the potential of this instrument.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Kickstarter-funded hybrid weirdo from synth experimentalists Eowave. Digital oscillator meets analogue filters with spring reverb, touch keys and built-in sequencer. Gnarly.

Supplier notes:
The Quadrantid Swarm is a versatile, unique instrument for sound designers and musicians looking to explore exquisite and unfamiliar timbres that range from subtle to outrageous, nebulous to shimmering. It is comprised of a digital synthesizer voice with a percussive element, 2 pole analogue filter, an LFO with 8 waveforms, and a spring reverb.

The 8 touch keys can be used as a mono keyboard, polyphonic keyboard or an 8-step sequencer. The QS interfaces with other instruments via MIDI, and CV/Trig inputs. Pre-patching allows you to get hands on immediately, but you can and should use patch cables to fully explore the potential of this instrument.

Notes: From basslines and rave sounds to massive drones and drums - the Erica Synths Bassline DB-01 synthesizer lets you explore new territories of sound and performance techniques and go from a melody to noise and back in no time. The DB-01 packs an analogue Erica Synths signature sound engine with an advanced sequencer on top of it.

Features:
All analogue sound engine
Aggresive acidbox filter design
One knob overdrive for even more destructive sound
Transistor based sub-oscillator
Independent amplitude, filter cutoff and pitch envelopes
BBD based detune for massive swarm sound
Syncable LFO with multiple waveforms for FM and VCF modulation
Noise source
Intuitive, easy to use sequencer for up to 64 step patterns
Sequence transposing
Pattern randomization
Arpeggiator
Modulation track with VCF cutoff automation
Built in and user defined scales with micro tonal possibilities
Analogue clock in and out
CV/Gate output/input
MIDI IN and THRU - play it with a keyboard!
8 banks of 16 pattern memory
Compact, durable aluminium enclosure

Notes: Erica Synths Pico System III is affordable, compact, yet powerful sounding, full analogue modular system.

Features

2-3-4 step sequencer
2x VCOs
VCO controller/VCA module
several mixers that work both with CV and audio signals
Modulator (syncable LFO, random CV and noise source)
2x voltage controlled ASR envelope generators
2x resonant lowpass gates
BBD delay

Pico System III brings modular synthesis back to the basics - the system has multi functional (instead of single-function, like Pico Drums or Pico Trigger in the Pico System II) analogue modules and is intended to encourage creativity in modular patching.
The system has 31 inputs and 20 outputs (master output is duplicated) + 7 switches; if you have enough patch cables at your disposal, you can patch the system in 121000931215044250740178662400 or 1.21x1029 variations (we ignored the possibility to adjust potentiometers here). Even though only 0,0001% of all patches will sound more-less enjoyable, you and all your future generations can spend a lifetime only patching the Pico System III.
Voice-cards with preset patches set it apart from other eurorack systems - they allow user to change patches instantly and radically, which makes the system well suited for experimental live performances. The system comes with 5 great sounding "factory preset" voice-cards, and 5 DIY voice-cards that are empty and users can develop their own patches. More voice-cards will be available from Erica Synths shop.
Pico System III comes both as a desktop unit and a eurorack module. It features a set of modules for advanced sound design, experiments in modular patching and educational purposes.

What do you get?
Desktop unit: 20 patch cables, 1 Hosa stackable cable, PSU, 5 factory preset & 5 DIY voice-cards, user manual and patch note sheets

Technical specifications:

Audio signal levels: 10Vptp
CV signal levels (full span): -5V - +5V
Sequencer CV output range: 0 - +5V
VCO tune range: C0 - E7
LFO rate: 0.21Hz - 20Hz
VC EG attack time: 0...3''
VC EG release time: 0...4.2''
Max BBD delay time : 400ms
Panel width: 42 HP
Power consumption: 175mA@+12V, 112mA@-12V

Notes: Digital 12-bit oscillators meet analogue filters in this creative little synth module. Six-voice polyphony, preset storage and MIDI control make for a compelling instrument with its own distinctive sound.

Supplier's Notes:
The Tooro is Fred's Lab's new 6-voice 4-part hybrid "digilog" polysynth.

Including the latest discoveries in mixed electronics, the original FL A847 analog filters, this is the perfect module for demanding sound designers and every musician seeking distinctive tones with a strong personality, in a very compact form factor.

Each voice offers 2 complex digital oscillators with waveform morphing, 2-operator linear phase modulation and self-sync features plus a noise source, a ring modulator, the unique FL A847 lowpass filter accompanied by a digital shaper, 2 advanced LFOs and 2 ADSR envelopes.

A modulation matrix with 8 slots allow the animation of most of synthesis parameters.

A master stereo digital FX offering various modulated delays is also included.

Tooro is shipped with a printed version of the QuickStart Guide (in English) and a 1 meter black USB cable.

Technical aspects:

All Fred's Lab instruments are produced and manually assembled locally in Germany.

The Tooro is a polyphonic and multitimbral synthesizer module with 6 voices, 4 parts, per voice analog filters and a stereo signal path.

Sound Engine

Per voice

Oscillators:
Two 12bit digital oscillators with:
waveform morphing
additional sine modulator (for linear through zero phase modulation)
auto-sync feature - hardsync

Filter:
A single FL A847 12dB/Octave low-pass filter with auto-oscillation and saturation features.

Shaper:
A selection of digital filters algorithms from Fred's Lab.

Noise:
A regular white noise source.

Ring modulator:
An audio rate multiplication of osc1 output by osc2 output.

Envelopes:
Two ADSR envelopes with hold stage and multiple triggering options.

LFOs:
Two complex LFOs with various waveforms and their own AD envelope.

DCA:
A digitally controlled attenuator with volume and panning control.
Per part
MIDI channel selection, overall part volume and panning.

A syncable arpeggiator with multiple modes is included.
Global
Multi-FX
A 12bit digital multi-FX module with various modulated delays.

Instrument:
Memory
The Tooro can store:
100 sound presets
10 multis

Connectivity:
2 line-level unbalanced 6.35mm jacks (mix left & right)
2 instrument-level 3.5mm jacks for separate voice outputs (for voice 1-4 only)
1 DIN5 MIDI-IN
1 DIN5 MIDI-OUT (OUT + smart THRU)
1 USB 1.1 B compatible port (for power and MIDI over USB)
1 power switch

UI:
4 high-quality metal encoders
14 tactile switches
dual digit 7-segment hexadecimal display
12 leds

Mechanics:
aluminum industrial enclosure
quality rubber feet
170 x 120 x 45 mm
550 grams

Notes: Grendel Drone Commander Classic Pedal is a unique synthesizer that delivers thick drone tones with the convenient size of an FX pedal stompbox. It brings back the same true analog oscillators and filter from the sought-after original ammo can model that was made between 2008-2014.

The LFO section delivers rhythmic sweeping modulations that animate the filter. It operates the same way as the original, but with a wider frequency range. The Drone Commander's LFO modulations are based on a slow ramp waveform that sweeps the filter. The ramp can be set for rising or falling slope, and the SHAPE knob crossfades the ramp modulation with a simple 'blip' at the end of every LFO cycle. The other half of the LFO section is a unique phase-locked loop (PLL) that tracks the LFO, generating a pulse wave that automatically synchronizes at a frequency of 2x, 4x, 8x, or 16x. The PULSE knob adjusts the depth of filter modulation by this waveform.

The stomp switch brings the sound in and out with a selectable fade or mute effect, allowing hands-free convenience when adding analog drone tones to specific parts of your performance.

Get new sound effects by processing external audio signals through Grendel Drone Commander's filter and LFO, via its 3.5mm monophonic line input jack.

This analog synthesizer fits conveniently into a pedalboard and can be powered with a daisy-chain cable from a standard 9VDC effects pedal power supply, as well as its internal 9V battery.

So it's just like an FX pedal?

No, because it creates its own sounds, and it's not intended to be patched in the middle of a chain of FX pedals. There isn't a dry signal path from Audio In to Audio Out. It can process audio like an effect, but please see the user guide for how to do that best. Also, the stomp switch isn't a wet/dry bypass switch. Instead, the stomp switch is used to mute/un-mute the output and trigger fade-ins and fade-outs.

Why doesn't it have a 14" input and a straight-through wet/bypass switching like an effect pedal? The simple answer is that Grendel Drone Commander wasn't developed as a guitar effect, and Grendel agreed that it doesn't particularly shine in that role. Nevertheless, to satisfy the curious and experimentally savvy, this model has an Audio In, and it is possible to pipe a guitar signal through it with simple audio adapters.

How to connect it

This model works well as a tabletop synth connected to a mixer line input. Or instead, there are several ways to incorporate it in your pedalboard.

If your amplifier has two inputs, simply connect the Drone Commander to an unused input on your amp. Patch in some extra effects for it along the way. Use the Drone Commander's stomp switch to bring its sound in and out when you like.

If your amp has one input, you might want to use an A/B switch to select between guitar and Drone Commander. Hit the A/B switch to select Drone Commander during specific sections, or as a fill-in while taking a tuning break.

Or, depending on the scenario, you might simply patch the Drone Commander pedal to an input channel on the PA system mixing board. Connecting it through a DI box may improve the results in an on-stage situation.

CV connections (3.5mm mono)

Clock out: Synchronize external gear with the Drone Commander's pulses. This port sends a square wave analog clock output.

Filter CV in: Modulate the Drone Commander's filter with an external LFO, Envelope, etc. (not 1v/octave)

Gate in: Has the same function as the stomp switch. Bring the sound in and out automatically from an external controller, LFO, sequencer, etc. Or self-patch Clock Out to Gate In for an automatic loud-quiet-loud effect.

Audio in: Patching to this port mutes the internal oscillators, and substitutes external audio. The external signal passes through the Drone Commander's filter, LFO, and Gate effects. Typically for best results, use a signal with constant dynamics, such as the raw waveform output from a VCO module. Or, experiment by connecting other instruments to it. See the user guide for more info on patching the Audio In jack.

Dimensions:

Width: 10.5cm
Height: 5.5cm
Length: 16cm

Notes: In the spirit of sonic exploration and musical evolution, Grendel bring you the RA-99 Grenadier, an all-analog synthesizer with an original and unique tone palette. It implements parallel formant synthesis with a bank of three voltage controlled filters to generate tones inspired by the human voice, without being limited by the conventional boundaries of speech modeling. Twenty patch points give you extensive self-patching options plus creative compatibility with analog modulars, sequencers and keyboard controllers.

Oscillator

The RA-99 sound engine is based on an accurate voltage controlled oscillator with variable wave shape. The VCO has multiple CV (control voltage) inputs for creative stacking of the various CV sources available in your studio. There are two 1 volt per octave inputs for melody. It also has a 5 volts per octave input that is ideal for creating octave modulations from an LFO with 5V output. Finally, the 15 volts per octave input is suited to narrow pitch modulations like vibrato and pitch bend. The CV inputs of the RA-99 VCO have wide response bandwidth, allowing FM with audio frequency waveforms.

A subharmonic square wave is generated at a frequency 1 octave below the VCO. Activating the SUB switch mixes this with the VCO output. Raw subharmonic waveform is available from the SUB OUT jack.

Noise Source

A pink noise generator is included to add complexity to the sound. Pink noise is mixed with the VCO at the input to the filter bank. Pink noise volume is adjustable with the knob labeled P-NOISE, and by CV input to the NOISE CV jack. The noise source also adds a subtle amount of jitter to the VCO waveform.

Modulation

The RA-99 modulation section contains a pair of multifunction waveform generators called MOD1 and MOD2. They can provide (1) gated attack-release envelope, (2) triggered decay envelope, (3) pulse LFO with variable pulse width, or (4) saw-triangle LFO with variable symmetry. In envelope mode, the output is a true exponential slope. In addition, RA-99's MODs can create time delayed gate events, serve as low-frequency audio VCOs (with limitations), or act as frequency dividers. Both MODs have variable output level that is sweepable from normal to inverted polarity. Either MOD1 or MOD2 can serve as the main volume envelope.

Filter Bank

The Grenadier RA-99 filter bank combines one low pass and two band pass filters to produce full-bodied tones with resonant character of vowels. The filter bank has three control parameters: ALPHA, BETA, and FILTERS. These parameters are also fully controllable with CV inputs.

Power Input

This unit requires 12 volts DC and draws a maximum current of 100 mA. Polarity of the AC adapter connector does not matter. It can be tip positive or tip negative.

* Grenadier RA-99 will also operate from 9 volts DC, but please note that the pink noise source will be unavailable in this situation, and distortion may be heard in the output.

The unit is protected against over-voltage with a built-in self-resetting fuse.

It is OK to use a daisy-chain cable to share power with other 12V gear from a single AC adapter, provided the total current demand (mA) does not exceed the AC adapter's rating.

Power Switch?

For simplicity, this unit does not have a power switch. It is on whenever its AC adapter is connected to mains power. It is recommended that you plug its AC adapter to a power strip with on-off switch built in.

Main Audio Output

Use a common 1/4" shielded audio instrument cable (mono, TS type) to connect the synth's output to a line input of a mixing board, computer sound interface, keyboard amplifier, or effect processor.

The output impedance is 220 ohms, so it is unnecessary to connect it to a high impedance (HI-Z) input.

You may plug headphones in to this jack, but you'll only hear sound on one side.

A DI Box may be necessary on stage to connect to a PA system.

Patch Points

VCO: 1V/oct (x 2), 5V/oct, 15V/oct, Timbre CV In (controls wave shape)
MOD1: Gate In, Rate CV In, Vari Out, Gate Out
MOD2: Gate In, Rate CV In, Vari Out, Gate Out
Filter Bank: Alpha CV In, Beta CV In, Filter CV In
Audio: Subharmonic Out, VCF audio In, Mix audio In, Noise VCA CV

Compatibility

CV-Gate In: 1 V/oct, +5V Gate
Patch cables: 3.5 mm mono
Audio output: 1/4" analogue unbalanced
CV output range: 0 to +5 volts
MIDI: Not included
Polyphony: Monophonic

Specifications:

Power Input: 12 VDC @ 1.2 Watt
Dimensions: 30 x 10 x 6 cm
Mass: 0.53 kg
Case Material: Anodized aluminum
RoHS-Compliant: YES
Lead-free: YES

Notes: Keyboard version of IK's three-oscillator, dual-filter analogue synth. Classy purist analogue tones with some nice modern features like a step sequencer and effects. Also available in a cheaper, capacitive keyboard version.

Supplier's Notes:
Next generation analog for everyone

UNO Synth Pro gives you the power to create nearly any analog synth sound you can imagine. With its unique dual-filter, 3-oscillator paraphonic design, 256 presets, 64-step sequencer, studio-grade effects, expanded connections and much more, UNO Synth Pro breaks new ground for music makers.

Available in two form factors to suit all players' needs- stage-ready with metal housing and premium keybed; or ultra-portable, USB-powered with capacitive keyboard- UNO Synth Pro offers everyone the next generation of analog sound design in a smart format that fits any space or budget.

3 analog oscillators offer continuously variable waveshape, including pulse-width modulation. Oscillators can be hard-synced for more harmonically-complex tones, and oscillator FM (frequency modulation) lets you shape everything from bell-like sounds to screaming industrial tones. UNO Synth Pro even includes ring modulation for wobbly, sci-fi sound, and a white noise generator for a wide range of percussive sounds and epic rises.

Recreate famous synth sound sources or forge entirely new ones - UNO Synth Pro has the tools you need.

In addition to the original UNO Synth's 2-pole OTA multimode filter, UNO Synth Pro adds a new 2/4-pole SSI LP filter with self-oscillation. The dual filters can be used in series or parallel, with invertible phase, for a total of 24 possible filter combinations.

In short, the UNO Synth Pro can recreate the filter sound of the most famous classic synths as well as deliver fresh new options to the limits of your imagination.

UNO Synth Pro offers 2 full ADSR envelopes, one dedicated to the filter and the other to amplitude, with both available as sources to modulate everything from oscillator pitch and waveshape to LFO speed or even other envelope stages.

2 LFOs (low-frequency oscillators) can create classic synth vibrato, wah and tremolo as well as do more complex modulations including audio range FM.

And a 16-slot modulation matrix makes routing all these a breeze. You can quickly and easily design even the most sophisticated modulation scheme, with both internal and external sources, including MIDI controllers.

IK's experience in modeling analog studio effects is decades long. For UNO Synth Pro, you'll find a super warm and organic true-analog overdrive, plus 12 studio-quality effects in three simultaneous slots: modulation, delay and reverb. External signals can also be routed through these effects, with pre-effects filtering for maximum flexibility.

UNO Synth Pro provides an enhanced version of the original's long-lasting capacitance-sensing keys along with pitch and mod strips for enhanced expression. And it adds firm-touch rubber pads for the control sections, plus LED-backlit indicators and an LED display for key information, making it easier than ever to use UNO Synth Pro live on stage or in deep programming sessions in the studio.

UNO Synth Pro offers 256 user-editable presets, each capturing the full state of the sound engine from oscillators to effects.

An onboard 64-step sequencer offers both step and real-time recording, with automation for up to 40 parameters, letting you create incredibly intricate and evolving soundscapes. You can even write CV and gate automation.

And a 10-mode arpeggiator makes it easy to create intricate patterns and runs plus a new "chord mode" that takes advantage of UNO Synth Pro's paraphonic design.

UNO Synth Pro offers two noiseless, balanced stereo outputs as well as headphone out, for superior audio quality in any situation.

USB and 5-pin DIN MIDI In and Out make it easy to integrate with other synths, Mac/PC and mobile devices, and its assignable CV/Gate connections lets UNO Synth Pro interact effortlessly with your Eurorack or other modular system.

And now, audio input allows access to the filter and FX section for external signals, in addition to the original thru-put for daisy-chaining multiple units together without using a mixer.

Free Editor

Free UNO Synth Pro Editor for Mac/PC and iPad now available for all purchasers to download. This gives you access to all the advanced features 'under the hood' to manage presets and to easily create your own directly from your computer. Full details on the editor here: https://www.ikmultimedia.com/products/unosynthpro/?p=editor

Software Promo
All purchasers of UNO Synth Pro can now claim 2 free software downloads from IK's SE or CE product range: AmpliTube 5, SampleTank

Dimensions:
Size (W x D x H): 55 x 30 x 7 cm, 21.65 x 11.8 x 2.75 in.
Enclosure: Metal/plastic
Weight: 5.8 kg, 12.8 lb
Power: Power PSU

Package includes:
UNO Synth Pro
1x Micro USB to USB Cable
Power Supply Unit

Notes: The RH-301 is KOMA Elektronik's solution to a problem many musicians are struggling with: analog and digital equipment that needs to run side by side on a steady tempo: in sync. Analog clock, DIN Sync and MIDI - the RH-301 syncs them all up. The RH-301 is a 'Master Sync Station' that helps electronic musicians get the most out of their equipment by properly syncing their devices and adding an LFO and an envelope that are synced as well.

The beating heart of the unit is the master clock, of which the tempo can be set freely by turning the tempo knob, by tapping a tempo on the tap button, by syncing it to MIDI, DIN Sync or to an external CV clock signal. Besides the normal clock output the user can also divide the tempo signal with the Divisions knob and send a faster or slower tempo signal via the two Division Outputs. The generated clock signal can be passed on to other devices via the two Clock Outputs, two Division Outputs or via the MIDI Output and DIN Sync Output. An incoming MIDI signal can also be passed through via the MIDI Through and Out jacks. All clock outputs are buffered.

The second feature of the RH-301 is the LFO, which can be synced to the master clock or run freely up to 260 Hz in five different shapes: sine, triangle, square, S&H and a special Sine & Noise. This means the pedal can also be used as an oscillator, when the user turns the LFO up into the audible ranges. When the LFO is in Sync-Mode the user can choose the same divisions as the divisions of the master clock. Also wave shaping is available for all of those waveforms. The LFO has two separate outputs on the patch bay: LFO Out and Inverted LFO Out. All the features of the LFO are also controllable via control voltage, the pedal boasts CV inputs for LFO Speed, LFO Reset and LFO Symmetry.

The third feature of the pedal is an ADSR that can be easily synced to the master clock, or run in loop mode. Besides the normal controls for Attack, Decay, Sustain and Release the pedal comes with a Range knob to set the time range of the envelope created, going from a short and snappy linear to a longer and more organic logarithmic response. The EG comes with a normal Envelope Output, but also an Inverted Output. The Envelope Generator can be triggered by an external Gate or Trigger CV Source through the Envelope Gate Input. Besides all these features, the RH-301 also comes with a built-in KOMA Elektronik sensor, which can be used as a separate CV Output on the patch bay as well. No matter what your setup is, digital or analog, if you use a modular synthesizer, DAW, drum computer, synthesizer or KOMA's own BD-101 and FT-201 effect pedals, the RH-301 is an effective tool to make sure they all walk in line.

Notes: The electribe has been reborn including KORG's latest technology distilled from popular products such as the KingKORG, kaossilator, kaoss pad, and taktile. The 200 preset patterns cover House and Techno as well as cutting-edge dance music genres such as Trap and EDM. Another major evolution of the new electribe is support for polyphonic playback, which is indispensable for musical styles that involve complex chord progressions such as House music.

Using the 16 pads placed on the front of the unit, you can create patterns intuitively while actually hearing and seeing the sounds. You can use the pads as a keyboard to realtime-record phrases, and also perform step recording by entering the pitch and rhythmic value one note at a time. The patterns you create can be used in alternate forms as you perform by taking advantage of the "step jump" feature inherited from the volca series, or by changing the "last step" to vary the length of each part.

There's also a "motion sequence" function that lets you record knob and button operations and use them in the pattern that you create. Either drums or synths can now be assigned to each of the 16 parts (i.e., the 16 pads). For example you could create complex rhythms by assigning drums to all of the 16 parts.

Familiar from the kaossilator is the "touch scale" function that lets anyone perform without wrong notes, just by moving a finger across the touch pad. The trigger pads that were popular on the taktile are also provided, making it easy for anyone to create phrases intuitively. The trigger pads can also be used for drum input. Settings allow you to switch velocity on/off.

For the electribe, KORG designed a synth engine that gives you the maximum sound-creating freedom and the fastest sound production. The 409 oscillator waveforms include analog modeling and PCM. The analog modeling synth engine provides a broad variety ranging from simple basic waveforms to complex combinations such as dual, unison, sync, ring modulation, and cross modulation. The PCM sound engine provides mainly rhythm sounds, but also covers multisamples for keyboard. (collaborations with Sample Magic, Loopmasters, Prime Loops are included)

The filters at the heart of the sound-shaping capabilities are inherited directly from the KingKORG, and they use filter algorithms that simulate standard synthesizers so that you can get "the sound" which was used in famous songs, just by selecting the appropriate filter type.

You can also apply filters to drums to create rhythm tracks that are rich in tonal variation. Modulation can make sound-creation more complicated, but we've made it easy by condensing it down to three parameters: simply select a template that specifies an effect and its target, and then adjust the speed and depth of the effect to suit your taste.

The new electribe provides effects such as compression and overdrive for each part, giving you uncompromising control over the nuances of individual sounds that differ subtly between genres. The groove function can be specified for each part, letting you apply a groove to your phrase simply by selecting a template.

The master effects can be controlled from the touch pad just like on the kaoss pad, and they include not only spatial-type effects that shape the overall acoustics but they also include effects that apply aggressively musical transformations such as the "Vinyl Break" effect inherited from the Kaoss pad series, and the newly developed "Seq Reverse" and "Odd Stepper" that change the playback order of the sequencer. These are also extremely effective for live performance. Insert effects can be assigned for individual parts, opening up even more complex sound-design possibilities. There's also a "pattern set" function which lets you switch patterns by pressing trigger pads, and an "event recording" function that records that performance. In addition to MIDI IN/OUT, "Sync IN/OUT" is also provided, allowing synchronized performances with the volca series, monotribe, or MS-20 mini. The unit can run on six AA batteries, so you can easily take it along with you and perform anywhere, providing on-the-go inspiration your musical ideas.

Notes: State-of-the-art analog modelling and multi-band vocoding are finally available in a compact, portable instrument. With 37 keys and 128 user-rewritable programs, the microKORG synthesizer/vocoder is perfect for the performer, producer, computer musician or beginner looking for an affordable synthesizer. The new microKORG delivers the quality sounds and features you expect from Korg at a price that will astound you.

The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg's critically acclaimed MS2000 and offers a wider selection of waveforms than any other modelled synth. Oscillator 1 features a total of 71 waveforms. These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg's classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer.

4 filter modes are available, offering -12 dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24 dB (4-pole) low pass setting. All include resonance. 2 classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a virtual patch matrix that lets you create advanced modulation settings U routing the mod wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc. U and you have performance that is unheard of from a synthesizer in this price range.

The microKORG includes an 8-band vocoder with many advanced features. You can capture and freeze the formants of your voice, and then play it across the keyboard, or shift the formant frequency to make your voice sound male, female, like a child or just plain wacky! Best of all, the microKORG comes with its own microphone so you can start having fun right away.

3 types of modulation effects (chorus/flanger, phaser, ensemble), 3 types of delay effects (stereo, cross, L/R) and a 2-band equalizer add the finishing touch to the microKORG. The delays can be synchronized with the arpeggiator or to an external MIDI clock U a great feature for live performances or for laying down tracks. All effects can be edited to create your own, unique sounds.

Korg have used all of the microKORG's synthesis power in the creation of 128 great-sounding presets. They cover a wide range of the latest musical styles plus many vintage favourites. Sixteen vocoder Programs are also included. The pitch bend wheel, modulation wheel and 5 other knobs provide flexible realtime control over filter cutoff, attack, release and other important parameters. The edit mode allows you to fully edit the existing sounds, or to create your own new ones.

6 types of arpeggio patterns (UP, DOWN, ALT1/2, Random, Trigger) are built in, with control over tempo, gate time, swing, and up to a 4-octave range. You can turn individual steps on or off within a pattern, providing the feel and functionality of a step sequencer.

2 external audio input jacks are provided, so you can run other instruments, CDs and more through the microKORG's filter and effects, allowing you to process sounds in truly creative ways.

The microKORG's compact size is perfect for the musician or DJ looking to add a synth to his or her setup when space is tight. It's also a great choice for use in a computer-based music setup. The five realtime knobs on the front panel can transmit MIDI messages (control changes), so they can be used as controllers for software synthesizers. Use the 37-note velocity-sensitive mini-keyboard for controlling other gear or for recording and editing with your sequencer. And thanks to battery-power, the microKORG is the ultimate portable controller when used with a laptop computer!

There's no complex menu structure - all parameters are located on the panel for easy access to any function. A large dial and LED illuminated buttons provide easy program selection even on a dark stage. With its beige-gold body, wooden side panels and retro-influenced design, the microKORG has a look that's both vintage and funky.

Notes: Already something of a modern classic, Korg's compact synth and vocoder features built-in speakers in this upgraded S model. Huge fun, easy to use and great for live performance.

Supplier's notes:
Shape your sound, bring it anywhere: The microKORG S continues to build on the success of the original.

With a serious sound, ubiquitous design, and superior build quality, the microKORG analog modeling synthesizer became an instant world standard when it was released in 2002. Since then, the microKORG has found its way into the hands of musicians far and wide, and now, receives an update to ensure it will remain one of the world's most beloved synthesizers for years to come.

The new microKORG S features a built-in 2+1 speaker system with power that far exceeds its size. Its body sports an elegant white motif, and features new presets that represent the sounds of a new generation. Beneath the microKORG S's sophisticated exterior hides a sound engine both brutal in strength and universal in application.

Built-in 2+1 speaker system ensures a rich and full sound at any volume:

Inside that compact body of the microKORG, we've included a carefully constructed speaker system consisting of stereo speakers with clear imaging, plus a woofer that emanates a startling amount of low frequency. The chassis uses a new box structure, and the combination of ample box volume and a bass reflex port takes full advantage of the speakers, thereby delivering a rich sense of volume that exceeds the size of the speakers, a clear sense of positioning, and a rich low-frequency range. In addition to the battery-powered operation of the existing model, the inclusion of the built-in speakers allows an easy yet full-fledged performance experience even in an environment where there is no power supply or PA.

Since the speaker box is contained within the chassis of the instrument, the vibrations from the speaker can be felt through your fingertips. This tactile feedback allows you to experience the same subtle and dynamic response as when playing an acoustic instrument or electric piano.

Increased memory, new programs, and additional user programs:

The memory capacity has been increased from the original microKORG. Mainly centered on simple and present sounds that shine on stage, we've added 64 powerful preset programs that meet the needs of the changing music scene, including clearly defined and punchy leads, electric pianos that sound great in an ensemble, and powerful and solid basses. In addition, we've also newly provided 64 additional slots for user programs, so you can save your own original sounds without overwriting the presets. This encourages a sound design process that's ideal for this instrument: select a sound that you like, and edit it.

Elegant new design retains the spirit of the original:

The microKORG's distinctive form has been beloved worldwide for more than ten years. The microKORG S adds speakers, yet carries on the looks and compactness of the original. In addition, the front panel features an elegant white reboot, updated with maple wood for the side panels.

Favorite Select function:

There's a new Favorite Select function that lets you assign up to eight of your favorite programs. Since this lets you instantly recall the sound you need, it makes live performance even more convenient.

All of the functionality of the original microKORG, plus so much more:

This new instrument carries on all of the original microKORG's functionality, including the ease of selecting a program of a desired musical genre and then editing the selected sound, a vocoder with an included miniature microphone, and battery operation that allows you to perform anywhere. As a beginner's first synthesizer that's easy to use, as a supplementary live synth for the stage, or as a sound module for production, the microKORG S will continue to play a role in every music scene around for many years to come.

Notes: Vintage and more.

With its unmistakably unique exterior and its inimitable sound, the microKorg set the standard for analog modeling synthesizers. The year 2008 saw the introduction of the microKorg XL, which inherited the microKorg's fat and powerful sounds, while adding keyboard staples such as electric piano and the CX-3 organ. And now, in the next evolutionary step, the microKorg XL+ delivers a fresh update to the sounds and design of the microKorg XL, making it the ideal compact keyboard.

The microKORG XL featured a sound selector that lets you choose your sound using 2 large dials: music genre and instrument category. The new microKORG XL+ offers an additional selection of these music genres to fit today's fast-moving music scene. Now you can select a program that matches your song more intuitively than ever. For even more convenience, you can also leave one of the dials fixed and only use the other dial to make program changes during a song (music genre fixed), or use the dial to select vocoder variations (instrument category fixed).

Lush analog modeled synthesizer sounds that are characteristic of the microKORG have been freshly added to the microKORG XL+. In addition, for band use, the microKORG XL+ comes equipped with the piano sound from Korg's classic stage piano, the SGproX (famous for its ability to stand out in your band's mix), as well as its hard-edged grand-type electric piano. This compact package also includes sounds from the M1 and the VOX organ, vintage tape-type string and flute machines, as well as other gorgeous sounds from keyboard history. Each of these 128 programs are genuinely usable sounds, giving the microKORG XL+ plenty of variety to serve as your main keyboard or of course as a secondary keyboard in your rig.

The microKORG XL+ projects a style that's reminiscent of vintage electric pianos, featuring a futuristic yet retro design with a stylish black panel. High-quality parts such as metal levers, dials that move with an audible click, and knobs with a sturdy operating feel are some of the ways that the microKORG XL+ outclasses other instruments in its range and enhances your experience editing synthesizer sounds.

The microKORG XL+'s sound engine uses MMT (Multiple Modeling Technology), borrowing from Korg's well proven wealth of analog modeling technology. The MMT sound engine has been featured on numerous products, and provides 2 oscillators that generate huge powerful sounds. Oscillator 1 (OSC1) gives you a total of 7 types of oscillator algorithm to choose from, including formant waveforms such as human voice, and PCM/DWGS waveforms for vintage keyboard and strings. It also lets you use techniques that cannot be imitated on typical PCM synthesizers, such as cross modulation, unison, and VPM (Variable Phase Modulation). By taking advantage of modulation (sync or ring) with oscillator 2 (OSC2), it's easy to create complex and powerful sounds.

The microKORG XL+ can function as a powerful vocoder that lets you connect a mic and use its audio input to shape the tonal character of the oscillator's sound to create talking effects. The vocoder consists of a 16-band filter bank that can simulate the vocoder sounds of the past and also shift the filter frequencies (Format Shift function) or adjust the level and pan of each band to dramatically change the sonic character. Using the Vocoder is an easy way to add sounds that can be found in today's popular electronic music. Since a gooseneck microphone is included, you can immediately start using thevocoder in your songs.

2 master effects utilize the effect engine that was brought to perfection in Korg's Kaoss Pad series, giving you a total of 17 powerful effect types including delay and echo effects as well as dramatic effects such as ring modulator and grain shifter. In addition, effects such as delay can be synchronized to MIDI clock for a wide range of possibilities in live performance.

Notes: Killer value for money here. Korg's budget synth brings proper analogue polyphony to a crazy price point. Amazingly versatile with sound to match synths two or three times the price.

Supplier's notes:
Meet minilogue; the stylish, innovative, 37 slim-key fully programmable analog polyphonic synthesizer:
minilogue's newly developed analog synthesizer circuit delivers polyphony and full programmability at a great price --- exactly what today's musician needs. With the minilogue, you can get your hands on the powerful sound that's only possible with real analog, and find inspiration with features including a polyphonic step and motion sequencer, on board tape-style delay, multiple sound shaping and filter options, and an oscilloscope display. All of these seamlessly integrated features make minilogue as fun and easy to use as it is powerful. It's the next-generation analog synthesizer for musicians of all types.

True analog sound:
The synth circuits for minilogue are all new ground up designs, delivering a synthesizer experience like no other. Unprecedented in this class, it's a four-voice polyphonic true-analog synth with an interface that's designed for accessibility. Whether you're performing live or producing in the studio, the minilogue is the fastest way for the user to explore and implement real analog synthesis in any situation.
The structure consists of 2VCO, 1VCF, 2EG, 1VCA, and 1LFO. The minilogue's unique wave shape capability lets you fine tune the oscillators' harmonics, creating the most divine sounds and compositions. The minilogue is also equipped with a variety of powerful types of modulation including cross modulation, oscillator sync, and ring modulator, as well as a delay with a high-pass filter. Powerful sound creation and rich variety are the true hallmarks of an analog synthesizer.

Polyphony and Presets - Perfect:
minilogue goes beyond analog synths in its price range by adding 200 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep pads to brilliant polyphonic leads and atmospheric sounds. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. For those who want to dive deeper into the heart and soul of minilogue's engine, the minilogue hold 200 programs; with 100 editable factory programs included, and 100 locations serving as blank canvases on which to create your next analog masterpiece. Each preset can also hold a step sequence and delay settings along with the sounds you create.

Voice modes:
Selectable voice modes let you freely configure the four voices for performance. The voices can be set to four note polyphony for chords or layered for thick basses and leads. Other modes cover a range of sounds from octave shifted bass explosions to delicately staggered layered triggering.

Eight voice modes:
- POLY - operates as a four-voice polyphonic synthesizer
- DUO - operates as a unison two-voice polyphonic synthesizer
- UNISON - operates as an all-unison mono synthesizer
- MONO - operates as a mono synth with sub-oscillator
- CHORD - produces chords
- DELAY - voices 2--4 sound consecutively at a delay following voice 1
- ARP - an arpeggiator operates with up to four voices
- SIDE CHAIN - when a note sounds, the volume of the preceding voice is lowered

16-step sequencer:
Get creative with the intuitive 16-step sequencer with motion sequence recording capabilities, and make your sound truly come to life. The minilogue provides real-time recording with overdubbing, and step recording that lets you record simply by consecutively specifying notes, giving you a great way to create phrases and performances.

Oscilloscope visualizes the sound:
The OLED display will show the waveform as you sculpt your sound. Visual feedback is both educational and entertaining, and represents a first on a hardware synthesizer.

Build quality:
The uniquely curved, sand-blasted 2mm aluminum front panel, metal shaft potentiometers, solid, chassis-mounted metal shaft potentiometers and rubber-coated knobs give the roadworthy minilogue a standout look and feel to complement its powerful and dynamic sound creation capabilities.

Sync with groove machine:
In addition to the standard MIDI connectors, the minilogue provides a sync connector that can be easily connected to Korg's groove machines. Connect this to a volca series unit, an electribe, or the SQ-1, and experience a session with synchronized sequencer playback.

Notes: The KORG MS-20 mini is now available as a limited-edition white monotone variation model. This model is the first new colour to appear in the nearly 40 years since the original unit went on sale in 1978. Based on the black that is emblematic of the MS-20's distinctive presence, this new model features a clean white monotone for its front panel and knobs, while retaining the faithful circuitry, 5-pin MIDI, and USB MIDI of the black MS-20 mini. Combining a completely new freshness together with a vintage feel that befits the MS-20 as the original semi-modular synthesizer, this limited-edition model will be a great way to add classic MS-20 sounds to any setup!

Korg's MS-20 monophonic synthesizer, first introduced in 1978, is still a coveted instrument to this day, thanks to its thick, robust sound, its powerful, iconic analog filter, and its versatile patching options. Over 300,000 people have enjoyed the distinct MS-20 sounds from the original, from Korg's MS-20 plugin synth, or the iMS-20 iPad app.

Today, the sounds of the MS-20 have been reborn in hardware, as the MS-20 Mini. The same engineers who developed the original MS-20 have perfectly reproduced its circuitry and fit into a body that's been shrunk to 86% of the original size, yet retains the distinctive look of the original.

The MS-20 mini will amaze you with its absolutely authentic analog synth sound.

The Korg MS-20 Mini features 2 improved lower noise voltage controlled oscillators with selectable waveforms including ring modulation and noise, 2 voltage controlled high and low pass filters, 2 voltage controlled amplifiers, 2 envelope generators and an LFO. Part of the appeal of the original was its self oscillating, resonant filters that could be driven into distortion. They remain popular to this day and can also be found in the recent monotron and monotribe units as well as on the new MS-20 Mini.

Part of the versatility of the original Korg MS-20 was its flexible patching system, making it semi modular, and this has been recreated for the MS-20 Mini. It allows users to create uniquely complex, evolving, organic sounds by using patch cables to access and change the internal synth architecture, with the front panel flow chart guiding easy operation straight out of the box. Users can even patch external sources via the external signal processor to be processed in the same way as an oscillator, as well as benefitting from the rich harmonics added by the circuitry and filters.

This reissue of a modern classic will be an extremely welcome addition to Korg's current synth line and, with fantastic sound, versatility and ease of use, the MS-20 Mini is sure to win over many fans old and new.

Notes: Fresh take on digital synthesis from Korg, featuring 'altered FM' sound engine with vintage filter modes based on Korg classics. Huge 32-voice polyphony with excellent performance options and effects.

Supplier's Notes:
Rethink everything you know about FM synthesis.

The opsix represents a new and expansive reimagination of classic digital synthesis. Much like KORG did when bringing wave sequencing back in a more powerful, more musical, and more immediately accessible way with wavestate, so was the approach to FM sound generation of the opsix, resulting in another incredibly flexible and unique synth.

The opsix is an "altered" six-operator FM synthesizer. With its astoundingly accessible operator mixer and flexible sound engine that goes well beyond traditional FM, this instrument widens the potential of digital synthesizers to their utmost.

The opsix is an instrument for players of all generations- modern in every way, getting back to the basics to offer you a glimpse of the future. Whether you are new to synths, looking for a completely unique addition to your sound palate, or an original FM purist, opsix will deliver on all expectations and more.

Keyboard: 37 keys (velocity and release-velocity sensitive)

Maximum Polyphony: 32 voices (or a max. of 24 voices, depending on the settings)

Sound generating system: Altered FM sound generator

Structure: 6 operators, 1 filter, 3 EGs, 3 LFOs, 3 effects, step sequencer, arpeggiator

Algorithm: 40 presets + user algorithm (unique to each program)

Operator: 5 modes (FM, Ring Mod., Filter, Filter FM, Wave Folder)

Oscillator waveform: 21 waveforms (Sine, Sine 12bit, Sine 8bit, Triangle, Saw, Saw HD, Square, Square HD, Additive Saw3, Additive Sqr3, Additive Tri3, Additive 12345, Additive 1+2, Additive 1+3, Additive 1+4, Additive 1+5, Additive 1+6, Additive 1+7, Additive 1+8, Noise S/H, Noise White)

Filter: 11 types (LPF 12, LPF 24, LPF MS-20, LPF POLY6, HPF 12, HPF 24, HPF MS-20, BPF 6, BPF 12, BRF 6, BRF 12)

EG: ADSR

LFO: 23 waveforms (Triangle, Saw Down, Saw Up, Square, Sine, Sample&Hold, Guitar, Exp. Triangle, Exp. Saw Down, Exp. Saw Up, Step4 Triangle, Step6 Triangle, Step4 Saw Down, Step6 Saw Down, StepRnd:Time, StepRnd:Lvl&Time, StepRnd:Level, Random:Time, Random:Lvl&Time, Triangle + , Saw Down + , Saw Up + , Square +)

V.Patch: 12 routings

Effect: 30 types (Chorus, Unison Ensemble, Phaser, Phaser (BPM) , Auto Pan, Auto Pan (BPM), Flanger, Flanger (BPM) , Rotary Speaker, Auto Wah, Exciter, Enhancer, LFO Filter, 3-Band EQ, Distortion, Guitar Amp, Decimator, Grain Shifter, Master Limiter, Compressor, Delay, Delay (BPM) , Autopan Dly, Autopan Dly (BPM), Tape Echo, Tape Echo (BPM) , Early Reflection, Reverb, Shimmer Reverb, Spring Reverb)

Sequencer: Step Sequencer (up to 16 steps, up to 6 notes per step) , Motion Sequencer (up to 6 lanes)

Arpeggiator: 7 patterns (MANUAL, UP, DOWN, ALT1, ALT2, RANDOM, TRIGGER) fault)

Number of programs: 500 (250 preset programs and 250 user programs as the factory-set de

FAVORITE: 64 (16 Slots × 4 Banks)

Controllers: MODULATION wheel, PITCH wheel, RATIO OP 1-6 knobs, LEVEL OP 1-6 sliders, DATA ENTRY A-F knobs

Inputs/outputs: Headphone (6.3 mm stereo phone jack), OUTPUT L/MONO and R (impedance-balanced 6.3 mm TRS phone jacks), DAMPER (6.3 mm phone jack, half-damper not supported), MIDI IN and OUT connectors, USB B port

Power supply: AC adapter (DC12V)

Power consumption: 5 W

Dimensions (W × D × H): 565 × 338 × 90 mm / 22.24" × 13.31" × 3.54"

Weight: 2.9 kg / 6.93 lbs.

Included items: AC adapter, Precautions, Quick Start Guide

Accessories (sold separately): DS-1H damper pedal, PS-1 pedal switch, PS-3 pedal switch



***Introducing the Opsix Sound Librarian***

The Opsix Sound Librarian lets you view and organize data on a Opsix connected to a computer via USB, and transfer sound data back and forth between the Opsix and the computer.

To use the Opsix Sound Librarian, you need an Opsix running software version 1.0.1 or later, a USB cable, and a USB-capable Windows / Mac computer.

For macOS 11.0 (Big Sur) or later, you will need an Opsix running software version 1.0.3, which will be released soon. Thank you for your patience.

How to install:
Download the Sound Librarian, which can be reached at https://www.korg.com/us/support/download/product/0/874/#software, and open the package.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Fresh take on digital synthesis from Korg, featuring 'altered FM' sound engine with vintage filter modes based on Korg classics. Huge 32-voice polyphony with excellent performance options and effects.

Supplier's Notes:
Rethink everything you know about FM synthesis.

The opsix represents a new and expansive reimagination of classic digital synthesis. Much like KORG did when bringing wave sequencing back in a more powerful, more musical, and more immediately accessible way with wavestate, so was the approach to FM sound generation of the opsix, resulting in another incredibly flexible and unique synth.

The opsix is an "altered" six-operator FM synthesizer. With its astoundingly accessible operator mixer and flexible sound engine that goes well beyond traditional FM, this instrument widens the potential of digital synthesizers to their utmost.

The opsix is an instrument for players of all generations- modern in every way, getting back to the basics to offer you a glimpse of the future. Whether you are new to synths, looking for a completely unique addition to your sound palate, or an original FM purist, opsix will deliver on all expectations and more.

Keyboard: 37 keys (velocity and release-velocity sensitive)

Maximum Polyphony: 32 voices (or a max. of 24 voices, depending on the settings)

Sound generating system: Altered FM sound generator

Structure: 6 operators, 1 filter, 3 EGs, 3 LFOs, 3 effects, step sequencer, arpeggiator

Algorithm: 40 presets + user algorithm (unique to each program)

Operator: 5 modes (FM, Ring Mod., Filter, Filter FM, Wave Folder)

Oscillator waveform: 21 waveforms (Sine, Sine 12bit, Sine 8bit, Triangle, Saw, Saw HD, Square, Square HD, Additive Saw3, Additive Sqr3, Additive Tri3, Additive 12345, Additive 1+2, Additive 1+3, Additive 1+4, Additive 1+5, Additive 1+6, Additive 1+7, Additive 1+8, Noise S/H, Noise White)

Filter: 11 types (LPF 12, LPF 24, LPF MS-20, LPF POLY6, HPF 12, HPF 24, HPF MS-20, BPF 6, BPF 12, BRF 6, BRF 12)

EG: ADSR

LFO: 23 waveforms (Triangle, Saw Down, Saw Up, Square, Sine, Sample&Hold, Guitar, Exp. Triangle, Exp. Saw Down, Exp. Saw Up, Step4 Triangle, Step6 Triangle, Step4 Saw Down, Step6 Saw Down, StepRnd:Time, StepRnd:Lvl&Time, StepRnd:Level, Random:Time, Random:Lvl&Time, Triangle + , Saw Down + , Saw Up + , Square +)

V.Patch: 12 routings

Effect: 30 types (Chorus, Unison Ensemble, Phaser, Phaser (BPM) , Auto Pan, Auto Pan (BPM), Flanger, Flanger (BPM) , Rotary Speaker, Auto Wah, Exciter, Enhancer, LFO Filter, 3-Band EQ, Distortion, Guitar Amp, Decimator, Grain Shifter, Master Limiter, Compressor, Delay, Delay (BPM) , Autopan Dly, Autopan Dly (BPM), Tape Echo, Tape Echo (BPM) , Early Reflection, Reverb, Shimmer Reverb, Spring Reverb)

Sequencer: Step Sequencer (up to 16 steps, up to 6 notes per step) , Motion Sequencer (up to 6 lanes)

Arpeggiator: 7 patterns (MANUAL, UP, DOWN, ALT1, ALT2, RANDOM, TRIGGER) fault)

Number of programs: 500 (250 preset programs and 250 user programs as the factory-set de

FAVORITE: 64 (16 Slots × 4 Banks)

Controllers: MODULATION wheel, PITCH wheel, RATIO OP 1-6 knobs, LEVEL OP 1-6 sliders, DATA ENTRY A-F knobs

Inputs/outputs: Headphone (6.3 mm stereo phone jack), OUTPUT L/MONO and R (impedance-balanced 6.3 mm TRS phone jacks), DAMPER (6.3 mm phone jack, half-damper not supported), MIDI IN and OUT connectors, USB B port

Power supply: AC adapter (DC12V)

Power consumption: 5 W

Dimensions (W × D × H): 565 × 338 × 90 mm / 22.24" × 13.31" × 3.54"

Weight: 2.9 kg / 6.93 lbs.

Included items: AC adapter, Precautions, Quick Start Guide

Accessories (sold separately): DS-1H damper pedal, PS-1 pedal switch, PS-3 pedal switch



***Introducing the Opsix Sound Librarian***

The Opsix Sound Librarian lets you view and organize data on a Opsix connected to a computer via USB, and transfer sound data back and forth between the Opsix and the computer.

To use the Opsix Sound Librarian, you need an Opsix running software version 1.0.1 or later, a USB cable, and a USB-capable Windows / Mac computer.

For macOS 11.0 (Big Sur) or later, you will need an Opsix running software version 1.0.3, which will be released soon. Thank you for your patience.

How to install:
Download the Sound Librarian, which can be reached at https://www.korg.com/us/support/download/product/0/874/#software, and open the package.

Notes: The Arpopone from LepLoop is a little synth-voice for generating a melody or bass line and a chord section at the same time. It is based on analog ramp dividers of which each one generates a voltage ramp starting from a master clock that can be internal or external.

Trig1 and Trig2 potentiometers set the number of clock pulses.

With the Trig Mix switch it is possible to select between a single trigger (1 or 2) or both (1+2) to advance the scales.

The Scale Step potentiometer sets the number of steps for the two scale generators.
In the mixer section, the two scales are summed together to obtain a more complex pattern. The amount of each scale can be set by two controls and can be positive (ascending scale) or negative (descending scale).

With the VCO Pitch knob, the melody can be transposed while maintaining the same interval between notes.

The note generated by the VCO is fed to a chain of dividers to obtain four sub harmonics of the original note. One of these is the bass section with its own filter and envelope, the other three form the chord section with their envelope.

The two envelope sections are identical, both have a selector for different trigger sources:

Trig1 & Trig2: the envelope starts at the flash of the green LED (bass) or yellow LED (chord)
SB1 & SB2: the envelope starts at the first step of Scale1 (bass) or Scale2 (chord)
White & Blue: the envelope follows the intensity of the white LED (bass) or the blue LED (chord). Except for this setting the envelope length is set by the two controls Bass ENV and Chord ENV. Additionally, an EXT CV input allows to provide an external envelope.
The bass channel is passed through a resonant low-pass filter with Cutoff and Resonance control.

Finally the Bass and Chord channels are mixed together. The output level is set by the Bass LEV and Chord LEV controls.

Notes: The Arpopone from LepLoop is a little synth-voice for generating a melody or bass line and a chord section at the same time. It is based on analog ramp dividers of which each one generates a voltage ramp starting from a master clock that can be internal or external.

Trig1 and Trig2 potentiometers set the number of clock pulses.

With the Trig Mix switch it is possible to select between a single trigger (1 or 2) or both (1+2) to advance the scales.

The Scale Step potentiometer sets the number of steps for the two scale generators.
In the mixer section, the two scales are summed together to obtain a more complex pattern. The amount of each scale can be set by two controls and can be positive (ascending scale) or negative (descending scale).

With the VCO Pitch knob, the melody can be transposed while maintaining the same interval between notes.

The note generated by the VCO is fed to a chain of dividers to obtain four sub harmonics of the original note. One of these is the bass section with its own filter and envelope, the other three form the chord section with their envelope.

The two envelope sections are identical, both have a selector for different trigger sources:

Trig1 & Trig2: the envelope starts at the flash of the green LED (bass) or yellow LED (chord)
SB1 & SB2: the envelope starts at the first step of Scale1 (bass) or Scale2 (chord)
White & Blue: the envelope follows the intensity of the white LED (bass) or the blue LED (chord). Except for this setting the envelope length is set by the two controls Bass ENV and Chord ENV. Additionally, an EXT CV input allows to provide an external envelope.
The bass channel is passed through a resonant low-pass filter with Cutoff and Resonance control.

Finally the Bass and Chord channels are mixed together. The output level is set by the Bass LEV and Chord LEV controls.

Notes: A modern classic. Superb little semi-modular monosynth in its own right, but comes alive when paired with other modular gear. A great option for beginners and experienced synth users alike.

Supplier's notes:
The 0-COAST is a single voice patchable synthesizer. Its name reflects the fact that it utilizes techniques from both the Moog and Buchla paradigms (aka "East Coast," and "West Coast," due to their locations), but is loyal to neither and thus implements "no coast synthesis."

While the 0-COAST utilizes classic modular synthesis techniques, it's designed to operate with or without the use of patch cables. The necessary connections have been made from circuit to circuit so it operates as an expressive, musical MonoSynth. Using only the MIDI controller of your choice you could apply new timbres to your existing musical forms!

Using the included Patch Cables you could get more scientific, experimenting with new ways to wire up the circuits. You might even forgo MIDI altogether, disappearing into a cloud of analog FM induced Sidebands and harmonics scattered around a single fundamental drone that has nothing to do with any form of music you've ever known.

Notes: Circuit Mono Station is a next-generation sequenced monosynth that originates from the Bass Station II, with three sequencer tracks that benefit from the 32 velocity-sensitive RGB pads found on Circuit.

The synth has two oscillators, three distortion modes, plus one multi-mode filter with high-pass, low-pass or band-pass. With Circuit Mono Station, the sync and tuning parameters of its two oscillators can be individually controlled. It also offers four waveshapes (sawtooth, triangle, square and sample + hold), a sub-oscillator, ring modulation and noise generation. Users can get the frequency band they want by applying high-pass, low-pass and band-pass filters with slopes of 12dB and 24dB.

In addition, Circuit Mono Station introduces a powerful overdrive. Both monophonic and paraphonic modes are available, with each oscillator individually controlled by its own sequencer. There are three sequencer tracks: two oscillator sequencers and one modulation sequencer. Users can alter Gate length, switch patterns instantly, choose sync rate and mutate patterns.

A four-by-eight modulation matrix makes it possible to route from LFO with four waveshapes, envelope, sequencer or velocity, enabling complex modulation for pitch, pulse-width, amp, filter, distortion or CV. Up to 64 patches can be loaded and saved on the device, right at the user's fingertips. Circuit Mono Station controls separate hardware via CV, Gate and modulation outputs, and has MIDI In, Out and Thru, so other MIDI gear can be connected. Via USB, Circuit Mono Station can be plugged into Mac or PC, where unlimited patches can be managed using Components.