I Adore You (feat Natalie Williams & Ulterior Motive) (6:04)
I Think Of You (7:11)
Truth (feat Jose James) (4:55)
Tu Viens Avec Moi? (8:47)
The Ballad Celeste (5:10)
This Is Not A Love Song (6:25)
The River Mirrored (5:38)
Tomorrow's Not Today (4:30)
Run Run Run (6:05)
Review: It would be fair to say that excitement has been building since Goldie announced the release of The Journey Man earlier this year. You see, the expansive, triple-vinyl full-length is the Metalheadz man's first album since 1998's patchy Saturnz Return, and is being trumpeted by those who've heard it in full as a triumphant return to form. It naturally features some sweeping, classical instrumentation, but there's nothing as self indulgent as the hour-long "Mother". Furthermore, Goldie has wisely delivered a set of high quality drum and bass that ticks numerous boxes - dancefloor darkness, jungle revivalism, liquid funk warmth - with a string of suitably impressive collaborators (Ulterior Motive, Swindle, Jose James, Natalie Williams, Terri Walker) swinging by to ensure the set oozes soul.
Review: Some seven years on from their last album, Invaders Must Die, The Prodigy returns, seemingly as angry, frustrated and overheated as ever. The Day Is My Enemy sees Liam Howlett and his band of merry men revisit the glory days of Fat Of The Land, smashing together a typically in-your-face blend of rugged electronics, rock-tinged riffs and bombastic beats (including, on "Rebel Radio", what appears to be the breakbeat used on "Firestarter"), with similarly full-throttle vocals. There are a couple of notable guest spots - including men-of-the-moment Sleaford Mods on the standout "Ibiza" - but for the most part it's business as usual, with Howlett conjuring up music that should keep their legion of fans happy whilst reasserting their authority as world leaders in rock-tinged EDM.
Review: Last year, D&B heavyweights Serum, Voltage and Bladerunner joined forces to deliver two rave inspired EPs of heavyweight club jams under the Kings Of The Rollers alias. Here the experienced trio offers up its eponymous debut album, an unashamedly heavyweight affair packed to the rafters with punchy rollers, mind-mangling tech-step tear-outs and gargantuan future D&B anthems. It's a little more varied than their DJ-friendly EPs, with the pandemonium-inducing smashers being joined by a variety of vocal numbers (see the Inja-sporting "M-O-V-E", grandiose "The Sky Is Falling" featuring Lydia Plain and thrillingly weighty MC Bassman hook-up "Rockers") and occasional forays into jazzier and more melodious territory. Yet for all the subtle variety and surprise diversions, it's the sheer club-ready heaviness of the whole thing that really sets the pulse racing.
Review: Back in the autumn, sometime Metalheadz regular Lenzman launched his own label, The North Quarter. Here he returns for a second outing, bringing with him a quartet of tasty tracks. IAMDDB lends a hand on the sweet, skittish and soulful opener "In My Mind" - all fizzing D&B breakbeats, tumbling piano lines and evocative vocals - before soul man Steo unfurls a heartfelt vocal on the similarly breezy "Tender Love". On the flip, you'll find the moody, urban-sounding D&B-rap roller "Park Hill" (which may or may not be a tribute to the infamously bleak Sheffield housing estate of the same name), and the jazzy D&B warmth of Subphonics' collaboration "Bayview".