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Back catalogue: Dub
Juno's full catalogue of Dub
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Singles
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Review: Thomas Blanchot aka Mato's love for reggae runs deep. His love for soul music is just as equal. So, what should a producer do who enjoys making original music but also enjoys the art of sampling? Use both! Known for creating reggae/dub versions and then using popular lyrics sung by a guest vocalist over the top of them, giving the original versions a new life and sometimes, a completely different feeling, in some ways working even better than the original. Here, Mato takes the 1981 hit by Sylvia Striplin 'You Can't Turn Me Away' and a super laid back reggae rhythm underneath as a base. And it works so well. Complete with the dub version for the DJs. Sit back and relax to these interesting examples of a stylish way to take mashups to a different higher level.
… Read more in stock $14.43
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Review: Sunset's reissue series of Harry J releases continues with this gem from the late, great Freddie McKay's 1986 collaboration with The Jah Apostles, one of the last productions to feature the singer - who seamlessly navigated from the early ska days right up to the digital era - before his untimely death in November of the same year. McKay's soulful vocals ride effortlessly over the Apostles' mesmerising rhythms here, meaning that it is impossible not to be transported listeners to the golden shores of Jamaica at sundown. As is so often with the case with reggae, there's a dubbed out version on the flip - we wouldn't have it any other way.
… Read more in stock $12.36
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Review: Stix Records is the sub-label of superb French outlet Favorite Recordings, and it is reserved for heavy dub cuts. This one finds label regular Mato reworking a classic reggae roller first written by Kool & The Gang. His gorgeous version is perfect for hot summer nights with its languid Fender Rhodes leads and sun kissed beats. It's loved up and perfectly, frankly. On the flip is a reggae rework of Bill Withers', who is sadly no long with us, 'Use Me,' repackaged with a playful harmonica lead and more grinding chords over the gently tumbling beats.
… Read more in stock $12.64
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Review: There are seemingly no limits to the music Emotional Rescue will put out. This time they look back to the post punk scene of Bristol in the early 80s. Mouth was a short-lived outfit that put out just a couple of releases, but each one blazed a trail though leftfield percussive sounds, wave, weird jazz and electronics. Andy Guy and Rob Merrill were the main members with the likes of Nellie Hooper also in the band's orbit. This record is packed with tribal drumming and floating horns, broken dubs and avant-jazz but all with a proudly DIY attitude. It's packed with heady moments and wild steppers that havent aged a bit and still sound future.
… Read moreIntérprete: Juno Recommends Rock/Indie, Juno Recommends Jazz
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Review: Pressure Sounds have dug out a previously unreleased version of this lovely roots instrumental from Tommy McCook and The Aggrovators. It was recorded at King Tubby's Legendary studio with production by Bunny 'Striker' Lee and was first found on the Playlist Original King of Dub album. Its a lute, lazy jam with sliding hi hats and nice lead melodies that are bright and airy. The flip pairs tings back a little but the tune remains crucial. This lovely slice of dub comes in a hand stamped brown sleeve.
… Read moreIntérprete: Alexis Le-Tan
in stock $11.09
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Review: The DDS label, short for Distort Decay Sustain, has given artists like Demdike Stare a platform on which to express themselves through over the years, but it was really Equiknoxx's LP from 2016, Bird Sound Power, which opened their doors to a whole new category of listener. In fact, it was that LP, with all its stunning, dub-wise experimentation, which has led to Mark Ernestus being called up for a pair of remixes. As you probably know, this is a rare case, so this 12" is sort of a special piece - "Congo Get Slap" is given the pure Ernestus rundown, with a charging, minimalistic percussion being swallowed whole by the raucous dub stabs caving in from all angles; the remix of "Flagged Up" is a much slower, more brooding affair in the same vein as the mythical cuts residing on imprints like Basic Channel and Chain Reaction - nothing but deep, meditative dub flexing for the mind. BIG!
… Read moreIntérprete: Mark Forshaw, Billy Nasty
in stock $20.62
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The Gun (Record Store Day RSD 2022) (limited numbered coloured vinyl 10" (comes in different coloured vinyl, we cannot guarantee which one you will receive))
Cat: MOV 10038. Rel: 03 May 22
Review: Quite when Record Store Day starts and ends amidst all the vinyl delays we're all suffering from is anyone's guess these days. But this is a record set for that celebration of all things waxy and it is a limited 10" with tracks by Edi Fitzroy and DATC Dubcrew which were all produced by Mikey Dread. It comes on hand numbered copies on solid red, solid green and solid gold coloured vinyl. 'The Gun' kicks off with withering synth work and fat rolling rhythms before 'Invasion' sinks into a much slower, deeper dub. Flipside versions offer more rib rattling bass and pillowy drum
… Read moreIntérprete: Juno Recommends Reggae
in stock $22.18
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Cat: DE 2102. Rel: 14 Apr 22
in stock $11.86
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Perilous Times (7")
Cat: YD 5. Rel: 23 Jun 22
Review: Sugar Minott was born Lincoln Barrington Minott and not long after that he was working as a selector for the local sound system crews of his native Kingston. As a teen he launched his own sound system and then got into making his own rhythms from the late 70s and on through the 80s. Here we get 'Perilous Times' on 7" and it is a fine bit of deep and roots reggae with impassioned lyrics and fleshy dub sounds embellished with acoustic guitar leads. Black Roots Players then step up to wreck your head with the dub version in the flip side.
… Read more in stock $11.86
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Review: After his silky-smooth vocal feature on Eva Lazarus' Light As Feather, it was inevitable that Mungo's Hi Fi would pursue a project with London-based pure sing-jay Kiko Bun. Ms. Burnett is an ode to a lady friend of distinction, atop a dreamy major key rhythm whose bass-heavy clarity could have come out of Jamaica's Channel One studio in its glory days.
… Read moreIntérprete: Juno Recommends Dancehall/Ragga
in stock $8.76
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Review: Even before you hear the first beat, there is something incredibly exit about seeing the names Male - a pioneering beat master and pivotal figure in the early emergence of the dubstep sound - with Joe Armon-Jones, talented musician and master keys man. A Way Back comes on Aquarii, Armon-Jones's own label with him on keys and synths, Mala on drums and bass and Maxwell Owin featuring on 'Oh Lord'. It brings back memories of the golden dubstep years with cavernous bass and heavy weight drums all finished to perfection with Armon-Jones top lines.
… Read more in stock $18.04
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Review: Victor Axelrod aka Ticklah is the venerated producer beyond this new toast from Jamaican reggae and dancehall singer Mikey General. The pair came together during the pandemic and found plenty of common musical ground as they throw it back to the early 1980s analog rub-a-dub style. The backing track has been used in years gone by but Mikey adds his own spin to it here. He has been a mainstay in the scene since the 1980s and has fans in New York, London and Jamaica. On the flip of this one is an instrumental and dub mix, 'Prattle,' which features keysman Earl Maxton on clavinet.
… Read moreIntérprete: Juno Recommends Reggae, Tom Drew
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