Too Late For Nonesense (Omar live Out Of Box tool) (6:25)
Review: Indigenous Electronic's second release the "No Market for Emotion" EP pushes further into organic territory with a hardware driven release. The A side sees two tracks on the dubbier end of the spectrum recorded by Iranian producer Ramtin Niazi, a musician with a background in instrumental music, now with a greater focus on machine orientated electronic music. Niazi's contribution sees him delivering two low slung tracks: "Naked Dub" progressing with Lush emotional pads and "Cash Dub" a moodier counterpart. The B side sees the label's head Omar Jayyusi's debut release, with two entirely out the box jams recorded straight to two track. "Pyramid" has a deep and solid rumbling low end, acid basslines and percussive drums. "Too Late for nonsense", is a sub-bass focused micro house dj tool, punchy and reaching the lower end of the dynamic range.
Limited release of x 200 vinyl only without repress.
Review: Alchemy Dubs have cooked up more heat here with a ninth 7" that is a collaboration between Ojah and Jamaican singer Ras Tavaris. "Long Run" is a live mixed, proudly analogue cut with a stepper rhythm overlaid by Tavaris' important lyric work that muses on plenty of contemporary issues. Some lively percussion adds character and a flip-side instrumental dub lays even more fantastic studio work. That this one comes in a hand-stamped, hand-numbered, thick custom sleeve and is limited to 500 units makes it all the more collectable.
Review: Out 2 is a project from Jeremy Campbell and R. Zanzibar, who have previously worked together on albums for L.I.E.S. and Lectric Sands under different aliases. They sound right at home on Emotional Response, channeling the influence of 1980s New York dancefloor hybridization into six original tracks and their counterpart dub versions. It's an impeccable tribute to the forefathers of new / no / minimal wave with the right kind of funk rubbed in the groove and ample space in the mix for all the live dubbing the style demands. "Moving" is a surefire death disco party starter, "Dancing" hovers in a beyond the grave island boogie reverie and "Some Air's Red There" heads out into exotically enhanced territory without losing that NYC grit. It's a marvelous record, with the dub versions adding new dimensions to the music rather than simply repeating the same tricks sans vocals.