Review: Kahn & Neek return to local hub Peng Sound for some self titled double plated dubplate action under their steppahs project Gorgon Sound, housed in a rather lovely stamped gatefold sleeve. Although primarily known for their incendiary grime bangers on their own Bandulu imprint, and the dancehall sounds of last year's Backchat single, Kahn & Neek's steppahs-influenced Gorgon Sound project is a chance for them to expand on Bristol's rich legacy of dub, reggae, and soundsystem culture. Since the pair decided to begin the project in 2010, Gorgon Sound has since evolved into a full dubplate DJ operation, with a show made up of entirely their own material. Last year saw the Gorgon Sound project see its first vinyl release, in the form of "Find Jah Way", which featured on the debut released from Bristol's Peng Sound; this double 12" release presents a more expansive take on their steppahs sound, featuring four cuts of West Country bassweight with guest vocalist spots from Brazil's Junior Dread and Bristol's Guy Calhoun.
Review: Bristol label Peng Sound return to Rise, the Gorgon Sound EP released earlier this year with a fresh dose of versions from the Dubkasm crew that will satisfy every self respecting soundsystem operator out there. All four cuts from Kahn and Neek's release have been reworked and renamed by Dubkasm, who utilise their legendary soundtrac CM440 mixing console, carefully channelling the track's signals through chains of spring reverb, tape delays and specially crafted effects modulators. Dubkasm's DJ Stryda and Digistep have done an excellent job of plunging the Gorgon Sound even deeper into the realms of dub culture and the version theme extends to the artwork too with Tape Echo reworking the cover from the Gorgon Sound EP with equally impressive results
Review: Given dubstep's evolution of late, it can be difficult to find anything fresh. On this latest volume of Tempa's Dubstep Allstars series, scene veterans Silkie and Quest attempt to resolve this poser by joining the dots between the sound's past, present and future. So, there are bursts of roughness and the odd dubwise roller, but for the most part Dubstep Allstars 9 is a lesson in the deep, soulful and jazz-flecked end of the style. Most of the cuts come from Silkie and Quest's combined back catalogue, as well as the slick fodder put out by Mala on his Deep Medi imprint. That's not a criticism, though; by mining such a relatively narrow seam of material, the duo ensures that the mix has a smooth coherence that makes it hypnotically addictive.
Review: Volume Six of Tempa Allstars collects contributions from some of the underground music scene's pioneers and leading lights Skream. "Rollin' Kicks" begins the EP with a tapping drumbeat and a Breakage hued sonic palette (circa "Open Up") which is a million miles away from Magnetic Man. D&B-turned-dubstep minimalist Icicle steps up with "Anything". Crisp, acerbic breaks feature heavily, perfectly calculated beats and a futuristic touch. Falty DL adds a funky touch with "Sunday" as chirpy bleeps and bellows of bass underpin the fidgeting rhythms here, with notable sunny, upbeat vibes in the synth work. Benga injects a dose of humour with the ticking percussive lisp and robotic chant of "I Come From London" driving things along into a hypnotic state of sentiency. SBTRKTs "Sleep In Tokyo" is all broken, funked up beats, warm keys and delicately textured rhythms. Alix Perez brings the EP to a close with "Metric". Deep, atmospheric crackling, crisp SFX and rumbling subs roll along with dark menace. A superb finale to one of the finest releases in the Tempa Allstars series so far.