Review: Ovine build on the momentum of their first EP with another new house offering that is beautifully deep. It features two tracks each from Dan Piu and Pohl, and they all hack back to dreamy Italo, classic Mr Fingers and the more pensive Chicago greats. "Depresismatica" is a real highlight with its meandering basslines and infinite cosmic horizons. "Mello Phone" offers more pixelated melodies and busy beats and "Space In The Distance" has the sort of freaky edges and dusty analog textures house lovers always fall for. Already, then, this is a label that is setting a high standard.
Review: Unlike some in the growing electro scene, Datassette has been serving up far-sighted electronic music - both club electro and what some call "IDM" - since the dawn of the century. This, though, marks his first appearance on C.P. Smith's incomparable Central Processing Unit label. It's a pleasingly varied affair, with the British producer storming between club electro/early Autechre fusion ("Kestrel Manoeuvres In The Dark"), acid-tinged, beat-free electronic symphonies ("To The Scullery!"), hard-edged and suitably intergalactic Drexciya style workouts ("Stoatle Excelsior") and sparse, glitchy electro minimalism (wonky EP highlight "Polyhedron Navigator"). Even by CPU's infamously high standards, this is a particularly fine EP.
Review: Given the label's soulful roots, it's perhaps a little surprising to find Eglo championing a wild, wonky, machine-made EP full of angular electro, IDM, house and techno fusions from debutant Destiny71z. It's apparently the first of three EPs from the little-known producer, who used modular kit and dusty analogue gear to create his unpredictable but undoubtedly brilliant electronic workouts. We're particularly enjoying the zany Autechre-does-two-step-garage flex of "Softbeta" and the weighty, bass-powered crankiness of the artist's self-titled track ("Destiny71z"), but the jazzy, sun-bright breeziness of "Foodprogramvoltage" is also superb, and arguably more in keeping with Eglo's eclectic-but-soulful ethos. Either way, an eye-opening EP that's well worth checking.
Review: After launching the Gudu label with a superb EP of her own productions, Peggy Gou has recruited Ed Upton AKA DMX Krew - one of the most reliable producers in the house and techno scene - to handle release number two. Upton is in fine form from the off, sprinting his way through the atmospheric late night chords, garage style organ motifs, bustling acid lines and jacking drums of opener "CJ Vibe". He moves further towards vintage Motor City techno territory on the lusciously melodious but percussively punchy peak-time skip of "DXIOO", before reaching for the boogie synths and proto-house drums on futurist electrofunk number "Don't You Wanna Play?". To round things off, Upton brilliantly dips the tempo and layers up spacey melodies over classic analogue bass on "110 Series".