Stojche - "The Exchange" (Gian Hydrocity Refix) (5:40)
Review: Blackhall & Bookless have been pursuing a fantastic strain of house and techno via their Jaunt label for many moons now. They're back and celebrating 10 years with a series of fantastic remixes that highlight the scope of their artistic vision, and that of those close to them. Inland leads in with an oceans deep version of the label bosses' "Spirit", which is smartly followed up by Jonas Kopp's equally submersive take on Hiver's "Itria". Jasper Wolff and Maarten Mittendorff lets the swooning "Meandering Rivers" by Kaelan burst its banks and fill out an expansive landscape, while Stojche pings Gian's "The Exchange" out into an electro-speckled cosmos.
Review: On the A1 Chekov follows up their moves on Peach Discs and Timedance with a proper peak timer, they've been described by Ben UFO as 'king of the build up' and that's evident on this one. At the A2 London's Doppelate makes their Cong Burn debut with an elegant tech-house roller. Fresh from Russia's underground is Camin, on this, his debut 12" release he drops a useful tool which squeezes between electro and techno. Cong Burn founder Howes closes the B side with some warm hypnosis that could have landed in the golden era of Workshop.
Review: Slovenian imprint Svemir is the new offshoot on minimal house imprint Kanja and they are back with their third various artists compilation following previous editions featuring artists such as Gosub, Perseus Traxx and Olvap. This time round, Leipzig's Eoism (Pulse Drift/Undersound) explores some emotive smack electro on "Minor Alchemy", the enigmatic Hawaiian Surfer channels the distinct style of Motor City soul on "Parabolic Lens" and on the flip Croatia's Zagrebacki Elektric pump up the dark energy of "Ichi Ni Chi Cni".
Walid - "Human Injection" (Western World mix) (6:13)
Hank Rideau - "Tape 1" (5:10)
Review: Seuil's Eklo imprint returns, riding the post minimal wave of electro-techno on this fine three tracker by various artists. The Unknown Cities Of Gold Vol 1 is the first release from the Paris based imprint in 2018 thus far, and features the mysterious France 98 (a member of Tearss) who delivers a deeply meditative bleep techno excursion on "July 7" following the tradition of B12. We're loving Walid's trippy retro-tech jam "Human Injection" (Western World mix), which is the kind of track you'd hear at a Berlin party like Libertine or Melliflow alike. On the flip, it's TB-303 vs SP 1200 on the deep down and dirty "Tape 1".
Review: Helena Hauff returns to her own Return To Disorder label after last year's joyously received "Qualm" album on Ninja Tune. It's the first fully solo record Hauff has released herself, and it more than lives up to expectation. "Catso" is a wonderfully expressive slice of noirish electro draped in vintage synth arps and twinkling leads as enchanting as they are spooky. "Why Look At Animals" has a more low down funk, but once again sports the richly harmonic synth hooks to make this appeal right across the board. "The Brush" ups the tempo, but keeps things sparse and moody, while "Slim Filter" gets a touch more nasty and sounds utterly fantastic with it. Compared to her rabid DJ sets, these productions represent the more measured side of Hauff, but they're no less deadly.
Johnny Dynell & New York 88 - "Jam Hot (Rhumba Rock)" (7:22)
Art Zoyd - "Sortie 134" (part 2) (3:45)
Adiche - "Chuka-Ja (Get Ready)" (6:56)
Class Action - "Weekend" (Larry Levan mix) (8:15)
Gray - "Cut It Up High Priest" (4:23)
Golden Flamingo Orchestra - "The Guardian Angel Is Watching Over Us" (6:50)
Extra T's - "ET Boogie" (5:30)
Fab 5 Freddy - "Change The Beat" (7:31)
Convertion - "Let's Do It" (6:40)
Yoko Ono - "Walking On The Thin Ice" (5:55)
Review: Curated as part of the iconic street artist's Tate exhibition this year, The World Of Keith Haring unites many of the talented souls Keith knew, or was inspired by, during his prolific rise as one of the most vital cultural spokesmen through the 70s and 80s. Soundtracking the gritty downtown NYC streets he made his first mark on, this limited collection captures the whole melting pot from b-boy culture with cuts such as "E.T Boogie" and "Bump N Grind", raw boogie and soul ("Over & Over") and pure drama ("The Guardian Angel Is Watching Over Us"). A powerful collection as striking and relatable as his own signature.
Review: After the stunning Ostati album released on Organic Analogue last year, Georgia's HVL is back with a new album on the label for his home turf, Bassiani. As a resident of the infamous Tbilisi club, he knows innately how to communicate the vibe of one of the world's most widely discussed techno clubs, only this time he's taken a slightly tougher stance. "Eyes In The Sky" has a fierce, paranoid acid edge, while "F12 (Korg Patch Mix)" gets into freaky, cerebral techno territory. There are intriguing interludes and skits, and plenty more dancefloor heaters delivered with an inventiveness that once again affirms HVL's status as one of the brightest talents operating in the loosely defined field of deep techno.