Heidi Sabertoorh - "So You Want To Take Back Your Will" (6:37)
Synapse - "Shiny" (locked groove) (0:30)
Somatic Responses - "Strategy Of Desire" (5:22)
John Selway - "Brainchild" (5:29)
Pointsman - "Dirty Shirt" (locked groove) (0:30)
Review: Seminal New York City imprint Serotonin lives on. John Selway and Jason Szostek present It's What We Live For: Volume 2 - the second in a series of compilations sharing their vision of sounds of tomorrow. Szostek himself dons the well known BPMF alias again for some fierce breakbeat techno action on "Zu Heib Fur Uns", the equally legendary Healy brothers aka Somatic Response still going strong - as heard on the slo-mo acid trance journey "Strategy Of Desire" and relative newcomer Heidi Sabertooth of Opal Onyx delivers some sludgy electro-punk antics on "So You Want To Take Back Your Will". There's some handy locked grooves on the electro-bass tip featured too by Synapse and Pointsman, which were pretty wicked too.
Review: Slovenian imprint Svemir is the new offshoot on minimal house imprint Kanja and they are back with their third various artists compilation following previous editions featuring artists such as Gosub, Perseus Traxx and Olvap. This time round, Leipzig's Eoism (Pulse Drift/Undersound) explores some emotive smack electro on "Minor Alchemy", the enigmatic Hawaiian Surfer channels the distinct style of Motor City soul on "Parabolic Lens" and on the flip Croatia's Zagrebacki Elektric pump up the dark energy of "Ichi Ni Chi Cni".
Walid - "Human Injection" (Western World mix) (6:13)
Hank Rideau - "Tape 1" (5:10)
Review: Seuil's Eklo imprint returns, riding the post minimal wave of electro-techno on this fine three tracker by various artists. The Unknown Cities Of Gold Vol 1 is the first release from the Paris based imprint in 2018 thus far, and features the mysterious France 98 (a member of Tearss) who delivers a deeply meditative bleep techno excursion on "July 7" following the tradition of B12. We're loving Walid's trippy retro-tech jam "Human Injection" (Western World mix), which is the kind of track you'd hear at a Berlin party like Libertine or Melliflow alike. On the flip, it's TB-303 vs SP 1200 on the deep down and dirty "Tape 1".
Review: Yaleesa Hall returns to his Will & Ink imprint with some fascinating techno derivatives on the Hayley Laura EP, although these are much more straight ahead than his usual stripped down experiments - best heard on his 2016 debut album. Beginning with the electro-bass assault of "Zoe Price" bringing that UK style sound popularised by Carl Finlow or Radioactive Man in true style. "Hayley Roach" with its splintered beats and and tunnelling sequences are reminiscent of Regis' output in the late '90s, while "Laura Pomeroy" being the the most atmospheric cut on offer here - going down a more lush and hypnotic route. This is the first solo output from the Amsterdam based producer on the label.
Review: The first release from R.A.N.D Muzik Recordings, a new venture from Gunnar Heuschkel and Jan Freund's Leipzig-based pressing plant, is either a statement of intent or a collection of killer cuts from artists they've previously dealt with. Either way, it's something of a treat from start to finish. For proof, check the early Orbital-goes-electro positivity of Varum's "Das Busch", the psychedelic, acid-fired electro trip of Perm's thoroughly intoxicated "All", and the low-slung, pitched-down, lo-fi electro swing of Uncanny Valley regular Credit 00's fine "On Hold". If that's not enough to sway you, Robyrt Hecht and XY0185 do a passable impression of Drexciya on bustling opener "The Left Lane".
Review: In some ways, And Silently Vanish Away is an odd title for an EP packed with tracks that linger long in the memory. Certainly, electro heads will appreciate the heavy 808 hits, droning bass and fluttering, deep space electronics of Exterminador's brilliant "Alien Soundscapes", not to mention the trippy, delay-laden vocal samples, warped hardware melodies and scuttling drum machine rhythms of NGLY and Exterminador's "Broken Flowers". We're big fans, too, of Hinode's bustling, razor-sharp opener "Mission4" - the kind of track that would leap out of a DJ mix and send you rushing online to find out its identity - and the fuzzy, dust-encrusted techno hum of DJ Nephil's hypnotic "Codex".
Review: Vox Populi's Field Works Vol.II sees the Berlin based label travelling to different parts of the world in order to collect sounds and archive some of the finest musical traditions. This record is the result of a trip to Japan led by Swiss anthropologist and label founder Fred Scharf. It was inspired by academic methods: particularly ethnomusicology and incorporates everything from field recordings, studio recordings, religious rituals, fighting championships and even wedding ceremonies. From the slo-mo acid of Japan Blues (Berceuse Heroique) seductive "Chapter V" to Frenchman Tim Karbon's exotic polythyrhms that hypnotise you on "Chapter VI" and Shizka (aka Inoue Shirabe) getting into some abstract groove theory on his splendid offering "Chapter VIII".