Review: Two more rare grooves purloined from Cultures Of Soul's Brasileiro Treasure Box Of Funk & Soul and delivered on a sweet 45: Celia's "A Hora E Essa" is a steamy Latin funk workout from 72; all horns, cuicas and soft, honeyed vocals. Franco's "Ei, Voce, Psiu!" takes a more US funk idea with Franco's spoken vocals giving off a strong air of bandleader as the band lock down a tight groove beneath. Watch out for samba flip towards the end. Blink and you'll miss it.
The Family Daptone - "Hey Brother (Do Unto Others)" (3:52)
Soul Fugue - "The 100 Knights Orchestra" (4:58)
Review: Soul and funk heads won't want to miss this very special seven-inch from the Daptone Records crew, and not just because it's the label's 100th "45". The A-side features an all-star '60s soul cover of the Frightnrs rock-steady cut featuring vocal contributions from Saun and Starr, James Hunter, Lee Fields, Naomi Shelton, Duke Amayo, the Frightnrs and two legends who are no longer with us: Charles Bradley and Sharon Jones. It's a one-off that won't be repeated for obvious reasons, but more importantly it's very, very good. Over on the flip main man Bosco Mann takes charge, conducting and producing "two opposing armies" of woodwind and horn players from the label's expansive musical roster. As you'd expect, it's something of an epic.
Review: Way back in 1999, Acid Jazz Records launched an offshoot dedicated to disco edits: Original Sound Track Recordings. The best of the series' many superb reworks were later gathered together on a compilation album on EMI that now changes hands for significant sums online. Happily, they've decided to reissue some of their early releases, beginning with this 7" of Family Tree featuring Sharon Brown's "Family Tree". You'll find the peerless original - a breakbeat-driven chunk of lolloping funk brilliance - on Side A, with the label's 2002 "Super Disco Break Beat" version on the flip. Inspired by hip-hop DJs doubling up the track's brilliant drum breaks, it's a killer percussion workout with a few quick blasts of funk energy and carefully placed special effects (think flanged drums, reversed sections and so on).
Review: New Zealand-born Lance Ferguson has been the beating heart of Melbourne's modern funk and soul scene for the best part of two decades. It's this that allowed him to gather many of the city's best musicians together to record "Rare Groove Spectrum", an album of fresh covers of rare and classic funk, soul and Latin jams. This sampler seven-inch contains two killer covers. On the A you'll find Ferguson and company charging through the deep funk brilliance of "Egg Roll", an instrumental track that first rose to prominence when Keb Darge reissued an un-credited test pressing of mysterious origin. Over on the flip, Ferguson's charges deliver a heady, exotic and intoxicating interpretation of "The Dump" by Soul Vibrations.
Review: Taken from Lee's brand new album Special Night "Make The World" is Fields at his finest, fieriest and funkiest - a message of clear unity delivered with his signature gutsy vocals over a beautifully tight groove from The Expressions. Rolling with a real sense of momentum and cool drama, Fields and his troupe still have heaps of love to give. The feeling's mutual too.
Review: "One Step Ahead" by American soul singer Aretha Franklin was released by Columbia Records in 1965. The A-side of the single reached the Rhythm & Blues singles chart of the time and ranked at #18. On the flip, "I Can't Wait Until I See My Baby's Face" was taken from her 1964 album entitled Runnin' Out Of Fools. The single was released two years before Aretha achieved stardom when she joined Atlantic Records. The A side cut was not included on any of her Columbia studio albums and remains one of her rarest releases. The song has risen in familiarity due to its use in recent films, such as the music documentary Muscle Shoals and in the Academy Award winning drama Moonlight directed by Barry Jenkins.
Review: Soul Brother present two sublime cuts by Carolyn Franklin, younger sister to Aretha, for their debut appearance on the seven inch format. On top of her significant body of work as a songwriter and background artist for Aretha and several other acts of the 60s and 70s, Carolyn Franklin record four solo albums and several singles for the RCA label. Rare groove heads favour Franklin's fourth LP If You Want Me in particular, issued in 1976 but originally recorded three years earlier, and Soul Brother have licensed two highlights for this 7" which demonstrate Carolyn's range for anyone not familiar with her work. "Sunshine Holiday" is a psyche delight akin to Linda Lewis' "Reach For The Truth" whilst "Deal With It" is pure funk.
Review: Raw, unfettered funk from one of LA's hardest working live outfits, Ray Frazier and Shades Of Madness recorded a criminal amount of 45s... One of which - "My Baby's Hand" - regularly fetches the handsome sum of L1000 between collectors. Instantly triggering the biggest northern soul sensations (stomping beats, relentless super-tight grooves, show-stopping splashes of bold soul), this will resonate with, and unite all, funk and soul aficionados across the globe. Highlights include the strident string-led blues riff on the aforementioned "My Baby's Hand", the chop-slapping JB-echoing tightness of "I Who Have Nothing" and the lazier, luxurious swing of "Gonna Get Your Love". Presented as a trio of sweet 45s, Jazzman have curated an exceptional document right here.
Review: One of 2016's finest funk stories was, without question, when AOTN suddenly dropped this incredible unreleased album by criminally slept-on Jacksonville troupe Fruit. A stunning piece of work, even by Fryer's standards it was a coup-de-grace. Now two of the album's finest, funkiest, sweatiest jams are available on limited 45. Instant floor burners, just like the rest of the album, before the tracks are over you'll feel you and your floor have known them forever.
Come Back To Me (Soopasoul remix - instrumental) (3:22)
Review: DJ Soopasoul has previously breathed new life into tracks by Croatian producer Funky Destination, so it's little surprise to see him putting his spin on the Osijek-based artist's latest missive. He does a terrific job, offering up vocal and instrumental versions of "Come Back To Me" rich in long, tension-building intros, fuzzy funk horns, bass-heavy grooves, swirling orchestration and hard-wired guitar riffs. While the instrumental version is tidy, our pick of the pair is undoubtedly the A-side remix. We're not sure who the lead vocalist is, but her delivery is incredible. Don't sleep on this one!
Review: The latest limited 7" single from the Beats & Breaks camp features subtle, DJ-friendly edits of two break-diggin' favourites. On the A-side, Juice's 1976 jazz-funk B-side "Catch a Groove" gets tweaked and extended, with lengthier passages of drum breaks at the beginning and end, as well as a sizeable percussion workout midway through. Turn to the flip for a similarly minded treat of Fuzzy Haskins' album-only cut "The Fuz & The Dog", where jazzy guitar licks and riotous horns buzz around a heavy, Blaxploitation-inspired funk groove. While less well known than the A-side, it's arguably the stronger of the two tracks; certainly, its extended percussive break is particularly suitable for hip-hop style doubling up.
Review: Tennessee's legendary jazz pianist, Harold Mabern, is surely one of the kings of the mighty Prestige label, and his material helped bridge the gap between jazz and funk back in the 1970s, alongside the likes of Idris Muhammad, The Jimmy Castor Bunch and all those geniuses. "I Want You Back" is a stone-cold classic and contains one of the most hummable trumpet lines ever, and if you hear closely it's been reworked and sampled by none other than the King of pop when he was only a little one. Funk Inc's sublime "Sister Janie" resides on the flip, a more lo-fi funk bullett for the diggers, and complete with a dusty organ!
Review: The latest 7" missive from the Outta Sight camp features two more impossible-to-find rarities. On the A-side you'll find a storming chunk of horn-heavy, Hammond-rich funk from obscure US psychedelic band Mr Floods Party. Originally released on GM Records in 1971, the cut has long been an in-demand amongst Northern Soul collectors thanks to its stomping beat and impassioned vocals. Speaking of Northern Soul favourites, flip to the B-side for the greatest moment from short-lived Detroit soul group Fork In The Road. Originally released in 1970, "Can't Turn Around Now" is a thrillingly energetic workout full of heavy instrumentation, surging vocals and an even heavier backbeat.
Take It Personally (Exclusive unreleased instrumental) (1:30)
Review: Mukatsuku's latest must-have release offers another opportunity to own early Freddie Cruger AKA Red Astaire favourite "Take It Personally". The wonderfully dusty, smoky and life-affirming hip-hop-soul cut first appeared as a Swedish only CD single in 2001, before later being included on the Stockholm stalwart's 2006 debut album "Soul Search". This time round, the inspired original - all head-nodding beats, sumptuous strings and sugary-sweet vocals from guest Desmond Foster - comes accompanied by a previously unreleased instrumental take. This vocal-free version is superb, offering listeners a chance to wallow in the quality of the Swedish veteran's bumpin' beats and intoxicating, head-in-the-clouds production. In the record box of Danny Krivit,DJ Spinna, Kid Koala and more! Only 300 hand-numbered copies and strictly no repress. Juno copies come exclusively in additional hand stamped kraft paper inner sleeve and branded card outer sleeve. Don't sleep !