Sweet Power, Your Embrace (Alex Attias Sweet re-edit) (7:16)
8 Counts For Rita (6:42)
The Blessing Song (Flow Lab Kid Blessed remix) (8:53)
Blackbyrds Theme (5:29)
Review: Freestyle Records continues to be an essential source for visionary funk and soul from across the globe, and now they're returning to recent signing Lance Ferguson and his Rare Groove Spectrum. This 12" carries some remixes and rarities that complement Ferguson's self-titled album from earlier this year. Things kick off with Alex Attias' dreamy, Latin-tinged edit of "Sweet Power, Your Embrace" before the original "8 Counts For Rita" bursts forth in a flurry of trumpets and salsa piano. "The Blessing Song" gets remix treatment from Flow Lab Kid, and then Ferguson tackles a cover of The Blackbyrds' "Blackbyrds Theme", all of which have the next level funk chops Ferguson has displayed elsewhere in his burgeoning repertoire.
Review: Turbotrax was an intermittent curio that belched out of the Bristol underground in a fit of tongue in cheek edits and samples back in the '00s. Someone's clearly rebooted the mainframe and brought this elusive collective out of hiding for another bout of cheeky lifts from more esoteric corners of culture. Library Vultures says it all - this is the work of dedicated diggers pulling forgotten bits n' pieces out of retirement, such as, on the A side here, the storming theme to a Commodore advert, and giving it a buff up more extended retro-pleasure. "Whatever Happened To The Hippies?" on the flip is a more light-hearted affair with a jaunty lilt and a message of positivity for all.
Review: the return of Eric Boss (aka E Da Boss of The Pendletons and Myron & E) and Ishtar Peeler's Lucid Paradise flexing their falsetto fire over a swinging groove and brazen Hammond smashes while on side B we head to St. Petersburg for an incredible medley/b-boy homage from Russian troupe the Great Revivors. More organs and references than you can pull a powerhead at. Jam on it!
Review: Longstanding reissue kings Soul Brother flex back to this powerful double A last issued by Cultures Of Soul in 2010. Two of Barbara Lynn's fieriest soul sessions, both released on Tribe in '66/'67 respectively, there's a strong northern stomp to proceedings on both sides. "I'm A Good Woman" is characterised by the driving kicks, tight horns and Lynn's urgent vocals while "I Don't Want A Playboy" comes with more of a traditional soul swing. Sleep on this and, in the words of Babs herself, you'll lose a good thing.
Billy Squier - "The Big Beat" (extended Breaks Special edition) (2:54)
Le Pamplemousse - "Gimmie What You Got" (extended Breaks Special edition) (4:12)
Review: We've said this before, but there's something brilliantly simple about the Beats & Breaks label's "Extended Breaks" series of seven-inch re-edits. There's no superfluous fluff or needless rearrangement, just solid and matter-or-fact extensions of key drum breaks to both aid mixing and light up dancefloors. For proof, check the mysterious re-editors' take on Billy Squier's 1980 heavy rock workout "The Big Beat", which prioritizes the track's fat, bottom-heavy drums and the singer's impassioned vocal yelps while stripping out most of the gnarled guitar riffs. If you need a bit of a breather from the heavy dancefloor pressure, the crew's subtle revision of Le Pamplemousse's drowsy, synth-laden deep disco shuffler "Gimme What You Got" - a string-laden slice of sun-kissed sweetness - should do the trick.