Put Your Spirit Up (Joaquin Joe Claussell edit & Overdub)
Other Souls & Things - "Mundo De Agua" (The Psychdelic Transfusion remix)
Afrikan Basement - "Sangre"
ITU High (interlude)
The Brooklyn Heat & Soul Band - "Come & Fly With Me" (Joaquin Improvisational remix mix)
Review: The undisputed master of spiritual house music Joaquin 'Joe' Claussell presents Cosmicdelic Afrika: a collection of demos that the New York City based visionary is currently working on in the studio. The idea for the compilation was inspired by the concept of his event Share: the upcoming Share Afrika will see Claussell digging through his archives and bringing out compositions exploring Afrika, African Diaspora, dub and more. Beginning with the deeply magical and meditative vibe of "African Drug" (Joaquin's Drugged Out Sketch mix) by Bob Holroyd, the soulful and uplifting deepness of "Emarofo Tech" (Joaquin's Demo Sketch Mix) by Mampo or Cosmic Ritual's "Abraxas" (Joaquin demo Sketch mix) which is classic Claussell - reminiscent of work on his seminal Language album from the turn of the millennium.
Review: During the 1960s and '70s, there were few greater exponents of "Forro" - a North-Eastern Brazilian style with some similarities to traditional styles of Colombian dance music - than Camarao. The talented accordionist, composer and band-leader recorded a string of fine albums between 1964 and '74, and it's tracks from these that make up The Imaginary Soundtrack to a Brazilian Western Movie, Analog Africa's fine retrospective of the Camarao's work. Musically, it's a blast - a real melting pot of jaunty, grab-a-partner styles and sounds, rich in memorable horn lines, dazzling solos and fast-past accordion motifs - while the accompanying 28-page booklet tells the accordionist's story in impressive detail.
Review: In 1970, 23 year-old Brazilian vocalist Celia Cruz headed into the studio with legendary producer and arranger Arthur Verocai to record the first of four eponymous albums that would go on to become "MPB" classics. Here, Mr Bongo offers up a timely reissue of that highly regarded debut, a set that giddily flits between soaring, orchestrated samba-pop ("Cheia Durango Kid", "David"), sun-kissed ballads ("To Be"), tributes to the songwriting prowess of the Beatles (see "Abrace Paul McCartney", whose strings tip a wink to "Eleanor Rigby", and the brassy, up-tempo beat pop of "Lennon - McCartney") and carnival-ready workouts ("Fotograma").
Aldo Vanucci - "You're All Show" (feat Kylie Auldist - Smoove remix Craig Charles edit)
Lack Of Afro - "The Outsider" (part 2)
Mop Mop - "Run Around" (feat Fred Wesley & Anthony Joseph)
Euro Cinema - "Koekwaus"
Saskwatch - "Second Best"
The James Taylor Quartet - "Blow Up"
The Bongolian - "The Riviera Affair"
Hot 8 Brass Band - "Ghost Town"
Hidden Jazz Quartett - "High Heels" (feat Omar - Lack Of Afro remix)
The Perceptions - "Bite The Bit"
Jessica Lauren Four - "Happiness Train" (featt Jocelyn Brown)
Omar - "There's Nothing Like This" (feat Pino Palladino)
Dr Rubberfunk - "Creek Walk"
Cookin' On 3 Burners - "Cars"
Deep Street Soul - "What She Said"
The Sweet Vandals - "Feel Alive"
Emma Beatson & The Hawkmen - "Do It" (Mako & The Hawk version)
Tape Five - "Geraldine's Routine"
Review: Self-proclaimed "complete package" Craig Charles (actor, poet, DJ, radio host, stand-up) seems to be enjoying life as Britain's most famous funk and soul fan. Here, he curates a second installment of his Funk & Soul Club compilation series. Predictably, there's plenty to tickle the fancy, from the reggae-soul-house shuffle of Lack of Afro's remix of Hidden Jazz Quartet's "High Heels", and the psychedelic funk madness of The Bongolian's "The Riviera Affair", to the celebratory release of Jessica Lauren Four's "Happiness Train" (featuring a brilliant vocal from old Jocelyn Brown), and a pair of ripsnorting cover versions (Cookin' On Three Burners' fantastic take on Numan's "Cars" and Hot Eight Brass Band's famous remake of the Specials' "Ghost Town").
Brian Auger's Oblivion Express - "Foolish Girl" (feat Alex Ligertwood)
The New Mastersounds - "Tantalus"
The Getup - "Hush"
Orquesta Akokan - "Mambo Rapidito"
Gizelle Smith - "Scared Of Something"
Menagerie - "Spiral"
Review: Craig Charles' annual "Funk & Soul Club" compilations are fast becoming as much of a Christmas tradition as turkey, dodgy decorations and ill-advised snogs at office parties. As with its predecessor, this sixth volume does a good job in showcasing the best in modern funk, soul, Afrobeat and heavy Latin jams, with a few stone cold classics thrown in (see the Mighty Ryeders' peerless "Evil Vibrations"). Look out for deep and heavy funk gems from the Bamboos, the New Mastersounds and Lance Ferguson's Rare Groove Spectrum, some suitably smooth fare from Courtney Pine and Omar, a scintillating, salsa-focused cover of "Papa Was a Rolling Stone" by Scotland's Grupo Magnetico, and a dash of dancefloor goodness from funk breaks scene stalwarts Smoove and Turrell.
Review: Chicago Odense Ensemble is a unique proposition that came together out of a chance meeting between Danish musicians Jonas Munk and Jakob Skott and a host of notal improvisational musicians based in Chicago, including members of Tortoise and the Chicago Underground Collective. After a now highly sought after first album, the loose-fit collective emerges once more with another wild collection of pieces that span jazz, psychedelic rock, kosmische and so much more besides. As deep and smoky as it is freeform and vibrant, you could spend years listening to this album and discovering new things.
The Shared Stories Of Rivals [KEITA] (feat Saul Williams)
Forevergirl (feat Chris Turner & Mike Larry Draw)
Songs She Never Heard (feat Logan Richardson)
Ritual (Rise Of Chief Adjuah)
Before (feat Elena Pinderhughes)
Ancestral Recall (feat Saul Williams)
Review: New Orleans trumpeter Christian Scott aTunde Adjuah returns with his first album in almost two years, an essential set of spiritually conscious Afro-jazz that wraps his bold, mesmerizing and memorable trumpet solos around a variety of skittish tribal rhythms, Mariachi style horn riffs, soulful vocal arrangements and 21st century jazz instrumentation. It's a unique and thoroughly absorbing signature sound, with the assembled guests - most notably Saul Williams, Elena Pinderhughes and Logan Richardson - adding much to Scott aTunde Adjuah's intoxicating sound soup. Highlights come thick and fast throughout, from the slow burn soundscape of "Diviner (Devan)" and wonderfully percussive "Ritual (Rise Of Chief Adjuah)", to the intergalactic drowsiness of "Prophecy" and breezy "Double Consciousness".
Review: "Ma Fleur" is the first full studio album by Jason Swinscoe's Cinematic Orchestra since 2002's "Everyday". The record was written as the soundtrack to a specially commissioned screenplay for an imagined film (which may or may not be made). Shortly after finishing "Everyday", a piece of music which achieved great critical and commercial success, Jason Swinscoe relocated from East London to Paris. Here he began work on the instrumentals which would form the basis of his new record - more moods than finished tracks, a series of sketches or diagrams of directions to follow. Having completed a rough version by early 2005, he gave this to a friend who disappeared for three weeks and came back with short story scripts in which each scene represented a story of a different time in life, expressing the emotions which underpin the journey from birth to death. Jason then took this and worked some more on the tracks, and in turn gave this back to his scriptwriter, the two aspects of the project developing alongside one another. Gradually, Swinscoe recruited suitable vocalists for the atmospheres and themes he wanted to deal with. The remarkable Fontella Bass, who is now sadly in frail health, is the woman behind both legendary soul number "Rescue Me" as well as some of the Art Ensemble of Chicago's finest moments, had worked on "Everyday" and was an obvious choice to voice the parts of the elderly protagonist that Swinscoe envisaged. Mercury-nominated Lou Rhodes is not only a fantastic singer but a young mother and so perfect for the "mid-life" singer. The as-yet unheralded Patrick Watson, a remarkable vocalist from Montreal, became the youngest of the trio.
A Caged Bird/Imitations Of Life (feat Roots Manuva)
Wait For Now/Leave The World (feat Tawiah)
The Workers Of Art
Zero One/This Fantasy (feat Grey Reverend)
A Promise (feat Heidi Vogel)
Review: Given the rise in popularity in new school jazz in recent years, it seems a fitting time to welcome back Ninja Tune stalwarts The Cinematic Orchestra. "To Believe" is not only their first album in some seven years, but also one of their strongest releases to date. Opening with the poignant neo-classical/soul fusion "To Believe", the set sees Jason Swinscoe and company attractively saunter between jazz-electronica fusion (Roots Manuva collaboration ("A Caged Bird/Imitations Of Life"), pastoral jazz epics (the sunset ready epic that is "Lessons"), gentle downtempo songs ("Wait For Now/Leave The World"), ambient jazz ("The Workers Of Art") and slowly unfurling dancefloor workouts (killer closing cut "A Promise"). In a word: stunning.
Review: Many African disco enthusiasts will already be familiar with the title track of Benis Cletin's 1979 debut album, Jungle Magic, thanks to the fine re-edit Sofrito released back in 2011. Few, though, will have heard the whole album, which here gets a well-deserved reissue on CD. Cletin's take on Afro-disco-calypso-funk fusion is undeniably sweet, with cuts such as "Mr Teacher" and "Love Forever" balancing the needs of dancefloors with a cheery looseness that's never less than intoxicating. Highlights include the urgent, synth-laden Afro-funk grunt of "Fireman", and the touching, down-tempo tribute to Africa, "Beautiful Continent".
Review: Kalita Records announce the first ever and definitive discography of Carrie Cleveland. Here, they offer an expanded version of her 1978 album 'Looking Up', including both the issue and promotional versions of her single 'Make Love To Me', and the previously unknown sweet soul single 'I've Got A Feeling'.
Privately arranged, recorded and produced by Carrie and her husband Bill as a labour of love in their backyard studio in 1978, 'Looking Up' is one of the most in-demand soul/disco LPs in existence, sought-after in particular for their track 'Love Will Set You Free'. In addition, the promotional version of Carrie's single 'Make Love To Me' is one of the best and rarest sweet soul records to have emerged out of the West Coast soul scene, and her single 'I've Got A Feeling' is until today virtually unknown even to the most seasoned of collectors, with even Carrie herself unsure if it was ever released. With the album originally pressed in a limited run of just 1000 with 500 copies of each single, original copies of Carrie's records deservingly command eye-watering figures on the second-hand market. Kalita now satisfy the thirst with the first ever official reissue of her entire discography.
The CD is accompanied by a mini-poster and includes extensive interview-based liner notes and never before seen photos, detailing Carrie and Bills' life and musical career.
Review: She may be best known as a TV and radio presenter, but Nigerian star Julie Coker also enjoyed a short but successful music career. She released two albums of note - highlife-focused 1976 debut "Ere Yon (Sweet Songs)" and 1981's more disco-centric "Tomorrow" - both of which now fetch eye-watering sums online. This fine retrospective showcases cuts from both of those sets, with the many highlights including the spacey, delay-laden highlife cheeriness of "Re Hese", the Clavinet-sporting disco-funk-goes-pop bounce of "It's All For You", the low-slung but rising, gospel influenced brilliance of "Gossiper Scandal Monger" and the heavily percussive, off-kilter goodness of album closer "Iyo-Re". You might also notice the intro of 'Ere Yon', which was recently sampled to great effect in Anderson .Paak's "Saviers Road"!