Review: Afrodesia may come on like another dusted down gem from those dedicated detectives at Best, but it is in fact a modern construction from the talented studio trysts of Mystic Jungle and Whodamanny from the Periodica camp. These Italian producers have more than proved their knack for crafting sublime, honey-smooth jams with a nod to the golden studio era of the 70s and 80s, and they're more than up to the task on this killer 12" of heavy funking jams with a dose of boogie and a nod to Ivory Coast disco. It's quite simply perfection, rendered with love and attention to detail, but utterly natural in its feel and flavour.
Angel Sound-Broadway - "Inner City Blues" (Acetate demo) (3:04)
Review: Cannonball celebrate the big two-oh with this delightful find of an original take of Gaye's seminal "Inner City Blues". Famously covered by Gil Scott Heron and Grover Washington Jr, here the legacy continues as the Italian collective rebooted John's recording with their own subtle instrumentation. With a full studio version on the Take side and rawer, floor-hitting funk finish on the Acetate side, we guarantee this will make you want to holler...
Review: Soul4Real has gotten 'soulful for real' with this third outing, coming through in the form of 2 previously unreleased gems from US band The Anglos. This is some pretty niche gear, what with the band having only put out a handful of 7s back in the 60, so it feels like a special occasion to have some new material from them on our shelves. These tunes were apparently destined to land on the Botanic imprint back in the day, and are famously produced and engineered by the great Jerry "Swamp Dogg" Williams, which is why they have a certain roughness that is rarely heard on other soul records. "Broke Down Piece Of Man" is a fast, beat-heavy number with a psychedelic edge that reflects the state of mind back then, while "Four Walls Of Gloom" takes the gospel tradition as its main ingredient, offering a wonderfully uplifting midtempo rocker for the heart and soul.
Review: Serial alias addict, Kris Holmes returns with a double side of split personality: The Disciples is a rough, bluesy layered piece of slo-mo surf rock where the drums only just keep up and the organs provide heavy soul salvation. "He Spoke" shows Kris on much more of an African inspired trip. Similarly hefty organs power the main groove but there's more uplift in the riff and instrumentation. Insatiable.
Review: "Der Say Ah" has long been a banger on dance floors tuned into international sounds. It's the sort of bouncy afrobeat and sax-laced classic that has been fetching huge amounts online. DJs like Gilles Peterson and Nightmare on Wax have been playing it for yonks and now, after many years of it being out of print, it is back courtesy of Push The Fader. The Akoya Re-Rub mix here was mixed by Ben Kane who worked on D'Angelo's Black Messiah, so this sounds beyond good. The 7" version comes from DJ Spinna with extra keys from Ticklah, psyched out bass and extra dub feelings.
Review: For their latest deep dive into forgotten and sought-after African music, Mr Bongo has secured the rights to reissue Togolese singer Akofa Akoussah's eponymous 1976 debut album. Akoussah was already something of a scene veteran when she recorded the set for Paris-based Sonafric, having made her vinyl debut in Togo 11 years earlier. The set remains something of a classic, with Akoussah variously delivering sweet vocals over local rhythms and guitars, bass, horns and Moog synth parts that showcase her Western funk and soul influences. There are some suitably heavy dancefloor workouts throughout (not least superb opener "Tango") as well as more laidback and stripped-back cuts. Curiously, the echo-laden production makes it sound like it was recorded in the mid '60s rather than the 1970s, but that's no criticism; it just adds an extra edge of intoxicating fuzziness.
Review: Last year, Amsterdam-based Turkish band Altin Gun delivered one of the most potent - and arguably overlooked - debut albums of the year, "On". 12 months on they return with album number two, "Gece", an inspired fusion of heavyweight Turkish psychedelia, funk, freak-folk and intergalactic rock. While the songs and recordings are brand new, the band's choice of instrumentation - vintage Moog synths, gnarled funk-rock guitars, skittish drums and fuzzy bass guitar - and 1960s style production gives the whole thing a deliciously retro feel. It's a recipe that guarantees thrills and spills, with "Yolcu", "Sofor Bey", "Derdimi Dokersem" and spacey "Gesi Baglari" among the many highlights.
Review: Gbubemi Amas is hardly Nigeria's most famous musical export. He began his career at the dawn of the 1980s, enjoying a certain level of success with debut album Grill. That set, reissued here for the first time since, was in many ways typical of developments in Nigerian popular music at the time. Amas was one of a new generation of artists moving away from the Afrobeat and Highlife styles that had dominated Lagos in the 1970s, instead laying down punchy, pop-tinged cuts heavily influenced by both American dance music (and in particular disco and boogie), and AOR rock. Highlights include the tasty disco-boogie of "Slow Down", the horn-heavy dancefloor sweetness of "For You", and the atmospheric synth-pop of closer "Listen".
Review: Initially released in South Africa in 1982, Gyedu-Blay Ambolley's sophomore set is now regarded as a boogie-era Highlife classic. Here issued on CD for the very first time via Mr Bongo, the album features the Ghanaian star brilliantly joining the dots between driving disco-funk, jazz-funk, intoxicating slow jams, calypso, dub reggae and his beloved highlife. Highlights come thick and fast throughout, with standouts including heavy percussion jam "Simigwa", the boogie-dub skank of "Adwoa", the down-low grooves of "Walking Down The Street" and the killer disco highlife anthem "It's High Life". Simply essential.
Review: 1975's "Simigwa" album not only launched the career of Afro-funk fusionist and eventual Highlife great Gyedu Blay Ambolley, but also inspired a Ghanaian dance craze. The album was co-produced by another Highlife great, Ebo Taylor, and has long been exceptionally hard to find on vinyl. For this official vinyl reissue on Mr Bongo, Ambolley's landmark set has been fully re-mastered for the very first time. It sounds spectacular, with great clarity on the ear-catching brass solos, serious weight to the bass and superb stereo separation. Highlights include - but certainly aren't limited to - the Afro-blues brilliance of "Toffie", the jaunty dancefloor fuzziness of "This Hustling World" and the heavyweight swing of ear-catching opener "Kwaakwaa".
Americo Brito & Djarama - "Rapaz Novo E Malandro" (7:32)
Cabo Verde Show - "Terra Longe" (3:30)
Elisio Vieira - "Tchon Di Somada" (4:20)
Vlu - "Rua D'Lisboa" (5:45)
Galaxia 2000 - "Coracao Dum Criola" (3:55)
Mendes & Mendes - "Mitamiyo" (5:24)
Danny Carvalho - "Roncanbai" (4:37)
Mendes & Mendes - "Walkman" (4:50)
Jose Casimiro - "La Mamai Ta Bem" (5:01)
Elisio Vieira - "Bem Di Fora" (5:35)
Zeca & Zeze Di Nha Reinalda - "Mocinhos" (4:24)
Review: Rotterdam is one of the many big port cities around the world that welcomed a high number of Cape Verdean immigrants. In the 1970s, Americo Brito was one of them and he soon got involved with the local music scene and found an ever larger community of likeminded talents. He took to the stage with his band and made for a buzzy little scene that found them tour with their own sound system. Here he works with Rotterdam local Arp Frique to serve up Cape Verdean music old and new with plenty of traditional Funana and Coladeira sounds next to jams influenced by wave, disco and funk, jazz, reggae and Latin pop.