Review: On his previous albums for Favorite, Brazilian Lucas Arruda has proved adept at adapting a range of vintage sounds from his home country - most notably 1970s MPB, jazz-funk and jazz-fusion, as well as 1980s boogie - into tasty new songs. He's at it again on "Onda Nova", his first album for four years. This time round, he's added a little blue-eyed soul, AOR and West Coast jazz-rock flavour into the mix alongside his usual breezy blend of ear-catching Brazilian style (check, for example, the Michael McDonald-ish vibes of English language cut "What I'd Do For Love" and the guitar solo-laden smoothness of "Heaven's In Your Arms"). It's a blend that guarantees glassy-eyed and loved-up thrills throughout.
Review: Originally pressed (on a limited run) in 2013, LA Latin funk troupe Boogaloo Assassins have reissued these two spellbinding cover versions again due to public demand. Still on a highly limited run, both cuts need to be in your collection: Dawn Penn's "No No No" gets a strict samba switch with lavish percussion and consistent vocal harmonies throughout while Sonny Henry's "Evil Ways" (best known from its Santana cover) gets the dreamy instrumental treatment where the horns and glocks do the narrating over a tight bed of wood blocks, shakers and liquid Rhodes. Killer stuff and Juno is one of the few stores outside of USA which is carrying the 45. Don't Sleep !
Review: Another jewel for all the deep diggers out there produced by Calvin Arnold aka Billy Byrd - soul and funk singer, guitarist, songwriter and producer from Georgia, USA. "Lost In The Crowd" is a solid funk workout, featuring an intense rhythm and a powerful vocal. On the flip, there is a more chilled-out soul jam titled "Silly Kind Of Love" for the connoisseurs out there. Reissued due to public demand here on a nice great-sounding 45" by Vienna's always reliable Record Shack.
Review: Ahmad Jamal track been sampled and reworked by Hip Hop greats
Primo - Gang Starr Solilquay of Chaos to Black Moon -Black Smif-mWessun- Pete Rock flipped on Something Funky release.
Richard Evans bass player and arranger blazes Jazz Funk intro, really sets it off from Original Foster Sylvers version very hot tune !!!
You're Gonna Need ME Dionne Warwick
1973 Monster of Pysch Soul tune
Written by Holland - Dozier- Holland Studios arranged by Mckinley Jackson you can hear that RAW DETROIT FUZZ FUNK Sound.
Dilla aka Jay Dee brought to the light of day after he flipped it on his Famous Donuts album (STOP) back in 2006 Well that history we already know!
Wu-Tang's Clap from THE W album (2000) as bonus track!
Review: Tramp Records has stayed close to home for this release, reissuing two killer cuts from the 1981 album "Mittwochs In Marl" album by Tyree Glenn Jr. While he is American - his father, Glenn senior, was famously Duke Ellington and Louis Armstrong's trombonist - Glenn Jr had moved to Germany (where he still resides) around the time that the album was recorded. Lead cut "Superbad" is a genuinely heavy, full-throttle funk beast, with Glenn Jr doing his best James Brown impression over an insatiable groove and rousing sax solos. "Ma(r)l Sehen", on the other hand, is a much more breezy affair - an instrumental jazz-funk outing rich in dueling sax and electric piano solos.
Groove Ma Poule (feat Djeuhdjoah & Lieutenant Nicholson)
Daddy Sweet (feat Pat Kalla)
Li Dous Konsa
Sa Ce Kado
Shake It & Rise Up
Nosso Carimbo E Do Mundo (feat Pinduca & Nazar Peirera)
Se Nou Menm
Boug Bagay La
Penda (feat Emma Lamadji & Kandy Guira)
Review: Under the Guts guise, instrumental hip-hop beat-maker turned tropical soul enthusiast Fabrice Franck Henri has become one of Heavenly Sweetness' most reliable artists. "Philantropiques" is Henri's first album for three years and could well be his most expansive and adventurous to date. The set's 15 tracks are as colourful and musically rich as you'd expect, with the storied producer and a range of vocal collaborators conjuring up tracks that draw influence from a myriad of Central American, Caribbean, South American and African styles. The results are uniformly excellent, with highlights including the tropical shuffle of "Mucagiami (feat Vum Vum)", the sun-kissed French Caribbean funk of "Daddy Sweet (feat Pat Kalla)", the Afro-Tropical rush of "Kenk Corner" and the synth-powered brilliance of "Shake It & Rise Up".
Review: Two super rare takes on verified northern soul anthems from Tamla Motown singer/songwriting legend Brenda Holloway on Eight Mile: Her biggest track - a cover of Prince Philip Mitchell's "I'm So Happy" - is thrown down in true Tamla style with big orchestration and belting backing vocals while the highly sought after "Love Me For All The Right Reasons" digs deep in the heart with more of a contemporary soul touch. Heaven sent.
Review: Acid Jazz has pulled off something of a coup here by persuading legendary '70s soul man Leroy Huston to part with a couple of previously unreleased cuts. A-side "Positive Forces" was recorded by Hutson in 1977 and sits somewhere between the sweeping, orchestrated bliss of Philly soul, the soaring dancefloor celebration of disco and the loose-limbed instrumental goodness of jazz-funk. It's an absolute stunner, all told, and sounds like it was tailor-made for spins at sweltering summer festivals. On the B-side you'll find a previously unreleased instrumental version of 1975's "All Because of You". While a vocal-free version has previously been released, this particular mix includes a little more drum action at the beginning to assist with mixing.
Review: A 45 suiting the funky northern soul sound, re-reissued here on a great sounding Record Shack release. Both highly sought after versions of "What I Did In The Street" featured here: from the raw and original Gulfstream label version, backed with the smoother, disco release that came later. Originally released in 1978 as a B side to Betty Padgett's "Tonight Is The Night", King was a Florida based vocalist and this terrific song was her sole release.
Review: In recent times Rush Hour has excelled at reissuing obscure African music of the late 1980s, often pairing the original with a previously unheard cover version or remake. They're at it again here, offering up Les Choc Stars Du Zaire and Ben Nyamabo's 1989 cut "Nakombe Nga" with an obscure Belgian new beat cover by one album wonders Teknokrat's [sic]. Les Choc Stars Du Zaire's version is wonderfully positive, joining the dots between electronic soukous, ear-catching synth-pop and sunset-friendly Balearic vibes. The Teknokrat's version is, if anything, even more loved-up, with classic late '80s house instrumentation (Frankie Knuckles style synth-strings, jaunty pianos), ghostly electronic lead lines, delay-laden vocal passages and a superb synth bassline
Review: Applied Arts party promoter and Cashmere Radio co-founder Ed Longo has spent much of the last 12 months criss-crossing Europe for recording sessions with a wide array of jazz-leaning musicians. The result is "The Other Fantasy", a debut mini-album that's said to be, "conceptualized around the quest for otherness in the schizophrenia of the digital age". Regardless of the concept, the resultant music is rarely less than magical, with Longo and his collaborators effortlessly joining the dots between jazz-funk, fusion, boogie and '80s soul. Highlights are plentiful, from the Dayton style early '80s jazz-funk perfection of "Love On The Line" and drowsy new age ambient/jazz fusion of "Arcadian Dream", to the synthesizer-powered '80s smoothness of "A Palm In The Closet" and horizontal bliss of "Trouble In Paradise".
Fiona Yorke - "Love For Me" (Nigel Lowis Super Disco mix)
Elis - "Praise You" (Nigel Lowis Sound Factory mix)
Hannah White - "Tell Me" (Nigel Lowis Vintage mix)
Francisca Thomas - "Clouds In My Mirror" (Nigel Lowis Sholes mix)
The Dig Band - "Cosmic Wind" (feat Jimmy Gallagher - Dig Construction mix)
Lol Williams - "Everyday" (Dsg Classic mix)
Nigel Lowis - "When The Night Calls" (Nigel Lowis Breezin' mix)
John Reid - "Teardrops" (Nigel Lowis mix)
Teddy B - "I Can't Help Myself" (Dsg radio edit)
Rebekah Ryan - "The Best Of Me" (Nigel Lowis Sound Factory mix)
Marc Staggers - "Timeless" (Nigel Lowis Classic mix)
Peter Symphorien & Fitzroy Facey - "This Ever Changing World" (Nigel Lowis The Soul Academy mix)
Review: An active producer and remixer since the 1990s, Nigel Lowis has a knack for crafting classic-sounding reworks that effortlessly join the dots between contemporary soulful house and the classic sounds of Philly Soul, disco, jazz-funk and boogie. For proof, check out this second collection of new, rare and little-known Lowis reworks. Those of a soulful persuasion will find much to enjoy throughout, from the slick, sax-sporting Philadelphia Soul revivalism of Lowis' take on Tilly Grace's "The Soul Man Theme", and a string-laden, Chic style "Super Disco Mix" of Fiona Yorke's "Love For Me", to the sugary-sweet slo-mo revision of Marc Staggers' "Timeless" and the boogie-tinged soulful house re-make of Kenny Thomas' "Back On Broadway".
Review: A welcome return to action for Stank Soul scalpel fiends Mako and Mr Bristow, whose last collaborative re-edit release dropped back in 2017. This time round they offer up a slimmed down seven-inch selection boasting two hot-to-trot revisions. On the A-side you'll find "Stax Dawg", a loving tribute to the legendary US label that sees the pair wrap 1960s horns, vocals and instrumentation around their own rubbery, floor-friendly groove. "Love Book", meanwhile, is arguably even better: a low-down revision of a horn-heavy funk-rock affair rich in addictive guitar riffs, bustling drums, heavy horns and gravelly blues style vocals. They round things off via flipside "Funky Jive", a tooled-up version of rhythm and blues standard "Willie and the Hand Jive" that should have everyone singing along in the club.
Review: Unusually, Duke Pearson spent his entire career releasing music on just one label: the legendary Blue Note imprint. Although he passed away in 1980 after a long battle with multiple sclerosis, his final album was actually released in 1996. It's this posthumous set - made up entirely of rediscovered recordings made between 1968 and '70 - that here gets the deluxe reissue treatment. It remains a superb set, with Pearson flitting between bluesy soul-jazz, bossa-nova-tinged Latin jazz breeziness, groovy post-bop workouts, samba-soaked soundscapes and breathtaking beautiful cinematic jazz (see the inspired "Theme From Rosemary's Baby"). This expanded edition not only includes previously CD-only tracks, but also an unheard gem: the melancholic, Vibraphone and flute-laden lament, "Dialogo".
Review: Since he's such a prolific collaborator and creator of bands, it's easy to overlook the fact that Will Holland hasn't released a solo album as Quantic for almost five years. "Atlantic Oscillations", then, is a welcome return - particularly since Tru Thoughts boss Robert Luis thinks it's Holland's "most cohesive and intricate album to date". It's certainly a strong collection, with Holland wrangling multiple styles, tempos and musical influences to create cuts that defy easy categorization. While there are downtempo moments, "Atlantic Oscillations" includes more bona-fide club cuts then he's delivered in recent years, with sun-kissed disco cut "September Blues", Cuban disco-funk workout "Atlantic Oscillations" and Afro-Latin house bumper "Motivic Retrograde" standing out.