New releases last eight weeks: Funk Soul & Jazz

Review: Stevie Wonder's 'Pastime Paradise' has thus far been less recognised as an original soul wonderwork, and more so as a sample by American rapper Coolio on the derivative 'Gangster's Paradise'. Though still having been covered by many artists over the years, Major Keys records highlights this enduring 1981 cover of Wonder's 'Paradise' by Latin percussionist Ray Barretto as among their favourites, if not their absolute favourite. Now the label reissue the gem, flaunting its up-to-date, nigh timeless feel; it's the opposite of a miracle that this has never before been released on a 12" single record, despite the fact that it is a favourite on the floors of jazz and soul rooms the world over. It also flips it with Barretto's own 'La Cuna' and 'Mambotango', taken from the same 1981 LP.

Review: Craft Latino's vinyl reissue of Willie Colon and Hector Lavoe's 1970 album La Gran Fuga is a welcome revival of one of Latin music's most iconic collaborations. Newly remastered and pressed on 180-gram vinyl, this release allows listeners to experience the brilliance of Colon and Lavoe's sixth album in all its glory. With classics like 'Barrunto,' 'Pa' Colombia,' and 'Abuelita,' 'La Gran Fuga' presents the duo's unparalleled creativity and commercial success. Backed by a talented lineup of musicians overseen by Johnny Pacheco, Colon and Lavoe push the boundaries of salsa music, incorporating diverse musical traditions and delivering dance-floor hits alongside emotive ballads. The album's iconic cover art, featuring Colon's "Malo" alter-ego in an FBI wanted poster, adds to its cultural significance. Despite initial controversy, La Gran Fuga became a massive success, earning the duo their second Gold certification and solidifying their place in Latin music history. Retrospectively praised as "essential music" and lauded for its confidence and flexibility, La Gran Fuga remains a shining emblem of the Colon/Lavoe musical aesthetic. As listeners revisit these timeless tracks, they're reminded of the duo's remarkable talent and enduring legacy.

Review: This is the sole recording of a fleeting guitar sextet from Caracas, Venezuela. Led by Moises "Ajoporro" Daubetire, who later founded the renowned Grupo Mango, it marks his debut in the record market. Released amidst the waning boogaloo craze of the late 60s, the LP initially garnered little attention. Yet, it has since become a coveted collector's item. Its simply arranged tracks exude charm, with standout performances like the lively guaracha 'Ahorita No' and the rhythmic guaguanco 'Rico Guaguanco.' Despite its initial obscurity, this record remains a gem, beckoning listeners to explore its musical treasures.