Review: Borderland sees the illustrious Juan Atkins & Moritz von Oswald join forces for an album of meditative techno for Tresor. The partnership marks the first time Juan Atkins and Moritz von Oswald have directly collaborated in 20 years, though both have regularly assisted each other's work behind the scenes. Von Oswald played an important role in engineering much of Model 500's R&S catalogue, while Atkins supplied his mixing craft and two edits on Thomas Fehlmann & Moritz von Oswald's early '90s project 3MB. This eponymously titled album is skewed toward club-orientated electronic music blessed with a freedom for organic musical experimentation and expect to sink into a soundscape where melodic and textural motifs float in and out of focus.
Jesper Dahlback & Mark O'Sullivan - "When I Was Young"
Midland - "First Tube"
Review: Midland apparently spent much of his years fantasizing about one day playing at superclub Fabric, so it's perhaps fitting that the globe-trotting producer has finally been given a chance to contribute to the club's long-running mix series. Beginning with the woozy, off-kilter electronica of Georgia's "Pey Woman" and ending with his own "First Tube", the mix sees Midland effortlessly join the dots between breakbeat-driven house, skewed analogue techno, hypnotic leftfield tech-house, warm and fuzzy ambient house, quirky broken techno shufflers, throbbing electro and lots more besides. What's perhaps most impressive - aside from the quality and subtle variety of music on show - is the DJ/producer's willingness to flip the script and allow for lengthy beat-less intros, confirming his belief that mixes should be about more than a simple linear journey.