My Love Is For Real (feat Haddaway - live At The Cathedral)
Review: We've long thought that Austrian artist Wolfram Eckert is destined for greatness - or, to be more specific, crossover success - but to date his authentically produced but often tongue-in-cheek take on Euro-pop has yet to catch on with the public. "Amadeus", his long awaited second album, has all the ingredients to be a massive hit. Rich in bold synthesizer motifs, knowing nods to classic new wave and Euro-disco hits, atmospheric electronics, on-point grooves (we can hear nods to Italo-disco, Hi-NRG, acid house and the Pet Shop Boys) and high profile collaborations (Egyptian Lover, Haddaway, Peaches and, bizarrely, Pamela Anderson all appear), it's an album that brilliantly combines a mature synthesizer sound with the catchy hooks and giddy rush of the best pop music.
Nata Alma (feat Sidsel Endresen & Bugge Wesseltoft (You Might Say))
Review: While he's tended to maintain a fairly steady stream of singles, Robag Wruhme has never been a prolific producer of albums. It took him seven years to deliver a full-length follow-up to debut EP 'Wuzzelbud "KK"' and another eight to get round to creating "Venq Tolep", his latest album length exploration. So was it worth the wait? Undoubtedly! Beginning with the hazy grooves, gentle melodies and simmering strings of "Advent", the veteran German drifts between slow-motion ambient pop ("Westfal"), ethereal soft-focus deep house ("AK-Do 5"), intoxicating beat-free soundscapes ("Volta Copy (Ambient Version)") and undulating, glitch-heavy workouts that doff a cap to both pastoral techno and the glistening IDM of British greats such as Plaid and Boards of Canada.