Vincent Inc & Jon Dasilva - "Thinkin About U" (Questionmarq mix) (7:45)
Sasha Makin & Suntetic - "Drumatik" (7:23)
Review: The Manuscript mission rolls on unabated as the Ukranian label pairs long lost deep house gems with more contemporary productions. Slam Mode's "Morning Side Dr" is a gorgeous cut laden with plush synth tones to melt the hardest of dancers, while Dennis DeSantis' "Leisure" feeds touches of EBM into a mellow, dubby construction that spans styles with ease. Label boss Vincent Inc joins up with Jon Da Silva for "Thinkin About U", which Questionmarq turns into a delightfully quirky remix before Sasha Makin and Suntetic round the EP off with the epic "Drumatik".
Review: Carsten Jost, Lawrence and Bianca Heuser's Dial Records imprint recently celebrated 15 years in business with the CD-only All compilation of previously unreleased fare. Here, some of those tracks come to vinyl for the first time. Stefan Tcherepnin kicks things off with the delicate, Japanese-influenced downtempo pop of "I Want To Be Art", before DJ Richard reaches for the Detroit techno cymbals and jazzy chords of the wonderfully wonky "Zero". Flip for the atmospheric, beatless electronics of Christian Naujoks, the deep techno lusciousness of Pantha Du Prince's "Timeout On The Rocks", and the shimmering, spacey ambience of Queens' impeccable "Earth Angel".
Review: After the late nite, neon-red funk of his last release 'The Digital Fantasy' (which picked up support from the likes of Benji B, Alexander Nut & Ross Allen), Quaid returns with a new ep: 'CFE'.AIn contrast to the strung out, hazy eroticism of 'The Digital Fantasy', here the heart rate has elevated and the signals pushed further into the red. 'Nightlyfe' best illustrates this with its rough hats, minor chords and irrepressible rhythm. 'Body Forms' is a nod back to the hydraulic, locked funk of Quaid's previous releases, whilst 'Tango' offers Huerco S style synths under subverted Prince Housequake-era drums.A'99%' weaves around a driving bass algorithm and the insistent vocal refrain supplied by longtime collaborator Dziko.A. There's a change in mood here, the night has passed and sunrise is moments away. Lights on tomorrow's horizon glint endless glass, dust and chrome...
Review: Metropolis- is it an actual city or a digital fantasy; a construct formed inside a synthetic brain? Either way this is the soundtrack to a city that exists somewhere. A place that comes alive at nightfall and breathes artificial light until dawn. Where millions of human threads interweave, and a machine conciousness drifts by on the periphery, searching for an intimate connection. Limited pressing. Vinyl, tape and digital.
Review: This mini-album marks a shift in emphasis for Lustwerk Music, with boss Galcher Lustwerk choosing to showcase the work of another producer for the first time. He's apparently been nurturing Florida-based Quavius for some time, encouraging the young producer to "experiment more" while following his instincts. It seems to have worked, because the majority of music on this debut release is top notch. It covers a lot of ground, with the A-side alone moving between R&B-inspired hip-house ("Love The Way"), hip-hop ("Magic Man"), woozy electronica ("R 'n' V") and spacey deep house ("Composure"). There's naturally plenty more to enjoy on the flipside, too, from the old school deep hip-hop bump of "M 320", to the crunk-tinged, cut-up goodness of closer "Can I Be".
Review: Que Sakamoto has been previously spotted knocking around labels like Roam Recordings and To Rack & Ruin, dealing in the kind of sun-soaked contemporary funk rollers that will get Croatian festivals lit up this summer. The Japanese producer is in good company on Not An Animal, the label which has also carried the likes of Ian Blevins and James Hadfield. "Uchuu Hikoshi" kicks things off with plenty of drama and longing woven into the swirling synths and strident bassline, which Apiento then builds on for the super-deep "SE6 mix". "Kamakura" is another evocative track loaded with tension and texture, but still centred on the groove. Vyvyan brings a cheeky Ed Banger-esque dirtiness to her version of the track, completing a package that balances atmosphere and party chops in equal measure.
Review: After releases on Saints & Sonnets and Stay Underground, It Pays, Berlin artist Quell aligns with the MIL label for the four track Tomahawk which further cements his reputation for no-nonsense, stripped back house and techno music. "Size 7" sets the tone, a dark, underground roller with a trilling bassline and acidy bleeps that sits nicely alongside the shimmering chords and deep dubby vibes of "Monolame". On the B-side, Harhead leads with fluid percussive rhythms and sequential kick drums to give an immediate groove-intrinsic melody. The energetic, groove-led tone continues into the last track, "Where Are They Now", a Dark, techno-fused stripped back rhythm track with an acid tinged-feel.
Review: Qnete presents Play-Doh Stories on Ron Wilson's 777, following up some great releases on his own Drowned Records, Benjamin Brunn's Wake Up and Lobster Theremin. Some of the tracks are already three years old according to the now Leipzig based producer, admitting that he feels he's become somewhat of a different person since then. Nonetheless, he found himself coming back to these recordings, allowing him to reflect on how far he's come with his production and with a real sense of pride. From moments of raw and jackin' lo-fi attitude, dusty boompty deepness and ambient house through to slo-mo boogie down business and even a bit of drum 'n' bass - the boy from Bremen has sure come a long way.
Review: Quavius finally follows up on his self-titled debut LP for Lustwerk Music three years later, and it's worth the wait. As you'd expect of an artist snapped up by the close-knit crew Galcher Lustwerk orbits, there's a hazy, dreamlike mood lingering over all the tracks on "Find Ready", but there's plenty of variety taking place within that context. "Heaven Is In You" is as peppy as it is spaced out, while "Let It Rock" lays down a melancholic synth twist on trap. There's spacey acid, dusty, mechanical house and plenty more besides. Fun, varied and drawing on an angle that's all his own, Quavius has more than delivered on the promise of his first record.