Review: Norwegian producer Henning Severud AKA Telephones has decided to launch his own label. Fittingly, he handles the imprint's debut himself, dipping into his archive to serve up three tracks recorded at different times between 1998 and 2018. Our pick of a warm, colourful and loved-up bunch is "Aquatrak (FM AM Mix)", where jangling, Balearic house style piano riffs and dreamy chords splash around atop a chunky disco bassline and rolling drums. The quality threshold remains high throughout, though, with the '90s New Jersey-influenced deep house flex of "Amerikadegari (453-459 Mix)" and the late '80s Italian deep house vibes of "Hurricane (Purple Mix)" being almost equally as good.
Review: In recent years, Detroit Swindle's outings away from their own Heist Recordings imprint have been few and far between, so it's nice to see them popping up on Will Saul's Aus Music imprint. He's done a good job A&R-wise, with all three tracks hitting the expected highs. The Dutch duo are in fine form with "Wado Baya", a rubbery chunk of hot-stepping Afro-house where bleeping electronic melodies and glassy-eyed chords rise above a snappy-but-bouncy groove. "Rhythm Girl Swing" sounds like a slipped and slightly skewed take on hypnotic mid-90s house - all trippy riffs and slowly rising filtered motifs - while "Vibrations" sees them join the dots between warm and woozy early '90s deep house and organ-rich New Jersey flavours.
Review: From Copenhagen with love. After two years of planning, tweaking and fine-tuning, Danish groove monkeys Kasper Marott and Alfredo92 are proud to present their new label Axces. Repping their local crew, the label represents a community of artists including this single's co-producers Carl Emil and Lauge. "Os To" (which translates to 'the two of us') is as cute as it sounds. Dreamy, cosy, unhurried. "Fest Pa Taget" (party on the roof) raises the psychedelic factor a little as unearthly bubbles and chimes spin 360 around a jaunty rolling percussive beat. The start of something exciting and fresh; everyone has access to Axces.
Review: Robin Ball's Memory Box dips once more into the acid-laced honey pot and comes up with the lysergic maestro Luke Vibert, who delivers a crucial gurgler in "X To C" that ranks amongst his most incisive 303 workouts in recent memory. A snappy 808 drum line and quintessential vocal chops make this an all-round masterful jam for heads down moments in the dance. Robin Ball himself steps up on the B side with two equally proficient cuts, from the big and bold peak time propulsion of "Gripper" to the punchy tech-noir of "The Edge".
In Flagranti - "Kachi Kachi" (feat Ayakamay - DJLMP edit)
Review: Take It Easy made a splash with their first release from Dirty Channels - they've clearly got an ear for crowd-pleasing house music built for the big arena. This second drop comes from DJLMP and deals in a few different flavours of peak time party music. First up is the fierce and fabulous piano stomper "Blow Your Mind," which is followed up by the leftfield disco chops of In Flagranti's "Kachi Kachi", given a bang tidy edit by DJLMP. "Tiger Cat" takes on freaky cosmic disco with a French touch, and then "Angry" completes the set with an Afrobeat-laced workout that juggles tension and release masterfully.
Review: UK tech house hero Burnski has been serving up some serious heat of late under the Instinct alias, channelling that old school UK vibe of drum & bass, speed garage and 2-step. His exploration into these styles bring about this sixth instalment of his eponymous series with 3 cuts set to cause havoc on dancefloors this year. A side cut "Overthrow" rides on a slick tech house groove before moving into a swing-fuelled rhythm and razor-sharp sub-bass and it's business as usual. On the flip, shadowy stepper "Phased" fuses Artful Dodger's classic swagger with the dark sci-fi aesthetic of Ed Rush & Optical. Finally, put your lighters up for the furious junglist roller that is "Free Life".
Review: With previous releases from some of the top heads of the electronic spectrum, including Leif, Steevio, Arnaldo and more, the imprint UntilMyHeartStops returns with its latest release, this time for mysterious producer Ekeko. Rich analog tape waves sit nicely beside thick 909 rhythmic elements throughout this killer three tracker. The title track "Beyond Good & Evil" starts things of with strong spirit, taking pulsations of warping synths and balancing them with hazy club driven patterns. This theme continues through "FM Joy" and "Eye Ache" but with a wider focus on the dubbier elements of the electro and house spectrum.
Review: Resurgent Welsh techno wizard DJ Guy launches his own label with a fresh batch of deep diving jams that put the soul back in the machine. From the twinkling, starry-eyed delights of "Music Is Life" to the horizontal meditation of "Interplanetary," this is immaculately executed electronica in the fine tradition of UK trailblazers like B12 that sounds as fresh as it did in the 90s. "Warmth In Rhythm" sports a nagging house groove to suck you in with ease, while "Propulsion State" fires off a dazzling arpeggio that heads skywards with a twitchy electro backbone for company. Top shelf tackle from a seriously talented cat.
Review: Some five years after re-launching his Crayon label via a fine EP of vintage "Tracks From The Vault", original 1990s tech-house producer Mark Ambrose serves up more gems from his bulging archives. The quality threshold remains dizzyingly high throughout. Check first the moody, back room dub of "Nightshift (Deeper Mix)", where gentle, alien synth lines and deep space chords tumble down over a heavy analogue bassline and locked-in beats, before turning your attention to "Space Animals", a deliciously dubbed-out affair rich in sub bass and drifting, deep space chords. If that's not enough, flip over and trance out to B side "Seduction" and finally, the slamming techno beats, looped electronics and mind-mangling TB-303 motifs of closer "Dusty Acid".
Review: It feels like this reissue on the mighty Vibraphone has been a long time coming. While the Italian deep house bastion seemed to be focusing more on contemporary releases, they kept this gem from their back catalogue in their back pocket and now its time has come. Ricardo's "High Flyer" is a stone-cold deep house stunner, whichever version you plump for. The swooning pads and sweet organ lines are great on the original version, but for us the "Angel Mix" pips it with the edges smoothed out for a pure escapist strain of deep house truly sent from the heavens.
The Music Got Me (Nick The Record & Dan Tyler Re-Spanimated dubb) (7:44)
The Music Got Me (Bawrut Bawracid Workout) (7:05)
Review: Second time around for Ransom Note's essential reissue of the late, great Boyd Jarvis' sublime "The Music Got Me" - an alien, otherworldly proto-house instrumental that became a NYC club anthem when issued on Prelude under the Visual alias. Jarvis and Timmy Regisford's mesmerizing "original dub" kicks things off, creating a hypnotizing mood via an awesome bassline, cascading synthesizer melodies and sparse vocal hooks. It's accompanied by a stellar re-dub by Nick The Record and Idjut Boys member Dan Tyler. The pair smothers key sections of the track in tape echo, dub delay and ricocheting reverb, in the process creating a druggy, wide-eyed early morning classic. To round things off, Bawrut re-imagines the early '80s jam as a twisted, mind-altering acid house jacker.
Review: On the A1 Chekov follows up their moves on Peach Discs and Timedance with a proper peak timer, they've been described by Ben UFO as 'king of the build up' and that's evident on this one. At the A2 London's Doppelate makes their Cong Burn debut with an elegant tech-house roller. Fresh from Russia's underground is Camin, on this, his debut 12" release he drops a useful tool which squeezes between electro and techno. Cong Burn founder Howes closes the B side with some warm hypnosis that could have landed in the golden era of Workshop.
Review: Having demonstrated the breadth of his artistic vision with the excellent One Against Time album last year, John Dimas returns to Half Baked with a focused 12" of dancefloor heaters that keep the vibe varied but the beats ever-present. "5putn1k" is a cheeky, boxy workout with plenty of swing and some wriggling bassline flex. "@L5d" takes a trippier route through spaced out synth lines and a subliminal rhythm section for maximum lock-in, and then "5p@c3 T@lk" heads skywards with a gorgeous tapestry of melodious expression strapped to a rock-solid groove. "@rkyn" completes the set with a snagging 2-step funk and plenty of the space in the mix for the meditative crew to get all eyes-closed to.
Review: Petr Serkin has been delivering classy funky house variations to Freedom Sessions and elsewhere for some time now, and after a three year break his dependable touch does the business once again on this new missive. "City Worms" is a gorgeous house track that draws on classic instrumentation - slinky live bass, gossamer Rhodes chords, brushed drums and wah wah guitar chops - to create an immersive groove. "Remember That Summer" takes things deeper, using similar ingredients but spelling out a smokier mood. "Water Planet" takes on a light and breezy disco funk veneer as viewed through a misted out lens, and "Jazz Drummer" takes a mellow trip into some seriously swinging drum cuts.
Review: Trustworthy techno outpost Chronicle are the kind of label you can still get behind when they drop an unnamed artist. Whoever's behind Cycle De Motifs, the bar remains reassuringly high for those wanting fresh firepower in the serious techno game. "GPS" is a fist-shaking piledriver, but it's not without its cerebral nuances between the surging low end. Who needs a kick when you can have a relentless sub to carry you through the night? "C-Signature" darts out into equally intriguing territory with a creeping, insectoid array of sound design working around a minimal beat. "Gateway To Infinity" piles the eerie, looping figures on and continues spiraling outwards, and "Nepthys" plies an old-skool drum machine jack in the finest Plastikman tradition.
Review: Magnus Asberg, also known as C-Soul, has appeared all over the place from Viva Music to Ornate and Plastic City over the years, but now he launches Romana to carry more of his on-point tech house grooves. He makes the tasteful move to invite Asad Rizvi to drop a remix of "Life" on the A side. Under his Silverlining guise, Rizvi rolls out a typically classy, bumping jam with plenty of metallic shimmer and heavy grooving low end. The original of "Life" shores up on the B side - it's a more rolling, loopy affair for the long mixers out there.
Manuk & Oli Silva - "Nevermind The Crispies" (5:55)
Eliaz - "Verdico" (7:06)
Meta 4 - "Urnammu" (7:45)
Jorge Gamarra - "Dypac" (5:42)
Review: There's a certain air of buy-on-sight mystique around EYA Records, somewhere between the low-key presentation of the music and the cult artists they're calling on to realise their particular vision of deviant dancefloor business. This is unabashed freaky party tackle, from Manuk & Oli Silva's delirious B-movie jack track "Nevermind The Crispies" to the uneasy electro snarl of "Verdico". Meta 4 has equally nightmarish moods to share on the graveyard acid of "Urnammu" and Jorge Gamarra seals the deal with the schlocky braindance horror of "Dypac". It's the kind of record that you'll be reaching for come Halloween, trust.
Gus Gus - "Your Moves Are Mine" (Sanasol remix) (9:24)
Thor - "Black" (7:32)
Biogen - "Stream" (Sanasol Lost In Time remix) (6:39)
Review: Next up on the ever-excellent Oscillat is "Spellbound" by the supremely talented Matthew Dekay. This moving deep house jam uses a few key elements to make a soul-stirring confection for truly spine-tingling moments in the middle of the dance. From the slithers of vocal to the insistent key riff that bounces throughout, this is an outstanding slice of contemporary house music loaded with feeling. Mandar then take the original and inject it with a feisty peak time energy shot through with a little trancey magic and an acidic undertone. It's not a raging beast but rather an energizing workout for the brain and the body - just what you need in the midst of a marathon.
Review: Aesthetic got off to a strong start with a various artist release from rising talents Nick Beringer, Niko Maxen, Stevn.aint.levn and Sy. Now they return with a solo release from LOY, who's previously been spotted on labels like Minim and Laate. You can expect sleek and refined minimal house grooves of the highest order, warm and dubby but equally honed for the more energetic hours of the party. "Dubdiver" is especially immersive with its shimmering ripples of brain-massaging melodic content, while "Blind Trip" takes things in a more brooding, emotive direction for duskier moments in the midst of the endless house shuffle.
Review: Brazilian label Allnite Music is back with another sure shot from label boss Apoena that locks into an immersive, head-nodding groove from the get go. "Retoside" is a perfect deep house burner, understated and yet utterly grooving where it counts. "Attachment" has a more sprightly, uplifting quality tailored to sunny situations, while "Hemp Restriction" takes things in an airy direction while rocking a solid 90s backbone. "The Sutilties" completes the set with a dreamy roller splash, with sweet leads and some chopped up vocal hooks that accent the innate funk of the track in fine style.
Review: Alberto De Santiago has already slipped out a few killer edit-rich hits, which drew favourable attention from Spanish label Night Shift. He launches the Discollection EP with the soul-soaked feel-good flavour of "Love Sauce," steeped in the finest disco ingredients to inspire impassioned expression on the floor. The heat stays right up for "Since I've Been Gone", which is packed full of Philly strings aplenty and enough dramatic drops and chops to melt even the hardest frown. "Most Expensive Diamond" and "All The Way" have that magic touch too - these are loud and proud vocal edits to get people dancing on the ceiling. You can't go wrong with classic source material like this - Never Dull indeed.
Review: The Micronesia label has always impressed with its various artists releases, although they're never in a hurry to get another record together. Finally volume three is here, and it features another intriguing cast of characters. Rudolf C brings some crisp and crackling deep house bedded down with hazy pads and sprinkled on top with curious cosmic trills. LK is back on the label with a mellow roller, while Leonid gets things hot and sticky for the clamoring throb of "Cosmic Origin". Alpha Crucis pings off into super-deep backroom quarters with the gorgeous "About U", and DX2OV keeps things chilled but funky on the dust-caked "Cone".
Review: You should know by now that Plastik People is the go-to spot for the most upfront garage house done in a classic style, and they're spelling it out good and proper with The Sound Of Garage House. Marc Cotterell leads the way with the jazzy vibes and deliciously liquid chords of "Those Days" before Ed The Spread brings a nagging shuffle and sharp string stabs to hard-stepping bumper "The Bauhaus Movement". Grant Nelson keeps things tuff with the natty piano hooks and diva slices of "Move Close" while Rocket Dubz ups the funk to 11 for hands in the air party starter "Dirty Bath".
Review: Constant Black continues its superb string of releases with this latest outing for the imprints close affiliate Michael James. The label run by Burnski and Jon Woodall hands things back to James for an outing of deep minimal grooves. "Bosh!" starts things out just how you would expect with a title like that, strong punching swinging rhythms ready to sway any party. "Pol" and "Hallucinate" keep the momentum going with sleek minimal works, which are sure to be utilised across the globe this summer!