Wishing (If I Had A Photograph Of You) (extended remix)
The More You Live The More You Love (extended remix)
Nightmares (extended remix)
DNA (extended remix)
Electrics (extended remix)
Man Made (extended remix)
Tranfer Affection (extended remix)
Review: This year, the original A Flock Of Seagulls line up is touring together for the first time since 1984. To celebrate, they've decided to put out this collection of "Extended Essentials" - club-ready 12" versions of their original 1980s hits. There's naturally plenty to enjoy throughout, from the hazy shuffle of "Transfer Affection" and the alien freakiness of "Space Age Love Song" (a cut smothered in eyes-closed guitar solos that changes tempo midway through), to the surprisingly cheery hustle of "Nightmare" and the classic new wave creepiness of early single "Modern Love is Automatic". These aren't 12" mixes that showcase 1980s production trickery, but rather tasteful extensions that ratchet up the atmosphere and thrusting grooves.
After Upheavil (Richard H Kirk remix - Adi Newton Radical version)
Zulu (Richard H Kirk remix - Adi Newton dub version)
Review: Following the original dissolution of legendary Sheffield industrial funk outfit Clock DVA in 1984, founder member Adi Newton struck out on his own with The Anti-Group: an experimental project in which he could explore a variety of sonic worlds with the aid of a revolving cast of likeminded Steel City stalwarts (Richard H Kirk, Stephen Mallinder, Martyn Ware and Warp co-founder Robert Gordon included). "4x12" is a retrospective of sorts, gathering together tracks from three 12" singles ("Ha-Zulu", "Big Sex", "Broadcast Test") and one mini-album ("ShT"). Musically, it veers from collage style sample patchworks and dark ambient soundscapes to rubbery industrial funk, twisted post synth-pop, EBM-influenced workouts and madcap experimental escapades.
Review: Shoegaze dream pop duo Molly - out of Innsbruck, Austria - deliver an alpine coloured CD to compliment the elemental themes of their debut album. It follows two previous singles in 2016-17, respectively, suggesting that last year was spent entirely in the studio. As it turns out their studio sits atop their native alps and laced throughout this LP are field recordings of their chosen summit which only offers more space to an already expansive, glacial and epic sound. With the 15-minute album opener "Coming Of Age" a mountain of production in itself, Molly right now are hitting their peak.
Review: Minneapolis trio and Domino Records project Night Moves delivers their third album, going some length to perfect a brand of poppy psychedelia. Since debuting in 2012 with the Colored Emotions, the band have honed their craft and created a version of what sophisticated, emotional modern pop music can be. And as we enter the summer of 2019, the band's chosen atmosphere oozes with a new sweetness and sound evocative of holidays past that still carry with the sentimentality of cherished memories. Highlights include the breeziness of "Recollections" and the classic disco meets Bee Gees-styled funk of "Waiting For The Symphony".
Review: Since debuting as Grouper back in 2005, Liz Harris has delivered a swathe of experimentalist albums that explore almost every aspect of ambient and drone music. Here she launches a new project, Nivhek, via an expansive double-album of sparse, atmospheric compositions that tend towards the epic. Really, it's two albums in one. The first slab of wax is entitled "After Its Own Death" and boasts a two-part, non-stop suite of tracks built around echoing choral vocals, dark electronics and blissful bells. It's alternately melancholic, blissful and grippingly intense. In contrast, "Walking In A Spiral Towards The House", the piece stretched across both sides of the second record, is breathtakingly beautiful - a meandering, soft focus trip through chiming, reverb-laden motifs and gentle music box melodies.
Review: The Soft Cavalry have arrived, a new project of husband & wife duo Steve Clarke and Rachel Goswell. Their debut, self-titled album has been described as falling somewhere between Pink Floyd, Talk Talk and R.E.M. To put it another way; slow motion stoner surf rock meets subtle shades of folk and washed-out Shoegaze. Dancier and straight-laced drums primed with disco energy also find their way into tracks like "Bulletproof". The album finds its unique space in seemingly being able to create a new study into cosmic folkology; perfectly weighted with atmospheres that drift across and through the album's many dimensions.
Review: It's taken a while, but finally Thom Yorke's impressive third solo album, "ANIMA", is available on wax (and in a fetching shade of orange, too). A future classic that continues the legacy he started with XL Recordings back in 2006 (with his solo debut The Eraser), ANIMA is well worth picking up, as Yorke and co-producer Nigel Godrich offer up evocative, off-kilter songs built around the twin attractions of the Radiohead man's distinctive vocals and skewed backing tracks rich in layered electronic noise, body-bending sub-bass, discordant synthesizer parts and intriguingly jaunty drum loops. Highlights are plentiful throughout, from the creepy, lo-fi ambient swirl of "Last I Heard (...He Was Circling the Drain)" and "Dawn Chorus" (a blissfully dewy-eyed early morning soundscape), to the low-slung, post-trip-hop hum of "I Am A Very Rude Person" and the fizzing, jazz-fired thrust of "Impossible Knots". Melancholic, yes. Deep and self-effacing, of course. Nihilistic, not really. Percussive futurist sub-pop is back.