Review: The best thing since the Klaxons or Bloc Party have arrived. black midi! The student art rock band are bringing a new youthful energy and slight of malice back to the arena of post-indie inspired alternative guitar and synth music. They make this overtly known from the start with the supercharged opener that is "953", introducing an album that is said to have laid down eight of the record's nine tracks in just five days. Drums are fast and skittering, rhythms are dancey and guitars keep it Madchester jangley. "Speedway" (is that a wry Prodigy reference?) is among the album's highlights alongside the punk-funky "bmbmbm" and the short but trippy "Years Ago". With a 100 per cent backing by UK music institution Rough Trade: meet this generation's newest sensation.
Review: Harriette "Hatchie" Pilbeam has been in the incubator of London label Heavenly for roughly two years now, with the label slowly establishing the artist before this debut with a slick run of 7" singles and promo material. Colliding breathy synth pop with reverb-drench folk, a touch of trip hop and good old-fashioned indie, Keepsake presents the debut opus from an emerging talent that's helping define what Shoegaze can be for 2019. Highlights include the Enya-like "Secret" and the melancholic two step beats of "Stay With Me". With touches of Boards Of Canada to be found in Hatchie's music too, there's a deep musical brain behind these beats and it should not be slept on. Check. It. Out.
Review: Time marches relentlessly on as does the immortal sound of iconic Madchester band Joy Division. At the heart of Unknown Pleasures was the alarming vocal talent of Ian Curtis. His alien wails, echoed expressionistic vistas of urban alienation over No Wave tribal beats and Gothic guitar impressions. And despite the breathtaking intensity of the angular acid comedown "She's Lost Control", the soaringly depraved detachment of "New Dawn Fades" and the proto-slowcore "Candidate", opening track "Disorder" remained the piece years ahead of its time and most immediately enduring. This anniversary record arrives almost forty years to the day after it was originally released, splashed out on 180g ruby red vinyl with an alternative white sleeve to resemble the original and legendary cover design. Unquestionably authentic, Unknown Pleasures was a vision so uncompromising and haunting that each track was worth its length. This commemorative reissue, then, continues the celebration of one of the most important albums of our time as well as highlighting the record as a landmark in music-design crossover history.
Review: Atina 'Mattiel' Brown is a 60s psyche-pop inspiration from Atlanta, Georgia, giving the ears of a modern age a new way to appreciate a lo-fi, garage rock style of storytelling. Satis Factory presents the band with its second album since debuting in 2017 with a self-titled LP, and Brown's voice for Mattiel still reigns supreme in its bluesy, telephone filtered manner. Co-produced by Randy Michael and Jonah Swilley and recorded in their native Atlanta, the vintage touches applied to the band's music sees an authentic blend of deadpan vocals, jangly guitars meet with a touch of spaghetti western, subtle touches of folk and rockabilly, with that perfect smattering of dusty sundown blues.
Review: After years of what has seemingly been live record after live record - (not to mention their debut Broken Boy Soldiers album haunting our Juno offices for nearly a decade) Jack White's inspired troupe are back with a bang - exploding with Help Us Stranger. Think the amplified epicness of The Who. The album twists and turns through telephone amplified blues ("Help Me Stranger"), the dandy piano ballads in "Shine The Light On Me" to the rolling, western, country drums of "Hey Gyp (Dig The Slowness)". Regardless of the tracks, this album teems with an energy that rock music has not felt for some time and there's no denying the future classic that this will become. Rock on The Raconteurs!
Review: Zru Vogue is a two man post punk avant-pop group from Palo Alto, California, combining the talents of Andrew Finkle and Rick Cuevas. The band began in 1980 as a four member group: Rick, Andy, Tom Sanders and Nancy Miller. Tom and Nancy left the group shortly after the first single, "Nakweda Dream", was released by independent San Francisco label Adolescent Records in February 1981. Inspired by rave reviews and heavy airplay on alternative radio stations, Andy and Rick went back into the studio, now as a duo, to record some new ZRU tracks. The self-tilted LP was released on the band's Zero Risk Records in 1982. It contains eight compositions blending African tribal and Middle Eastern rhythms, avant-garde rock, minimal electronics, and funk-rock guitars. The duo's sound is inspired by the art and anti-art movements of Dada and Surrealism. All songs have been remastered by George Horn at Fantasy Studios. Each copy is housed in a replica of the original jacket, which features artwork by the group members, and includes the original 2-sided lyric sheet.