The Sixteen Steps - "Tales From The Old Country" (5:47)
Neud Photo - "Plagued By Consciousness" (6:08)
Review: As was the case with its predecessors, the third volume in VEYL's ongoing "Previously Undisclosed Rituals" series is packed to the rafters with angry, lo-fi club cuts, paranoid pagan techno and wild, mind-altering dancefloor throb-jobs. It's all of a high standard, of course, but we're particularly enjoying the drowsy late night hypnotism of Terrence Fixmer's "Always Through", the pitch-black electronic body music of The Sixteen Steps' "Tales From The Old Country", the foreboding late night creepiness of Neud Photo's decidedly trippy "Plagued By Consciousness" and the rip-snorting techno stomp of VTSS's nails-hard opener "Toxic Bleach". In a word: intense.
The Heart Of A Man, The Desire Of A Monster (5:06)
Psajcedelic Power (3:17)
X20000 (Open Source) (6:01)
The Dominance Of Blood Worship (7:24)
Review: Swiss minimal electro pranksters Les Points return with another mysterious release under the alias of Elektronische Sequenz Proleten. We aren't exactly sure which members of the collective are responsible for this one, but you can sure bet it's jam packed with more zany retro shenanigans than you can swing a modular at. Early '90s industrial seems to be in the heart of side A, as heard on the muscular stomp of "The Heart Of A Man, The Desire Of A Monster", while the pounding rhythms and stuttered samples of "Psajcedelic Power" call to mind early acts like Front 242 and Frontline Assembly. On the flip, we have two mental and full throttle acid cuts which are not for the faint-hearted.
Review: Yu Asaeda's been putting out a whole range of quality, bass-centric sounds under the name ENA since the late 2000s, but these have come out on a rather sporadic basis. Appearances for the infamous 7even Recordings was followed by material on Samurai Horo, the excellent Hidden Hawaii and, more recently, the Samurai label's offshoot, Horo. Divided: Body is so much more than a mere 'bass' EP, and it actually manages to veer off into some pretty strange and imperceptible sounds that remind us of the material emanating from the PAN consortium. For instance, the opening "11th Divided" manages to create a raw, loose groove out of fractured synth sounds, which is followed up nicely by the swarming drones operating in the higher ends of "12th Divided". Over on the flip, "13th Divided" launches a subtle yet hefty groove made up of what sound like bass pops made from a monophonic synth, which leaves "14th Divided" to linger in its dreary pool of fuzzy drones and washed-up sonics. A massive, merited TIP!
Review: The latest volume in Brokntoys consistently excellent DDQ series comes courtesy of Elements of Joy, one of the lesser-known aliases of UVB producer Sebastien Michel. All four tracks originally slipped out on a limited cassette on Michel's own Body Theory label back in 2016, and here appear on vinyl for the very first time. Built around the producer's love of industrial, experimental new wave and dark ambient, all four cuts are fuzzy, dystopian and thoroughly alluring. Highlights include the foreboding, distorted shuffle of "Les Consequences De Mes Actes", the throbbing industrial-funk heaviness of opener "In Every Man" and the droning, guitar-laden growl of closing cut "The Great Struggle".
Review: Emptyset have been innovating in the world of electronic music for over a decade now. James Ginzburg and Paul Purgas' music is challenging yet poignant, artful yet immersive and fuses sound design with raw audio synthesis. "Blossoms", the new record for Thrill Jockey was developed by a process of "seeding a software model with a sonic knowledge base of material to learn and predict from". That base material was then embellished with 10 hours of improvised recordings using sources such as wood, drum skins and metal, giving rise to this bleakly beguiling album of drone, industrial and audio experimentation.