Review: Current heroes of the industrial techno sound here tend to focus on the industrial side of things for The Cast Project: a vinyl affair from Los Angeles based on the collective sounds from a faction of artists. They are said to gather a few artists; each of them providing several unique audio samples, clips and/or field recordings that best define their sound. They then collect the samples from each artist and redistribute them to the artists as a master pack, at which point they create a unique track. First up fellow Los Angeleno Luis Flores delivers the grinding and guttural first offering, while 138 then delivers some impressive Autechre styled IDM on his/her effort. On the flip, Dutch terroriser Bas Mooy delivers a furious and powerful warehouse techno stormer that blows the doors off as always. Finally Serbian duo Ontal deliver some more of their typically contorted takes on techno.
Review: 12 months on from his last outing on Ron Morelli's celebrated L.I.E.S. label, former Napalm Death noisenik Mick Harris once again dons the Fret alias for another exploration of techno's farthest, darkest corners. He hits the ground running with "Slowly Moving In", a polyrhthmic industrial techno workout full of ricocheting, end-of-days electronics and distortion-soaked drums. "The Hill" is, if anything, even more panicked and bone-rattling, as if Harris had re-imagined the soundtrack from notorious Sheffield-based nuclear winter drama "Threads". Over on side B, "Pirates" is a formidably fuzzy and mind-altering attack on the senses, while "Walking With Cameras" adds creepy refrains to one of Harris's weightiest rhythm tracks yet.
Review: If you're in the mood for some industrial-strength dancefloor experiments and lo-fi workouts saturated with noise, this collaboration from old studio buddies Felix Krone and Yu Aseada AKA Ena should hit the spot. It's an altogether more foreboding and paranoid beast than their previous joint excursion, hence the new "F&E" alias. After offering up a decidedly dystopian ambient intro, the duo slowly cranks up the pressure via the industrial dub techno/electro fusion of "Thesis" and the crackling lo-fi techno crustiness of "Premis I". "Premis II" offers a more percussive and rolling take on the same murky blueprint, while "Conclusion" is a suitably hypnotic chunk of dub techno.
Review: BOOM! Our favourites, Cititrax, roll the third editions of Tracks out onto our shelves, and the results are unsurprisingly strong on this excellent various artists comp. It's a mixed bag of skills, as per usual, and the sounds are those of a new NYC, fuelled by a new sort of post-industrial sensibility. Amato Y Mariana open with the tight beats and groove of "Queires Bailar", followed closely by the ominous compositions of the EBM-flavoured "Montgat" from The Sixteen Steps. On the flip, His Dirty Secrets bleeps out some morphed acid on "Structures", and "Another Stranger" from Further Reductions churns out a slow, mild-mannered house experiment with its roots clearly planted in the coldest of waves. Sick.
Review: Brazilian producer Fernando Seixlack has previously impressed with a couple of notably punky albums of experimental techno under the Innyster alias. Here he makes his debut for Ron Morelli's esteemed L.I.E.S imprint with a first full-length under his own name. While still as fuzzy, lo-fi and out-there as its predecessors, "Fernando" is a surprisingly melodious and tuneful affair, with Seixlack wrapping glistening - if distorted and pixilated - guitars and trippy synthesizer motifs around bustling machine beats and wayward electronic percussion. At times it touches on electro, at others IDM and more experimental, abstract pursuits; throughout, the album remains both hugely entertaining and pleasingly atmospheric.