Back catalogue: Industrial/Noise

Review: Gravers kicks off with a strong various artists release that sets out is electro stall in fine fashion. Kovyazin D opens up with the rugged and hard hitting electro-techno of 'Modularity' (feat Alexandr) with its stomping drums and frazzled synths. There is plenty of gothic energy to the slapping machismo of the acid laced'Proven Witch Psalm' from Antoni Maiovvi, then Millimetric offers up 'Espace' with a spiralling synth line and more caustic drums. Anton Levdikov closes down with 'Vardi' and a dark, driving bassline. This is a high impact EP for those who like it tough.

Review: Maahrt is the debut self titled EP from a mysterious producer about whom we know nothing.His new 12" opens up with an eerie bit of slow motion and cosmic techno with tortured pads. 'Clag' is another twisted mix of sinewy electronics and broken beats for dark back rooms, while 'Noma' then picks up the pace with a more weighted bottom end dragging its heels through an industrial wasteland. 'Noma' (A Strange Wedding remix) is more ready for club deployment thanks to its chugging groove and a final Odopt remix layer sin more melody, rickety drums and cosmic energy.

Review: Ground Groove is the third album from LA-based, Iranian-American producer and DJ, Maral. It begins with the sprawling, achingly heavy 'Feedback Jam', dense enough to distort reality crushed beneath the track's lumbering heartbeat and waves of distortion. As each wave recedes, samples trickle forward in the mix, voices and instruments rising and falling in uncanny reverse. 'Feedback Jam' serves both as an initiation ritual, and a thesis statement for the record that follows.
Composed largely on Ableton, Ground Groove features frequent 'live recordings from Maral on guitar, bass, and vocals - but to say it's a huge step up in mixing and audio quality is an understatement. The attention to detail is immense. 'Ground Groove's eleven tracks are 'grooves' in the obvious sense, each being driven by a persistent, propulsive rhythm, but the album's title may just as well suggest the glacial passage of time that standout voices like these emerge as landmarks.

Review: Another one of the very many top draw On-U Sound albums from days gone by gets a reissue here. 1984's Warzone by The Missing Brazilians (a project led by label founder Adrian Sherwood in collab with vocalist Annie Anxiety, members of African Head Charge and Dub Syndicate as well as various others from the On-U Sound family) is the only album the collective put out. It's a grimy mix of dub, industrial, electro, experimental, reggae and electronic sounds with famously abrasive textures. This reissue brings it back to the fore with a great mastering job that demands loud plays and close inspection.