Back in stock: International

Review: Azymuth's Outubro is just one of the many vibrant and captivating albums in their oeuvre that embodies the essence of Brazilian jazz-funk fusion. Released in 1980, it features the cult collective's signature blend of infectious rhythms, intricate melodies, and soulful improvisation. The album's title track stands out as a shining example of the band's musical prowess with its irresistible groove and lush instrumentation and throughout the record, Azymuth showcase their mastery of blending traditional Brazilian rhythms with elements of jazz, funk and electronic music to create a timeless and immersive that remains a classic in the realm of Brazilian music.

Review: Together under the starry skies of the 70s, Arnaud Rodrigues and Chico Anysio made some of the most incredible music of that decade, under the name of Baiano & Os Novos Caetanos. Their legendary debut LP from 1974, under their own name, has become a Brazilian funk addict's must-have, not to mention a Holy Grail for contemporary sampling. Until now, it's been difficult to get a hold of it on viny format, so we're super psyched that the irresistibly reliable Far Out label has decided to reissue it. With 11 tracks to marvel at, there is a slice of funk for all walks of life and, of course, there is so much grooving to done! Quite simply, this is feel-good music for feel-good people, and this duo's vibes are just about the best thing we could ask on this June morning. Cop it before it's too late - we wouldn't want you to suffer at the hands of the online sharks, now!

Review: Opa's Back Home was first reocrded in 1975 but not released until 1996; it was the fourth and final album by the esteemed Uruguayan fusion band, whose preferred admixture was usually some melted pot of funk and samba, making for an impressive heuristic building on their intuitive recalling of their mutual upbringing in South America. Mysteriously (for reasons unknown to the band), Opa's debut was shelved and remained so until the mid-1990s. But the story goes that it was recorded after renowned label producer and owner Larry Rosen heard the band playing in a Brooklyn nightclub; with this in mind, Back Home makes for an ironic title, since the sonic turn expressed by the band is not one of homesickness, but rather that of an immersion in New York's metamorphous music scene ('Brooklynville' has an instant proto-hip-hop vibe, if not for its original urban field recording, then certainly for its bulbous broken funk twang). Now reissued on vinyl and CD via Far Out, you won't want to miss this round trip.