Groove Ma Poule (feat Djeuhdjoah & Lieutenant Nicholson)
Daddy Sweet (feat Pat Kalla)
Li Dous Konsa
Sa Ce Kado
Shake It & Rise Up
Nosso Carimbo E Do Mundo (feat Pinduca & Nazar Peirera)
Se Nou Menm
Boug Bagay La
Penda (feat Emma Lamadji & Kandy Guira)
Review: Under the Guts guise, instrumental hip-hop beat-maker turned tropical soul enthusiast Fabrice Franck Henri has become one of Heavenly Sweetness' most reliable artists. "Philantropiques" is Henri's first album for three years and could well be his most expansive and adventurous to date. The set's 15 tracks are as colourful and musically rich as you'd expect, with the storied producer and a range of vocal collaborators conjuring up tracks that draw influence from a myriad of Central American, Caribbean, South American and African styles. The results are uniformly excellent, with highlights including the tropical shuffle of "Mucagiami (feat Vum Vum)", the sun-kissed French Caribbean funk of "Daddy Sweet (feat Pat Kalla)", the Afro-Tropical rush of "Kenk Corner" and the synth-powered brilliance of "Shake It & Rise Up".
Review: The work of Northern Brazilian musician-turned-bandleader Mestre Cupijo has long fascinated record collectors. Much of the allure can be attributed to Cupijo's trademark sound, which fused African-influenced Brazilian dance music and traditional Amazonian rhythms with sounds from Colombia (notably cumbia), Cuba and the Dominican Republic. The results, as showcased on six albums during the 1970s, were exciting and enthralling; a cross-pollination of sounds heavy on jaunty horns, shuffling rhythms and celebratory vocals. Here, Analog Africa presents the first in-depth retrospective of Mestre's work, hand-picking the finest tracks from his six obscure 1970s albums and offering them up in remastered form. For anyone interested in either African or Brazilian music, it should be an essential purchase.
Messias Holanda - "O Galo Canta, O Macaco Assovia"
Vieira E Seu Conjunto - "Lambada Da Baleia"
Verequete E O Conjunto Uirapuru - "Mambo Assanhado"
O Conjunto De Orlando Pereira - "Carimbo Para Yemanja"
Pinduca - "Coco Da Bahia"
Messias Holanda - "Carimbo Da Pimienta"
Verequete E O Conjunto Uirapuru - "Da Garrafa Uma Pinga"
O Conjunto De Orlando Pereira - "Maruda"
Magalhaes E Sua Guitarra - "Xango"
Vieira E Seu Conjunto - "Melo Do Bode"
Grupo Da Pesada - "Voa Andorinha"
Grupo Da Pesada - "Lundun Da Yaya"
Mestre Cupijo E Seu Ritmo - "Despedida"
Review: Analog Africa's latest must-have release focuses on the little-known musical culture of the Para state on Northern Brazil, and specifically the port city of Belem. Since the 1960s the city's musicians have been serving up unique and exciting new styles that draw as much on West African, Cuban and Caribbean music as they do the rhythms and instrumentation of the Amazonian tribes based nearby. It's these kinds of unique and exuberant fusions - think heavy bass, bouncy ska-style rhythms, punchy Afro-Cuban horns, densely layered drums, celebratory vocals and tropical guitars - that make "Jambu E Os Miticos Sons Da Amazonia" such an essential listen. Context is provided via the included 44-page booklet, whose extensive liner notes track the development of Para's unique musical culture.