Review: Luv N'Haight's Edits series hits pay dirt here with the supreme pairing of Harry Whitaker's Black Renaissance project and Los Angeles producer par excellence Gifted & Blessed. The focus here is the Black Renaissance classic "Magic Ritual" which is present and correct on the B Side and if you don't know this highlight from the Body, Mind & Spirit LP then you need to get involved because it's a superb exercise in New York jazz, especially when that sax hits! Still though, the main draw is the remix from Eglo and Wild Oats artist GB and it's a killer reworking, implementing shards of the rattling, jazz percussion into a thick set beast that funks from start to end.
Review: Nicola Conte and Gianluca Petrella follow up last year's beautiful "African Spirits / New World Shuffle" with two more lavish instrumentals. "Sun Song" lives up to its name with wave after wave of heated musicianship from the belting harmonies to the light-touch keys. "Nigeria" taps deep into the source too as it drives us through the heart of Lagos with full horns and sweeping keys. Spiritual, sun-splashed and vital.
Review: Ahmad Jamal track been sampled and reworked by Hip Hop greats
Primo - Gang Starr Solilquay of Chaos to Black Moon -Black Smif-mWessun- Pete Rock flipped on Something Funky release.
Richard Evans bass player and arranger blazes Jazz Funk intro, really sets it off from Original Foster Sylvers version very hot tune !!!
You're Gonna Need ME Dionne Warwick
1973 Monster of Pysch Soul tune
Written by Holland - Dozier- Holland Studios arranged by Mckinley Jackson you can hear that RAW DETROIT FUZZ FUNK Sound.
Dilla aka Jay Dee brought to the light of day after he flipped it on his Famous Donuts album (STOP) back in 2006 Well that history we already know!
Wu-Tang's Clap from THE W album (2000) as bonus track!
Seyoum Gebreyes & Wallias Band - "Muziqa Muziqa" (3:42)
Wallias Band - "Muziqawi Silt" (3:44)
Review: Destination Ethiopia: The Wallias Band are one of the country's longest standing troupes with over 20 years service to their name from the early 70s to early 90s and serious accomplishments such as being the first Ethiopian band to tour the USA. Here they're represented in all their full spread glory; "Muziqa Muziqa" has an almost northern soul dynamic with its speed and wily sax blasts from Seyoum while "Muziqawi Silt" is a much more measured, introspective affair. Beautiful.
Jef Gilson Septet avec Lloyd Miller - "Le Grand Bidou"
Jef Gilson Septet avec Lloyd Miller - "Fable Of Gutenberg"
Jef Gilson Septet avec Hal Singer - "Chant Inca"
Jef Gilson avec Hal Singer - "Mother Africa"
Review: Limited reissue of French, modern spiritual jazz tracks on Kindred Spirits - holy grail for some, a great new discovery for most of us! Really cool and playful music - full of 50's angst. Gilson's 'Avec...' is comparable to Mulatu Astatke's Ethiopics style jazz. Full length CD to follow.
Review: Rocafort Records has excelled itself once again with this release, a four-track journey into "oriental jazz" by a quartet of international musicians helmed by young Turkish pianist, composer and arranger Gokhan Surer. He describes his style as "world, fusion, jazz", which is a neat summary of the exotic, evocative and emotion-rich material on offer. Check first the warm occidental jazz shuffle of "Chimera" before recoiling in wonder at the Turkish strings, double bass, hushed percussion and jazz-funk style electric piano solos of "Dere". Over on side B, "Makam Rasta" is an inspired fusion of reggae, jazz-funk and Arabian instrumentation, while "Onbesli" is a rolling fusion cut underpinned by hip-hop style beats.
Review: Matthew Halsall's Gondwana label is seeing a busy August what with the imprint flooding our jazz charts with reissues and, of course, new releases such as this wonderful collaborative effort from The Gondwana Orchestra and Dwight Trible. Trible's voice is like silk, running up and down the delicate waves of melodies from the collective, with "Colors" and "The Creator Has A Master Plan" both capable of making the toughest of audiences feel utterly uplifted. On the flip, "Love Is Everywhere" shines bright amid a flurry of flutes and intricate drum percussions, while "You've Got To Have Freedom" rides off a much smoother, deeper sort of vibe that's got a little funk at its core. Wicked.
Review: Penny Goodwin's material is hard enough to come by in LP format, but the 7"s really are a sight for sore eyes. Luckily, we got Athens Form The North on our side, a stupendous soul and funk reissuer that has been delivering some serious heat over the last three years. "Too Soon You're Old" is a 1973 soul charmer, full of mystique and sensuality, the track moves slowly but with a great deal of funky swing to its bass. "Lady Day & John Coltrane" is a different kind of swinger, an uptempo funk ballad backed by flurries of organs and drum rolls, whereas "What's Going On" heads down a spiritual jazz tip to complete what is the most diverse soul single we've got to offer this week!
Review: First things first; what a title! Naturally it lives up to its enticing name. Breezy and woozy, it's harmonica heaven that leans towards country just on the right side of sad. The equally ace titled "Have Spacesuit Will Travel", meanwhile, veers more into cosmic Jeff Wayne. Parts two and three finish the set: the former's a fly-by-night Booker T/The Meters style jam while the latter winds things down in a hazy early Bonobo musk.
Review: For the latest missive on their excellent Jazz45 sub-label, Jazzman has decided to offer up two sought-after catalogue cuts from contemporary spiritual jazz maestro Muriel Grossmann, a sax player, singer and composer who already has a swathe of quality albums to her name. First up is an edited version of 2018 cut "Golden Rule", a wonderfully breezy and out-there affair that sees Grossmann add mind-altering sax solos to a heavily percussive, off-kilter backing track rich in jaunty pianos and slick double bass. On flipside "Okan Ti Aye" she layers up the drums and cymbals further while offering bolder, heavier sax motifs. The result is a track of rare drive and intensity.
Review: Following their surprise reunion and Strut-release album We Be All Africans last year, Idris and The Pyramids return... This time on Max Weissenfeldt's Philophon imprint. Laying down a spiritual arrangement so frenetic and full of its own life it takes up two parts, Idris's sax plays duet with Philophon's own vocalist Guy One. Gutsy, raw and full of surprises, it's another out-of-body experience from the longstanding jazz troupe.
Review: The first release from the Axis Audiophile Series. Jeff Mills has formed an electronic jazz fusion band and this 12? is a recording of their recent performance in Kobe during the TodaysArt.JP Festival. Mills manages the decks, drums and percussion and is joined Detroit legend and Underground Resistance stalwart Gerald Mitchell (Los Hermanos/Galaxy 2 Galaxy), keyboardist Yumiko Ohno and bassist Kenji Jino. "Eventide" has the same kind of urban, uplifting soul as anything Kaidi Thatham or Mark de Clive-Lowe have made and isn't bad at all! On the flip "Happy Gamma Ray" features uplifting keys and emotive chords backed by funk bass and one of Mills' unmistakeable 909 drum machine workouts. It really seems that there's no limit to this Motor City legend's creativity which has spanned nearly 30 years and we're excited about this new chapter in the Wizard's sonic universe.
Review: Schema regular Gerardo Frisina has dug deep for the A-side of this very special 7". Taking the Booker T dreaminess and Hammond flourishes of The Lola's super-rare "Soul 70", he's beefed up the percussion and added an array of richly textured dubbiness with mesmerising effect. Flip for "Colours". An original by Gerardo, it's the ideal foil to the somnambulant sonics of the title track; stomping with northern soul glee, it's a spellbinding fusion of flutes, heavy percussion and wily organ stabs. Schema seldom disappoint, and Gerardo is the reason why.