All Day I Dream Germany Vinilo y CD

Review: Bona Fide returns on All Day I Dream with his first proper release named Entropy. The Amsterdam-based DJ and producer has certainly found a fitting home for his style of dreamy house on Lee Burridge's label, with highlights on the full-length not limited to: the mesmerising title track with its sublime steel drums playing centre stage, the deep dive into the exotic that is 'It Comes Around', through to the deep and sensual mood music of 'Alter Ego' featuring Zone+, the melodic fantasy of with 'Love Sparkles' with Wassu and the blissed-out closing cut 'Luminous' which is the perfect soundtrack to open-air rooftop style fun in the sun.

Review: Belgian producer Dim Kelly returns to All Day I Dream with Beau Rivage, a radiant sonic nonagon of textural mackerel skies and progressive ejections into aerospace. Made in a wooden cabin outside Brussels, the record leaves behind it a trail of club-intended atmos, from the poetic pulse of 'Redemption' to the intricate two-part title track. The name Beau Rivage translates from French to "beautiful shore", and the music matches, evoking the frothy back-and-forth laps of a human soul in phase transition, gradually marooning like a wave from sea to sand.

Review: Dim Kelly has previously proven to be one All Day I Dream's most reliable contributors, unleashing a series of EPs full to bursting with emotive, soaring and subtly tech-tinged progressive house treats. He has a trademark sound of sorts - think sweeping strings, life-affirming melodies and sumptuously dreamy chords - and it can be heard loud and clear on his latest three-tracker. Check first Mondigo collaboration 'Homily', where eyes-closed male vocals and melancholic piano motifs rise above immersive chords and suspenseful tech-house beats, before admiring the more uplifting and colourful dancefloor bliss of the Maya Safar-voiced 'Like When We Love'. To round off another immaculate EP, Kelly reaches for twinkling pianos, luscious orchestration and more metronomic beats ('Rising Child').

Review: Like its' two must-check predecessors, Lost Desert's third collection of collaborative cuts is packed to the rafters with melodious and tactile treats. Fittingly, they first hook up with regular studio buddy (and label boss) Lee Burridge on 'My Time With You', a gorgeous, deep and dreamy house workout blessed with twinkling electric piano motifs and a suitably squelchy bassline, before joining forces with Junior Akwety on the bittersweet brilliance of 'Mwinda', where simmering synth-strings, enveloping chords, West African vocals and a subtly garage-influenced deep house groove catch the ear. Madrass and vocalist Sofiya Nzau lend a hand on 'Dwokire', an immersive, tech-tinged deep Afro-house number, while Lost Desert go solo on saucer-eyed deep tech-house cut 'Liebe Dich'.

Review: Tricky, textural minimal once again from All Day I Dream, delivering another EP from their mainstay Greg Nairo. 'Omala' sonically expresses the deft inner workings of a jellyfish; pulsating and pushing through the abyssal waters comes 'Phyla', with its white noise sweeps and plucky stabs conveying a near-oceanic sense of curiosity. An ambient version of the former track 'Bhurma' makes the B; this is mover music for deep-sea-dwelling Drexciyans on vacation.

Review: Lee Burridge's All Day Dream has one of the most recognisable sounds in house music. It's deep, its; dreamy, it's organic. Within that framework, he has recruited plenty of fresh talents to find their own niche and now serves up some sounds from his current squad on this lovely summer sampler. Luca Saporito kicks off with the melancholic chords of "Next To Me Ft. Dalma Puska's, Marian (Ar) locks you into a state of hypnosis with 'Obsidian' and Pole Folder, Gmj & Matter bring subtle day time trance vibes to 'Voyage Austral' which is rich in prog energy. Lauren Ritter's 'Form Constant (Lost Desert RemiX)' is a gorgeous closer with magical xylophone style melodies bring a lightness of touch and deep emotional resonance.