BBE Vinilo y CD

Review: Most people will recognize Brian Jackson as the most important collaborator with Gil Scott-Heron - between them the pair laid down a mesmerising new kind of soul which resonates in its influence and brilliance to this day. Jackson went on to work with scores of legends of Black American music, but this new album is something altogether his own. Working with Daniel Colias from Phenomenal Handclap Band, Jackson revived a long-dormant solo project from the 70s and brought it to fruition in a set of ascendant soul cuts which speak to Jackson's mighty legacy while offering something wholly contemporary. 'All Talk' bursts with jazz funk and boogie flourishes, while 'Path to Macondo / Those Kind of Blues' takes a more introspective trip into Jackson's illustrious musicality. Forget reissue culture for a minute - here's a bonafide legend still doing it in the here and now.

Review: Jasper The Vinyl Junkie is back on BBE just 20 years after his last compilation as part of the label's 25th-anniversary celebrations. Vinyl Junkie Thangs is another first-class, full flavour collection of good-time jams, cool grooves and plenty in between. Most fo the tunes here are funk-filled, jazzy cuts and edits that you will have a hard time finding anywhere else, especially for affordable prices. Some of the tunes such as those from Mr Scruff and OPOLOP have never before been on wax, while firm favs like Fred Wesley, The Fatback Band and DTrain's Hubert Eaves cannot fiat to win you over.

Review: Original disco remixer John Morales has spent much of the last decade delivering superb, multi-track reworks of classic cuts, in the process showcasing the sublime musicianship and vocals at the heart of these much-loved classics. He's the perfect choice, then, to dip into the immense back catalogue of leading Philadelphia Soul star Teddy Pendergrass and deliver updated versions. The resultant two-disc set is as inspired as you'd expect, with Morales delivering a blend of peak-time ready revisions of surging dancefloor anthems ('The More I Get, The More I Want', 'Don't Leave Me This Way', 'You Can't Hide From Yourself', 'Life is a Song Worth Singing'), sensitive revisions of deeper catalogue cuts and stunning reworks of jaw-dropping slow jams. Throughout, the troubled but immensely talented singer remains the undisputed star of the show.

Review: Remote working is not new - artists have collaborated by exchanging files since Internet connection speeds allowed it - but few have pursued it more enthusiastically than Sons of the Sun, a duo made up of South East London beat-maker/multi-instrumentalist Maverick Quest and Texas-based singer and rapper JTronius. The duo initially met online and decided to spark up a Transatlantic collaboration. The results, as showcased on this fine debut album, are rarely less than inspired. Casually joining the dots between future soul, synth-powered P-funk, Afrobeat, jazz and hip-hop, it's a set that oozes musical quality from start to finish. At times it sounds a little like Plantlife or Thundercat, at other times like a hip-hop head's take on 21st century London jazz; throughout, you'll be royally entertained.

Review: Soul Liberation was formed by a former gang leader turned preacher known as Tom Skinner. The band was born from his ministry having been a backing band for his revival style Crusades and this, Who Are You, is their second album. It's a direct lien to the soul sounds of the past but with modern produciton touches and is the sort of soothing, life enriching record that we all need in our lives from time to time. The band toured non-stop for two decades, channelling plenty of gospel influences and elements from their Christian music scene into universal songs of love with dashes of funk along the way. This is the first ever reissue of the record.