BMM France Vinilo y CD

Review: Proper wackjob broken beat concrete from Miles Newbold, touching down on swampy terrain somewhere suspended between the stark, dub-damaged bruk of Dennis Mcfarlane et al, 50s B-movie sci-fi soundtracks, 60s lounge kitsch, and the close bedroom drum machine soul experiments of pioneers like Shuggie Otis, but avoiding cliche at every turn. Highlights include the opening klang of 'Vital Signs' with its driving drum break giving way to a fantastic planet-esque sea of modular squealings and contractions and the abstract and disarmingly groovy plod of 'Possible Danger'.