Review: Robert Ouimet - the Godfather of Montreal disco - puts his magic touch on three tracks for British disco label Basic Fingers. A DJ/producer since the early '70s, Ouimet was a regular contributor to The Steede Report (published from 1975 to 1979) writing a column dedicated to the recent arrivals of imported records, in addition to his role as a disc jockey. He was also responsible for remixing Francine McGhee's vocal/instrumental mixes of "Feeling Good" and "Delirium", which both charted in the UK in 1977, as well as also Gino Soccio's "The Visitors" - having been a consultant to the fellow Montrealer on his first three LP's.
Review: Original Montreal selector Ouimet follows up his inaugural edit volume release last summer with three more classically crafted edits. Full floor focus, uptempo and deeply dug, they tick every box you'd expect from one of the original disco pioneering DJs. "Come Party" is a call to action, full horns and feels running throughout. "Where's Eugene" asks all the important questions over a rampant slap bass freak out while "Rob Can't Stop" brings us to an exultant climax with rolling drums and more slap bass that's so rude it should come with a health warning. Don't say yes, say oui!