Review: Kalbata has turned his hand to many styles over the years, not least the excellent soundsystem explorations of Congo Beat The Drum, but on this second release for his label Brush & Broom, he's decided to fling himself into the fiery pit of acid while paying tribute to 90s motocross bikes. "Honda" is dripping with 303, punctuated by a twitchy set of drums, while "Yamaha" takes a diversion into moodier territory, letting hazy chords set the tone for an energised but defiantly heads down acid workout. "Suzuki" is a bit spicier, capturing the essence of 'up-for-it' early Trax Records but edging it into more hypnotic, looped up territory. "Toyota" finishes the EP off with an atonal bleep out with an electro undercarriage.
Review: REPRESS ALERT: After launching Brush & Broom with two solo releases, maverick German producer Kalbata keeps his followers guessing yet again with this collaborative release with the equally unpredictable Maayan Nidam. "The Town" is a surefire party starter made up of catchy bleep lines, quivering rhythmic flashes and lots of shimmering FX sends that suggest this was a live jam from two talented producers locked in the groove. "Chrome Moon" takes a deeper, more meditative approach without losing those heavy echo chamber washes, where the spring reverb and buckwild delay feedback rein supreme. Wonderful, free-tripping results from an unexpected meeting of minds.
Review: A four-track acid EP by veteran producer Warlock, out on Kalbata's Brush & Broom label. Ex-amount of jaw-grind action from the London underground legend. "Violent Rays" and "Swearings" are both straight-up warehouse workouts, comfortably placed next to reflective after-hour gushers "Run DC" and "Cave Tone". Once again, Warlock demonstrates stunning crisp production, touched by old-school heritage, dating back to pre-94 legislation times. Essential.